The Uncommercial Traveller by Charles Dickens (the rosie project txt) 📕
In that lonely place, it had not been easy to obtain even such common commodities in towns, as ordinary disinfectants. Pitch had been burnt in the church, as the readiest thing at hand, and the frying-pan in which it had bubbled over a brazier of coals was still there, with its ashes. Hard by the Communion-Table, were some boots that had been taken off the drowned and preserved--a gold-digger's boot, cut down the leg for its removal--a trodden- down man's ankle-boot with a buff cloth top--and others--soaked and sandy, weedy and salt.
From the church, we passed out into the churchyard. Here, there lay, at that time, one hundred and forty-five bodies, that had come ashore from the wreck. He h
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- Author: Charles Dickens
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The dogs of shy neighbourhoods, I observe to avoid play, and to be conscious of poverty. They avoid work, too, if they can, of course; that is in the nature of all animals. I have the pleasure to know a dog in a back street in the neighbourhood of Walworth, who has greatly distinguished himself in the minor drama, and who takes his portrait with him when he makes an engagement, for the illustration of the play-bill. His portrait (which is not at all like him) represents him in the act of dragging to the earth a recreant Indian, who is supposed to have tomahawked, or essayed to tomahawk, a British officer. The design is pure poetry, for there is no such Indian in the piece, and no such incident. He is a dog of the Newfoundland breed, for whose honesty I would be bail to any amount; but whose intellectual qualities in association with dramatic fiction, I cannot rate high. Indeed, he is too honest for the profession he has entered. Being at a town in Yorkshire last summer, and seeing him posted in the bill of the night, I attended the performance. His first scene was eminently successful; but, as it occupied a second in its representation (and five lines in the bill), it scarcely afforded ground for a cool and deliberate judgment of his powers. He had merely to bark, run on, and jump through an inn window, after a comic fugitive. The next scene of importance to the fable was a little marred in its interest by his over-anxiety; forasmuch as while his master (a belated soldier in a den of robbers on a tempestuous night) was feelingly lamenting the absence of his faithful dog, and laying great stress on the fact that he was thirty leagues away, the faithful dog was barking furiously in the prompter’s box, and clearly choking himself against his collar. But it was in his greatest scene of all, that his honesty got the better of him. He had to enter a dense and trackless forest, on the trail of the murderer, and there to fly at the murderer when he found him resting at the foot of a tree, with his victim bound ready for slaughter. It was a hot night, and he came into the forest from an altogether unexpected direction, in the sweetest temper, at a very deliberate trot, not in the least excited; trotted to the foot-lights with his tongue out; and there sat down, panting, and amiably surveying the audience, with his tail beating on the boards, like a Dutch clock. Meanwhile the murderer, impatient to receive his doom, was audibly calling to him ‘CO-O-OME here!’ while the victim, struggling with his bonds, assailed him with the most injurious expressions. It happened through these means, that when he was in course of time persuaded to trot up and rend the murderer limb from limb, he made it (for dramatic purposes) a little too obvious that he worked out that awful retribution by licking butter off his blood-stained hands.
In a shy street, behind Long-acre, two honest dogs live, who perform in Punch’s shows. I may venture to say that I am on terms of intimacy with both, and that I never saw either guilty of the falsehood of failing to look down at the man inside the show, during the whole performance. The difficulty other dogs have in satisfying their minds about these dogs, appears to be never overcome by time. The same dogs must encounter them over and over again, as they trudge along in their off-minutes behind the legs of the show and beside the drum; but all dogs seem to suspect their frills and jackets, and to sniff at them as if they thought those articles of personal adornment, an eruption—a something in the nature of mange, perhaps. From this Covent-garden window of mine I noticed a country dog, only the other day, who had come up to Covent-garden Market under a cart, and had broken his cord, an end of which he still trailed along with him. He loitered about the corners of the four streets commanded by my window; and bad London dogs came up, and told him lies that he didn’t believe; and worse London dogs came up, and made proposals to him to go and steal in the market, which his principles rejected; and the ways of the town confused him, and he crept aside and lay down in a doorway. He had scarcely got a wink of sleep, when up comes Punch with Toby. He was darting to Toby for consolation and advice, when he saw the frill, and stopped, in the middle of the street, appalled. The show was pitched, Toby retired behind the drapery, the audience formed, the drum and pipes struck up. My country dog remained immovable, intently staring at these strange appearances, until Toby opened the drama by appearing on his ledge, and to him entered Punch, who put a tobacco-pipe into Toby’s mouth. At this spectacle, the country dog threw up his head, gave one terrible howl, and fled due west.
We talk of men keeping dogs, but we might often talk more expressively of dogs keeping men. I know a bull-dog in a shy corner of Hammersmith who keeps a man. He keeps him up a yard, and makes him go to public-houses and lay wagers on him, and obliges him to lean against posts and look at him, and forces him to neglect work for him, and keeps him under rigid coercion. I once knew a fancy terrier who kept a gentleman—a gentleman who had been brought up at Oxford, too. The dog kept the gentleman entirely for his glorification, and the gentleman never talked about anything but the terrier. This, however, was not in a shy neighbourhood, and is a digression consequently.
There are a great many dogs in shy neighbourhoods, who keep boys.
I have my eye on a mongrel in Somerstown who keeps three boys. He feigns that he can bring down sparrows, and unburrow rats (he can do neither), and he takes the boys out on sporting pretences into all sorts of suburban fields. He has likewise made them believe that he possesses some mysterious knowledge of the art of fishing, and they consider themselves incompletely equipped for the Hampstead ponds, with a pickle-jar and wide-mouthed bottle, unless he is with them and barking tremendously. There is a dog residing in the Borough of Southwark who keeps a blind man. He may be seen, most days, in Oxford-street, haling the blind man away on expeditions wholly uncontemplated by, and unintelligible to, the man: wholly of the dog’s conception and execution. Contrariwise, when the man has projects, the dog will sit down in a crowded thoroughfare and meditate. I saw him yesterday, wearing the money-tray like an easy collar, instead of offering it to the public, taking the man against his will, on the invitation of a disreputable cur, apparently to visit a dog at Harrow—he was so intent on that direction. The north wall of Burlington House Gardens, between the Arcade and the Albany, offers a shy spot for appointments among blind men at about two or three o’clock in the afternoon. They sit (very uncomfortably) on a sloping stone there, and compare notes. Their dogs may always be observed at the same time, openly disparaging the men they keep, to one another, and settling where they shall respectively take their men when they begin to move again. At a small butcher’s, in a shy neighbourhood (there is no reason for suppressing the name; it is by Notting-hill, and gives upon the district called the Potteries), I know a shaggy black and white dog who keeps a drover. He is a dog of an easy disposition, and too frequently allows this drover to get drunk. On these occasions, it is the dog’s custom to sit outside the public-house, keeping his eye on a few sheep, and thinking. I have seen him with six sheep, plainly casting up in his mind how many he began with when he left the market, and at what places he has left the rest. I have seen him perplexed by not being able to account to himself for certain particular sheep. A light has gradually broken on him, he has remembered at what butcher’s he left them, and in a burst of grave satisfaction has caught a fly off his nose, and shown himself much relieved. If I could at any time have doubted the fact that it was he who kept the drover, and not the drover who kept him, it would have been abundantly proved by his way of taking undivided charge of the six sheep, when the drover came out besmeared with red ochre and beer, and gave him wrong directions, which he calmly disregarded. He has taken the sheep entirely into his own hands, has merely remarked with respectful firmness, ‘That instruction would place them under an omnibus; you had better confine your attention to yourself—you will want it all;’ and has driven his charge away, with an intelligence of ears and tail, and a knowledge of business, that has left his lout of a man very, very far behind.
As the dogs of shy neighbourhoods usually betray a slinking consciousness of being in poor circumstances—for the most part manifested in an aspect of anxiety, an awkwardness in their play, and a misgiving that somebody is going to harness them to something, to pick up a living—so the cats of shy neighbourhoods exhibit a strong tendency to relapse into barbarism. Not only are they made selfishly ferocious by ruminating on the surplus population around them, and on the densely crowded state of all the avenues to cat’s meat; not only is there a moral and politico-economical haggardness in them, traceable to these reflections; but they evince a physical deterioration. Their linen is not clean, and is wretchedly got up; their black turns rusty, like old mourning; they wear very indifferent fur; and take to the shabbiest cotton velvet, instead of silk velvet. I am on terms of recognition with several small streets of cats, about the Obelisk in Saint George’s Fields, and also in the vicinity of Clerkenwell-green, and also in the back settlements of Drury-lane. In appearance, they are very like the women among whom they live.
They seem to turn out of their unwholesome beds into the street, without any preparation. They leave their young families to stagger about the gutters, unassisted, while they frouzily quarrel and swear and scratch and spit, at street corners. In particular, I remark that when they are about to increase their families (an event of frequent recurrence) the resemblance is strongly expressed in a certain dusty dowdiness, down-at-heel self-neglect, and general giving up of things. I cannot honestly report that I have ever seen a feline matron of this class washing her face when in an interesting condition.
Not to prolong these notes of uncommercial travel among the lower animals of shy neighbourhoods, by dwelling at length upon the exasperated moodiness of the tom-cats, and their resemblance in many respects to a man and a brother, I will come to a close with a word on the fowls of the same localities.
That anything born of an egg and invested with wings, should have got to the pass that it hops contentedly down a ladder into a cellar, and calls THAT going home, is a circumstance so amazing as to leave one nothing more in this connexion to wonder at.
Otherwise I might wonder at the completeness with which these fowls have become separated from all the birds of the air—have taken to grovelling in bricks and mortar and mud—have forgotten all about live trees, and
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