Lark Rise by Flora Thompson (recommended books to read .txt) 📕
The last words are true of the hamlet of Lark Rise. Because they were still an organic community, subsisting on the food, however scanty and monotonous, they raised themselves, they enjoyed good health and so, in spite of grinding poverty, no money to spend on amusements and hardly any for necessities, happiness. They still sang out-of-doors and kept May Day and Harvest Home. The songs were travesties of the traditional ones, but their blurred echoes and the remnants of the old salty country speech had not yet died and left the fields to their modern silence. The songs came from their own lips, not out of a box.
Charity (in the old sense) survived, and what Laura's mother called the 'seemliness' of a too industrious life. Yet the tradition of the old order was crumbling fast. What suffered most visibly was the inborn aesthetic faculty, once a common possession of all countrymen. Almanacs for samplers, the 'Present from Brighton
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aprons, and others would have sewing or knitting in their hands. They
were pleasant to look at, with their large clean white aprons and
smoothly plaited hair, parted in the middle. The best clothes were kept
folded away in their boxes from Sunday to Sunday, and a clean apron was
full dress on weekdays.
It was not a countryside noted for feminine good looks and there were
plenty of wide mouths, high cheekbones, and snub noses among them; but
they nearly all had the country-bred woman’s clear eyes, strong, white
teeth and fresh colour. Their height was above that of the average
working-class townswoman, and, when not obscured by pregnancy, their
figures were straight and supple, though inclining to thickness.
This tea-drinking time was the women’s hour. Soon the children would be
rushing in from school; then would come the men, with their loud voices
and coarse jokes and corduroys reeking of earth and sweat. In the
meantime, the wives and mothers were free to crook their little fingers
genteely as they sipped from their teacups and talked about the, to
them, latest fashion, or discussed the serial then running in the
novelette they were reading.
Most of the younger women and some of the older ones were fond of what
they called ‘a bit of a read’, and their mental fare consisted almost
exclusively of the novelette. Several of the hamlet women took in one of
these weekly, as published, for the price was but one penny, and these
were handed round until the pages were thin and frayed with use. Copies
of others found their way there from neighbouring villages, or from
daughters in service, and there was always quite a library of them in
circulation.
The novelette of the ‘eighties was a romantic love story, in which the
poor governess always married the duke, or the lady of title the
gamekeeper, who always turned out to be a duke or an earl in disguise.
Midway through the story there had to be a description of a ball, at
which the heroine in her simple white gown attracted all the men in the
room; or the gamekeeper, commandeered to help serve, made love to the
daughter of the house in the conservatory. The stories were often
prettily written and as innocent as sugared milk and water; but,
although they devoured them, the women looked upon novelette reading as
a vice, to be hidden from their menfolk and only discussed with fellow
devotees.
The novelettes were as carefully kept out of the children’s way as the
advanced modern novel is, or should be, to-day; but children who wanted
to read them knew where to find them, on the top shelf of the cupboard
or under the bed, and managed to read them in secret. An ordinarily
intelligent child of eight or nine found them cloying; but they did the
women good, for, as they said, they took them out of themselves.
There had been a time when the hamlet readers had fed on stronger food,
and Biblical words and imagery still coloured the speech of some of the
older people. Though unread, every well-kept cottage had still its
little row of books, neatly arranged on the side table with the lamp,
the clothes brush and the family photographs. Some of these collections
consisted solely of the family Bible and a prayerbook or two; others
had a few extra volumes which had either belonged to parents or been
bought with other oddments for a few pence at a sale—_The Pilgrim’s
Progress, Drelincourt on Death_, Richardson’s _Pamela, Anna Lee: The
Maiden Wife and Mother_, and old books of travel and sermons. Laura’s
greatest find was a battered old copy of Belzoni’s Travels propping
open somebody’s pantry window. When she asked for the loan of it, it was
generously given to her, and she had the, to her, intense pleasure of
exploring the burial chambers of the pyramids with her author.
Some of the imported books had their original owner’s book-plate, or an
inscription in faded copperplate handwriting inside the covers, while
the family ones, in a ruder hand, would proclaim:
George Welby, his book:
Give me grace therein to look,
And not only to look, but to understand,
For learning is better than houses and land
When land is lost and money spent
Then learning is most excellent.
Or:
George Welby is my name,
England is my nation,
Lark Rise is my dwelling place
And Christ is my salvation.
When I am dead and in my grave
And all my bones are rotten,
Take this book and think of me
And mind I’m not forgotten.
Another favourite inscription was the warning:
Steal not this book for fear of shame,
For in it doth stand the owner’s name,
And at the last day God will say
‘Where is that book you stole away?’
And if you say, ‘I cannot tell;
He’ll say, ‘Thou cursed, go to hell.’
All or any of these books were freely lent, for none of the owners
wanted to read them. The women had their novelettes, and it took the men
all their time to get through their Sunday newspapers, one of which came
into almost every house, either by purchase or borrowing. The _Weekly
Despatch_, Reynolds’s News, and Lloyd’s News were their favourites,
though a few remained faithful to that fine old local newspaper, the
Bicester Herald.
Laura’s father, as well as his Weekly Despatch, took the _Carpenter
and Builder_, through which the children got their first introduction to
Shakespeare, for there was a controversy in it as to Hamlet’s words, ‘I
know a hawk from a handsaw’. It appeared that some scholar had suggested
that it should read, ‘I know a hawk from a heron, pshaw!’ and the
carpenters and builders were up in arms. Of course, the hawk was the
mason’s and plasterer’s tool of that name, and the handsaw was just a
handsaw. Although that line and a few extracts that she afterwards found
in the school readers were all that Laura was to know of Shakespeare’s
works for some time, she sided warmly with the carpenters and builders,
and her mother, when appealed to, agreed, for she said ‘that heron,
pshaw!’ certainly sounded a bit left-handed.
While the novelette readers, who represented the genteel section of the
community, were enjoying their tea, there would be livelier gatherings
at another of the cottages. The hostess, Caroline Arless, was at that
time about forty-five, and a tall, fine, upstanding woman with flashing
dark eyes, hair like crinkled black wire, and cheeks the colour of a
ripe apricot. She was not a native of the hamlet, but had come there as
a bride, and it was said that she had gipsy blood in her.
Although she was herself a grandmother, she still produced a child of
her own every eighteen months or so, a proceeding regarded as bad form
in the hamlet, for the saying ran, ‘When the young ‘uns begin, ‘tie time
for the old ‘uns to finish.’ But Mrs. Arless recognized no rules,
excepting those of Nature. She welcomed each new arrival, cared for it
tenderly while it was helpless, swept it out of doors to play as soon as
it could toddle, to school at three, and to work at ten or eleven. Some
of the girls married at seventeen and the boys at nineteen or twenty.
Ways and means did not trouble her. Husband and sons at work ‘brassed
up’ on Friday nights, and daughters in service sent home at least half
of their wages. One night she would fry steak and onions for supper and
make the hamlet’s mouth water; another night there would be nothing but
bread and lard on her table. When she had money she spent it, and when
she had none she got things on credit or went without. ‘I shall feather
the foam,’ she used to say. ‘I have before an’ I shall again, and what’s
the good of worrying.’ She always did manage to feather it, and usually
to have a few coppers in her pocket as well, although she was known to
be deeply in debt. When she received a postal order from one of her
daughters she would say to any one who happened to be standing by when
she opened the letter, ‘I be-ant goin’ to squander this bit o’ money in
paying me debts.’
Her idea of wise spending was to call in a few neighbours of like mind,
seat them round a roaring fire, and despatch one of her toddlers to the
inn with the beer can. They none of them got drunk, or even fuddled, for
there was not very much each, even when the can went round to the inn a
second or a third time. But there was just enough to hearten them up and
make them forget their troubles; and the talk and laughter and scraps of
song which floated on the air from ‘that there Mrs. Arless’s house’ were
shocking to the more sedate matrons. Nobody crooked their finger round
the handle of a teacup or ‘talked genteel’ at Mrs. Arless’s gatherings,
herself least of all. She was so charged with sex vitality that with her
all subjects of conversation led to it—not in its filthy or furtive
aspects, but as the one great central fact of life.
Yet no one could dislike Mrs. Arless, however much she might offend
their taste and sense of fitness. She was so full of life and vigour and
so overflowing with good nature that she would force anything she had
upon any one she thought needed it, regardless of the fact that it was
not and never would be paid for. She knew the inside of a County Court
well, and made no secret of her knowledge, for a County Court summons
was to her but an invitation to a day’s outing from which she would
return victorious, having persuaded the judge that she was a model wife
and mother who only got into debt because her family was so large and
she herself was so generous. It was her creditor who retired
discomfited.
Another woman who lived in the hamlet and yet stood somewhat aside from
its ordinary life was Hannah Ashley. She was the daughter-in-law of the
old Methodist who drove the breast plough, and she and her husband were
also Methodists. She was a little brown mouse of a woman who took no
part in the hamlet gossip or the hamlet disputes. Indeed, she was seldom
seen on weekdays, for her cottage stood somewhat apart from the others
and had its own well in the garden. But on Sunday evenings her house was
used as a Methodist meeting place, and then all her weekday reserve was
put aside and all who cared to come were made welcome. As she listened
to the preacher, or joined in the hymns and prayers, she would look
round on the tiny congregation, and those whose eyes met hers would see
such a glow of love in them that they could never again think, much less
say, ill of her, beyond ‘Well, she’s a Methody’, as though that
explained and excused anything strange about her.
These younger Ashleys had one child, a son, about Edmund’s age, and the
children at the end house sometimes played with him. When Laura called
at his home for him one Saturday morning she saw a picture which stamped
itself upon her mind for life. It was the hour when every other house in
the hamlet was being turned inside out for the Saturday cleaning. The
older children, home from school, were running in and out of their
homes, or quarrelling over their games outside. Mothers were scolding
and babies were crying
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