The Saracen: The Holy War by Robert Shea (novels for beginners .TXT) 📕

screaming and darting back into their rooms. Rachel bolted for her own room.

"Rei-cho!" The man's shrill cry shot an arrow of terror through her. That was John's voice.

She turned in the doorway of her room and saw the Tartar standing at the head of the stairs, his soft black cap hiding most of his white hair. Beside him was a stocky, middle-aged woman, and flanking them were the swarthy men with their daggers. John and the other men were all smiling, as if, as Antonia had said, they had come only for a bit of pleasure. But the tumult downstairs, shaking the house more than the thunder, belied that.

John spoke to the woman and she called to Rachel. "Signore John must go to Perugia." Her Italian was strangely accented. "He wishes you to come with him. He will give you many costly gifts."

Rachel took a step backward into her room. "No. I do not want to go."

Not now. Not when Sophia had just come to tell her they were going to take her south with them. South to Manfred's kingdom, where Jews were treated like everyone else. Where she might yet find a place for herself and forget that she had sold her body.

John and the woman advanced down the corridor, their guards with them. Some of the swarthy men pushed open the doors of the rooms they passed and looked in. The doors could not be barred from the inside. Tilia had always insisted on that, so no client could lock himself in with a woman and harm her. The men with the daggers grinned at one another and talked in a strange language.

"No, I don't want to go!" Rachel screamed. She darted into her room and slammed the door. Frantically, she looked around for something to hold it shut.

The door started to open, and she threw herself against it. It[109] closed for a moment. Then she was hurled away from it as it swung inward, John behind it. She screamed in fear.

The Tartar, who was not much taller than Rachel, strode into the room. He walked with what appeared to be a swagger because he was slightly bowlegged. He was talking rapidly in his language, advancing on Rachel and smiling. He held out his arms. The stout woman stood in the doorway, watching without expression.

Rachel backed away from them, her body rigid.

"You must come with him now. He is in a great hurry. An army of the pope's enemies is less that a day from Orvieto, and they want to take Signore John and Signore Philip prisoner."

"Then let him escape," Rachel cried. "I do not want to go with him." She was standing before her bed now. The woman spoke to John and he answered quickly, still smiling.

"He says you are precious to him and he cannot leave you," she said tonelessly.

She had to get away now, or be John's prisoner for the rest of her life.

Panting more from fury than from exertion, Rachel made a sudden jump to her right, and when John stepped in that direction to grab her, she darted to the left and ran out the door. John's translator made no effort to stop her.

That would not have fooled him, except that he was not expecting me to do anything, she thought as she ran down the corridor.

She held one thought in her mind—she must get out of this building. She heard screams and sounds of struggle from the rooms of the other women. She saw Francesca fighting with a helmeted man, and her eyes met Francesca's over the man's brown-cloaked shoulder. Only one of the dagger-wielding men was in the corridor now, and she had surprised him. He shouted at her and ran after her.

Gathering up the skirt of her robe, she raced down the stairs, taking the last four in a leap. The dark man with the dagger was right behind her, and behind him she could hear John's shout. There was anger in the Tartar's voice now. That terrified her even more.

He did not think I would get away from him this easily.

The dark man grabbed her flying robe, and she felt the silk tear. She had nothing on underneath the robe. She would not let that stop her from running. She must not let anything stop her.

She heard the man behind her calling as she ran down the stairs to the first floor. She was in the corridor now, and she saw that it was swarming with men in helmets and mail, struggling with Tilia's women. Some of the men had their breeches down.

She saw tall, beautiful Maiga striking out with her fists at the[110] helmeted men. But they were wrestling with her and forcing her onto her back. Agonized pity for Maiga blazed up within her, but she ran on.

One of Tilia's black African servants was lying on the floor across the corridor. His eyes were open and he was not moving. Again she felt a surge of pity.

But then terror gripped her.

They are killing people here! My God, what are they doing, what are they doing?

Instead of going on down the stairs from the first floor gallery to the ground floor, she leapt over the body of the black man and ran into the crowd of men and women struggling in the hall.

I am small and I am quick, she thought, and that gave her the courage to keep running. The men in the hall were not interested in her, and she slithered past them while John and his bodyguard stumbled along behind.

The bodyguard's voice sounded far away. Other men were shouting at him.

"Catch her yourself, you damned Armenian ape!" These men were speaking in Italian. "We've already got ours."

Rachel reached the stairs at the other end of the corridor. They led down to the same place as did the main stairs, the reception room on the ground floor. But her pursuers would not know that. Sure enough, they were following her through this first-floor corridor. She glanced back and saw that the crowd of Italian men had gotten in their way, so that half the corridor was between them.

Run, Rachel!

Frantically she ran down to the first floor. There, horror greeted her. More of Tilia's black men—she could not count—were sprawled around the reception hall.

She saw blood spattered over the frescoes. She saw a black arm lying by itself. One body had no head. She heard a scream of horror and knew it was her own voice. Why were they doing this? What devils drove them? There was blood all over the floor. Puddles of it. She had to dart around them, over them.

Terror streaked through her as a tall man blocked her path. His hood was thrown back and his cloak was open, and a jeweled cross glittered on his chest—like the one Tilia wore, only three times bigger. Their eyes met; his were staring and full of rage. His nose was big, and his mouth was small and cruel. He pointed a long finger at her, a fortune in jeweled rings glittering on his gloved hand.

"You! The one we came for! Stop!"[111]

She stood paralyzed as a recollection of the dread face before her flashed into her mind. Dinners for John and Philip—Tilia had given elegant dinners, three or four of them—with musicians and the companionship of her ladies, Rachel included.

And this was how they repaid her courtesy.

This man had been a guest at those dinners. He was a man of very high rank, a cardinal in the Christian Church. He was French, she remembered. His Italian words were heavily accented.

What will they do to me if I don't obey him? Will they burn me for being a Jew?

And there was the other Tartar, Philip, standing beside the French churchman. He looked like John—round head, brown skin, slitted eyes—except that his beard and mustache were black. He was carrying a bow in one hand and had a quiver full of arrows slung over one shoulder. Rachel froze, like a rabbit trapped by two wolves.

The tall Frenchman reached for Rachel—but another figure appeared between them, one of Tilia's black men. He blocked the tall man with the cross, giving Rachel a chance to jump for the door.

Out of the corner of her eye Rachel saw Philip, strong white teeth gleaming in a brown face, raise his bow. She heard the thrum of the string, and then a piercing scream. Anguish for the black man welled up in her.

Her torn robe was flapping as she ran out the door. She almost fell as someone seized the back of her robe and yanked on it. She twisted out of the robe and ran on, naked.

She heard John's shrill voice. He had reached the ground floor.

She was out of the house. In an instant her bare body was rain-wet from head to toe.

A group of big men holding horses stood across the street, under the overhang of the house opposite Tilia's. They were wearing swords and purple surcoats over mail shirts. They looked at her gloomily and made no move to stop her.

She had no idea where to go, but downhill was the easiest direction. Maybe hide in an alley. Knock on a door and beg for help. Try to get across town to Sophia.

Anywhere, if only she could get away from John.

Many times she had nightmares of running from something that was trying to kill her. Sometimes a monster or a demon. Sometimes from crowds of roaring people carrying torches. Always in those dreams she could not make her legs move. It was like trying to run through water. Always she tried to scream for help and no sound would come from her throat but a whisper.

Now she was able to run full speed away from that house where[112] death and destruction were running riot. And running as fast as she could was not enough! It would not get her away fast enough from John and his armed men and that horrible cardinal. She was able to scream at the top of her lungs, but to no avail. Nobody would come to rescue her. Nobody would help her.

She had also had nightmares about running through the street naked, with hundreds of people watching. In those dreams she had been horribly embarrassed. Now she was really doing it, and she did not care about her nakedness.

She darted past the carts and the horses and mules and their drivers that filled the street from side to side. She was running naked and barefoot over the cobblestones.

She ran past the red and yellow cart at the head of the line of wagons and saw sitting beside the driver a man with a full white beard. He was looking down at her. For a moment she thought he was a rabbi. Then she saw his shaven scalp and brown robe. One of those Christian begging monks. He opened his mouth to say something to her, but she was past him already.

She heard hoofbeats behind her, and gooseflesh broke out all over her naked body.

Dear God, is he chasing me on horseback?

But she could dart into a quintana, the space between two houses. It would be too narrow for a man on horseback to follow her. She saw an opening on her left and made for it, begging God to help her run faster.

She felt something whip around her body, tearing her skin. She was jerked off her feet. She fell on her back on the wet cobblestones. She lay helpless, stunned and gasping for air. A rope was cutting into her chest just below her breasts, pinning her arms above the elbows to her sides. The rope burned her. Her back felt scraped and bruised. She saw a horse's legs beside her. John was grinning down at her, holding the other end of the rope. The rain pouring down in her face stung her eyes.

Now that she knew she was caught and helpless, her terror was transmuted into rage. What right had he to treat her this way?

"May God strike you dead!" she spat. He might not know the words, but she was sure he could hear the hatred in her voice.

He tugged on the rope to make her climb to her feet. She felt she would rather lie there and make him drag her, if he wanted her so badly, but she realized that would only hurt her worse.

She took a grip on the rope to haul herself up. The cold rain beat down, plastering her hair to her head. She wanted to wipe her face, but her arms were pinioned. Her back felt as if it were on fire.[113]

She looked at Tilia's house and saw that a man's body was swinging, sodden and limp, above the door.

Her stomach