The Blood of the Arena by Vicente Blasco Ibáñez (big screen ebook reader TXT) 📕

breeder dismounted, and taking a piece of chocolate out of his saddle bags, he gave it to Lobito, who gratefully bowed his head armed with its gigantic horns. The Marquis advanced with an arm resting over the leader's neck, walking quietly through the drove of bulls, which grew restless and ferocious at the presence of the man. There was no danger. Lobito marched like a dog, covering the master with his body, looking in all directions, compelling respect among his companions with his flashing eyes. If one more audacious drew near to nose the Marquis he encountered the threatening horns of the leader. If several united with dull stupidity to bar his passage, Lobito thrust his armed head among them and opened the way.

An expression of enthusiasm and tenderness moved the Marquis' beardless lips and his white side-whiskers as he recalled the great deeds of some of the animals produced in his pastures.

"The bull! The noblest animal in the world! If men were more like them the world would be better off. There was Coronel. Do you remember that treasure?"

And he showed an immense photograph with a handsome mounting, that represented himself in mountaineer dress, much younger and surrounded by several girls dressed in white, all seated in the centre of a meadow on a dark mass at one end of which was a pair of horns. This mass was Coronel. Immense and fierce toward his companions in the herd, he showed affectionate submission to the master and his family. He was like a mastiff, fierce to strangers, but letting the children pull him about by the tail and ears and put up with all their deviltry with growls of kindness. The Marquis had with him his young daughters, and the animal smelt of the little girls' white skirts as they timidly clung to their father's legs, until, with the sudden audacity of childhood, they ended by rubbing his nose. "Down, Coronel!" Coronel went down on his knees and the family seated themselves on his side, which moved up and down like a bellows with the ru-ru of his powerful respiration.

One day, after much hesitation, the Marquis sold him to the plaza of Pamplona and attended the bull-fight. Moraima was moved by the recollection of this event; his eyes filled with emotion. He had never in all his life seen a bull like that. He came courageously into the arena and stood planted in the middle of it, surprised at the light after the darkness of the bull-pen, and at the clamor of thousands of persons after the silence of the stables. But the moment a picador pricked him he seemed to fill the whole plaza with his tremendous fierceness.

Before him, men, horses, nothing could stand. In one minute he threw the horses and tossed the picadores into the air. The peones ran. The plaza was like a regular branding-pen. The public shouted for more horses, and Coronel, in the meantime, stood waiting for some one to stand up and face him. Nothing like that for nobility and power will ever be seen again.

As soon as they incited him to come on, he rushed up with a courage and speed that set the public wild. When they gave the sign to kill, with the fourteen stabs he had in his body, and the complete set of banderillas, he was as brave and valiant as though he had never gone out of the pasture. Then—

The breeder, when he arrived at this point, always stopped, to strengthen his voice, which grew tremulous.

Then—the Marquis of Moraima, who had been in a box, found himself, he knew not how, behind the barrier among attendants who were running about with the excitement of the eventful contest, and near to the matador, who was making ready his muleta with a certain deliberation, as if wishing to put off the moment for standing face to face with an animal of such power. "Coronel!" shouted the Marquis, leaning his body half over the barrier and beating the boards with his hands.

The animal stood still but raised his head at these cries—distant calls from a country he would never see again. "Coronel!" Turning his head the bull saw a man calling to him from the wall and he started in a direct line to attack him. But in the midst of his advance he slackened his pace and slowly approached until he touched with his horns the arms held out to him. His throat was varnished red with little streams of blood which escaped from the barbs buried in his neck and from the wounds in his hide, in which the blue muscle could be seen. "Coronel! My son!" And the bull, as if he understood these outbursts of tenderness, raised his dripping muzzle and dampened the Marquis' white beard. "Why hast thou brought me here?" those wild and blood-shot eyes seemed to say. And the Marquis, unheeding what he did, pressed kisses upon the animal's nose that was wet with his furious bellowings.

"Don't let him be killed!" shouted a good soul in the galleries; and as if these words reflected the mind of the public, an explosion of voices filled the plaza, while thousands of handkerchiefs fluttered above the tiers of seats like flocks of doves. "Don't let him be killed!" For a moment the multitude, moved by a vague tenderness, despised its own diversion, hated the bull-fighter with his glittering dress and his useless heroism, admired the valor of the animal, and felt inferior to it, recognizing that among so many thousands of reasoning beings the greater nobility and sensibility were represented by the poor brute.

"I took him back," said the Marquis, with emotion. "I returned the management their two thousand pesetas. I would have given my whole hacienda. After he had been pastured in the meadow a month he didn't even have the scars on his neck. It was my intention to let that brave beast die of old age, but the good do not prosper in this world. A tricky bull that was not fit to look him in the face treacherously gored him to death."

The Marquis and his fellow cattle-breeders passed suddenly from this tenderness toward the animals, to the pride they felt in their ferocity. One should see the scorn with which they talked of the enemies of bull-fights, of those who protested against this art in the name of prevention of cruelty to animals. Foreigners' nonsense! Errors of ignoramuses, who only distinguish animals by their horns and think a slaughter-house ox the same as a fighting-bull! The Spanish bull was a wild-beast; the most heroic wild beast in the world. And they recounted the numerous combats between bulls and terrible felines, always followed by the noisy triumph of the national wild beast.

The Marquis laughed as he recollected another of his animals. A combat was arranged in a plaza between a bull, and a lion, and a tiger belonging to a certain famous tamer, and the breeder sent Barrabas, a wicked animal he had always kept by himself in the pasture because he was ever goring his companions, and had killed many cattle.

"I saw that, also," said Moraima. "A great iron cage in the centre of the ring, and in it was Barrabas. First they let the lion loose at him and the damned beast, taking advantage of the bull's lack of cunning, jumped onto his hind quarters and began to tear him with his claws and teeth. Barrabas jumped with fury to unfasten him and get him in front of his horns where his defences lay. At last, in one of his turns, he managed to toss the lion in front of him and gored him, and then, gentlemen, just like a ball, he smelled him from tip to tip a long while, shook him about like a figure stuffed with straw, till finally, as if he despised him, he tossed him to one side and there lay what they call the 'king of beasts' rolled up into a heap, mewing like a cat that has had a beating. Then they let the tiger at him and the affair was shorter yet. He had scarcely stuck his nose in before Barrabas hooked him and tossed him up, and after getting a good shaking, he went into the corner like the other, curling himself up and playing baby."

These recollections always provoked great laughter at the Forty-five. The Spanish bull! Little wild beasts to face him! And in their joyful exclamations there was an expression of national pride, as if the arrogant courage of the Spanish wild beast signified equally the superiority of the land and race over the rest of the world.

At the time Gallardo began to frequent the Society, a new subject of conversation interrupted the endless discussions about bulls and the country's crops.

At the Forty-five, as well as all over Seville, they talked about "Plumitas," a bandit celebrated for his audacity, who each day acquired fresh fame by the fruitless efforts of his pursuers. The newspapers related his deeds as if he were a national personage; the Government was interpellated in the Cortes and promised an immediate capture which never took place; the civil guard concentrated and a regular army was mobilized for pursuing him while Plumitas, always alone, with no other auxiliary than his carbine and his restless steed, slipped in and out among them like a phantom. When their numbers were not great he faced them and dropped some one of them lifeless, and he was revered and assisted by the poor country people, miserable slaves on enormous estates, who saw in the bandit an avenger of the hungry, a quick and cruel justice, like that exercised by the ancient mail-clad knight errant. Plumitas demanded money from the rich and, with the air of an actor who sees himself watched by an immense audience, from time to time he succored some poor old woman or a laborer burdened with a family. These acts of generosity were enlarged upon by the gossips of the rural multitude, who at all hours had the name of Plumitas on their lips but who were blind and dumb when questioned by the military or the police.

He passed from one province to another with the ease of one who knew the country well, and the land-owners of Seville and Córdova contributed equally to his sustenance. Whole weeks would pass without talk of the bandit, when he would suddenly present himself on a plantation, or make his entrance into a town, scornful of danger.

At the Forty-five they had direct news of him, the same as if he were a killer of bulls.

"Plumitas was at my place yesterday," said a rich farmer. "The overseer gave him thirty duros and he went away after breakfast."

They patiently tolerated this contribution and did not communicate the news to any but their friends. A denunciation meant declarations and all kinds of turmoil. Of what use? The civil guard pursued the bandit fruitlessly and when he became angry with the informers their property was at the mercy of his vengeance, utterly unprotected.

The Marquis talked about Plumitas and his deeds without dismay, smiling as if he were discussing a natural and inevitable calamity.

"They are poor boys that have been unlucky and have taken to the woods. My father (may he rest in peace!) knew the famous José María and breakfasted with him twice. I have come across many of less fame who went around doing mischief. They are like bulls; courageous, simple people. They only attack when they are pressed, growing hotter under persecution."

"He had left orders at his farmhouses and at all the herders' huts on his vast territories for them to give Plumitas whatever he asked for. According to tales of the overseers and cowboys, the bandit, with the old time respect of the peasant for good and generous masters, spoke in greatest praise of him, offering to kill any one who might offend