The Hill of Dreams by Arthur Machen (classic fiction txt) 📕

When, of an evening, he was secure in his room, the blind drawn down and the gas flaring, he made vigorous efforts toward sanity. It was not of his free will that he allowed terror to overmaster him, and he desired nothing better than a placid and harmless life, full of work and clear thinking. He knew that he deluded himself with imagination, that he had been walking through London suburbs and not through Pandemonium, and that if he could but unlock his bureau all those ugly forms would be resolved into the mist. But it was hard to say if he consoled himself effectually with such reflections, for the return to common sense meant also the return to the sharp pangs of defeat. It recalled him to the bitter theme of his own inefficiency, to the thought that he only desired one thing of life, and that this was denied him. He was willing to endure the austerities of a monk in a severe cloister, to suffer cold, to be hungry, to be lonely and friendless, to forbear all the consolation of friendly speech, and to be glad of all these things, if only he might be allowed to illuminate the manuscript in quietness. It seemed a hideous insufferable cruelty, that he should so fervently desire that which he could never gain.

He was led back to the old conclusion; he had lost the sense of humanity, he was wretched because he was an alien and a stranger amongst citizens. It seemed probable that the enthusiasm of literature, as he understood it, the fervent desire for the fine art, had in it something of the inhuman, and dissevered the enthusiast from his fellow-creatures. It was possible that the barbarian suspected as much, that by some slow process of rumination he had arrived at his fixed and inveterate impression, by no means a clear reasoned conviction; the average Philistine, if pressed for the reasons of his dislike, would either become inarticulate, ejaculating "faugh" and "pah" like an old-fashioned Scots Magazine, or else he would give some imaginary and absurd reason, alleging that all "littery men" were poor, that composers never cut their hair, that painters were rarely public-school men, that sculptors couldn't ride straight to hounds to save their lives, but clearly these imbecilities were mere afterthoughts; the average man hated the artist from a deep instinctive dread of all that was strange, uncanny, alien to his nature; he gibbered, uttered his harsh, semi-bestial "faugh," and dismissed Keats to his gallipots from much the same motives as usually impelled the black savages to dismiss the white man on an even longer journey.

Lucian was not especially interested in this hatred of the barbarian for the maker, except from this point, that it confirmed him in his belief that the love of art dissociated the man from the race. One touch of art made the whole world alien, but surely miseries of the civilized man cast amongst savages were not so much caused by dread of their ferocity as by the terror of his own thoughts; he would perhaps in his last despair leave his retreat and go forth to perish at their hands, so that he might at least die in company, and hear the sound of speech before death. And Lucian felt most keenly that in his case there was a double curse; he was as isolated as Keats, and as inarticulate as his reviewers. The consolation of the work had failed him, and he was suspended in the void between two worlds.

It was no doubt the composite effect of his failures, his loneliness of soul, and solitude of life, that had made him invest those common streets with such grim and persistent terrors. He had perhaps yielded to a temptation without knowing that he had been tempted, and, in the manner of De Quincey, had chosen the subtle in exchange for the more tangible pains. Unconsciously, but still of free will, he had preferred the splendor and the gloom of a malignant vision before his corporal pains, before the hard reality of his own impotence. It was better to dwell in vague melancholy, to stray in the forsaken streets of a city doomed from ages, to wander amidst forlorn and desperate rocks than to awake to a gnawing and ignoble torment, to confess that a house of business would have been more suitable and more practical, that he had promised what he could never perform. Even as he struggled to beat back the phantasmagoria of the mist, and resolved that he would no longer make all the streets a stage of apparitions, he hardly realized what he had done, or that the ghosts he had called might depart and return again.

He continued his long walks, always with the object of producing a physical weariness and exhaustion that would enable him to sleep of nights. But even when he saw the foggy and deserted avenues in their proper shape, and allowed his eyes to catch the pale glimmer of the lamps, and the dancing flame of the firelight, he could not rid himself of the impression that he stood afar off, that between those hearths and himself there was a great gulf fixed. As he paced down the footpath he could often see plainly across the frozen shrubs into the homely and cheerful rooms. Sometimes, late in the evening, he caught a passing glimpse of the family at tea, father, mother, and children laughing and talking together, well pleased with each other's company. Sometimes a wife or a child was standing by the garden gate peering anxiously through the fog, and the sight of it all, all the little details, the hideous but comfortable armchairs turned ready to the fire, maroon-red curtains being drawn close to shut out the ugly night, the sudden blaze and illumination as the fire was poked up so that it might be cheerful for father; these trivial and common things were acutely significant. They brought back to him the image of a dead boy—himself. They recalled the shabby old "parlor" in the country, with its shabby old furniture and fading carpet, and renewed a whole atmosphere of affection and homely comfort. His mother would walk to the end of the drive and look out for him when he was late (wandering then about the dark woodlands); on winter evenings she would make the fire blaze, and have his slippers warming by the hearth, and there was probably buttered toast "as a treat." He dwelt on all these insignificant petty circumstances, on the genial glow and light after the muddy winter lanes, on the relish of the buttered toast and the smell of the hot tea, on the two old cats curled fast asleep before the fender, and made them instruments of exquisite pain and regret. Each of these strange houses that he passed was identified in his mind with his own vanished home; all was prepared and ready as in the old days, but he was shut out, judged and condemned to wander in the frozen mist, with weary feet, anguished and forlorn, and they that would pass from within to help him could not, neither could he pass to them. Again, for the hundredth time, he came back to the sentence: he could not gain the art of letters and he had lost the art of humanity. He saw the vanity of all his thoughts; he was an ascetic caring nothing for warmth and cheerfulness and the small comforts of life, and yet he allowed his mind to dwell on such things. If one of those passers-by, who walked briskly, eager for home, should have pitied him by some miracle and asked him to come in, it would have been worse than useless, yet he longed for pleasures that he could not have enjoyed. It was as if he were come to a place of torment, where they who could not drink longed for water, where they who could feel no warmth shuddered in the eternal cold. He was oppressed by the grim conceit that he himself still slept within the matted thicket, imprisoned by the green bastions of the Roman fort. He had never come out, but a changeling had gone down the hill, and now stirred about the earth.

Beset by such ingenious terrors, it was not wonderful that outward events and common incidents should abet his fancies. He had succeeded one day in escaping from the mesh of the streets, and fell on a rough and narrow lane that stole into a little valley. For the moment he was in a somewhat happier mood; the afternoon sun glowed through the rolling mist, and the air grew clearer. He saw quiet and peaceful fields, and a wood descending in a gentle slope from an old farmstead of warm red brick. The farmer was driving the slow cattle home from the hill, and his loud halloo to his dog came across the land a cheerful mellow note. From another side a cart was approaching the clustered barns, hesitating, pausing while the great horses rested, and then starting again into lazy motion. In the well of the valley a wandering line of bushes showed where a brook crept in and out amongst the meadows, and, as Lucian stood, lingering, on the bridge, a soft and idle breath ruffled through the boughs of a great elm. He felt soothed, as by calm music, and wondered whether it would not be better for him to live in some such quiet place, within reach of the streets and yet remote from them. It seemed a refuge for still thoughts; he could imagine himself sitting at rest beneath the black yew tree in the farm garden, at the close of a summer day. He had almost determined that he would knock at the door and ask if they would take him as a lodger, when he saw a child running towards him down the lane. It was a little girl, with bright curls tossing about her head, and, as she came on, the sunlight glowed upon her, illuminating her brick-red frock and the yellow king-cups in her hat. She had run with her eyes on the ground, chirping and laughing to herself, and did not see Lucian till she was quite near him. She started and glanced into his eyes for a moment, and began to cry; he stretched out his hand, and she ran from him screaming, frightened no doubt by what was to her a sudden and strange apparition. He turned back towards London, and the mist folded him in its thick darkness, for on that evening it was tinged with black. It was only by the intensest strain of resolution that he did not yield utterly to the poisonous anodyne which was always at hand. It had been a difficult struggle to escape from the mesh of the hills, from the music of the fauns, and even now he was drawn by the memory of these old allurements. But he felt that here, in his loneliness, he was in greater danger, and beset by a blacker magic. Horrible fancies rushed wantonly into his mind; he was not only ready to believe that something in his soul sent a shudder through all that was simple and innocent, but he came trembling home one Saturday night, believing, or half-believing, that he was in communion with evil. He had passed through the clamorous and blatant crowd of the "high street," where, as one climbed the hill, the shops seemed all aflame, and the black night air glowed with the flaring gas-jets and the naphtha-lamps, hissing and wavering before the February wind. Voices, raucous, clamant, abominable, were belched out of the blazing public-houses as the doors swung to and fro, and above these doors were hideous brassy lamps, very slowly swinging in a violent blast of air, so that they might have been infernal thuribles, censing the people. Some man was calling his wares in one long continuous shriek that never stopped or paused, and, as a respond, a deeper, louder voice roared to him from across the road. An Italian whirled the handle of his piano-organ in a fury, and a ring of imps danced mad figures around him, danced and flung up their legs till the rags dropped from some of them, and they still danced on. A flare of naphtha, burning with a rushing noise, threw a light on one point of the circle, and Lucian watched a lank girl of fifteen as she came round and round to the flash. She was quite drunk, and had kicked her petticoats away, and the crowd howled laughter and applause