Portia by Margaret Wolfe Hungerford (great novels .TXT) 📕

sit here."

There is anxiety, mixed with entreaty, in her tone. She has noticed the anger in Roger's face, and the defiance in Dulce's soft eyes, and she is grieved and sorry for them both.

But, Dulce, who is in a very bad mood indeed, will take no notice of either the entreaty or the grief.

"How can I?" she says, with a slow lifting of her brows. "Who will give anybody any tea, if I go away from this? And--" Here she pauses, and her eyes fix themselves upon a break in the belt of firs, low down, at the end of the lawn. "Ah," she says, with a swift blush, "you see I shall be wanted at my post for a little while longer, because--here is Mr. Gower, at last!"

The "at last" is intolerably flattering, though it is a question if the new comer hears it. He is crossing over the soft grass; his hat is in his hand; his eyes dark and smiling. He looks glad, expectant, happy.

"What superfluous surprise," says Roger to Dulce, with even a broader sneer than his last. "He always _is_ here, isn't he!"

"Yes; isn't it good of him to come," says Miss Blount, with a suspicious dulness--Stephen has not yet come quite close to them. "We are always so wretchedly stupid here, and he is so charming, and so good to look at, and always in such a perfect temper!" As she finishes her sentence she turns her large eyes full on her _fiance_.

Roger, muttering something untranslatable between his teeth, moves away, and then Gower comes up, and Dulce gives him her hand and her prettiest smile, and presently he sinks upon the grass at her feet, and lies there in a graceful position that enables him to gaze without trouble upon her piquante face. He is undeniably handsome, and is very clean-limbed, and has something peculiar about his smile that takes women as a rule.

"How d'ye do?" he says to Roger presently, when that young man comes within range, bestowing upon him a little nod. Whereon Roger says the same to him in a tone of the utmost _bonhommie_, which, if hypocritical, is certainly very well done, after which conversation once more flows smoothly onwards.

"What were you doing all day?" asks Dulce of the knight at her feet, throwing even kinder feeling than usual into her tone, as she becomes aware that Roger's eyes are fixed upon her.

"Wishing myself here," replies Gower, with a readiness that bespeaks truth.

"What a simple thing to say," murmurs Dulce, with a half-smile, glancing at him from under her long lashes. "But how difficult to believe. After all," with a wilful touch of coquetry, "I don't believe you ever do mean anything you say."

"Don't you," says Gower, with an eagerness that might be born of either passion or amusement. "You wrong me then. And some day--some day, perhaps, I shall be able to prove to you that what I say I mean." Then, probably, the recollection of many things comes to him, and the quick, warm light dies out of his eyes, and it is with an utter change of tone and manner he speaks next.

"Now, tell me what you were doing all day?" he says, lightly.

"Not very much; the hours dragged a little, I think. Just now, as you came to us, we were discussing--" it is almost on her lips the word "you," but she suppresses it in time, and goes on easily--"a dance we must give as soon as possible."

"An undertaking down here, I suppose?" says Gower, doubtfully; "yet a change, after all. And, of course, you are fond of dancing?" with a passing glance, that is almost a caress, at her lithe, svelte figure.

"Yes, very; but I don't care about having a ball here." She says this with a sigh; then she pauses, and a shade saddens her face.

"But why?" asks he, surprised.

"There are many reasons--many. And you might not understand," she says, rather confusedly. She turns her face away from his, and in doing so meets Portia's eyes. She has evidently been listening to what Dulce has just said, and now gives back her cousin's gaze as though against her will. After a moment she slowly averts her face, as if seeking to hide the pallor that is rendering even her lips white.

"Both my evening suits are unwearable," says Dicky Browne, mournfully. "I shall have to run up to town to get some fresh things." He says this deprecatingly, as though utterly assured of the fact that every one will miss him horribly.

"You won't be long away, Dicky, will you?" says Roger, tearfully; at which Dulce, forgetful for the instant of the late feud, laughs aloud.

"I can't think what's the matter with me," says Dicky, still mournful; "my clothes don't last any time. A month seems to put 'em out of shape, and make 'em unwearable."

"No wonder," says Sir Mark, "when you get them made by a fellow out of the swim altogether. _Where_ does he live? Cheapside or Westbourne Grove?"

"No; the Strand," says Mr. Browne, to whom shame is unknown, "if you mean Jerry."

"Dicky employs Jerry because his name is Browne," says Roger. "He's a hanger-on of the family, and is popularly supposed to be a poor relation, a sort of country cousin. Dicky proudly supports him in spite or public opinion. It is very noble of him."

"The governor sent me to him when I was a young chap--for punishment, I think," says Dicky, mildly, "and I don't like to give him up now. He is such a fetching old thing, and so conversational, and takes such an interest in my nether limbs."

"Who are you talking of in such laudatory terms?" asks Dulce, curiously, raising her head at this moment.

"Of Jerry--my tailor," says Dicky, confidentially.

"Ah! A good man, but--er--tiresome," says Julia, vaguely, with a cleverly suppressed yawn; she is evidently under the impression that they are discussing Jeremy Taylor, _not_ the gentleman in the Strand.

"_Is_ he good?" asks Dicky, somewhat at sea. "A capital fellow to make trousers, I know, but for his morality I can't vouch."

"I am speaking of the divine, Jeremy Taylor," says Julia, very justly shocked at what she believes to be levity on the part of Dicky. "_He_ didn't make trousers, he only made maxims!"

"Poor soul!" says Mr. Browne, with heartfelt pity in his tone, to whom Jeremy Taylor is a revelation, and a sad one. "Did he die of 'em?"

Of this frivolous remark Julia deigns to take no notice. And, indeed, they are all too accustomed to Mr. Browne's eccentricities of style to spend time trying to unravel them.

"You haven't yet explained to me the important business that kept you at home all day," Dulce is saying to Mr. Gower. She is leaning slightly forward, and is looking down into his eyes.

"Tenants and a steward, and such like abominations," he says, rather absently. Then, his glance wandering to her little white, slender fingers, that are idly trifling with her fan, "By-the-by," he goes on, "the steward--Mayne, you know--can write with both hands. Odd, isn't it? Just as well with his left as with his right."

"A rather useless accomplishment, I should think."

"I don't know. It occurred to me we should all learn how to do it, in case we should break our arms, or our legs, or anything."

"What on earth would our legs have to do with it," says Miss Blount, with a gay little laugh, which he echoes.

"Oh? well, in case we should sprain our right wrists, then. When Mayne went away I tried if _I_ could make use of my left hand, and succeeded rather well. Look here, you hold your hand like this."

"It sounds difficult," says Dulce, doubtfully.

"It isn't though, really. Will you try?" Taking a pencil and an envelope from his pocket, he lays the latter on her knee, and hands her the former. "Now let me hold your hand just at first to guide you, and you will soon see how simple it is. Only practice is required."

"It will take a good deal of practice and a good deal of guidance, I shouldn't wonder," says Miss Blount, smiling.

"That will be my gain," returns he in a low tone. As he speaks he lays his hand on hers, and directs the pencil; so the lesson begins; and so it continues uninterrupted for several minutes; Dulce is getting on quite smoothly; Mr. Gower is plainly interested in a very high degree, when Roger, coming up to them, lays his hand lightly upon Dulce's shoulder. He is still passionately angry, and almost unable to control himself. To see Dulce's fingers clasped by those of Gower, however innocently, has fired his wrath, and driven him to open expression of his displeasure.

"If you have forgotten how to write, Dulce," he says in a low, strained voice, "I daresay it will be possible to find a master to re-instruct you. In the meantime, why trouble Gower?"

"Does it trouble you, Mr. Gower?" asks she, sweetly, looking straight at Stephen and ignoring Roger.

"Need I answer that?" responds he, flushing warmly, and in his turn ignoring Dare.

"Then you need not worry yourself to get me a master, Roger," says Dulce, still quite sweetly. "It is very good of you to wish to take such trouble about me, but you see I have got one already."

"Not a master--a slave!" says Gower, impulsively. There's such evident and earnest meaning in his tone that she colors violently, and, with a rather open manifestation of shrinking, withdraws her hand from his clasp; the pencil falls to the ground, but Roger has turned aside, and this last act on her part is unseen by him.

"Is anything the matter with Roger?" says Gower, slowly.

"What should be the matter with him?" asks she, coldly.

"Do you remember what we were reading yesterday? Do you remember even one particular line? It comes to me now. 'So loving jealous.' You recollect?"

"No; and even if I did, what has it to do with Roger?"

"Nothing--_perhaps_." There is a small fine smile around his lips that incenses her, she scarcely knows why.

"Then what does your quotation mean?"

"Nothing, too, no doubt. Shall we go on with our lesson?"

"No, I am tired of it," she says, petulantly. "I like nothing, I think, for very long." She has grown somewhat restless, and her eyes are wistful. They are following Roger, who has thrown himself at Portia's feet.

"Are your friendships, too, short-lived?" asks Gower, biting his lips. You can see that he is lounging on the grass, and at this moment, having raised his hand, it falls again, by chance upon her instep.

Remorse and regret have been companions of her bosom for the past minute, now they quicken into extreme anger. Pushing back the garden chair on which she has been sitting, she stands up and confronts the stricken Gower with indignant eyes.

"Don't do that again," she says, with trembling lips. Her whole attitude--voice and expression--are undeniably childish, yet she frightens Gower nearly out of his wits.

"I beg your pardon," he stammers, eagerly, growing quite white. "I must _insist_ on your understanding I did not mean it. How could you think it? I--"

At this instant Roger laughs. The laugh comes to Dulce as she stands before Gower grieved and angry and repentant, and her whole face changes. The grief and