Rivers of Ice by R. M. Ballantyne (best book reader txt) 📕

of anxiety, amounting almost to consternation, sat down on a boulder, took off his hat, wiped his heated brow, pronounced the Professor as mad as a March hare, and prepared to discharge his duties as “the look-out.”

Although cool as a cucumber in all circumstances at sea, where he knew every danger and how to meet or avoid it, the worthy Captain now almost lost self-control and became intensely agitated and anxious, insomuch that he gave frequent and hurried false alarms, which he no less hurriedly attempted to correct, sometimes in nautical terms, much to the confusion of the Professor.

“Hallo! hi! look out—starboard—sta–a–arboard!” he shouted wildly, on beholding a rock about the size of a chest of drawers spring from the heights above and rush downward, with a smoke of ice-dust and débris following, “quick! there! no! port! Port! I say it’s—”

Before he could finish the sentence, the mass had fallen a long way to the right of the Professor, and lay quiet on the ice not far from where the Captain stood.

In spite of the interruptions thus caused, the lower stake was fixed in a few minutes. The Professor then swung his axe vigorously, and began to cut an oblique stair-case in the ice up the sheer face of the precipice.

In some respects the danger to the bold adventurer was now not so great because, being, as it were, flat against the ice-cliffs, falling rocks were more likely, by striking some projection, to bound beyond him. Still there was the danger of deflected shots, and when, by cutting a succession of notches in which to place one foot at a time, he had ascended to the height of an average three-storey house, the danger of losing his balance or slipping a foot became very great indeed. But the man of science persevered in doing what he conceived to be his duty with as much coolness as if he were the leader of a forlorn hope. Following the example of experienced ice-men on steep places, he took good care to make the notches or steps slope a little inwards, never lifted his foot from one step until the next was ready, and never swung his axe until his balance was perfectly secured. Having gained a height of about thirty feet, he pierced a hole with his auger, fastened a stake in it, and descended amid a heavy cannonade of boulders and a smart fire of smaller débris.

During the whole proceeding Lawrence directed his friend as to the placing of the stake, and watched with surprise as well as anxiety, while Captain Wopper kept on shouting unintelligible words of warning in a state of extreme agitation. The guide returned just in time to see this part of the work completed, and to remonstrate gravely with the Professor on his reckless conduct.

“‘All’s well that ends well,’ Antoine, as a great poet says,” replied the Professor, with one of his most genial smiles. “We must run some risk in the pursuit of scientific investigation. Now then, Lawrence, I hope you have got the three stakes in the same line—let me see.”

Applying his eye to the theodolite, he found that the stakes were in an exactly perpendicular line, one above another. He then carefully marked the spot occupied by the instrument and thus completed his labours for that time.

We may add here in passing that next day he returned to the same place, and found that in twenty-four hours the bottom stake had moved downwards a little more than two inches, the middle stake had descended a little more than three, and the upper stake exactly six inches. Thus he was enabled to corroborate the fact which had been ascertained by other men of science before him, that glacier-motion is more rapid at the top than at the bottom, where the friction against its bed tends to hinder its advance, and that the rate of flow increases gradually from the bottom upwards.

While these points of interest were being established, our artist was not less earnestly engaged in prosecuting his own peculiar work, to the intense interest of Gillie, who, although he had seen and admired many a picture in the London shop-windows, had never before witnessed the actual process by which such things are created.

Wandering away on the glacier among some fantastically formed and towering blocks or obelisks of ice, Mr Slingsby expressed to Gillie his admiration of their picturesque shapes and delicate blue colour, in language which his small companion did not clearly understand, but which he highly approved of notwithstanding.

“I think this one is worth painting,” cried Slingsby, pausing and throwing himself into an observant attitude before a natural arch, from the roof of which depended some large icicles; “it is extremely picturesque.”

“I think,” said Gillie, with earnest gravity, “that yonder’s one as is more picturesker.”

He had carefully watched the artist’s various observant attitudes, and now threw himself into one of these as he pointed to a sloping obelisk, the size of an average church-steeple, which bore some resemblance to the leaning-tower of Pisa.

“You are right, boy; that is a better mass. Come, let us go paint it.”

While walking towards it, Gillie asked how such wild masses came to be made.

“I am told by the Professor,” said Slingsby, “that when the ice cracks across, and afterwards lengthwise, the square blocks thus formed get detached as they descend the valley, and assume these fantastic forms.”

“Ah! jis so. They descends the walley, does they?”

“So it is said.”

Gillie made no reply, though he said in his heart, “you won’t git me to swaller that, by no manner of means.” His unbelief was, however, rebuked by the leaning-tower of Pisa giving a terrible rend at that moment, and slowly bending forward. It was an alarming as well as grand sight, for they were pretty near to it. Some smaller blocks of ice that lay below prevented the tower from being broken in its fall. These were crushed to powder by it, and then, as if they formed a convenient carriage for it, the mighty mass slid slowly down the slope for a few feet. It was checked for a moment by another block, which, however, gave way before the great pressure, fell aside and let it pass. The slope was slight at the spot so that the obelisk moved slowly, and once or twice seemed on the point of stopping, but as if it had become endowed with life, it made a sudden thrust, squeezed two or three obstacles flat, turned others aside, and thus wound its way among its fellows with a low groaning sound like some sluggish monster of the antediluvian world. Reaching a steeper part of the glacier, on the ridge of which it hung for a moment, as if unwilling to exert itself, it seemed to awake to the reality of its position. Making a lively rush, that seemed tremendously inconsistent with its weight, it shot over the edge of a yawning crevasse, burst with a thunderclap on the opposite ice-cliff, and went roaring into the dark bowels of the glacier, whence the echoes of its tumbling masses, subdued by distance, came up like the mutterings of evil spirits.

Gillie viewed this wondrous spectacle with an awe-stricken heart, and then vented his feelings in a prolonged yell of ecstasy.

“Ain’t it splendid, sir?” he cried, turning his glowing eyes on Slingsby.

“Majestic!” exclaimed the artist, whose enthusiasm was equal to that of his companion, though not quite so demonstrative.

“Raither spoiled your drawin’, though, ain’t it, sir?”

“Yonder is something quite as good, if not better,” said Slingsby.

He pointed, as he spoke, to a part of the crevasse higher up on the glacier, where a projecting cave of snow overhung the abyss. From the under-surface of this a number of gigantic icicles hung, the lower points of the longer ones almost lost in the blue depths. A good position from which to sketch it, however, was not easily reached, and it was only by getting close to the edge of the crevasse that the persevering artist at length attained his object. Here he sat down on his top-coat, folded several times to guard him from the cold ice, spread out his colour-box and sketching-block, and otherwise made himself comfortable, while Gillie sat down beside him on his own cap, for want of a better protector.

Had these two enthusiasts known the nature of their position, they would have retired from it precipitately with horror, for, ignorant of almost everything connected with glaciers, they had walked right off the solid ice and seated themselves on a comparatively thin projecting ledge of snow which overhung the crevasse. Thus they remained for some time enjoying themselves, with death, as it were, waiting for them underneath! What rendered their position more critical was the great heat of the day, which, whatever might be the strength of the sustaining ledge, was reducing its bulk continually.

After having sketched for some time, the artist thought it advisable to see as far down into the crevasse as possible, in order to put in the point of the longest icicle. The better to do this, he unwound his rope from his waist and flung it on the ice by his side, while he lay down on his breast and looked over the edge. Still he did not perceive the danger of his position, and went on sketching diligently in this awkward attitude.

Now it was a melancholy fact that Master Gillie’s interest in art or science was short-lived, though keen. He soon tired of watching his companion, and began to look about him with a view to mischief. Not seeing anything specially suggestive, he thought of aiding the operations of nature by expediting the descent of some neighbouring boulders from their positions on ice-blocks. He intimated his intention to Slingsby, but the artist was too much engrossed to give heed to him. Just as he was rising, Gillie’s eye fell on the rope, and a happy thought struck him. To carry striking thoughts into immediate execution was a marked feature of the boy’s character. He observed that one end of the rope was attached to Mr Slingsby’s belt. Taking up the hook at the other end, he went with it towards a large boulder, drawing the rope after him with extreme care, for fear of arousing his companion by a tug. He found that, when fully stretched, it was just long enough to pass round the rock. Quickly fastening it, therefore, by means of the hook, he walked quietly away.

He did not exhibit much excitement while doing this. It was, after all, but a trifling jest in his esteem, as the only result to be hoped for would be the giving of a surprise by the little tug which might perhaps be experienced by the artist on rising.

Thereafter, Gillie sent innumerable ice-blocks to premature destruction, and enjoyed the work immensely for a time, but, having exploratory tendencies, he soon wandered about among obelisks and caverns until he found himself underneath the ice-cliff on which his friend was seated. Then, as he looked up at the overhanging ledge from which gigantic icicles were hanging, a shock of alarm thrilled his little breast. This was increased by the falling of one of the icicles, which went like a blue javelin into the crevasse beside him. Gillie thought of shouting to warn Mr Slingsby of his danger, but before he could do so he was startled by an appalling yell. At the same moment part of the ice overhead gave way, and he beheld the artist descending. He was stopped with a sudden jerk, as the rope tightened, and remained suspended in the air, while his coat and colour-box accompanied icicles and snow-blocks into the abyss below. A second later and the struggling artist’s head appeared to fall off, but it was only his hat.

Gillie had by this time recovered himself so far as to be able to add his piercing shrieks for help to the cries of the artist, and well