The Ashiel mystery: A Detective Story by Mrs. Charles Bryce (ebook smartphone .txt) 📕

There was the strange circumstance of the body's being found by the police in a position differing from that described by those who first saw it. Young Ashiel, Juliet and the butler all agreed that it had fallen forward on to the blotting-book in the middle of the table; but Mark had told him that on his return with the police the attitude had been changed. Had he been mistaken? Macross's photographs would show. But if not, and the murdered man had really shifted his position, what did it prove? That they had been wrong in thinking him dead? The doctor's evidence was that the wound he had received must have been instantly fatal, or almost instantly. Then some one must have moved the body, and who but David knew where the key of the room had been put away? But why should David have moved him?

Then there was the letter which had come two days after the murder; the letter written in French and posted in Paris, but probably not written by a Frenchman, and so timed as to reach its destination too late. Was it intentionally delayed, or would Lord Ashiel's death come as an entire surprise to the writer? It certainly would, if the police were right, and Sir David Southern guilty of his uncle's death.

But was he guilty? Gimblet thought not.

These and other questions occupied the detective's mind so completely that half an hour passed like a flash, and it was only when the noise of the dinner-bell broke in upon his meditations that he roused himself and pulled out his watch. Then he sat upright, and listened.

His room was above the drawing-room, and he could hear Lady Ruth's clear, rather high voice mingling with the deep tones of a man's, in a confused, murmuring duet which after a few moments died away and was followed by the distant sound of a closing door.

It was not difficult to deduce from these sounds that Lord Ashiel had arrived, and that the little party of three had gone in to dinner.

It was half an hour more before Gimblet rose, and walked quietly over to the window. He drew the blind cautiously aside and looked out. Already the days were growing shorter, and the little house, embowered in trees, and shut in by a tall hill from the western sky, was nearly completely engulfed in darkness. Below him, on the right, he could just discern the top of the porch, and beyond it a faint glow of light rose from the window of the dining-room.

It did not need a very remarkable degree of activity to clamber from the window to the porch, and so down to the ground. To Gimblet it was as easy as going downstairs. In two minutes he was stealing away under the trees in the direction of Inverashiel Castle.

"The worst of this Highland air," he said to himself as he walked along, "is that it makes one so fearfully hungry, even here on the West Coast. I could have done very nicely with my dinner. But such is life. And it's lucky I am not entirely without provisions."

So saying, he took a box of chocolates from his pocket and began to demolish the contents.

By the time he reached the castle, the night was dark indeed. He approached it by the path along the burn, and felt his way cautiously up the steep zigzags of the hill, and past the servants' quarters, where a dog barked and gave him an uneasy minute till he found that it was tied up, and that the noise which issued from a brilliantly lighted window—which he guessed to be the servants' hall—did not cease or diminish on account of it.

There were no other lights to be seen, and he edged his way round to the front of the house, which loomed very black and mysterious against the liquid darkness of the moonless sky. A little wind had risen, and the sound of a million leaves rustling gently on the trees of the woods around was added to the distant murmur of the burn, so that the night seemed full of noises, and every bush alive and watching.

Keeping on the grass, and with every precaution of silence, Gimblet crept along till he thought he was outside the drawing-room.

It did not take him long to find the window he had left unlatched that afternoon, but it was an anxious moment till he made sure that no one had noticed it and that it was yet unfastened. If a careful housemaid had discovered it and shut it, he would have to begin housebreaking in earnest. Luckily it opened easily at his touch, and he lost no time in climbing in, though it was rather a tight squeeze through the narrow imitation Gothic mullions, and he was thankful there were no bars as in the library.

He had more than once during his career found himself obliged to enter other people's houses in this unceremonious, not to say burglarious fashion. But it was always an exciting experience; and his heart beat a trifle faster than usual as he stood motionless by the window, straining his ears for the sound of any movement on the part of the household. Nothing stirred, however, and by the help of an occasional gleam from his pocket electric torch Gimblet made his way to the door, and through the deserted house to the distant passage leading to the old tower. Once inside the library he breathed more freely, and when, after holding his breath for some minutes, he had made certain that the absolute silence of the place continued unbroken by any suspicion of noise, he felt safer still. His first act was to draw the curtains, and to fasten them together in the middle with a large safety-pin he had brought for the purpose. Then, secure from observation, he switched on his torch, placed it on the table with its back to the window, and set about what he had come to do.

As he had not failed to observe, earlier in the day, the book-lined walls of the library were broken, opposite the window, by a panelled alcove where a small table stood, beyond which, against the wall, was a very large and tall grandfather's clock of black and gold lacquer, in imitation of the Chinese designs so popular in the eighteenth century.

Among Lord Ashiel's last words, "The clock" had been uttered immediately after the detective's own name. No doubt they formed part of a message he wished to convey; and, though they might refer to any clock in or out of the house, it seemed to Gimblet worth while to begin his investigations with the one nearest at hand, and he turned his attention to it without loss of time.

Gimblet was a connoisseur of the antique, and a few minutes' examination proved to him that this was a genuine old clock, untouched by the restorer's hand, and in an excellent state of preservation. The works appeared all right as far as he could make out, but through the narrow half-moon of glass, so often inserted in the cases of old clocks for the purpose of displaying the pendulum, that article was not to be seen, and he found that it was missing from inside the case, as were also the weights, so that it was impossible to set it going. There was one odd thing about it, which the detective had already remarked: it was firmly fixed to the wall by large screws, and he thought that there must be some opening through the back into a receptacle contrived in the panelling behind it. The case was so large that he was able to get inside it, and examine inch by inch the wood of the interior, which was lacquered a plain black.

But his most careful tappings and testings could discover no hidden spring, nor, even by the help of the electric torch—which he passed all over the smooth surfaces of the walls—could he discern the slightest join or crack. Could there be a hiding place up among the wheels of the motionless works? His utmost endeavours could discover none. The clock was fully eight feet high, but with the help of a stool, which he put inside on the floor of the case, he was able to explore even the topmost corners. All to no purpose.

Presently he abandoned that field of research, replaced the stool whence he had taken it, and gave his attention to the surrounding walls. He examined each panel with the most painstaking care, but could find nothing. There was no sign of secret drawer or cupboard anywhere.

It was disappointing, and he drew back, baffled for the moment

"The clock—eleven—steps."

What was the connection between those broken words?

If eleven o'clock had anything to do with the answer to the riddle, it could not refer to this particular clock, which pointed unwaveringly to thirteen minutes past four. Could it be possible that at eleven there appeared some change in its countenance? Was it controlled by some invisible mechanism? Well, if so, he would witness the transformation, but such a solution did not seem likely. Was there no other meaning applicable to the words? He would try the last ones and assume that eleven steps from somewhere, the clock, probably, would bring him to the hiding-place where the precious papers had been deposited.

Placing his heel against the bottom of the black-and-gold case, he walked forward for eleven paces, which brought him right into the bow of the window. Here he bent down, and, with the torch in one hand, and a small magnifying lens that he was never without in the other, searched the floor eagerly for some join in the boards, which should denote the edge of a trap-door or an opening of some sort.

He could find none.

Again and again he tried, till at last he had examined the whole flooring of the embrasure of the window.

No other part of the room was wide enough to allow him to take eleven steps, and he reluctantly came to the conclusion that he must be on the wrong tack.

There seemed no more to do but to wait till eleven should strike, in the faint hope that something would happen then; and Gimblet sat down in one of the large arm-chairs and prepared for an hour's lonely vigil. He put his lamp in his pocket and sat in the dark, for he had an uneasy feeling that Mark might return from the cottage and catch him pursuing his investigations in a way which might not appeal to the average householder. True, it seemed unlikely that anyone would come so late to that side of the castle; but one never knew, and the thought of being caught at his housebreaking added to the irritation produced by the failure of his search.

"The clock—eleven—steppes." What had Lord Ashiel been trying to say? Why in the world had he put off writing till so late? These and like questions Gimblet asked himself fretfully, as he waited, curled in a deep arm-chair among the black shapes of furniture which loomed around him, indefinite and almost invisible, even to eyes accustomed to the darkness, as his now were.

Suddenly he raised his head and listened, holding his breath in strained attention. He had caught the sound of distant footsteps.

In an instant he was up and had leapt to the window, where his fingers fumbled with the safety-pin that held the curtains together. No tell-tale mark of his presence must be left.

But where should he hide? The sounds were becoming more distinct every second; no escape seemed possible. There was no help for it, and he was bound to be discovered; he must put as good a face on it as he could contrive. The person approaching might, after all, not come into the library, but go back again along the passage. It might only be some one coming to see that the door to the garden was properly bolted.

These thoughts flashed through the detective's mind so quickly as to be practically simultaneous, and then almost at the same moment he realized that the footsteps did not come from the passage at all, but from under the room he was waiting in. In a flash he had grasped the full significance of this unexpected fact, and was tiptoeing across to the door.

The handle turned noiselessly in his fingers, thanks to the precaution he had taken of oiling it, and he slipped outside.

In the dark and empty passage he took to his heels and ran swiftly back to the drawing-room, nor paused