The Real Adventure by Henry Kitchell Webster (pdf to ebook reader txt) 📕

the other. As long as the man who wasn't Rose's husband remained alive in him, he'd protest--struggle--clamor for his old freedom. And yet, as long as the million tiny cords that bound hum, Gulliver-like, went back to Rose, talk of breaking them was sophomoric foolishness. He'd better go home!

The building was pretty well deserted by now, and against the silence he heard the buzzer in his telephone switchboard proclaiming insistently that some one was trying to get him on the telephone. His hour of recollection hadn't been a success, but the invasion of it irritated him none the less. He thought at first he wouldn't answer. He didn't care who was on the wire. He didn't want to talk to anybody. But no one can resist the mechanical bell-ringers they use in exchanges nowadays--the even-spaced ring and wait, ring and wait, so manifestly incapable of discouragement. At the end of forty-five seconds, he snatched open his door, punched the jack into its socket, caught up the head-piece, and bellowed, "Hello!" into the dangling transmitter.

And then the look of annoyance in his face changed to one of incredulous pleasure. "Good God!" he said. "Is that you, Barry Lake? Are you here in Chicago? And Jane, too? How long you going to be here?... Lord, but that's immense!"

And five minutes later he was calling Rose on the wire. "Rose, listen to this! Barry Lake and his wife are here. He just called up. They got in from New York at five o'clock, and I've asked them out to dinner. Barry Lake and Jane! What's the matter? Can't you hear me?... Why, they're about the best friends I've got. The magazine writer, you know, and his wife. And they're coming out to dinner--coming right out. I told them not to dress. I'll come straight home myself--get there before they do, I guess.... Why, Rose, what's the matter? Aren't you well? Look here! If you're below par, and don't feel like having them come, I can call it off and go over to the hotel and dine with them.... You'd rather we came out to the house? You're sure? Because they won't mind a bit. I can take them to a restaurant or anywhere.... All right, if you're sure it won't be too much for you. I'll be home in fifteen minutes. Lord, but it was good to hear old Barry's voice again! I haven't seen him for over a year. You're sure you'd rather?... All right. Good-by."

But he sat there frowning in a puzzled sort of way for half a minute after he'd pulled the plug. Rose's voice had certainly sounded queer. He was sure she hadn't planned anything else for to-night. He distinctly remembered her saying just before he left for the office that they'd have the evening to themselves. And it was incredible that she minded his bringing home two old friends like the Lakes on the spur of the moment, to take pot-luck. Oh, well, you couldn't tell about people's voices over the telephone. There must have been something funny about the connection.

An opportune taxi just passing the entrance to his office building as he came out, enabled him to better the fifteen minutes he'd allowed for getting home. But in spite of this he found Rose rather splendidly gowned for her expected guests.

"Good gracious!" he cried excitedly. "What did you do that for? I thought I told you over the phone the Lakes weren't going to dress."

"I was--dressed like this when you telephoned," Rose said. "And I was afraid there wouldn't be time to change into anything else."

"We weren't going anywhere, were we?" he asked. "There's nothing I've forgotten?"

"No," she said, "we weren't going anywhere."

"And you dressed like that just for a--treat for me?"

She nodded. "Just for you," she said. "Roddy, who are the Lakes? Oh, I know his articles, I think! But where were they friends of yours, and when?"

"Why, for years, until they moved to New York. They used to live here. I know I must have told you about them. I was always having dinner with them--either out in Rogers Park, where they lived, or at queer, terrible little restaurants down-town. They were always game to try anything, once. He's the longest, leanest, angularest, absent-mindedest chap in the world. And just about the best. And his wife fits all his angles. She's a good chap, too. That's the way you have to think of her. They're a great pair. She writes, too. Oh, you're sure to like them! They're going to be out here for months, he says. He's going to specialize in women, and he's come back here where they've got the vote and all, to make headquarters. Lord, but it's great! I haven't had a real talk with anybody since he went away, over a year ago!"

Then, at the sound of the bell, he cried out, "There they are!" and dashed down into the hall ahead of the parlor maid, as eagerly as a schoolboy anticipating a birthday present.

Rose followed more slowly, and by the time she had reached the landing she found him slapping Barry on the back and shaking both hands with Jane, and trying to help both of them out of their wraps at once.

The last thing she could have thought of just then, was of making, for herself, an effective entrance on the scene. But it worked out rather that way. The three of them, Rodney and the Lakes, at the foot of the stairs, in the clothes they had been working and traveling in all day, looked up simultaneously and saw Rose, gowned for a treat for Rodney, on the first landing; a wonderful rose-colored Boucher tapestry (guaranteed authentic by Bertie Willis) on the wall behind her for a background, and the carved Gothic newel-post bringing out the whiteness of the hand that rested upon it. The picture would have won a moment's silence from anybody. And Barry and Jane simply gazed at her wide-eyed.

Rodney was the first to speak. "It's really the Lakes, Rose. I couldn't quite believe it till I saw them. And the lady on the landing," he went on, turning to his guests, "is really my wife. It's all a little incredible, isn't it?"

When the greetings were over and they were on the way up-stairs again, he said: "I told Rose we weren't going to dress, but she explained she didn't put on this coronation robe for you, but for a treat for me before I telephoned, and hadn't time to change back."

And when Jane cried out, as they entered the drawing room, "Good heavens, Rodney, what a house!" he answered: "It isn't ours, thank God! We rented it for a year in a sort of honeymoon delirium, I guess. We don't live up to it, of course. Nobody could, but the woman who built it. But we do our damnedest."

The gaiety in his voice clouded a little as he said it, and his grin, for a moment, had a rueful twist. But for a moment only. Then his untempered delight in the possession of his old friends took him again and, with the exception of one or two equally momentary cloud-shadows, lasted all evening.

They talked--heavens how they talked! It was like the breaking up of a log-jam. The two men would rush along, side by side, in perfect agreement for a while, catching each other's half expressed ideas, and hurling them forward, and then suddenly they'd meet, head on, in collision over some fundamental difference of opinion, amid a prismatic spray of epigram. Jane kept up a sort of obbligato to the show, inserting provocative little witticisms here and there, sometimes as Rodney's ally, sometimes as her husband's, and luring them, when she could, into the quiet backwaters of metaphysics, where she was more than a match for the two of them. Jane could juggle Plato, Bergson and William James, with one hand tied behind her. But when she incautiously ventured out of this domain, as occasionally she did--when, for example, she confessed herself in favor of a censorship of the drama, she was instantly demolished.

"The state's got no business with morals," said Barry.

"That's the real cause of most of our municipal corruption," said Rodney. "A city administration, for instance, is corrupt exactly in ratio to its attempt to be moral. The more moral issues you import into politics--gambling, prostitution, Sunday closing, censored movies, and the rest--the more corrupt and helpless and inefficient your government will be." And, between them, for the next half-hour, they kept on demonstrating it until the roar of their heavy artillery fairly drove Jane from her trenches.

But all this was preliminary to the main topic of the evening, which got launched when Rodney seized the advantage of a pause to say:

"A series of articles on women, eh! What are you going to do to them?"

With that the topic of feminism was on the carpet and it was never thereafter abandoned. "Utopia to Brass Tacks," was the slogan Barry's chief had provided him with, he said. We were about the end of the heroic age of the movement, the age of myths and saints and prophecies. A transition was about due to smaller, more immediate things. The quality of the leaders would probably change. The heroines of the last three or four decades, women like Naomi Rutledge Stanton, to take a fine type of them.

"She's my mother," said Rose.

Barry Lake's aplomb was equal to most situations, but it failed him here; for a moment he could only stare. The contrast between the picture in his mind's eye, of the plain, square-toed, high-principled and rather pathetic champion of the Cause--pathetic in the light of what she hoped from it--facing indifference and ridicule with the calm smile of one who has climbed her mountain and looked into the promised land,--between that and the lovely, sensitive, sensuous creature he was staring at, was enough to stagger anybody. He got himself together in a moment, said very simply and gravely how much he admired her and how high a value, he believed, the future would put on her work; then he picked up his sentence where Rose had broken it.

The heroines and the prophets were going to be replaced, he believed, by leaders much more practical and less scrupulous, and the movement would follow the leaders. As far as polities went, he not only looked for no millennium, but for a reaction in the other direction. There'd be more open graft, he thought.

Rose asked him if he meant that he thought women were less honest than men.

"It isn't a lack of old-fashioned honesty that makes a man a grafter," he said. "It's seeing the duties and privileges of a public office in a private and personal way, instead of in a public, impersonal one; being kind to old friends who need a helping hand, and grateful to people who've held out helping hands to you. Well, and women have been trained for hundreds of years to see things in that private and personal way, and to exalt the private and personal virtues. Just as they've been trained to stick to rule of thumb methods that more or less work, rather than to try experiments. So, on the whole, I think their getting the vote will mean that politics will be crookeder and more reactionary than they've been in a good many years. All the same I'm for it, because it's a part of democracy, and I'm for democracy all the way. Not because you get good government out of it; you don't. You get as good as you deserve, and in the long run