Jean-Christophe, vol 1 by Romain Rolland (fb2 epub reader .txt) đź“•
He waited for contradiction, and spat on the fire. Then, as neither mother nor child raised any objection, he was for going on, but relapsed into silence.
* * * * *
They said no more. Both Jean Michel, sitting by the fireside, and Louisa, in her bed, dreamed sadly. The old man, in spite of what he had said, had bitter thoughts about his son's marriage, and Louisa was thinking of it also, and blaming herself, although she had nothing wherewith to reproach herself.
She had been a servant when, to everybody's surprise, and her own especially, she married Melchior Krafft, Jean Michel's son. The Kraffts were without fortune, but were considerable people in the little Rhine town in which the old man had settled down more than fifty years before. Both father and son were musicians, and known to all the musicians of the country from Cologne to Mannheim. Melchior played the violin at the Hof-Theater, and Jean Michel had formerly been director of the grand-ducal concerts. The o
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street Melchior would declare that he had an urgent appointment with some
friends, and no argument could dissuade him from keeping this engagement.
Jean-Christophe took care not to insist too much, so as not to expose
himself to a scene and paternal imprecations which might attract the
neighbors to their windows.
All the household money slipped away in this fashion. Melchior was not
satisfied with drinking away his earnings; he drank away all that his wife
and son so hardly earned. Louisa used to weep, but she dared not resist,
since her husband had harshly reminded her that nothing in the house
belonged to her, and that he had married her without a sou. Jean-Christophe
tried to resist. Melchior boxed his ears, treated him like a naughty child,
and took the money out of his hands. The boy was twelve or thirteen. He was
strong, and was beginning to kick against being beaten; but he was still
afraid to rebel, and rather than expose himself to fresh humiliations of
the kind he let himself be plundered. The only resource that Louisa and
Jean-Christophe had was to hide their money; but Melchior was singularly
ingenious in discovering their hiding-places when they were not there.
Soon that was not enough for him. He sold the things that he had inherited
from his father. Jean-Christophe sadly saw the precious relics go—the
books, the bed, the furniture, the portraits of musicians. He could say
nothing. But one day, when Melchior had crashed into Jean Michel’s old
piano, he swore as he rubbed his knee, and said that there was no longer
room to move about in his own house, and that he would rid the house of
all such gimcrackery. Jean-Christophe cried aloud. It was true that the
rooms were too full, since all Jean Michel’s belongings were crowded
into them, so as to be able to sell the house, that dear house in which
Jean-Christophe had spent the happiest hours of his childhood. It was true
also that the old piano was not worth much, that it was husky in tone, and
that for a long time Jean-Christophe had not used it, since he played on
the fine new piano due to the generosity of the Prince; but however old and
useless it might be, it was Jean-Christophe’s best friend. It had awakened
the child to the boundless world of music; on its worn yellow keys he had
discovered with his fingers the kingdom of sounds and its laws; it had been
his grandfather’s work (months had gone to repairing it for his grandson),
and he was proud of it; it was in some sort a holy relic, and
Jean-Christophe protested that his father had no right to sell it. Melchior
bade him be silent. Jean-Christophe cried louder than ever that the piano
was his, and that he forbade any one to touch it; but Melchior looked at
him with an evil smile, and said nothing.
Next day Jean-Christophe had forgotten the affair. He came home tired, but
in a fairly good temper. He was struck by the sly looks of his brothers.
They pretended to be absorbed in their books, but they followed him with
their eyes, and watched all his movements, and bent over their books
again when he looked at them. He had no doubt that they had played some
trick upon him, but he was used to that, and did not worry about it, but
determined, when he had found it out, to give them a good thrashing, as he
always did on such occasions. He scorned to look into the matter, and he
began to talk to his father, who was sitting by the fire, and questioned
him as to the doings of the day with an affectation of interest which
suited him but ill; and while he talked he saw that Melchior was exchanging
stealthy nods and winks with the two children. Something caught at his
heart. He ran into his room. The place where the piano had stood was empty!
He gave a cry of anguish. In the next room he heard the stifled laughter of
his brothers. The blood rushed to his face. He rushed in to them, and
cried:
“My piano!”
Melchior raised his head with an air of calm bewilderment which made
the children roar with laughter. He could not contain himself when he
saw Jean-Christophe’s piteous look, and he turned aside to guffaw.
Jean-Christophe no longer knew what he was doing. He hurled himself like
a mad thing on his father. Melchior, lolling in his chair, had no time to
protect himself. The boy seized him by the throat and cried:
“Thief! Thief!”
It was only for a moment. Melchior shook himself, and sent Jean-Christophe
rolling down on to the tile floor, though in his fury he was clinging
to him like grim death. The boy’s head crashed against the tiles.
Jean-Christophe got upon his knees. He was livid, and he went on saying in
a choking voice:
“Thief, thief!… You are robbing us—mother and me…. Thief!… You are
selling my grandfather!”
Melchior rose to his feet, and held his fist above Jean-Christophe’s head.
The boy stared at him with hate; in his eyes. He was trembling with rage.
Melchior began to tremble, too.
He sat down, and hid his face in his hands. The two children had run away
screaming. Silence followed the uproar. Melchior groaned and mumbled.
Jean-Christophe, against the wall, never ceased glaring at him with
clenched teeth, and he trembled in every limb. Melchior began to blame
himself.
“I am a thief! I rob my family! My children despise me! It were better if
I were dead!”
When he had finished whining, Jean-Christophe did not budge, but asked him
harshly:
“Where is the piano?”
“At Wormser’s,” said Melchior, not daring to look at him.
Jean-Christophe took a step forward, and said:
“The money!”
Melchior, crushed, took the money from his pocket and gave it to his son.
Jean-Christophe turned towards the door. Melchior called him:
“Jean-Christophe!”
Jean-Christophe stopped. Melchior went on in a quavering voice:
“Dear Jean-Christophe … do not despise me!”
Jean-Christophe flung his arms round his neck and sobbed:
“No, father—dear father! I do not despise you! I am so unhappy!”
They wept loudly. Melchior lamented:
“It is not my fault. I am not bad. That’s true, Jean-Christophe? I am not
bad?”
He promised that he would drink no more. Jean-Christophe wagged his head
doubtfully, and Melchior admitted that he could not resist it when he had
money in his hands. Jean-Christophe thought for a moment and said:
“You see, father, we must…”
He stopped.
“What then?”
“I am ashamed…”
“Of whom?” asked Melchior naïvely.
“Of you.”
Melchior made a face and said:
“That’s nothing.”
Jean-Christophe explained that they would have to put all the family money,
even Melchior’s contribution, into the hands of some one else, who would
dole it out to Melchior day by day, or week by week, as he needed it.
Melchior, who was in humble mood—he was not altogether starving—agreed
to the proposition, and declared that he would then and there write a
letter to the Grand Duke to ask that the pension which came to him should
be regularly paid over in his name to Jean-Christophe. Jean-Christophe
refused, blushing for his father’s humiliation. But Melchior, thirsting
for self-sacrifice, insisted on writing. He was much moved by his own
magnanimity. Jean-Christophe refused to take the letter, and when Louisa
came in and was acquainted with the turn of events, she declared that she
would rather beg in the streets than expose her husband to such an insult.
She added that she had every confidence in him, and that she was sure he
would make amends out of love for the children and herself. In the end
there was a scene of tender reconciliation and Melchior’s letter was left
on the table, and then fell under the cupboard, where it remained
concealed.
But a few days later, when she was cleaning up, Louisa found it there, and
as she was very unhappy about Melchior’s fresh outbreaks—he had forgotten
all about it—instead of tearing it up, she kept it. She kept it for
several months, always rejecting the idea of making use of it, in spite of
the suffering she had to endure. But one day, when she saw Melchior once
more beating Jean-Christophe and robbing him of his money, she could bear
it no longer, and when she was left alone with the boy, who was weeping,
she went and fetched the letter, and gave it him, and said:
“Go!”
Jean-Christophe hesitated, but he understood that there was no other way
if they wished to save from the wreck the little that was left to them.
He went to the Palace. He took nearly an hour to walk a distance that
ordinarily took twenty minutes. He was overwhelmed by the shame of what
he was doing. His pride, which had grown great in the years of sorrow and
isolation, bled at the thought of publicly confessing his father’s vice.
He knew perfectly well that it was known to everybody, but by a strange
and natural inconsequence he would not admit it, and pretended to notice
nothing, and he would rather have been hewn in pieces than agree. And now,
of his own accord, he was going!… Twenty times he was on the point of
turning back. He walked two or three times round the town, turning away
just as he came near the Palace. He was not alone in his plight. His mother
and brothers had also to be considered. Since his father had deserted them
and betrayed them, it was his business as eldest son to take his place and
come to their assistance. There was no room for hesitation or pride; he
had to swallow down his shame. He entered the Palace. On the staircase he
almost turned and fled. He knelt down on a step; he stayed for several
minutes on the landing, with his hand on the door, until some one coming
made him go in.
Every one in the offices knew him. He asked to see His Excellency the
Director of the Theaters, Baron de Hammer Langbach. A young clerk, sleek,
bald, pink-faced, with a white waistcoat and a pink tie, shook his hand
familiarly, and began to talk about the opera of the night before.
Jean-Christophe repeated his question. The clerk replied that His
Excellency was busy for the moment, but that if Jean-Christophe had a
request to make they could present it with other documents which were to
be sent in for His Excellency’s signature. Jean-Christophe held out his
letter. The clerk read it, and gave a cry of surprise.
“Oh, indeed!” he said brightly. “That is a good idea. He ought to have
thought of that long ago! He never did anything better in his life! Ah, the
old sot! How the devil did he bring himself to do it?”
He stopped short. Jean-Christophe had snatched the paper out of his hands,
and, white with rage, shouted:
“I forbid you!… I forbid you to insult me!”
The clerk was staggered.
“But, my dear Jean-Christophe,” he began to say, “whoever thought of
insulting you? I only said what everybody thinks, and what you think
yourself.”
“No!” cried Jean-Christophe angrily.
“What! you don’t think so? You don’t think that he drinks?”
“It is not true!” said Jean-Christophe.
He stamped his foot.
The clerk shrugged his shoulders.
“In that case, why did he write this letter?”
“Because,” said Jean-Christophe (he did not know what to say)—“because,
when I come for
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