The Mystery of 31 New Inn by R. Austin Freeman (best color ereader .TXT) 📕

Thorndyke," I remarked; "but I don't quite see their present application. Do you mean them to bear in any special way on the Blackmore case?"

"I think they do bear on it very directly. I thought so while Mr. Britton was making his very illuminating remarks."

"I don't see how. In fact I cannot see why you are going into the question of the signatures at all. The signature on the will is admittedly genuine, and that seems to me to dispose of the whole affair."

"My dear Jervis," said he, "you and Marchmont are allowing yourselves to be obsessed by a particular fact—a very striking and weighty fact, I will admit, but still, only an isolated fact. Jeffrey Blackmore executed his will in a regular manner, complying with all the necessary formalities and conditions. In the face of that single circumstance you and Marchmont would 'chuck up the sponge,' as the old pugilists expressed it. Now that is a great mistake. You should never allow yourself to be bullied and browbeaten by a single fact."

"But, my dear Thorndyke!" I protested, "this fact seems to be final. It covers all possibilities—-unless you can suggest any other that would cancel it."

"I could suggest a dozen," he replied. "Let us take an instance. Supposing Jeffrey executed this will for a wager; that he immediately revoked it and made a fresh will, that he placed the latter in the custody of some person and that that person has suppressed it."

"Surely you do not make this suggestion seriously!" I exclaimed.

"Certainly I do not," he replied with a smile. "I merely give it as an instance to show that your final and absolute fact is really only conditional on there being no other fact that cancels it."

"Do you think he might have made a third will?"

"It is obviously possible. A man who makes two wills may make three or more; but I may say that I see no present reason for assuming the existence of another will. What I want to impress on you is the necessity of considering all the facts instead of bumping heavily against the most conspicuous one and forgetting all the rest. By the way, here is a little problem for you. What was the object of which these are the parts?"

He pushed across the table a little cardboard box, having first removed the lid. In it were a number of very small pieces of broken glass, some of which had been cemented together by their edges.

"These, I suppose," said I, looking with considerable curiosity at the little collection, "are the pieces of glass that we picked up in poor Blackmore's bedroom?"

"Yes. You see that Polton has been endeavouring to reconstitute the object, whatever it was; but he has not been very successful, for the fragments were too small and irregular and the collection too incomplete. However, here is a specimen, built up of six small pieces, which exhibits the general character of the object fairly well."

He picked out the little irregularly shaped object and handed it to me; and I could not but admire the neatness with which Polton had joined the tiny fragments together.

I took the little "restoration," and, holding it up before my eyes, moved it to and fro as I looked through it at the window.

"It was not a lens," I pronounced eventually.

"No," Thorndyke agreed, "it was not a lens."

"And so cannot have been a spectacle-glass. But the surface was curved—one side convex and the other concave—and the little piece that remains of the original edge seems to have been ground to fit a bezel or frame. I should say that these are portions of a watch-glass."

"That is Polton's opinion," said Thorndyke, "and I think you are both wrong."

"What do you say to the glass of a miniature or locket?"

"That is rather more probable, but it is not my view."

"What do you think it is?" I asked. But Thorndyke was not to be drawn.

"I am submitting the problem for solution by my learned friend," he replied with an exasperating smile, and then added: "I don't say that you and Polton are wrong; only that I don't agree with you. Perhaps you had better make a note of the properties of this object, and consider it at your leisure when you are ruminating on the other data referring to the Blackmore case."

"My ruminations," I said, "always lead me back to the same point."

"But you mustn't let them," he replied. "Shuffle your data about. Invent hypotheses. Never mind if they seem rather wild. Don't put them aside on that account. Take the first hypothesis that you can invent and test it thoroughly with your facts. You will probably have to reject it, but you will be certain to have learned something new. Then try again with a fresh one. You remember what I told you of my methods when I began this branch of practice and had plenty of time on my hands?"

"I am not sure that I do."

"Well, I used to occupy my leisure in constructing imaginary cases, mostly criminal, for the purpose of study and for the acquirement of experience. For instance, I would devise an ingenious fraud and would plan it in detail, taking every precaution that I could think of against failure or detection, considering, and elaborately providing for, every imaginable contingency. For the time being, my entire attention was concentrated on it, making it as perfect and secure and undetectable as I could with the knowledge and ingenuity at my command. I behaved exactly as if I were proposing actually to carry it out, and my life or liberty depended on its success—excepting that I made full notes of every detail of the scheme. Then when my plans were as complete as I could make them, and I could think of no way in which to improve them, I changed sides and considered the case from the standpoint of detection. I analysed the case, I picked out its inherent and unavoidable weaknesses, and, especially, I noted the respects in which a fraudulent proceeding of a particular kind differed from the bona fide proceeding that it simulated. The exercise was invaluable to me. I acquired as much experience from those imaginary cases as I should from real ones, and in addition, I learned a method which is the one that I practise to this day."

"Do you mean that you still invent imaginary cases as mental exercises?"

"No; I mean that, when I have a problem of any intricacy, I invent a case which fits the facts and the assumed motives of one of the parties. Then I work at that case until I find whether it leads to elucidation or to some fundamental disagreement. In the latter case I reject it and begin the process over again."

"Doesn't that method sometimes involve a good deal of wasted time and energy?" I asked.

"No; because each time that you fail to establish a given case, you exclude a particular explanation of the facts and narrow down the field of inquiry. By repeating the process, you are bound, in the end, to arrive at an imaginary case which fits all the facts. Then your imaginary case is the real case and the problem is solved. Let me recommend you to give the method a trial."

I promised to do so, though with no very lively expectations as to the result, and with this, the subject was allowed, for the present, to drop.

 

 

Chapter XII The Portrait

 

The state of mind which Thorndyke had advised me to cultivate was one that did not come easily. However much I endeavoured to shuffle the facts of the Blackmore case, there was one which inevitably turned up on the top of the pack. The circumstances surrounding the execution of Jeffrey Blackmore's will intruded into all my cogitations on the subject with hopeless persistency. That scene in the porter's lodge was to me what King Charles's head was to poor Mr. Dick. In the midst of my praiseworthy efforts to construct some intelligible scheme of the case, it would make its appearance and reduce my mind to instant chaos.

For the next few days, Thorndyke was very much occupied with one or two civil cases, which kept him in court during the whole of the sitting; and when he came home, he seemed indisposed to talk on professional topics. Meanwhile, Polton worked steadily at the photographs of the signatures, and, with a view to gaining experience, I assisted him and watched his methods.

In the present case, the signatures were enlarged from their original dimensions—rather less than an inch and a half in length—to a length of four and a half inches; which rendered all the little peculiarities of the handwriting surprisingly distinct and conspicuous. Each signature was eventually mounted on a slip of card bearing a number and the date of the cheque from which it was taken, so that it was possible to place any two signatures together for comparison. I looked over the whole series and very carefully compared those which showed any differences, but without discovering anything more than might have been expected in view of Mr. Britton's statement. There were some trifling variations, but they were all very much alike, and no one could doubt, on looking at them, that they were all written by the same hand.

As this, however, was apparently not in dispute, it furnished no new information. Thorndyke's object—for I felt certain that he had something definite in his mind—must be to test something apart from the genuineness of the signatures. But what could that something be? I dared not ask him, for questions of that kind were anathema, so there was nothing for it but to lie low and see what he would do with the photographs.

The whole series was finished on the fourth morning after my adventure at Sloane Square, and the pack of cards was duly delivered by Polton when he brought in the breakfast tray. Thorndyke took up the pack somewhat with the air of a whist player, and, as he ran through them, I noticed that the number had increased from twenty-three to twenty-four.

"The additional one," Thorndyke explained, "is the signature to the first will, which was in Marchmont's possession. I have added it to the collection as it carries us back to an earlier date. The signature of the second will presumably resembles those of the cheques drawn about the same date. But that is not material, or, if it should become so, we could claim to examine the second will."

He laid the cards out on the table in the order of their dates and slowly ran his eye down the series. I watched him closely and ventured presently to ask:

"Do you agree with Mr. Britton as to the general identity of character in the whole set of signatures?"

"Yes," he replied. "I should certainly have put them down as being all the signatures of one person. The variations are very slight. The later signatures are a little stiffer, a little more shaky and indistinct, and the B's and k's are both appreciably different from those in the earlier ones. But there is another fact which emerges when the whole series is seen together, and it is so striking and significant a fact, that I am astonished at its not having been remarked on by Mr. Britton."

"Indeed!" said I, stooping to examine the photographs with fresh interest; "what is that?"

"It is a very simple fact and very obvious, but yet, as I have said, very significant. Look carefully at number one, which is the signature of the first will, dated three years ago, and compare it with number three, dated the eighteenth of September last year."

"They look to me identical," said I, after a careful comparison.

"So they do to me," said Thorndyke. "Neither of them shows the change that occurred later. But if you look at number two, dated the sixteenth of September, you will see that it is in the later style. So is number four, dated the twenty-third of September; but numbers five and six, both at the beginning of October, are in the earlier style, like the signature of the will. Thereafter all the signatures are in the new style; but, if you compare number two, dated the sixteenth of September with number twenty-four, dated the fourteenth of March of this year—the day of Jeffrey's death—you see that they exhibit no difference. Both are in the 'later style,' but the last shows no greater change than the first. Don't you consider these facts very striking and significant?"

I reflected a few moments, trying to make out the deep significance to which Thorndyke was directing my attention—and not succeeding very triumphantly.

"You mean," I said, "that the occasional reversions to the earlier form convey some material suggestion?"

"Yes; but more than that. What we learn from an inspection of this series is this: that there was a change