Barnaby Rudge: A Tale of the Riots of 'Eighty by Charles Dickens (classic books for 7th graders .txt) 📕

With that, and with an expression of face in which a great number of opposite ingredients, such as mischief, cunning, malice, triumph, and patient expectation, were all mixed up together in a kind of physiognomical punch, Miss Miggs composed herself to wait and listen, like some fair ogress who had set a trap and was watching for a nibble from a plump young traveller.

She sat there, with perfect composure, all night. At length, just upon break of day, there was a footstep in the street, and presently she could hear Mr Tappertit stop at the door. Then she could make out that he tried his key—that he was blowing into it—that he knocked it on the nearest post to beat the dust out—that he took it under a lamp to look at it—that he poked bits of stick into the lock to clear it—that he peeped into the keyhole, first with one eye, and then with the other—that he tried the key again—that he couldn’t turn it, and what was worse, couldn’t get it out—that he bent it—that then it was much less disposed to come out than before—that he gave it a mighty twist and a great pull, and then it came out so suddenly that he staggered backwards—that he kicked the door—that he shook it—finally, that he smote his forehead, and sat down on the step in despair.

When this crisis had arrived, Miss Miggs, affecting to be exhausted with terror, and to cling to the window-sill for support, put out her nightcap, and demanded in a faint voice who was there.

Mr Tappertit cried ‘Hush!’ and, backing to the road, exhorted her in frenzied pantomime to secrecy and silence.

‘Tell me one thing,’ said Miggs. ‘Is it thieves?’

‘No—no—no!’ cried Mr Tappertit.

‘Then,’ said Miggs, more faintly than before, ‘it’s fire. Where is it, sir? It’s near this room, I know. I’ve a good conscience, sir, and would much rather die than go down a ladder. All I wish is, respecting my love to my married sister, Golden Lion Court, number twenty-sivin, second bell-handle on the right-hand door-post.’

‘Miggs!’ cried Mr Tappertit, ‘don’t you know me? Sim, you know—Sim—’

‘Oh! what about him!’ cried Miggs, clasping her hands. ‘Is he in any danger? Is he in the midst of flames and blazes! Oh gracious, gracious!’

‘Why I’m here, an’t I?’ rejoined Mr Tappertit, knocking himself on the breast. ‘Don’t you see me? What a fool you are, Miggs!’

‘There!’ cried Miggs, unmindful of this compliment. ‘Why—so it—Goodness, what is the meaning of—If you please, mim, here’s—’

‘No, no!’ cried Mr Tappertit, standing on tiptoe, as if by that means he, in the street, were any nearer being able to stop the mouth of Miggs in the garret. ‘Don’t!—I’ve been out without leave, and something or another’s the matter with the lock. Come down, and undo the shop window, that I may get in that way.’

‘I dursn’t do it, Simmun,’ cried Miggs—for that was her pronunciation of his Christian name. ‘I dursn’t do it, indeed. You know as well as anybody, how particular I am. And to come down in the dead of night, when the house is wrapped in slumbers and weiled in obscurity.’ And there she stopped and shivered, for her modesty caught cold at the very thought.

‘But Miggs,’ cried Mr Tappertit, getting under the lamp, that she might see his eyes. ‘My darling Miggs—’

Miggs screamed slightly.

‘—That I love so much, and never can help thinking of,’ and it is impossible to describe the use he made of his eyes when he said this—‘do—for my sake, do.’

‘Oh Simmun,’ cried Miggs, ‘this is worse than all. I know if I come down, you’ll go, and—’

‘And what, my precious?’ said Mr Tappertit.

‘And try,’ said Miggs, hysterically, ‘to kiss me, or some such dreadfulness; I know you will!’

‘I swear I won’t,’ said Mr Tappertit, with remarkable earnestness. ‘Upon my soul I won’t. It’s getting broad day, and the watchman’s waking up. Angelic Miggs! If you’ll only come and let me in, I promise you faithfully and truly I won’t.’

Miss Miggs, whose gentle heart was touched, did not wait for the oath (knowing how strong the temptation was, and fearing he might forswear himself), but tripped lightly down the stairs, and with her own fair hands drew back the rough fastenings of the workshop window. Having helped the wayward ‘prentice in, she faintly articulated the words ‘Simmun is safe!’ and yielding to her woman’s nature, immediately became insensible.

‘I knew I should quench her,’ said Sim, rather embarrassed by this circumstance. ‘Of course I was certain it would come to this, but there was nothing else to be done—if I hadn’t eyed her over, she wouldn’t have come down. Here. Keep up a minute, Miggs. What a slippery figure she is! There’s no holding her, comfortably. Do keep up a minute, Miggs, will you?’

As Miggs, however, was deaf to all entreaties, Mr Tappertit leant her against the wall as one might dispose of a walking-stick or umbrella, until he had secured the window, when he took her in his arms again, and, in short stages and with great difficulty—arising from her being tall and his being short, and perhaps in some degree from that peculiar physical conformation on which he had already remarked—carried her upstairs, and planting her, in the same umbrella and walking-stick fashion, just inside her own door, left her to her repose.

‘He may be as cool as he likes,’ said Miss Miggs, recovering as soon as she was left alone; ‘but I’m in his confidence and he can’t help himself, nor couldn’t if he was twenty Simmunses!’