The Ambassadors by Henry James (ebook and pdf reader .txt) 📕

"Nor in their nationality?--American, French, English, Polish?"

"I don't care the least little 'hang,'" he smiled, "for their nationality. It would be nice if they're Polish!" he almost immediately added.

"Very nice indeed." The transition kept up her spirits. "So you see you do care."

He did this contention a modified justice. "I think I should if they WERE Polish. Yes," he thought--"there might be joy in THAT."

"Let us then hope for it." But she came after this nearer to the question. "If the girl's of the right age of course the mother can't be. I mean for the virtuous attachment. If the girl's twenty--and she can't be less--the mother must be at least forty. So it puts the mother out. SHE'S too old for him."

Strether, arrested again, considered and demurred. "Do you think so? Do you think any one would be too old for him? I'M eighty, and I'm too young. But perhaps the girl," he continued, "ISn't twenty. Perhaps she's only ten--but such a little dear that Chad finds himself counting her in as an attraction of the acquaintance. Perhaps she's only five. Perhaps the mother's but five-and-twenty --a charming young widow."

Miss Gostrey entertained the suggestion. "She IS a widow then?"

"I haven't the least idea!" They once more, in spite of this vagueness, exchanged a look--a look that was perhaps the longest yet. It seemed in fact, the next thing, to require to explain itself; which it did as it could. "I only feel what I've told you --that he has some reason."

Miss Gostrey's imagination had taken its own flight. "Perhaps she's NOT a widow."

Strether seemed to accept the possibility with reserve. Still he accepted it. "Then that's why the attachment--if it's to her--is virtuous."

But she looked as if she scarce followed. "Why is it virtuous if-- since she's free--there's nothing to impose on it any condition?"

He laughed at her question. "Oh I perhaps don't mean as virtuous as THAT! Your idea is that it can be virtuous--in any sense worthy of the name--only if she's NOT free? But what does it become then," he asked, "for HER?"

"Ah that's another matter." He said nothing for a moment, and she soon went on. "I dare say you're right, at any rate, about Mr. Newsome's little plan. He HAS been trying you--has been reporting on you to these friends."

Strether meanwhile had had time to think more. "Then where's his straightness?"

"Well, as we say, it's struggling up, breaking out, asserting itself as it can. We can be on the side, you see, of his straightness. We can help him. But he has made out," said Miss Gostrey, "that you'll do."

"Do for what?"

"Why, for THEM--for ces dames. He has watched you, studied you, liked you--and recognised that THEY must. It's a great compliment to you, my dear man; for I'm sure they're particular. You came out for a success. Well," she gaily declared, "you're having it!"

He took it from her with momentary patience and then turned abruptly away. It was always convenient to him that there were so many fine things in her room to look at. But the examination of two or three of them appeared soon to have determined a speech that had little to do with them. "You don't believe in it!"

"In what?"

"In the character of the attachment. In its innocence."

But she defended herself. "I don't pretend to know anything about it. Everything's possible. We must see."

"See?" he echoed with a groan. "Haven't we seen enough?"

"I haven't," she smiled.

"But do you suppose then little Bilham has lied?"

"You must find out."

It made him almost turn pale. "Find out any MORE?"

He had dropped on a sofa for dismay; but she seemed, as she stood over him, to have the last word. "Wasn't what you came out for to find out ALL?"

Book Fifth

I

The Sunday of the next week was a wonderful day, and Chad Newsome had let his friend know in advance that he had provided for it. There had already been a question of his taking him to see the great Gloriani, who was at home on Sunday afternoons and at whose house, for the most part, fewer bores were to be met than elsewhere; but the project, through some accident, had not had instant effect, and now revived in happier conditions. Chad had made the point that the celebrated sculptor had a queer old garden, for which the weather--spring at last frank and fair--was propitious; and two or three of his other allusions had confirmed for Strether the expectation of something special. He had by this time, for all introductions and adventures, let himself recklessly go, cherishing the sense that whatever the young man showed him he was showing at least himself. He could have wished indeed, so far as this went, that Chad were less of a mere cicerone; for he was not without the impression--now that the vision of his game, his plan, his deep diplomacy, did recurrently assert itself--of his taking refuge from the realities of their intercourse in profusely dispensing, as our friend mentally phrased et panem et circenses. Our friend continued to feel rather smothered in flowers, though he made in his other moments the almost angry inference that this was only because of his odious ascetic suspicion of any form of beauty. He periodically assured himself--for his reactions were sharp--that he shouldn't reach the truth of anything till he had at least got rid of that.

He had known beforehand that Madame de Vionnet and her daughter would probably be on view, an intimation to that effect having constituted the only reference again made by Chad to his good friends from the south. The effect of Strether's talk about them with Miss Gostrey had been quite to consecrate his reluctance to pry; something in the very air of Chad's silence--judged in the light of that talk--offered it to him as a reserve he could markedly match. It shrouded them about with he scarce knew what, a consideration, a distinction; he was in presence at any rate--so far as it placed him there--of ladies; and the one thing that was definite for him was that they themselves should be, to the extent of his responsibility, in presence of a gentleman. Was it because they were very beautiful, very clever, or even very good--was it for one of these reasons that Chad was, so to speak, nursing his effect? Did he wish to spring them, in the Woollett phrase, with a fuller force--to confound his critic, slight though as yet the criticism, with some form of merit exquisitely incalculable? The most the critic had at all events asked was whether the persons in question were French; and that enquiry had been but a proper comment on the sound of their name. "Yes. That is no!" had been Chad's reply; but he had immediately added that their English was the most charming in the world, so that if Strether were wanting an excuse for not getting on with them he wouldn't in the least find one. Never in fact had Strether--in the mood into which the place had quickly launched him--felt, for himself, less the need of an excuse. Those he might have found would have been, at the worst, all for the others, the people before him, in whose liberty to be as they were he was aware that he positively rejoiced. His fellow guests were multiplying, and these things, their liberty, their intensity, their variety, their conditions at large, were in fusion in the admirable medium of the scene.

The place itself was a great impression--a small pavilion, clear-faced and sequestered, an effect of polished parquet, of fine white panel and spare sallow gilt, of decoration delicate and rare, in the heart of the Faubourg Saint-Germain and on the edge of a cluster of gardens attached to old noble houses. Far back from streets and unsuspected by crowds, reached by a long passage and a quiet court, it was as striking to the unprepared mind, he immediately saw, as a treasure dug up; giving him too, more than anything yet, the note of the range of the immeasurable town and sweeping away, as by a last brave brush, his usual landmarks and terms. It was in the garden, a spacious cherished remnant, out of which a dozen persons had already passed, that Chad's host presently met them while the tall bird-haunted trees, all of a twitter with the spring and the weather, and the high party-walls, on the other side of which grave hotels stood off for privacy, spoke of survival, transmission, association, a strong indifferent persistent order. The day was so soft that the little party had practically adjourned to the open air but the open air was in such conditions all a chamber of state. Strether had presently the sense of a great convent, a convent of missions, famous for he scarce knew what, a nursery of young priests, of scattered shade, of straight alleys and chapel-bells, that spread its mass in one quarter; he had the sense of names in the air, of ghosts at the windows, of signs and tokens, a whole range of expression, all about him, too thick for prompt discrimination.

This assault of images became for a moment, in the address of the distinguished sculptor, almost formidable: Gloriani showed him, in such perfect confidence, on Chad's introduction of him, a fine worn handsome face, a face that was like an open letter in a foreign tongue. With his genius in his eyes, his manners on his lips, his long career behind him and his honours and rewards all round, the great artist, in the course of a single sustained look and a few words of delight at receiving him, affected our friend as a dazzling prodigy of type. Strether had seen in museums--in the Luxembourg as well as, more reverently, later on, in the New York of the billionaires--the work of his hand; knowing too that after an earlier time in his native Rome he had migrated, in mid-career, to Paris, where, with a personal lustre almost violent, he shone in a constellation: all of which was more than enough to crown him, for his guest, with the light, with the romance, of glory. Strether, in contact with that element as he had never yet so intimately been, had the consciousness of opening to it, for the happy instant, all the windows of his mind, of letting this rather grey interior drink in for once the sun of a clime not marked in his old geography. He was to remember again repeatedly the medal-like Italian face, in which every line was an artist's own, in which time told only as tone and consecration; and he was to recall in especial, as the penetrating radiance, as the communication of the illustrious spirit itself, the manner in which, while they stood briefly, in welcome and response, face to face, he was held by the sculptor's eyes. He wasn't soon to forget them, was to think of them, all unconscious, unintending, preoccupied though they were, as the source of the deepest intellectual sounding to which he had ever been exposed. He was in fact quite to cherish his vision of it, to play with it in idle hours; only speaking of it to no one and quite aware he couldn't have spoken without appearing to talk nonsense. Was what it had told him or what it had asked him the greater of the mysteries? Was it the most special flare, unequalled, supreme, of the aesthetic