Villette by Charlotte Brontë (learn to read activity book TXT) 📕

to toe. Between the acts M. Paul, told us he knew not what possessed us, and half expostulated. “C’est peut-être plus beau que votre modèle,” said he, “mais ce n’est pas juste.” I know not what possessed me either; but somehow, my longing was to eclipse the “Ours,” i.e., Dr. John. Ginevra was tender; how could I be otherwise than chivalric? Retaining the letter, I recklessly altered the spirit of the rôle. Without heart, without interest, I could not play it at all. It must be played—in went the yearned-for seasoning—thus favoured, I played it with relish.

What I felt that night, and what I did, I no more expected to feel and do, than to be lifted in a trance to the seventh heaven. Cold, reluctant, apprehensive, I had accepted a part to please another: ere long, warming, becoming interested, taking courage, I acted to please myself. Yet the next day, when I thought it over, I quite disapproved of these amateur performances; and though glad that I had obliged M. Paul, and tried my own strength for once, I took a firm resolution, never to be drawn into a similar affair. A keen relish for dramatic expression had revealed itself as part of my nature; to cherish and exercise this new-found faculty might gift me with a world of delight, but it would not do for a mere looker-on at life: the strength and longing must be put by; and I put them by, and fastened them in with the lock of a resolution which neither Time nor Temptation has since picked.

No sooner was the play over, and well over, than the choleric and arbitrary M. Paul underwent a metamorphosis. His hour of managerial responsibility past, he at once laid aside his magisterial austerity; in a moment he stood amongst us, vivacious, kind, and social, shook hands with us all round, thanked us separately, and announced his determination that each of us should in turn be his partner in the coming ball. On his claiming my promise, I told him I did not dance. “For once I must,” was the answer; and if I had not slipped aside and kept out of his way, he would have compelled me to this second performance. But I had acted enough for one evening; it was time I retired into myself and my ordinary life. My dun-coloured dress did well enough under a paletôt on the stage, but would not suit a waltz or a quadrille. Withdrawing to a quiet nook, whence unobserved I could observe—the ball, its splendours and its pleasures, passed before me as a spectacle.

Again Ginevra Fanshawe was the belle, the fairest and the gayest present; she was selected to open the ball: very lovely she looked, very gracefully she danced, very joyously she smiled. Such scenes were her triumphs—she was the child of pleasure. Work or suffering found her listless and dejected, powerless and repining; but gaiety expanded her butterfly’s wings, lit up their gold-dust and bright spots, made her flash like a gem, and flush like a flower. At all ordinary diet and plain beverage she would pout; but she fed on creams and ices like a humming-bird on honey-paste: sweet wine was her element, and sweet cake her daily bread. Ginevra lived her full life in a ball-room; elsewhere she drooped dispirited.

Think not, reader, that she thus bloomed and sparkled for the mere sake of M. Paul, her partner, or that she lavished her best graces that night for the edification of her companions only, or for that of the parents and grand-parents, who filled the carré, and lined the ball-room; under circumstances so insipid and limited, with motives so chilly and vapid, Ginevra would scarce have deigned to walk one quadrille, and weariness and fretfulness would have replaced animation and good-humour, but she knew of a leaven in the otherwise heavy festal mass which lighted the whole; she tasted a condiment which gave it zest; she perceived reasons justifying the display of her choicest attractions.

In the ball-room, indeed, not a single male spectator was to be seen who was not married and a father—M. Paul excepted—that gentleman, too, being the sole creature of his sex permitted to lead out a pupil to the dance; and this exceptional part was allowed him, partly as a matter of old-established custom (for he was a kinsman of Madame Beck’s, and high in her confidence), partly because he would always have his own way and do as he pleased, and partly because—wilful, passionate, partial, as he might be—he was the soul of honour, and might be trusted with a regiment of the fairest and purest; in perfect security that under his leadership they would come to no harm. Many of the girls—it may be noted in parenthesis—were not pure-minded at all, very much otherwise; but they no more dare betray their natural coarseness in M. Paul’s presence, than they dare tread purposely on his corns, laugh in his face during a stormy apostrophe, or speak above their breath while some crisis of irritability was covering his human visage with the mask of an intelligent tiger. M. Paul, then, might dance with whom he would—and woe be to the interference which put him out of step.

Others there were admitted as spectators—with (seeming) reluctance, through prayers, by influence, under restriction, by special and difficult exercise of Madame Beck’s gracious good-nature, and whom she all the evening—with her own personal surveillance—kept far aloof at the remotest, drearest, coldest, darkest side of the carré—a small, forlorn band of “jeunes gens;” these being all of the best families, grown-up sons of mothers present, and whose sisters were pupils in the school. That whole evening was Madame on duty beside these “jeunes gens”—attentive to them as a mother, but strict with them as a dragon. There was a sort of cordon stretched before them, which they wearied her with prayers to be permitted to pass, and just to revive themselves by one dance with that “belle blonde,” or that “jolie brune,” or “cette jeune fille magnifique aux cheveux noirs comme le jais.”

“Taisez-vous!” Madame would reply, heroically and inexorably. “Vous ne passerez pas à moins que ce ne soit sur mon cadavre, et vous ne danserez qu’avec la nonnette du jardin” (alluding to the legend). And she majestically walked to and fro along their disconsolate and impatient line, like a little Bonaparte in a mouse-coloured silk gown.

Madame knew something of the world; Madame knew much of human nature. I don’t think that another directress in Villette would have dared to admit a “jeune homme” within her walls; but Madame knew that by granting such admission, on an occasion like the present, a bold stroke might be struck, and a great point gained.

In the first place, the parents were made accomplices to the deed, for it was only through their mediation it was brought about. Secondly: the admission of these rattlesnakes, so fascinating and so dangerous, served to draw out Madame precisely in her strongest character—that of a first-rate surveillante. Thirdly: their presence furnished a most piquant ingredient to the entertainment: the pupils knew it, and saw it, and the view of such golden apples shining afar off, animated them with a spirit no other circumstance could have kindled. The children’s pleasure spread to the parents; life and mirth circulated quickly round the ball-room; the “jeunes gens” themselves, though restrained, were amused: for Madame never permitted them to feel dull—and thus Madame Beck’s fête annually ensured a success unknown to the fête of any other directress in the land.

I observed that Dr. John was at first permitted to walk at large through the classes: there was about him a manly, responsible look, that redeemed his youth, and half-expiated his beauty; but as soon as the ball began, Madame ran up to him.

“Come, Wolf; come,” said she, laughing: “you wear sheep’s clothing, but you must quit the fold notwithstanding. Come; I have a fine menagerie of twenty here in the carré: let me place you amongst my collection.”

“But first suffer me to have one dance with one pupil of my choice.”

“Have you the face to ask such a thing? It is madness: it is impiety. Sortez, sortez, au plus vite.”

She drove him before her, and soon had him enclosed within the cordon.

Ginevra being, I suppose, tired with dancing, sought me out in my retreat. She threw herself on the bench beside me, and (a demonstration I could very well have dispensed with) cast her arms round my neck.

“Lucy Snowe! Lucy Snowe!” she cried in a somewhat sobbing voice, half hysterical.

“What in the world is the matter?” I drily said.

“How do I look—how do I look to-night?” she demanded.

“As usual,” said I; “preposterously vain.”

“Caustic creature! You never have a kind word for me; but in spite of you, and all other envious detractors, I know I am beautiful; I feel it, I see it—for there is a great looking-glass in the dressing-room, where I can view my shape from head to foot. Will you go with me now, and let us two stand before it?”

“I will, Miss Fanshawe: you shall be humoured even to the top of your bent.”

The dressing-room was very near, and we stepped in. Putting her arm through mine, she drew me to the mirror. Without resistance remonstrance, or remark, I stood and let her self-love have its feast and triumph: curious to see how much it could swallow—whether it was possible it could feed to satiety—whether any whisper of consideration for others could penetrate her heart, and moderate its vainglorious exultation.

Not at all. She turned me and herself round; she viewed us both on all sides; she smiled, she waved her curls, she retouched her sash, she spread her dress, and finally, letting go my arm, and curtseying with mock respect, she said: “I would not be you for a kingdom.”

The remark was too naïve to rouse anger; I merely said: “Very good.”

“And what would you give to be ME?” she inquired.

“Not a bad sixpence—strange as it may sound,” I replied. “You are but a poor creature.”

“You don’t think so in your heart.”

“No; for in my heart you have not the outline of a place: I only occasionally turn you over in my brain.”

“Well, but,” said she, in an expostulatory tone, “just listen to the difference of our positions, and then see how happy am I, and how miserable are you.”

“Go on; I listen.”

“In the first place: I am the daughter of a gentleman of family, and though my father is not rich, I have expectations from an uncle. Then, I am just eighteen, the finest age possible. I have had a continental education, and though I can’t spell, I have abundant accomplishments. I am pretty; you can’t deny that; I may have as many admirers as I choose. This very night I have been breaking the hearts of two gentlemen, and it is the dying look I had from one of them just now, which puts me in such spirits. I do so like to watch them turn red and pale, and scowl and dart fiery glances at each other, and languishing ones at me. There is me—happy ME; now for you, poor soul!

“I suppose you are nobody’s daughter, since you took care of little children when you first came to Villette: you have no relations; you can’t call yourself young at twenty-three; you have no attractive accomplishments—no beauty. As to admirers, you hardly know what they are; you can’t even talk on the subject: you sit dumb when the other teachers quote their conquests. I believe you never were in love, and never will be: you don’t know the feeling, and so much the better, for though you might have your