The Girl with the Golden Eyes by Honoré de Balzac (books to read for beginners TXT) 📕

Ambition of that sort carries on our thought to the second Parisian sphere. Go up one story, then, and descend to the entresol: or climb down from the attic and remain on the fourth floor; in fine, penetrate into the world which has possessions: the same result! Wholesale merchants, and their men—people with small banking accounts and much integrity—rogues and catspaws, clerks old and young, sheriffs’ clerks, barristers’ clerks, solicitors’ clerks; in fine, all the working, thinking, and speculating members of that lower middle class which honeycombs the interests of Paris and watches over its granary, accumulates the coin, stores the products that the proletariat have made, preserves the fruits of the South, the fishes, the wine from every sun-favored hill; which stretches its hands over the Orient, and takes from it the shawls that the Russ and the Turk despise; which harvests even from the Indies; crouches down in expectation of a sale, greedy of profit; which discounts bills, turns over and collects all kinds of securities, holds all Paris in its hand, watches over the fantasies of children, spies out the caprices and the vices of mature age, sucks money out of disease. Even so, if they drink no brandy, like the artisan, nor wallow in the mire of debauch, all equally abuse their strength, immeasurably strain their bodies and their minds alike, are burned away with desires, devastated with the swiftness of the pace. In their case the physical distortion is accomplished beneath the whip of interests, beneath the scourge of ambitions which torture the educated portion of this monstrous city, just as in the case of the proletariat it is brought about by the cruel see-saw of the material elaborations perpetually required from the despotism of the aristocratic “I will.” Here, too, then, in order to obey that universal master, pleasure or gold, they must devour time, hasten time, find more than four-and-twenty hours in the day and night, waste themselves, slay themselves, and purchase two years of unhealthy repose with thirty years of old age. Only, the working-man dies in hospital when the last term of his stunted growth expires; whereas the man of the middle class is set upon living, and lives on, but in a state of idiocy. You will meet him, with his worn, flat old face, with no light in his eyes, with no strength in his limbs, dragging himself with a dazed air along the boulevard—the belt of his Venus, of his beloved city. What was his want? The sabre of the National Guard, a permanent stock-pot, a decent plot in Pere Lachaise, and, for his old age, a little gold honestly earned. HIS Monday is on Sunday, his rest a drive in a hired carriage—a country excursion during which his wife and children glut themselves merrily with dust or bask in the sun; his dissipation is at the restaurateur’s, whose poisonous dinner has won renown, or at some family ball, where he suffocates till midnight. Some fools are surprised at the phantasmagoria of the monads which they see with the aid of the microscope in a drop of water; but what would Rabelais’ Gargantua,—that misunderstood figure of an audacity so sublime,—what would that giant say, fallen from the celestial spheres, if he amused himself by contemplating the motions of this secondary life of Paris, of which here is one of the formulae? Have you seen one of those little constructions—cold in summer, and with no other warmth than a small stove in winter—placed beneath the vast copper dome which crowns the Halle-auble? Madame is there by morning. She is engaged at the markets, and makes by this occupation twelve thousand francs a year, people say. Monsieur, when Madame is up, passes into a gloomy office, where he lends money till the week-end to the tradesmen of his district. By nine o’clock he is at the passport office, of which he is one of the minor officials. By evening he is at the box-office of the Theatre Italien, or of any other theatre you like. The children are put out to nurse, and only return to be sent to college or to boarding-school. Monsieur and Madame live on the third floor, have but one cook, give dances in a salon twelve foot by eight, lit by argand lamps; but they give a hundred and fifty thousand francs to their daughter, and retire at the age of fifty, an age when they begin to show themselves on the balcony of the opera, in a fiacre at Longchamps; or, on sunny days, in faded clothes on the boulevards—the fruit of all this sowing. Respected by their neighbors, in good odor with the government, connected with the upper middle classes, Monsieur obtains at sixty-five the Cross of the Legion of Honor, and his daughter’s father-in-law, a parochial mayor, invites him to his evenings. These life-long labors, then, are for the good of the children, whom these lower middle classes are inevitably driven to exalt. Thus each sphere directs all its efforts towards the sphere above it. The son of the rich grocer becomes a notary, the son of the timber merchant becomes a magistrate. No link is wanting in the chain, and everything stimulates the upward march of money.

Thus we are brought to the third circle of this hell, which, perhaps, will some day find its Dante. In this third social circle, a sort of Parisian belly, in which the interests of the town are digested, and where they are condensed into the form known as business, there moves and agitates, as by some acrid and bitter intestinal process, the crowd of lawyers, doctors, notaries, councillors, business men, bankers, big merchants, speculators, and magistrates. Here are to be found even more causes of moral and physical destruction than elsewhere. These people—almost all of them—live in unhealthy offices, in fetid ante-chambers, in little barred dens, and spend their days bowed down beneath the weight of affairs; they rise at dawn to be in time, not to be left behind, to gain all or not to lose, to overreach a man or his money, to open or wind up some business, to take advantage of some fleeting opportunity, to get a man hanged or set him free. They infect their horses, they overdrive and age and break them, like their own legs, before their time. Time is their tyrant: it fails them, it escapes them; they can neither expand it nor cut it short. What soul can remain great, pure, moral, and generous, and, consequently, what face retain its beauty in this depraving practice of a calling which compels one to bear the weight of the public sorrows, to analyze them, to weigh them, estimate them, and mark them out by rule? Where do these folk put aside their hearts? … I do not know; but they leave them somewhere or other, when they have any, before they descend each morning into the abyss of the misery which puts families on the rack. For them there is no such thing as mystery; they see the reverse side of society, whose confessors they are, and despise it. Then, whatever they do, owing to their contact with corruption, they either are horrified at it and grow gloomy, or else, out of lassitude, or some secret compromise, espouse it. In fine, they necessarily become callous to every sentiment, since man, his laws and his institutions, make them steal, like jackals, from corpses that are still warm. At all hours the financier is trampling on the living, the attorney on the dead, the pleader on the conscience. Forced to be speaking without a rest, they all substitute words for ideas, phrases for feelings, and their soul becomes a larynx. Neither the great merchant, nor the judge, nor the pleader preserves his sense of right; they feel no more, they apply set rules that leave cases out of count. Borne along by their headlong course, they are neither husbands nor fathers nor lovers; they glide on sledges over the facts of life, and live at all times at the high pressure conduced by business and the vast city. When they return to their homes they are required to go to a ball, to the opera, into society, where they can make clients, acquaintances, protectors. They all eat to excess, play and keep vigil, and their faces become bloated, flushed, and emaciated.

To this terrific expenditure of intellectual strength, to such multifold moral contradictions, they oppose—not, indeed pleasure, it would be too pale a contrast—but debauchery, a debauchery both secret and alarming, for they have all means at their disposal, and fix the morality of society. Their genuine stupidity lies hid beneath their specialism. They know their business, but are ignorant of everything which is outside it. So that to preserve their self-conceit they question everything, are crudely and crookedly critical. They appear to be sceptics and are in reality simpletons; they swamp their wits in interminable arguments. Almost all conveniently adopt social, literary, or political prejudices, to do away with the need of having opinions, just as they adapt their conscience to the standard of the Code or the Tribunal of Commerce. Having started early to become men of note, they turn into mediocrities, and crawl over the high places of the world. So, too, their faces present the harsh pallor, the deceitful coloring, those dull, tarnished eyes, and garrulous, sensual mouths, in which the observer recognizes the symptoms of the degeneracy of the thought and its rotation in the circle of a special idea which destroys the creative faculties of the brain and the gift of seeing in large, of generalizing and deducing. No man who has allowed himself to be caught in the revolutions of the gear of these huge machines can ever become great. If he is a doctor, either he has practised little or he is an exception—a Bichat who dies young. If a great merchant, something remains—he is almost Jacques Coeur. Did Robespierre practise? Danton was an idler who waited. But who, moreover has ever felt envious of the figures of Danton and Robespierre, however lofty they were? These men of affairs, par excellence, attract money to them, and hoard it in order to ally themselves with aristocratic families. If the ambition of the working-man is that of the small tradesman, here, too, are the same passions. The type of this class might be either an ambitious bourgeois, who, after a life of privation and continual scheming, passes into the Council of State as an ant passes through a chink; or some newspaper editor, jaded with intrigue, whom the king makes a peer of France— perhaps to revenge himself on the nobility; or some notary become mayor of his parish: all people crushed with business, who, if they attain their end, are literally killed in its attainment. In France the usage is to glorify wigs. Napoleon, Louis XVI., the great rulers, alone have always wished for young men to fulfil their projects.

Above this sphere the artist world exists. But here, too, the faces stamped with the seal of originality are worn, nobly indeed, but worn, fatigued, nervous. Harassed by a need of production, outrun by their costly fantasies, worn out by devouring genius, hungry for pleasure, the artists of Paris would all regain by excessive labor what they have lost by idleness, and vainly seek to reconcile the world and glory, money and art. To begin with, the artist is ceaselessly panting under his creditors; his necessities beget his debts, and his