Poor Folk by Fyodor Dostoyevsky (the reader ebook .txt) đź“•
But what sort of an abode have I lighted upon, Barbara Alexievna?What sort of a tenement, do you think, is this? Formerly, as youknow, I used to live in absolute stillness--so much so that if afly took wing it could plainly be heard buzzing. Here, however,all is turmoil and shouting and clatter. The PLAN of the tenementyou know already. Imagine a long corridor, quite dark, and by nomeans clean. To the right a dead wall, and to the left a row ofdoors stretching as far as the line of rooms extends. These roomsare tenanted by different people--by one, by two, or by threelodgers as the case may be, but in this arrangement there is nosort of system, and the place is a perfect Noah's Ark. Most ofthe lodgers are respectable, educated, and even bookish people.In particular they include a tchinovnik (one of the literarystaff in some government department), who is so well-read that hecan expound Homer or
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Ah, Makar Alexievitch, you neither speak of nor give any account of what you have spent upon me. You hope thereby to deceive me, to make it seem as though the cost always falls upon you alone, and that there is nothing to conceal. Yet I KNOW that for my sake you deny yourself necessaries. For instance, what has made you go and take the room which you have done, where you will be worried and disturbed, and where you have neither elbow-space nor comfort—you who love solitude, and never like to have any one near you? To judge from your salary, I should think that you might well live in greater ease than that. Also, Thedora tells me that your circumstances used to be much more affluent than they are at present. Do you wish, then, to persuade me that your whole existence has been passed in loneliness and want and gloom, with never a cheering word to help you, nor a seat in a friend’s chimney-corner? Ah, kind comrade, how my heart aches for you! But do not overtask your health, Makar Alexievitch. For instance, you say that your eyes are over-weak for you to go on writing in your office by candle-light. Then why do so? I am sure that your official superiors do not need to be convinced of your diligence!
Once more I implore you not to waste so much money upon me. I know how much you love me, but I also know that you are not rich.
… This morning I too rose in good spirits. Thedora had long been at work; and it was time that I too should bestir myself.
Indeed I was yearning to do so, so I went out for some silk, and then sat down to my labours. All the morning I felt lighthearted and cheerful. Yet now my thoughts are once more dark and sad—
once more my heart is ready to sink.
Ah, what is going to become of me? What will be my fate? To have to be so uncertain as to the future, to have to be unable to foretell what is going to happen, distresses me deeply. Even to look back at the past is horrible, for it contains sorrow that breaks my very heart at the thought of it. Yes, a whole century in tears could I spend because of the wicked people who have wrecked my life!
But dusk is coming on, and I must set to work again. Much else should I have liked to write to you, but time is lacking, and I must hasten. Of course, to write this letter is a pleasure enough, and could never be wearisome; but why do you not come to see me in person? Why do you not, Makar Alexievitch? You live so close to me, and at least SOME of your time is your own. I pray you, come. I have just seen Theresa. She was looking so ill, and I felt so sorry for her, that I gave her twenty kopecks. I am almost falling asleep. Write to me in fullest detail, both concerning your mode of life, and concerning the people who live with you, and concerning how you fare with them. I should so like to know! Yes, you must write again. Tonight I have purposely looped the curtain up. Go to bed early, for, last night, I saw your candle burning until nearly midnight. Goodbye! I am now feeling sad and weary. Ah that I should have to spend such days as this one has been. Again goodbye.—Your friend, BARBARA DOBROSELOVA.
April 8th
MY DEAREST BARBARA ALEXIEVNA,—To think that a day like this should have fallen to my miserable lot! Surely you are making fun of an old man? … However, it was my own fault—my own fault entirely. One ought not to grow old holding a lock of Cupid’s hair in one’s hand. Naturally one is misunderstood…. Yet man is sometimes a very strange being. By all the Saints, he will talk of doing things, yet leave them undone, and remain looking the kind of fool from whom may the Lord preserve us! … Nay, I am not angry, my beloved; I am only vexed to think that I should have written to you in such stupid, flowery phraseology. Today I went hopping and skipping to the office, for my heart was under your influence, and my soul was keeping holiday, as it were. Yes, everything seemed to be going well with me. Then I betook myself to my work. But with what result? I gazed around at the old familiar objects, at the old familiar grey and gloomy objects.
They looked just the same as before. Yet WERE those the same inkstains, the same tables and chairs, that I had hitherto known?
Yes, they WERE the same, exactly the same; so why should I have gone off riding on Pegasus’ back? Whence had that mood arisen? It had arisen from the fact that a certain sun had beamed upon me, and turned the sky to blue. But why so? Why is it, sometimes, that sweet odours seem to be blowing through a courtyard where nothing of the sort can be? They must be born of my foolish fancy, for a man may stray so far into sentiment as to forget his immediate surroundings, and to give way to the superfluity of fond ardour with which his heart is charged. On the other hand, as I walked home from the office at nightfall my feet seemed to lag, and my head to be aching. Also, a cold wind seemed to be blowing down my back (enraptured with the spring, I had gone out clad only in a thin overcoat). Yet you have misunderstood my sentiments, dearest. They are altogether different to what you suppose. It is a purely paternal feeling that I have for you. I stand towards you in the position of a relative who is bound to watch over your lonely orphanhood. This I say in all sincerity, and with a single purpose, as any kinsman might do. For, after all, I AM a distant kinsman of yours—the seventh drop of water in the pudding, as the proverb has it—yet still a kinsman, and at the present time your nearest relative and protector, seeing that where you had the right to look for help and protection, you found only treachery and insult. As for poetry, I may say that I consider it unbecoming for a man of my years to devote his faculties to the making of verses. Poetry is rubbish. Even boys at school ought to be whipped for writing it.
Why do you write thus about “comfort” and “peace” and the rest? I am not a fastidious man, nor one who requires much. Never in my life have I been so comfortable as now. Why, then, should I complain in my old age? I have enough to eat, I am well dressed and booted. Also, I have my diversions. You see, I am not of noble blood. My father himself was not a gentleman; he and his family had to live even more plainly than I do. Nor am I a milksop. Nevertheless, to speak frankly, I do not like my present abode so much as I used to like my old one. Somehow the latter seemed more cosy, dearest. Of course, this room is a good one enough; in fact, in SOME respects it is the more cheerful and interesting of the two. I have nothing to say against it—no. Yet I miss the room that used to be so familiar to me. Old lodgers like myself soon grow as attached to our chattels as to a kinsman. My old room was such a snug little place! True, its walls resembled those of any other room—I am not speaking of that; the point is that the recollection of them seems to haunt my mind with sadness. Curious that recollections should be so mournful! Even what in that room used to vex me and inconvenience me now looms in a purified light, and figures in my imagination as a thing to be desired. We used to live there so quietly—I and an old landlady who is now dead. How my heart aches to remember her, for she was a good woman, and never overcharged for her rooms. Her whole time was spent in making patchwork quilts with knitting-needles that were an arshin [An ell.] long. Oftentimes we shared the same candle and board. Also she had a granddaughter, Masha—a girl who was then a mere baby, but must now be a girl of thirteen. This little piece of mischief, how she used to make us laugh the day long! We lived together, a happy family of three. Often of a long winter’s evening we would first have tea at the big round table, and then betake ourselves to our work; the while that, to amuse the child and to keep her out of mischief, the old lady would set herself to tell stories. What stories they were!—though stories less suitable for a child than for a grown-up, educated person. My word! Why, I myself have sat listening to them, as I smoked my pipe, until I have forgotten about work altogether. And then, as the story grew grimmer, the little child, our little bag of mischief, would grow thoughtful in proportion, and clasp her rosy cheeks in her tiny hands, and, hiding her face, press closer to the old landlady. Ah, how I loved to see her at those moments! As one gazed at her one would fail to notice how the candle was flickering, or how the storm was swishing the snow about the courtyard. Yes, that was a goodly life, my Barbara, and we lived it for nearly twenty years… .
How my tongue does carry me away! Maybe the subject does not interest you, and I myself find it a not over-easy subject to recall—especially at the present time.
Darkness is falling, and Theresa is busying herself with something or another. My head and my back are aching, and even my thoughts seem to be in pain, so strangely do they occur. Yes, my heart is sad today, Barbara…. What is it you have written to me? –“Why do you not come
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