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flamed up in her. 'I keep myself to myself,' she finished.

'If such things come to pass, mother,' Albert said, and his eyes looked suddenly vivid, so that Hazel clapped her hands and said, 'Yer lamps are lit! Yer lamps are lit!' and broke into peals of laughter. 'If such a thing comes to pass,' laboured Albert, 'they'll come decent, that is, they won't be spoken of.'

He voiced his own and his mother's creed.

At this point the argument ended, because Albert had to go back after tea to finish some work. As he stamped innumerable swans on the yielding material, he never doubted that his mother had also yielded. He forgot that life had to be shaped with an axe till the chips fly.

As soon as he had gone, Mrs. Prowde shut the door on Hazel hastily, for fear the weather might bring relenting. She had other views for Albert. In after years, when the consequences of her action had become things of the past, she always spoke of how she had done her best with Hazel. She never dreamed that she, by her selfishness that night, had herself set Hazel's feet in the dark and winding path that she must tread from that night onward to its hidden, shadowy ending. Mrs. Prowde, through her many contented years, blamed in turn Hazel, Abel, Albert, the devil, and (only tacitly and, as it were, in secret from herself) God. If there is any purgatorial fire of remorse for the hard and selfish natures that crucify love, it must burn elsewhere. It does not touch them in this world. They go as the three children went, in their coats, their hosen, and their hats all complete, nor does the smell of fire pass over them.

Hazel felt that heaven was closed--locked and barred. She could see the golden light stream through its gates. She could hear the songs of joy--joy unattained and therefore immortal; she could see the bright figures of her dreams go to and fro. But heaven was shut.

The wind ran up and down the narrow streets like a lost dog, whimpering. Hazel hurried on, for it was already twilight, and though she was not afraid of the Callow and the fields at night, she was afraid of the high roads. For the Callow was home, but the roads were the wide world. On the fringe of the town she saw lights in the bedroom windows of prosperous houses.

'My! they go to their beds early,' she thought, not having heard of dressing for dinner. It made her feel more lonely that people should be going to bed. From other houses music floated, or the savoury smell of dinner. As she passed the last lamp-post she began to cry, feeling like a lost and helpless little animal. Her new dress was forgotten; the wreath-frames would not fit under her arm, and caused a continual minor discomfort, and the Callow seemed to be half across the country. She heard a trapped rabbit screaming somewhere, a thin anguished cry that she could not ignore. This delayed her a good deal, and in letting it out she got a large bloodstain on her dress. She cried again at this. The pain of a blister, unnoticed in the morning journey, now made itself felt; she tried walking without her boots, but the ground was cold and hard.

The icy, driving wind leapt across the plain like a horseman with a long sword, and stealthily in its track came the melancholy whisper of snow.

When this began, Hazel was in the open, half-way to Wolfbatch. She sat down on the step of a stile, and sighed with relief at the ease it gave her foot. Then, far off she heard the sharp miniature sound, very neat and staccato, of a horse galloping. She held her breath to hear if it would turn down a by-road, but it came on. It came on, and grew in volume and in meaning, became almost ominous in the frozen silence. Hazel rose and stood in the fitful moonlight. She felt that the approaching hoof-beats were for her. They were the one sound in a dead world, and she nearly cried out at the thought of their dying in the distance. They must not; they should not.

'Maybe it's a farmer and his missus as have drove a good bargain, and the girl told to get supper fire-hot agen they come. Maybe they'll give me a lift! Maybe they'll say "Bide the night over?"'

She knew it was only a foolish dream; nevertheless, she stood well in the light, a slim, brow-beaten figure, the colour of her dress wan in the grey world.

A trap came swaying round the corner. Hazel cried out beseechingly, and the driver pulled the horse up short.

'I must be blind drunk,' he soliloquized, 'seeing ghosts!'

'Oh, please sir!' Hazel could say no more, for the tears that companionship unfroze.

The man peered at her.

'What in hell are you doing here?' he asked.

'Walking home-along. She wouldna let me bide the night over. And my foot's blistered in a balloon and blood on my dress.' She choked with sobs.

'What's your name?'

'Hazel.'

'What else?'

With an instinct of self-protection she refused to tell her surname.

'Well, mine's Reddin,' he said crossly; 'and why you're so dark about yours I don't know, but up you get, anyway.'

The sun came out in Hazel's face. He helped her up, she was so stiff with cold.

'Your arm,' she said in a low tremulous voice, when he had put the rug round her--'your arm pulling me in be like the Sunday-school tale of Jesus Christ and Peter on the wild sea--me being Peter.'

Reddin looked at her sideways to see if she was in earnest. Seeing that she was, he changed the subject.

'Far to go?' he asked.

'Ah! miles on miles.'

'Like to stop the night over?'

At last, late certainly, but no matter, at last the invitation had come, not from her aunt, but from a stranger. That made it more exciting.

'I'm much obleeged,' he said. 'Where at?'

'D'you know Undern?'

'I've heard tell on it.'

'Well, it's two miles from here. Like to come?'

'Ah! Will your mother be angry?'

'I haven't one.'

'Father?'

'No.'

'Who be there, then?'

'Only Vessons and me.'

'Who's Vessons?'

'My servant.'

'Be you a gentleman, then?'

Reddin hesitated slightly. She said it with such reverence and made it seem so great a thing.

'Yes,' he said at last. 'Yes, that's what I am--a gentleman.' He was conscious of bravado.

'Will there be supper, fire-hot?'

'Yes, if Vessons is in a good temper.'

'Where you bin?' she asked next.

'Market.'

'You've had about as much as is good for you,' she remarked, as if thinking aloud.

He certainly smelt strongly of whisky.

'You've got a cheek!' said he. 'Let's look at you.'

He stared into her tired but vivid eyes for a long time, and the trap careered from side to side.

'My word!' he said, 'I'm in luck to-night!'

'What for be you?'

'Meeting a girl like you.'

'Do I draw men's eyes?'

'Eh?' He was startled. Then he guffawed. 'Yes,' he replied.

'_She_ said so,' Hazel murmured. 'And she said I'd get spoke to, and she said I'd get puck up. I'm main glad of it, too. She's a witch.'

'She said you'd get picked up, did she?'

'Ah.'

Reddin put his arm round her.

'You're so pretty! That's why.'

'Dunna maul me!'

'You might be civil. I'm doing you a kindness.'

They went on in that fashion, his arm about her, each wondering what manner of companion the other was.

When they neared Undern there were gates to open, and he admired her litheness as she jumped in and out.

In his pastures, where the deeply rutted track was already white with snow, two foals stood sadly by their mothers, gazing at the cold world with their peculiarly disconsolate eyes.

'Eh! look's the abron un! Abron, like me!' cried Hazel.

Reddin suddenly gripped the long coils that were loose on her shoulders, twisted them in a rope round his neck, and kissed her. She was enmeshed, and could not avoid his kisses.

The cob took this opportunity--one long desired--to rear, and Reddin flogged him the rest of the way. So they arrived with a clatter, and were met at the door by Andrew Vessons--knowing of eye as a blackbird, straw in mouth, the poison of asps on his tongue.


Chapter 3

Undern Hall, with its many small-paned windows, faced the north sullenly. It was a place of which the influence and magic were not good. Even in May, when the lilacs frothed into purple, paved the lawn with shadows, steeped the air with scent; when soft leaves lipped each other consolingly; when blackbirds sang, fell in their effortless way from the green height to the green depth, and sang again--still, something that haunted the place set the heart fluttering. No place is its own, and that which is most stained with old tumults has the strongest fascination.

So at Undern, whatever had happened there went on still; someone who had been there was there still. The lawns under the trees were mournful with old pain, or with vanished joys more pathetic than pain in their fleeting mimicry of immortality.

It was only at midsummer that the windows were coloured by dawn and sunset; then they had a sanguinary aspect, staring into the delicate skyey dramas like blind, bloodshot eyes. Secretly, under the heavy rhododendron leaves and in the furtive sunlight beneath the yew-trees, gnats danced. Their faint motions made the garden stiller; their smallness made it oppressive; their momentary life made it infinitely old. Then Undern Pool was full of leaf shadows like multitudinous lolling tongues, and the smell of the mud tainted the air--half sickly, half sweet. The clipped bushes and the twisted chimneys made inky shadows like steeples on the grass, and great trees of roses, beautiful in desolation, dripped with red and white and elbowed the guelder roses and the elders set with white patens. Cherries fell in the orchard with the same rich monotony, the same fatality, as drops of blood. They lay under the fungus-riven trees till the hens ate them, pecking gingerly and enjoyably at their lustrous beauty as the world does at a poet's heart. In the kitchen-garden also the hens took their ease, banqueting sparely beneath the straggling black boughs of a red-currant grove. In the sandstone walls of this garden hornets built undisturbed, and the thyme and lavender borders had grown into forests and obliterated the path. The cattle drowsed in the meadows, birds in the heavy trees; the golden day-lilies drooped like the daughters of pleasure; the very principle of life seemed to slumber. It was then, when the scent of elder blossom, decaying fruit, mud and hot yew brooded there, that the place attained one of its most individual moods--narcotic, aphrodisiac.

In winter the yews and firs were like waving funeral plumes and mantled, headless goddesses; then the giant beeches would lash themselves to frenzy, and, stooping, would scourge the ice on Undern Pool and the cracked walls of the house, like beings drunken with the passion of cruelty. This was the second mood of Undern--brutality. Then those within were, it seemed, already in the grave, heavily covered with the prison of frost and snow, or shouted into silence by the
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