Beyond the Vanishing Point by Ray Cummings (historical books to read .TXT) 📕

the little wall-gates. There was a glow all along the top of the wall. Lights were on in Polter's house; they slanted out in yellow shafts to the nearby white ground. But for the rest, the whole place was dark, save a dim glow from under the dome.

I shook my head at Alan's suggestion that we land inside the walls. We had circled back and were a mile or so off toward the river. "The trees—and you saw guards down there. But that low stretch outside the gate on this side...."

A plan was coming to me. Heaven knows it was desperate enough, but we had no alternative. We would land and accost one of the gate guards. Force our way in. Once inside the wall, on foot in the darkness of this blizzard, we could hide; slip up to that dome. Beyond that my imagination could not go.

We landed in the snow a quarter of a mile from one of the gates. We left the plane and plunged into the darkness.

It was a steady upward slope. A packed snowfield was underfoot, firm enough to hold our weight, with a foot or so of loose, soft snow on its top. The falling flakes whirled around us. The darkness was solid. Our helmeted leather-furred flying suits were soon shapeless with a gathering white shroud. We carried our Essens in our gloved hands. The night was cold, around zero I imagine, though with that biting wind it felt far colder.

From the gloom a tiny spot of light loomed up.

"There it is, Alan. Easy now! Let me go first." The wind tore away my words. We could see the narrow rectangle of bars at the gate, with a glow of light behind them.

"Hide your gun, Alan." I gripped him. "Do you hear me?"[Pg 19]

"Yes."

"Let me go first. I'll do the talking. When he opens the gate, let me handle him. You—if there are two of them—you take the other."

We emerged from the darkness, into the glow of light by the gate. I had the horrible feeling that a shot would greet us. A challenge came, at first in French and then in English.

"Stop! What do you want?"

"To see Mr. Rascor."

We were up to the bars now, shapeless hooded bundles of snow and frost. A man stood in the doorway of a lighted little cubby behind the bars. A black muzzle in his hand was leveled at us.

"He sees no one. Who are you?"

Alan was pressing at me from behind. I shoved him back, and took a step forward. I touched the bars.

"My name is Fred Davis. Newspaperman from Montreal I must see Mr. Rascor."

"You cannot. You may send in your call. The mouthpiece is there—out there to the left. Bare your face; he talks to no one without the face image."

The guard had drawn back into his cubby; there was only his extended hand and the muzzle of his weapon left visible.

I took a step forward. "I don't want to talk by phone. Won't you open the gate? It's cold out here. We have important business. We'll wait with you."

Abruptly the gate lattice slid aside. Beyond the cubby doorway was the open darkness within the wall. A scuffed path leading inward from the gate showed for a few feet.

I walked over the threshold, with Alan crowding me. The Essen in my coat pocket was leveled. But from the cubby doorway, I saw that the guard was gone! Then I saw him crouching behind a metal shield. His voice rang out.

"Stand!"[Pg 20]

A light struck my face—a thin beam from a television sender beside me. It all happened in an instant, so quickly Alan and I had barely time to make a move. I realized my image was now doubtless being presented to Polter. He would recognize me!

I ducked my head, yelling, "Don't do that!"

It was too late! The guard had received a signal. I heard its buzz.

From the shield a tiny jet of fluid leapt at me. It struck my hood. There was a heavy sickening-sweet smell. It seemed like chloroform. I felt my senses going. The cubby room was turning dark, was roaring.

I think I fired at the shield. And Alan leapt aside. I heard the faint hiss of his Essen, and his choked, horrified voice:

"George, run! Don't fall!"

I crumpled; slid into blackness. And it seemed, as I went down, that Alan's inert body was falling on top of me....

I recovered after a nameless interval, a phantasmagoria of wild, drugged dreams. My senses came slowly. At first, there were dim muffled voices and the tread of footsteps. Then I knew that I was lying on the ground, and that I was indoors. It was warm. My overcoat was off. Then I realized that I was bound and gagged.

I opened my eyes. Alan was lying inert beside me, roped and with a black gag around his face and in his mouth. We were in a huge dim open space. Presently, as my vision cleared, I saw that the dome was overhead. This was a circular, hundred-foot-wide room. It was dimly lighted. The figures of men were moving about, their great misshapen shadows shifting with them. Twenty feet from me there was a pile of golden rock—chunks of gold the size of a man's fist, or his head, and larger, heaped loosely into a mound ten feet high.[Pg 21]

Beyond this pile of ore, near the center of the room, twenty feet above the concrete floor, there was a large hanging electrolier. It cast a circular glow downward. Under it I saw a low platform raised a foot or two above the ground. A giant electro-microscope was hung with its twenty foot cylinder above the platform. Its intensification tubes were glowing in a dim phosphorescent row on a nearby bracket. A man sat in a chair on the platform at the microscope's eyepiece.

I saw all this with a brief glance, then my attention went to a white stone slab under the giant lense. It rested on the platform floor, a two-foot square surface of smooth white marble. A little roped railing a few inches high fenced it. And in its center lay a fragment of golden quartz the size of a walnut!

There was a movement across my line of vision. Two figures advanced. I recognized both of them. And I strained at my bonds; mouthed the gag with futile, frenzied effort. I could no more than writhe; and I couldn't make a sound. I lay, after a moment exhausted, and stared with horror.

The familiar hunched figure of Polter advanced toward the microscope. And with him, his huge hand holding her wrists, was Babs. They were nearly fifty feet from me, but with the light over them I could see them clearly. Babs' slim figure was clad in a long skirted dress—pale blue, now, with the light on it. Her long black hair had fallen disheveled to her shoulders. I couldn't see her face. She did not cry out. Polter was half dragging her as she resisted him; and then abruptly she ceased struggling.

I heard his guttural voice. "That iss better."

They mounted the platform. They were very small and seemed to be far away. I blinked. Horror surged over me. Their figures were dwindling as they stood there. Polter[Pg 22] was saying something to the man at the microscope. Other men were nearby, watching. All were normal, save Polter and Babs. A moment passed. Polter was standing by the chair in which the man at the microscope was sitting. And Polter's head barely reached its seat! Babs was clinging to him now. Another moment and they were both tiny figures down by the chair-leg. Then they began walking with swaying steps toward the miniature railing of the white slab. The white reflection from the slab plainly illumined them. Polter's arm was around Babs. I had not realized how small they were until I saw Polter lift the rope of the little four-inch fence, and he and Babs stooped and walked under it. The fragment of quartz lay a foot from them in the center of the white surface. They walked unsteadily toward it. But soon they were running.

My horrified senses whirled. Then abruptly I felt something touch my face! Alan and I were lying in shadow. No one had noticed my writhing movements, and Alan was still in drugged unconsciousness. Something tiny and light and soundless as a butterfly wing brushed my face! I jerked my head aside. On the floor, within six inches of my eyes, I saw the tiny figure of a girl an inch high! She stood, with a warning gesture to her lips—a human girl in a filmy flowing robe. Long, pale golden tresses lay on her white shoulders; her face, small as my little fingernail, colorful as a miniature painted on ivory, was so close to my eyes that I could see her expression—warning me not to move.

There was a faint glow of light on the floor where she stood, but in a moment she moved out of it. Then I felt her brush against the back of my head. My ear was near the ground. A tiny warm hand touched my ear lobe; clung to it. A tiny voice sounded in my ear.

"Please do not move your head. You might kill me!"[Pg 23]

There was a pause. I held myself rigid. Then the tiny voice came again.

"I am Glora, a friend. I have the drug! I will help you!"

CHAPTER III

It seemed that Alan was stirring. I felt the tiny hand leave my ear. I thought that I could hear faint little footfalls as the girl scampered away, fearful that a sudden movement by Alan would crush her. I turned cautiously after a moment and saw Alan's eyes upon me. He too had seen, with a blurred returning consciousness, the dwindling figures of Babs and Polter. I followed his gaze. The while slab with the golden quartz under the microscope seemed empty. The several men in this huge circular dome-room were dispersing to their affairs; three of them sat whispering by what I now saw was a pile of gold ingots stacked crosswise. But the fellow at the microscope held his place, his eyes glued to its aperture as he watched the vanishing figures of Polter and Babs on the rock-fragment.

Alan was trying to convey something to me. He could only gaze and jerk his head. I saw behind his head the figures of the tiny girl on the floor behind him. She wanted evidently to approach his head, but didn't dare. When for an instant he was quiet, she ran forward, but at once scampered back.

From the group by the ingots, one of the men rose and came toward us. Alan held still, watching. And the girl,[Pg 24] Glora, seized the opportunity to come nearer. We both heard her tiny voice:

"Do not move! Close your eyes! Make him think you are still unconscious."

Then she was gone, like a mouse hiding in the shadows near us.

Amazement swept Alan's face; he twisted, mouthed at his gag. But he saw my eager nod and took his cue from me.

I closed my eyes and lay stiff, breathing slowly. Footsteps approached. A man bent over Alan and me.

"Are you no conscious yet?" It was the voice of a foreigner, with a queer, indescribable intonation. A foot prodded us. "Wake up!"

Then the footsteps retreated, and when I dared to look, the man was rejoining his fellows. It was a strange looking trio. They were heavy-set men in leather jackets and short, wide knee-length trousers. One wore tight, high boots, and the others a sort of white buckskin, with ankle straps. All were bare-headed—round, bullet heads of close-clipped black hair.

I suddenly had another startling realization. These men were not of normal size as I had assumed! They were eight or ten feet tall at the very least! And they and the pile of ingots, instead of being close to me, were more distant than I had thought.

Alan was trying to signal me. The tiny girl was again at his ear, whispering to him. And then she came to me.

"I have a knife. See?" She backed away. I caught the pinpoint gleam of what might have been a knife in her hand. "I will get a little larger. I am too small to cut your ropes. You lie still, even after I have cut them."

I nodded. The movement frightened her so that she leaped backward; but she came again, smiling. The three men were talking earnestly by the ingots. No one else was near us.[Pg 25]

Glora's tiny voice was louder, so that we both could hear it at once.

"When I free you, do not move or they may see that you are loose. I get larger now—a little larger—and return."

She darted away and vanished. Alan and I lay listening to