The Midnight Queen by May Agnes Fleming (first e reader TXT) π
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arrayed and flashing in jewels, and foremost among them stood one whose beauty surpassed anything he had ever before dreamed of. She wore the robes of a queen, purple and ermine--diamonds blazed on the beautiful neck, arms, and fingers, and a tiara of the same brilliants crowned her regal head. In one hand she held a sceptre; what seemed to be a throne was behind her, but something that surprised Sir Norton most of all was, to find himself standing beside her, the cynosure of all eyes. While he yet gazed in mingled astonishment and incredulity, the scene faded away, and another took its place. This time a dungeon-cell, damp and dismal; walls, and floor, and ceiling covered with green and hideous slime. A small lamp stood on the floor, and by its sickly, watery gleam, he saw himself again standing, pale and dejected, near the wall. But he was not alone; the same glittering vision in purple and diamonds stood before him, and suddenly he drew his sword and plunged it up to the hilt in her heart! The beautiful vision fell like a stone at his feet, and the sword was drawn out reeking with her life-blood. This was a little too much for the real Sir Norman, and with an expression of indignant consternation, he sprang upright. Instantly it all faded away and the reflection of his own excited face looked up at him from the caldron.
"I told you not to speak," said La Masque, quietly, "but you must look on still another scene."
Again she threw a portion of the contents of the casket into the caldron, and "spake aloud the words of power." Another cloud of smoke arose and filled the room, and when it cleared away, Sir Norman beheld a third and less startling sight. The scene and place he could not discover, but it seemed to him like night and a storm. Two men were lying on the ground, and bound fast together, it appeared to him. As he looked, it faded away, and once more his own face seemed to mock him in the clear water.
"Do you know those two last figures!" asked the lady.
"I do," said Sir Norman, promptly; "it was Ormiston and myself."
"Right! and one of them was dead."
"Dead!" exclaimed Sir Norman, with a perceptible start. "Which one, madam?"
"If you cannot tell that, neither can I. If there is anything further you wish to see, I am quite willing to show it to you."
"I'm obliged to you," said Sir Norman, stepping back; "but no more at present, thank you. Do you mean to say, madam, that I'm some day to murder a lady, especially one so beautiful as she I just now saw?"
"I have said nothing--all you've seen will come to pass, and whether your destiny be for good or evil, I have nothing to do with it, except," said the sweet voice, earnestly, "that if La Masque could strew Sir Norman Kingsley's pathway with roses, she would most assuredly do so."
"Madam, you are too kind," said that young gentleman, laying his hand on his heart, while Ormiston scowled darkly--"more especially as I've the misfortune to be a perfect stranger to you."
"Not so, Sir Norman. I have known you this many a day; and before long we shall be better acquainted. Permit me to wish you good evening!"
At this gentle hint, both gentlemen bowed themselves out, and soon found themselves in the street, with very different expressions of countenance. Sir Norman looking considerably pleased and decidedly puzzled, and Mr. Ormiston looking savagely and uncompromisingly jealous. The animated skeleton who had admitted them closed the door after them; and the two friends stood in the twilight on London Bridge.
CHAPTER II. THE DEAD BRIDE
"Well," said Ormiston, drawing a long bath, "what do you think of that?"
"Think? Don't ask me yet." said Sir Norman, looking rather bewildered. "I'm in such a state of mystification that I don't rightly know whether I'm standing on my head or feet. For one thing, I have come to the conclusion that your masked ladylove must be enchantingly beautiful."
"Have I not told you that a thousand times, O thou of little faith? But why have you come to such a conclusion?"
"Because no woman with such a figure, such a voice and such hands could be otherwise."
"I knew you would own it some day. Do you wonder now that I love her?"
"Oh! as to loving her," said Sir Norman, coolly, "that's quite another thing. I could no more love her or her hands, voice, and shape, than I could a figure in wood or wax; but I admire her vastly, and think her extremely clever. I will never forget that face in the caldron. It was the most exquisitely beautiful I ever saw."
"In love with the shadow of a face! Why, you are a thousand-fold more absurd than I."
"No," said Sir Norman, thoughtfully, "I don't know as I'm in love with it; but if ever I see a living face like it, I certainly shall be. How did La Masque do it, I wonder?"
"You had better ask her," said Ormiston, bitterly. "She seems to have taken an unusual interest in you at first sight. She would strew your path with roses, forsooth! Nothing earthly, I believe, would make her say anything half so tender to me."
Sir Norman laughed, and stroked his moustache complacently.
"All a matter of taste, my dear fellow: and these women are noted for their perfection in that line. I begin to admire La Masque more and more, and I think you had better give up the chase, and let me take your place. I don't believe you have the ghost of a chance, Ormiston."
"I don't believe it myself," said Ormiston, with a desperate face "but until the plague carries me off I cannot give her up; and the sooner that happens, the better. Ha! what is this?"
It was a piercing shriek--no unusual sound; and as he spoke, the door of an adjoining house was flung open, a woman rushed wildly out, fled down an adjoining street, and disappeared.
Sir Norman and his companion looked at each other, and then at the house.
"What's all this about?" demanded Ormiston.
"That's a question I can't take it upon myself to answer," said Sir Norman; "and the only way to solve the mystery, is to go in and see."
"It may be the plague," said Ormiston, hesitating. "Yet the house is not marked. There is a watchman. I will ask him."
The man with the halberd in his hand was walking up and down before an adjoining house, bearing the ominous red cross and piteous inscription: "Lord have mercy on us!"
"I don't know, sir," was his answer to Ormiston. "If any one there has the plague, they must have taken it lately; for I heard this morning there was to be a wedding there to-night."
"I never heard of any one screaming in that fashion about a wedding," said Ormiston, doubtfully. "Do you know who lives there?"
"No, sir. I only came here, myself, yesterday, but two or three times to-day I have seen a very beautiful young lady looking out of the window."
Ormiston thanked the man, and went back to report to his friend.
"A beautiful young lady!" said Sir Norman, with energy. "Then I mean to go directly up and see about it, and you can follow or not, just as you please."
So saying, Sir Norman entered the open doorway, and found himself in a long hall, flanked by a couple of doors on each side. These he opened in rapid succession, finding nothing but silence and solitude; and Ormiston--who, upon reflection, chose to follow--ran up a wide and sweeping staircase at the end of the hall. Sir Norman followed him, and they came to a hall similar to the one below. A door to the right lay open; and both entered without ceremony, and looked around.
The room was spacious, and richly furnished. Just enough light stole through the oriel window at the further end, draped with crimson satin embroidered with gold, to show it. The floor was of veined wood of many colors, arranged in fanciful mosaics, and strewn with Turkish rugs and Persian mats of gorgeous colors. The walls were carved, the ceiling corniced, and all fretted with gold network and gilded mouldings. On a couch covered with crimson satin, like the window drapery, lay a cithren and some loose sheets of music. Near it was a small marble table, covered with books and drawings, with a decanter of wine and an exquisite little goblet of Bohemian glass. The marble mantel was strewn with ornaments of porcelain and alabaster, and a beautifully-carved vase of Parian marble stood in the centre, filled with brilliant flowers. A great mirror reflected back the room, and beneath it stood a toilet-table, strewn with jewels, laces, perfume-bottles, and an array of costly little feminine trifles such as ladies were as fond of two centuries ago as they are to-day. Evidently it was a lady's chamber; for in a recess near the window stood a great quaint carved bedstead, with curtains and snowy lace, looped back with golden arrows and scarlet ribbons. Some one lay on it, too--at least, Ormiston thought so; and he went cautiously forward, drew the curtain, and looked down.
"Great Heaven! what a beautiful face!" was his cry, as he bent still further down.
"What the plague is the matter?" asked Sir Norman, coming forward.
"You have said it," said Ormiston, recoiling. "The plague is the matter. There lies one dead of it!"
Curiosity proving stronger than fear, Sir Norman stepped forward to look at the corpse. It was a young girl with a face as lovely as a poet's vision. That face was like snow, now; and, in its calm, cold majesty, looked as exquisitely perfect as some ancient Grecian statue. The low, pearly brow, the sweet, beautiful lips, the delicate oval outline of countenance, were perfect. The eyes were closed, and the long dark lashes rested on the ivory cheeks. A profusion of shining dark hair fell in elaborate curls over her neck and shoulders. Her dress was that of a bride; a robe of white satin brocaded with silver, fairly dazzling in its shining radiance, and as brief in the article of sleeves and neck as that of any modern belle. A circlet of pearls were clasped round her snow-white throat, and bracelets of the same jewels encircled the snowy taper arms. On her head she wore a bridal wreath and veil--the former of jewels, the latter falling round her like a cloud of mist. Everything was perfect, from the wreath and veil to the tiny sandaled feet and lying there in her mute repose she looked more like some exquisite piece of sculpture than anything that had ever lived and moved in this groveling world of ours. But from one shoulder the dress had been pulled down, and there lay a great livid purple plague-spot!
"Come away!" said Ormiston, catching his companion by the arm. "It is death to remain here!"
Sir Norman had been standing like one in a trance, from which this address roused him, and he grasped Ormiston's shoulder almost frantically.
"Look there, Ormiston! There lies the very face that sorceress showed me, fifteen minutes ago, in her infernal caldron! I would know it at the other end of the world!"
"Are you sure?" said Ormiston, glancing again with new curiosity at the marble face. "I never saw anything half so beautiful
"I told you not to speak," said La Masque, quietly, "but you must look on still another scene."
Again she threw a portion of the contents of the casket into the caldron, and "spake aloud the words of power." Another cloud of smoke arose and filled the room, and when it cleared away, Sir Norman beheld a third and less startling sight. The scene and place he could not discover, but it seemed to him like night and a storm. Two men were lying on the ground, and bound fast together, it appeared to him. As he looked, it faded away, and once more his own face seemed to mock him in the clear water.
"Do you know those two last figures!" asked the lady.
"I do," said Sir Norman, promptly; "it was Ormiston and myself."
"Right! and one of them was dead."
"Dead!" exclaimed Sir Norman, with a perceptible start. "Which one, madam?"
"If you cannot tell that, neither can I. If there is anything further you wish to see, I am quite willing to show it to you."
"I'm obliged to you," said Sir Norman, stepping back; "but no more at present, thank you. Do you mean to say, madam, that I'm some day to murder a lady, especially one so beautiful as she I just now saw?"
"I have said nothing--all you've seen will come to pass, and whether your destiny be for good or evil, I have nothing to do with it, except," said the sweet voice, earnestly, "that if La Masque could strew Sir Norman Kingsley's pathway with roses, she would most assuredly do so."
"Madam, you are too kind," said that young gentleman, laying his hand on his heart, while Ormiston scowled darkly--"more especially as I've the misfortune to be a perfect stranger to you."
"Not so, Sir Norman. I have known you this many a day; and before long we shall be better acquainted. Permit me to wish you good evening!"
At this gentle hint, both gentlemen bowed themselves out, and soon found themselves in the street, with very different expressions of countenance. Sir Norman looking considerably pleased and decidedly puzzled, and Mr. Ormiston looking savagely and uncompromisingly jealous. The animated skeleton who had admitted them closed the door after them; and the two friends stood in the twilight on London Bridge.
CHAPTER II. THE DEAD BRIDE
"Well," said Ormiston, drawing a long bath, "what do you think of that?"
"Think? Don't ask me yet." said Sir Norman, looking rather bewildered. "I'm in such a state of mystification that I don't rightly know whether I'm standing on my head or feet. For one thing, I have come to the conclusion that your masked ladylove must be enchantingly beautiful."
"Have I not told you that a thousand times, O thou of little faith? But why have you come to such a conclusion?"
"Because no woman with such a figure, such a voice and such hands could be otherwise."
"I knew you would own it some day. Do you wonder now that I love her?"
"Oh! as to loving her," said Sir Norman, coolly, "that's quite another thing. I could no more love her or her hands, voice, and shape, than I could a figure in wood or wax; but I admire her vastly, and think her extremely clever. I will never forget that face in the caldron. It was the most exquisitely beautiful I ever saw."
"In love with the shadow of a face! Why, you are a thousand-fold more absurd than I."
"No," said Sir Norman, thoughtfully, "I don't know as I'm in love with it; but if ever I see a living face like it, I certainly shall be. How did La Masque do it, I wonder?"
"You had better ask her," said Ormiston, bitterly. "She seems to have taken an unusual interest in you at first sight. She would strew your path with roses, forsooth! Nothing earthly, I believe, would make her say anything half so tender to me."
Sir Norman laughed, and stroked his moustache complacently.
"All a matter of taste, my dear fellow: and these women are noted for their perfection in that line. I begin to admire La Masque more and more, and I think you had better give up the chase, and let me take your place. I don't believe you have the ghost of a chance, Ormiston."
"I don't believe it myself," said Ormiston, with a desperate face "but until the plague carries me off I cannot give her up; and the sooner that happens, the better. Ha! what is this?"
It was a piercing shriek--no unusual sound; and as he spoke, the door of an adjoining house was flung open, a woman rushed wildly out, fled down an adjoining street, and disappeared.
Sir Norman and his companion looked at each other, and then at the house.
"What's all this about?" demanded Ormiston.
"That's a question I can't take it upon myself to answer," said Sir Norman; "and the only way to solve the mystery, is to go in and see."
"It may be the plague," said Ormiston, hesitating. "Yet the house is not marked. There is a watchman. I will ask him."
The man with the halberd in his hand was walking up and down before an adjoining house, bearing the ominous red cross and piteous inscription: "Lord have mercy on us!"
"I don't know, sir," was his answer to Ormiston. "If any one there has the plague, they must have taken it lately; for I heard this morning there was to be a wedding there to-night."
"I never heard of any one screaming in that fashion about a wedding," said Ormiston, doubtfully. "Do you know who lives there?"
"No, sir. I only came here, myself, yesterday, but two or three times to-day I have seen a very beautiful young lady looking out of the window."
Ormiston thanked the man, and went back to report to his friend.
"A beautiful young lady!" said Sir Norman, with energy. "Then I mean to go directly up and see about it, and you can follow or not, just as you please."
So saying, Sir Norman entered the open doorway, and found himself in a long hall, flanked by a couple of doors on each side. These he opened in rapid succession, finding nothing but silence and solitude; and Ormiston--who, upon reflection, chose to follow--ran up a wide and sweeping staircase at the end of the hall. Sir Norman followed him, and they came to a hall similar to the one below. A door to the right lay open; and both entered without ceremony, and looked around.
The room was spacious, and richly furnished. Just enough light stole through the oriel window at the further end, draped with crimson satin embroidered with gold, to show it. The floor was of veined wood of many colors, arranged in fanciful mosaics, and strewn with Turkish rugs and Persian mats of gorgeous colors. The walls were carved, the ceiling corniced, and all fretted with gold network and gilded mouldings. On a couch covered with crimson satin, like the window drapery, lay a cithren and some loose sheets of music. Near it was a small marble table, covered with books and drawings, with a decanter of wine and an exquisite little goblet of Bohemian glass. The marble mantel was strewn with ornaments of porcelain and alabaster, and a beautifully-carved vase of Parian marble stood in the centre, filled with brilliant flowers. A great mirror reflected back the room, and beneath it stood a toilet-table, strewn with jewels, laces, perfume-bottles, and an array of costly little feminine trifles such as ladies were as fond of two centuries ago as they are to-day. Evidently it was a lady's chamber; for in a recess near the window stood a great quaint carved bedstead, with curtains and snowy lace, looped back with golden arrows and scarlet ribbons. Some one lay on it, too--at least, Ormiston thought so; and he went cautiously forward, drew the curtain, and looked down.
"Great Heaven! what a beautiful face!" was his cry, as he bent still further down.
"What the plague is the matter?" asked Sir Norman, coming forward.
"You have said it," said Ormiston, recoiling. "The plague is the matter. There lies one dead of it!"
Curiosity proving stronger than fear, Sir Norman stepped forward to look at the corpse. It was a young girl with a face as lovely as a poet's vision. That face was like snow, now; and, in its calm, cold majesty, looked as exquisitely perfect as some ancient Grecian statue. The low, pearly brow, the sweet, beautiful lips, the delicate oval outline of countenance, were perfect. The eyes were closed, and the long dark lashes rested on the ivory cheeks. A profusion of shining dark hair fell in elaborate curls over her neck and shoulders. Her dress was that of a bride; a robe of white satin brocaded with silver, fairly dazzling in its shining radiance, and as brief in the article of sleeves and neck as that of any modern belle. A circlet of pearls were clasped round her snow-white throat, and bracelets of the same jewels encircled the snowy taper arms. On her head she wore a bridal wreath and veil--the former of jewels, the latter falling round her like a cloud of mist. Everything was perfect, from the wreath and veil to the tiny sandaled feet and lying there in her mute repose she looked more like some exquisite piece of sculpture than anything that had ever lived and moved in this groveling world of ours. But from one shoulder the dress had been pulled down, and there lay a great livid purple plague-spot!
"Come away!" said Ormiston, catching his companion by the arm. "It is death to remain here!"
Sir Norman had been standing like one in a trance, from which this address roused him, and he grasped Ormiston's shoulder almost frantically.
"Look there, Ormiston! There lies the very face that sorceress showed me, fifteen minutes ago, in her infernal caldron! I would know it at the other end of the world!"
"Are you sure?" said Ormiston, glancing again with new curiosity at the marble face. "I never saw anything half so beautiful
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