Coningsby by Benjamin Disraeli (romance novel chinese novels .txt) 📕

Distinction is the basis of aristocracy. If you permit only one class of the population, for example, to bear arms, they are an aristocracy; not one much to my taste; but still a great fact. That, however, is not the characteristic of the English peerage. I have yet to learn they are richer than we are, better informed, wiser, or more distinguished for public or private virtue. Is it not monstrous, then, that a small number of men, several of whom take the titles of Duke and Earl from towns in this very neighbourhood, towns which they never saw, which never heard of them, which they did not form, or build, or establish, I say, is it not monstrous, that individuals so circumstanced, should be invested with the highest of conceivable privileges, the privilege of making laws? Dukes and Earls indeed! I say there is nothing in a masquerade more ridiculous.'

'But do you not argue from an exception, sir?' said Coningsby. 'The question is, whether a preponderance of the aristocratic principle in a political constitution be, as I believe, conducive to the stability and permanent power of a State; and whether the peerage, as established in England, generally tends to that end? We must not forget in such an estimate the influence which, in this country, is exercised over opinion by ancient lineage.'

'Ancient lineage!' said Mr. Millbank; 'I never heard of a peer with an ancient lineage. The real old families of this country are to be found among the peasantry; the gentry, too, may lay some claim to old blood. I can point you out Saxon families in this county who can trace their pedigrees beyond the Conquest; I know of some Norman gentlemen whose fathers undoubtedly came over with the Conqueror. But a peer with an ancient lineage is to me quite a novelty. No, no; the thirty years of the wars of the Roses freed us from those gentlemen. I take it, after the battle of Tewkesbury, a Norman baron was almost as rare a being in England as a wolf is now.'

'I have always understood,' said Coningsby, 'that our peerage was the finest in Europe.'

'From themselves,' said Millbank, 'and the heralds they pay to paint their carriages. But I go to facts. When Henry VII. called his first Parliament, there were only twenty-nine temporal peers to be found, and even some of them took their seats illegally, for they had been attainted. Of those twenty-nine not five remain, and they, as the Howards for instance, are not Norman nobility. We owe the English peerage to three sources: the spoliation of the Church; the open and flagrant sale of its honours by the elder Stuarts; and the boroughmongering of our own times. Those are the three main sources of the existing peerage of England, and in my opinion disgraceful ones. But I must apologise for my frankness in thus speaking to an aristocrat.'

'Oh, by no means, sir, I like discussion. Your son and myself at Eton have had some encounters of this kind before. But if your view of the case be correct,' added Coningsby, smiling, 'you cannot at any rate accuse our present peers of Norman manners.'

'Yes, I do: they adopted Norman manners while they usurped Norman titles. They have neither the right of the Normans, nor do they fulfil the duty of the Normans: they did not conquer the land, and they do not defend it.'

'And where will you find your natural aristocracy?' asked Coningsby.

'Among those men whom a nation recognises as the most eminent for virtue, talents, and property, and, if you please, birth and standing in the land. They guide opinion; and, therefore, they govern. I am no leveller; I look upon an artificial equality as equally pernicious with a factitious aristocracy; both depressing the energies, and checking the enterprise of a nation. I like man to be free, really free: free in his industry as well as his body. What is the use of Habeas Corpus, if a man may not use his hands when he is out of prison?'

'But it appears to me you have, in a great measure, this natural aristocracy in England.'

'Ah, to be sure! If we had not, where should we be? It is the counteracting power that saves us, the disturbing cause in the calculations of short-sighted selfishness. I say it now, and I have said it a hundred times, the House of Commons is a more aristocratic body than the House of Lords. The fact is, a great peer would be a greater man now in the House of Commons than in the House of Lords. Nobody wants a second chamber, except a few disreputable individuals. It is a valuable institution for any member of it who has no distinction, neither character, talents, nor estate. But a peer who possesses all or any of these great qualifications, would find himself an immeasurably more important personage in what, by way of jest, they call the Lower House.'

'Is not the revising wisdom of a senate a salutary check on the precipitation of a popular assembly?'

'Why should a popular assembly, elected by the flower of a nation, be precipitate? If precipitate, what senate could stay an assembly so chosen? No, no, no! the thing has been tried over and over again; the idea of restraining the powerful by the weak is an absurdity; the question is settled. If we wanted a fresh illustration, we need only look to the present state of our own House of Lords. It originates nothing; it has, in fact, announced itself as a mere Court of Registration of the decrees of your House of Commons; and if by any chance it ventures to alter some miserable detail in a clause of a bill that excites public interest, what a clatter through the country, at Conservative banquets got up by the rural attorneys, about the power, authority, and independence of the House of Lords; nine times nine, and one cheer more! No, sir, you may make aristocracies by laws; you can only maintain them by manners. The manners of England preserve it from its laws. And they have substituted for our formal aristocracy an essential aristocracy; the government of those who are distinguished by their fellow-citizens.'

'But then it would appear,' said Coningsby, 'that the remedial action of our manners has removed all the political and social evils of which you complain?'

'They have created a power that may remove them; a power that has the capacity to remove them. But in a great measure they still exist, and must exist yet, I fear, for a long time. The growth of our civilisation has ever been as slow as our oaks; but this tardy development is preferable to the temporary expansion of the gourd.'

'The future seems to me sometimes a dark cloud.'

'Not to me,' said Mr. Millbank. 'I am sanguine; I am the Disciple of Progress. But I have cause for my faith. I have witnessed advance. My father has often told me that in his early days the displeasure of a peer of England was like a sentence of death to a man. Why it was esteemed a great concession to public opinion, so late as the reign of George II., that Lord Ferrars should be executed for murder. The king of a new dynasty, who wished to be popular with the people, insisted on it, and even then he was hanged with a silken cord. At any rate we may defend ourselves now,' continued Mr. Millbank, 'and, perhaps, do something more. I defy any peer to crush me, though there is one who would be very glad to do it. No more of that; I am very happy to see you at Millbank, very happy to make your acquaintance,' he continued, with some emotion, 'and not merely because you are my son's friend and more than friend.'

The walls of the dining-room were covered with pictures of great merit, all of the modern English school. Mr. Millbank understood no other, he was wont to say! and he found that many of his friends who did, bought a great many pleasing pictures that were copies, and many originals that were very displeasing. He loved a fine free landscape by Lee, that gave him the broad plains, the green lanes, and running streams of his own land; a group of animals by Landseer, as full of speech and sentiment as if they were designed by Aesop; above all, he delighted in the household humour and homely pathos of Wilkie. And if a higher tone of imagination pleased him, he could gratify it without difficulty among his favourite masters. He possessed some specimens of Etty worthy of Venice when it was alive; he could muse amid the twilight ruins of ancient cities raised by the magic pencil of Danby, or accompany a group of fair Neapolitans to a festival by the genial aid of Uwins.

Opposite Coningsby was a portrait, which had greatly attracted his attention during the whole dinner. It represented a woman, young and of a rare beauty. The costume was of that classical character prevalent in this country before the general peace; a blue ribbon bound together as a fillet her clustering chestnut curls. The face was looking out of the canvas, and Coningsby never raised his eyes without catching its glance of blended vivacity and tenderness.

There are moments when our sensibility is affected by circumstances of a trivial character. It seems a fantastic emotion, but the gaze of this picture disturbed the serenity of Coningsby. He endeavoured sometimes to avoid looking at it, but it irresistibly attracted him. More than once during dinner he longed to inquire whom it represented; but it is a delicate subject to ask questions about portraits, and he refrained. Still, when he was rising to leave the room, the impulse was irresistible. He said to Mr. Millbank, 'By whom is that portrait, sir?'

The countenance of Millbank became disturbed; it was not an expression of tender reminiscence that fell upon his features. On the contrary, the expression was agitated, almost angry.

'Oh! that is by a country artist,' he said,' of whom you never heard,' and moved away.

They found Miss Millbank in the drawing-room; she was sitting at a round table covered with working materials, apparently dressing a doll.

'Nay,' thought Coningsby, 'she must be too old for that.'

He addressed her, and seated himself by her side. There were several dolls on the table, but he discovered, on examination, that they were pincushions; and elicited, with some difficulty, that they were making for a fancy fair about to be held in aid of that excellent institution, the Manchester Athenaeum. Then the father came up and said,

'My child, let us have some tea;' and she rose and seated herself at the tea-table. Coningsby also quitted his seat, and surveyed the apartment.

There were several musical instruments; among others, he observed a guitar; not such an instrument as one buys in a music shop, but such an one as tinkles at Seville, a genuine Spanish guitar. Coningsby repaired to the tea-table.

'I am glad that you are fond of music, Miss Millbank.'

A blush and a bow.

'I hope after tea you will be so kind as to touch the guitar.'

Signals of great distress.

'Were you ever at Birmingham?'

'Yes:' a sigh.

'What a splendid music-hall! They should build one at Manchester.'

'They ought,' in a whisper.

The tea-tray was removed; Coningsby was conversing with Mr. Millbank, who was asking him questions about his son; what he thought of Oxford; what he thought of Oriel; should himself have preferred Cambridge; but had consulted a friend,