Jean-Christophe, vol 1 by Romain Rolland (fb2 epub reader .txt) đź“•
He waited for contradiction, and spat on the fire. Then, as neither mother nor child raised any objection, he was for going on, but relapsed into silence.
* * * * *
They said no more. Both Jean Michel, sitting by the fireside, and Louisa, in her bed, dreamed sadly. The old man, in spite of what he had said, had bitter thoughts about his son's marriage, and Louisa was thinking of it also, and blaming herself, although she had nothing wherewith to reproach herself.
She had been a servant when, to everybody's surprise, and her own especially, she married Melchior Krafft, Jean Michel's son. The Kraffts were without fortune, but were considerable people in the little Rhine town in which the old man had settled down more than fifty years before. Both father and son were musicians, and known to all the musicians of the country from Cologne to Mannheim. Melchior played the violin at the Hof-Theater, and Jean Michel had formerly been director of the grand-ducal concerts. The o
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breath. The barking stopped; the dog had lost the scent. They heard his yap
once again in the distance; then silence came upon the woods. Not a sound,
only the mysterious hum of millions of creatures, insects, and creeping
things, moving unceasingly, destroying the forest—the measured breathing
of death, which never stops. The boys listened, they did not stir. Just
when they got up, disappointed, and said, “It is all over; he will not
come!” a little hare plunged out of the thicket. He came straight upon
them. They saw him at the same moment, and gave a cry of joy. The hare
turned in his tracks and jumped aside. They saw him dash into the brushwood
head over heels. The stirring of the rumpled leaves vanished away like a
ripple on the face of waters. Although they were sorry for having cried
out, the adventure filled them with joy. They rocked with laughter as they
thought of the hare’s terrified leap, and Jean-Christophe imitated it
grotesquely. Otto did the same. Then they chased each other. Otto was the
hare, Jean-Christophe the dog. They plunged through woods and meadows,
dashing through hedges and leaping ditches. A peasant shouted at them,
because they had rushed over a field of rye. They did not stop to hear him.
Jean-Christophe imitated the hoarse barking of the dog to such perfection
that Otto laughed until he cried. At last they rolled down a slope,
shouting like mad things. When they could not utter another sound they sat
up and looked at each other, with tears of laughter in their eyes. They
were quite happy and pleased with themselves. They were no longer trying to
play the heroic friend; they were frankly what they were—two boys.
They came back arm-in-arm, singing senseless songs, and yet, when they were
on the point of returning to the town, they thought they had better resume
their pose, and under the last tree of the woods they carved their initials
intertwined. But then good temper had the better of their sentimentality,
and in the train they shouted with laughter whenever they looked at
each other. They parted assuring each other that they had had a “hugely
delightful” (_kolossal entzückend_) day, and that conviction gained with
them when they were alone once more.
*
They resumed their work of construction more patient and ingenious even
than that of the bees, for of a few mediocre scraps of memory they
fashioned a marvelous image of themselves and their friendship. After
having idealized each other during the week, they met again on the Sunday,
and in spite of the discrepancy between the truth and their illusion, they
got used to not noticing it and to twisting things to fit in with their
desires.
They were proud of being friends. The very contrast of their natures
brought them together. Jean-Christophe knew nothing so beautiful as Otto.
His fine hands, his lovely hair, his fresh complexion, his shy speech,
the politeness of his manners, and his scrupulous care of his appearance
delighted him. Otto was subjugated by Jean-Christophe’s brimming strength
and independence. Accustomed by age-old inheritance to religious respect
for all authority, he took a fearful joy in the company of a comrade in
whose nature was so little reverence for the established order of things.
He had a little voluptuous thrill of terror whenever he heard him decry
every reputation in the town, and even mimic the Grand Duke himself.
Jean-Christophe knew the fascination that he exercised over his friend,
and used to exaggerate his aggressive temper. Like some old revolutionary,
he hewed away at social conventions and the laws of the State. Otto would
listen, scandalized and delighted. He used timidly to try and join in, but
he was always careful to look round to see if any one could hear.
Jean-Christophe never failed, when they walked together, to leap the fences
of a field whenever he saw a board forbidding it, or he would pick fruit
over the walls of private grounds. Otto was in terror lest they should be
discovered. But such feelings had for him an exquisite savor, and in the
evening, when he had returned, he would think himself a hero. He admired
Jean-Christophe fearfully. His instinct of obedience found a satisfying
quality in a friendship in which he had only to acquiesce in the will of
his friend. Jean-Christophe never put him to the trouble of coming to a
decision. He decided everything, decreed the doings of the day, decreed
even the ordering of life, making plans, which admitted of no discussion,
for Otto’s future, just as he did for his own family. Otto fell in
with them, though he was a little put aback by hearing Jean-Christophe
dispose of his fortune for the building later on of a theater of his own
contriving. But, intimidated by his friend’s imperious tones, he did not
protest, being convinced also by his friend’s conviction that the money
amassed by Commerzienrath Oscar Diener could be put to no nobler use.
Jean-Christophe never for a moment had any idea that he might be violating
Otto’s will. He was instinctively a despot, and never imagined that his
friend’s wishes might be different from his own. Had Otto expressed a
desire different from his own, he would not have hesitated to sacrifice his
own personal preference. He would have sacrificed even more for him. He was
consumed by the desire to run some risk for him. He wished passionately
that there might appear some opportunity of putting his friendship to the
test. When they were out walking he used to hope that they might meet some
danger, so that he might fling himself forward to face it. He would have
loved to die for Otto. Meanwhile, he watched over him with a restless
solicitude, gave him his hand in awkward places, as though he were a girl.
He was afraid that he might be tired, afraid that he might be hot, afraid
that he might be cold. When they sat down under a tree he took off his coat
to put it about his friend’s shoulders; when they walked he carried his
cloak. He would have carried Otto himself. He used to devour him with his
eyes like a lover, and, to tell the truth, he was in love.
He did not know it, not knowing yet what love was. But sometimes, when they
were together, he was overtaken by a strange unease—the same that had
choked him on that first day of their friendship in the pine-woods—and the
blood would rush to his face and set his cheeks aflame. He was afraid. By
an instinctive unanimity the two boys used furtively to separate and run
away from each other, and one would lag behind on the road. They would
pretend to be busy looking for blackberries in the hedges, and they did not
know what it was that so perturbed them.
But it was in their letters especially that their feelings flew high. They
were not then in any danger of being contradicted by facts, and nothing
could check their illusions or intimidate them. They wrote to each other
two or three times a week in a passionately lyric style. They hardly ever
spoke of real happenings or common things; they raised great problems in an
apocalyptic manner, which passed imperceptibly from enthusiasm to despair.
They called each other, “My blessing, my hope, my beloved, my Self.” They
made a fearful hash of the word “Soul.” They painted in tragic colors the
sadness of their lot, and were desolate at having brought into the
existence of their friend the sorrows of their existence.
“I am sorry, my love,” wrote Jean-Christophe, “for the pain which I bring
you. I cannot bear that you should suffer. It must not be. _I will not have
it_.” (He underlined the words with a stroke of the pen that dug into the
paper.) “If you suffer, where shall I find strength to live? I have no
happiness but in you. Oh, be happy! I will gladly take all the burden of
sorrow upon myself! Think of me! Love me! I have such great need of being
loved. From your love there comes to me a warmth which gives me life. If
you knew how I shiver! There is winter and a biting wind in my heart. I
embrace your soul.”
“My thought kisses yours,” replied Otto.
“I take your face in my hands,” was Jean-Christophe’s answer, “and what I
have not done and will not do with my lips I do with all my being. I kiss
you as I love you, Prudence!”,
Otto pretended to doubt him.
“Do you love me as much as I love you?”
“O God,” wrote Jean-Christophe, “not as much, but ten a hundred, a thousand
times more! What! Do you not feel it? What would you have me do to stir
your heart?”
“What a lovely friendship is ours!” sighed Otto. “Was, there ever its like
in history? It is sweet and fresh as a dream. If only it does not pass
away! If you were to cease to love me!”
“How stupid you are, my beloved!” replied Jean-Christophe. “Forgive me, but
your weakling fear enrages me. How can you ask whether I shall cease to
love you! For me to live is to love you. Death is powerless against my
love. You yourself could do nothing if you wished to destroy it. Even if
you betrayed me, even if you rent my heart, I should die with a blessing
upon you for the love with which you fill me. Once for all, then, do not be
uneasy, and vex me no more with these cowardly doubts!”
But a week later it was he who wrote:
“It is three days now since I heard a word fall from your lips. I tremble.
Would you forget me? My blood freezes at the thought…. Yes, doubtless….
The other day only I saw your coldness towards me. You love me no longer!
You are thinking of leaving me!… Listen! If you forget me, if you ever
betray me, I will kill you like a dog!”
“You do me wrong, my dear heart,” groaned Otto. “You draw tears from me. I
do not deserve this. But you can do as you will. You have such rights over
me that, if you were to break my soul, there would always be a spark left
to live and love you always!”
“Heavenly powers!” cried Jean-Christophe. “I have made my friend weep!…
Heap insults on me, beat me, trample me underfoot! I am a wretch! I do not
deserve your love!”
They had special ways of writing the address on their letters, of placing
the stamp—upside down, askew, at bottom in a corner of the envelope—to
distinguish their letters from those which they wrote to persons who did
not matter. These childish secrets had the charm of the sweet mysteries of
love.
*
One day, as he was returning from a lesson, Jean-Christophe saw Otto
in the street with a boy of his own age. They were laughing and talking
familiarly. Jean-Christophe went pale, and followed them with his eyes
until they had disappeared round the corner of the street. They had not
seen him. He went home. It was as though a cloud had passed over the sun;
all was dark.
When they met on the following Sunday, Jean-Christophe said nothing at
first; but after they had been walking for half an hour he said in a
choking voice:
“I saw you on Wednesday in the Königgasse.”
“Ah!” said Otto.
And he blushed.
Jean-Christophe went on:
“You were not
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