A Duet, with an Occasional Chorus by Sir Arthur Conan Doyle (ebook reader web .TXT) 📕

so jolly to have some one before whom it is not necessary to keep up appearances. Now, begin at the beginning and go ahead.' She pillowed her head luxuriously against his knees.

'There's nothing to tell--or very little. As you say, they had their troubles in life. The lady could take particularly good care of herself, I believe. She had a tongue like a lancet when she chose to use it. He, poor chap, was all liver and nerves, porridge-poisoned in his youth. No children to take the angles off them. Half a dozen little buffer states would have kept them at peace. However, to hark back to what I was about to say, he outlived her by fifteen years or so. During that time he collected these letters, and he has annotated them. You can read those notes here, and the man who wrote those notes loved his wife and cherished her memory, if ever a man did upon earth.'

The graceful head beside his knee shook impatiently.

'What is the use of that to the poor dead woman? Why could not he show his love by kindness and thought for her while she was alive?'

'I tell you, Maude, there were two sides to that. Don't be so prejudiced! And remember that no one has ever blamed Carlyle as bitterly as he has blamed himself. I could read you bits of these notes--'

'Well, do.'

'Here's the first letter, in which she is talking about how they first moved into the house at Cheyne Row. They spent their early years in Scotland, you know, and he was a man going on to the forties when he came to London. The success of Sartor Resartus encouraged them to the step. Her letter describes all the incoming. Here is his comment, written after her death: "In about a week all was swept and garnished, fairly habitable; and continued incessantly to get itself polished, civilised, and beautified to a degree that surprised one. I have elsewhere alluded to all that, and to my little Jeannie's conduct of it; heroic, lovely, pathetic, mournfully beautiful as in the light of Eternity that little scene of time now looks to me. From birth upwards she had lived in opulence, and now became poor for me--so nobly poor. No such house for beautiful thrift, quiet, spontaneous, nay, as it were, unconscious minimum of money reconciled to human comfort and human dignity, have I anywhere looked upon where I have been." Now, Maude, did that man appreciate his wife?'

But the obstinate head still shook.

'Words, words,' said she.

'Yes, but words with the ring of truth in them. Can't you tell real feeling from sham? I don't believe women can, or they would not be so often taken in. Here's the heading of the next letter: "Mournfully beautiful is this letter to me, a clear little household light shining pure and brilliant in the dark obstructive places of the past"--a little later comes the note: "Oh my poor little woman-- become poor for me."'

'I like to hear him talk like that. Yes, I do like him better after what you have said, Frank.'

'You must remember two things about him, Maude. The first, that he was a Scotchman, who are of all men the least likely to wear their hearts upon their sleeves; the other, that his mind was always grappling with some far-away subject which made him forget the smaller things close by him.'

'But the smaller things are everything to a woman,' said Maude. 'If ever you forget those smaller things, sir, to be as courteous to your wife as you would be to any other lady, to be loving and thoughtful and sympathetic, it will be no consolation to me to know that you have written the grandest book that ever was. I should just hate that book, and I believe that in her inmost heart this poor lady hated all the books that had taken her husband away from her. I wonder if their house is still standing.'

'Certainly it is. Would you like to visit it?'

'I don't think there is anything I should like more.'

'Why, Maude, we are getting quite a distinguished circle of acquaintances. Mr. Pepys last month--and now the Carlyles. Well, we could not spend a Saturday afternoon better, so if you will meet me to-morrow at Charing Cross, we shall have a cosy little lunch together at Gatti's, and then go down to Chelsea.'

Maude was a rigid economist, and so was Frank in his way, for with the grand self-respect of the middle classes the thought of debt was unendurable to them. A cab in preference to a 'bus gave both of them a feeling of dissipation, but none the less they treated themselves to one on the occasion of this, their little holiday. It is a delightful thing to snuggle up in, is a hansom; but in order to be really trim and comfortable one has to put one's arm round one's companion's waist. No one can observe it there, for the vehicle is built upon intelligent principles. The cabman, it is true, can overlook you through a hole in the roof. This cabman did so, and chuckled in his cravat. 'If that cove's wife could see him--huddup, then!' said the cabman.

He was an intelligent cabman too, for having heard Frank say 'Thomas Carlyle's house' after giving the address 5 Cheyne Row, he pulled up on the Thames Embankment. Right ahead of them was Chelsea Bridge, seen through a dim, soft London haze--monstrous, Cyclopean, giant arches springing over a vague river of molten metal, the whole daintily blurred, as though out of focus. The glamour of the London haze, what is there upon earth so beautiful? But it was not to admire it that the cabman had halted.

'I beg your pardin', sir,' said he, in the softly insinuating way of the Cockney, 'but I thought that maybe the lidy would like to see Mr. Carlyle's statue. That's 'im, sir, a-sittin' in the overcoat with the book in 'is 'and.'

Frank and Maude got out and entered the small railed garden, in the centre of which the pedestal rose. It was very simple and plain--an old man in a dressing-gown, with homely wornout boots, a book upon his knee, his eyes and thoughts far away. No more simple statue in all London, but human to a surprising degree. They stood for five minutes and stared at it.

'Well,' said Frank at last, 'small as it is, I think it is worthy of the man.'

'It is so natural.'

'You can see him think. By Jove, it is splendid!' Frank had enough of the true artist to be able to feel that rush of enthusiasm which adequate work should cause. That old man, with his head shamefully defiled by birds, was a positive joy to him. Among the soulless, pompous, unspeakable London statues, here at last there was one over which it is pleasant to linger.

'What other one is there?'

'Gordon in Trafalgar Square.'

'Well, Gordon, perhaps. But our Nelsons and Napiers and Havelocks-- to think that we could do no better than that for them! Now, dear, we have seen the man--let us look at the house!'

It had evidently been an old-fashioned building when first they came to it. 1708 was the date at the corner of the street. Six or seven drab-coloured, flat-chested, dim-windowed houses stood in a line-- theirs wedged in the middle of them. A poor medallion with a profile head of him had been clumsily let into the wall. Several worn steps led to the thin high door with an old-fashioned fanlight above it. Frank rang the bell, and a buxom cheerful matron came at the call.

'Names in this book, sir--AND address, if you please,' said the cheery matron. 'One shilling each--thank you, sir. First door to the left, sir! This was the dining-room, sir--'

But Frank had come to a dead stop in the dim, dull, wood-panelled hall. In front of them rose the stairs with old-fashioned banisters, cracked, warped, and dusty.

'It's awful to think of, Maude--awful! To think that she ran up those stairs as a youngish woman--that he took them two at a time as an active man, and then that they hobbled and limped down them, old and weary and broken, and now both dead and gone for ever, and the stairs standing, the very rails, the very treads--I don't know that I ever felt so strongly what bubbles of the air we are, so fragile, so utterly dissolved when the prick comes.'

'How COULD they be happy in such a house?' said Maude. 'I can feel that there have been sorrow and trouble here. There is an atmosphere of gloom.'

The matron-attendant approved of emotion, but in its due order. One should be affected in the dining-room first, and then in the hall. And so at her summons they followed her into the long, low, quaint room in which this curious couple had lived their everyday life. Little of the furniture was left, and the walls were lined with collected pictures bearing upon the life of the Carlyles.

'There's the fireplace that he smoked his pipe up,' said Frank.

'Why up the fireplace?'

'She did not like the smell in the room. He often at night took his friends down into the kitchen.'

'Fancy my driving you into the kitchen.'

'Well, the habit of smoking was looked upon much less charitably at that time.'

'And besides, he smoked clay pipes,' said the matron. 'This is considered a good print of Mrs. Carlyle.'

It was a peaky eager face, with a great spirit looking out of it, and possibilities of passion both for good and evil in the keen, alert features. Just beside her was the dour, grim outline of her husband. Their life-histories were in those two portraits.

'Poor dear!' said Maude.

'Ay, you may say so,' said the matron, whose accent showed that she was from the north of the Tweed. 'He was gey ill to live wi'. His own mither said so. Now, what think you that room was for?'

It was little larger than a cupboard, without window or skylight, opening out of the end of the dining-room.

'I can't imagine.'

'Well, sir, it was the powdering-room in the days when folk wore wigs. The powder made such a mess that they just had a room for nothing else. There was a hole in the door, and the man put his head through the hole, and the barber on the other side powdered him out of the flour-dredger.'

It was curious to be brought back in this fashion to those far-off days, and to suddenly realise how many other people had played their tragi-comedies within these walls. Wigs! Only the dressy people wore wigs. So people of fashion in the days of the early Georges trod these same rooms where Carlyle grumbled and his wife fretted. And they too had grumbled and fretted--or worse perhaps. It was a ghostly old house.

'This,' said the matron, when they had passed up the stair, 'used to be the drawing-room. That's their