The Octopus by Frank Norris (e manga reader .TXT) 📕

It was high noon, and the rays of the sun, that hung poised directly overhead in an intolerable white glory, fell straight as plummets upon the roofs and streets of Guadalajara. The adobe walls and sparse brick sidewalks of the drowsing town radiated the heat in an oily, quivering shimmer. The leaves of the eucalyptus trees around the Plaza drooped motionless, limp and relaxed under the scorching, searching blaze. The shadows of these trees had shrunk to their smallest circumference, contracting close about the trunks. The shade had dwindled to the breadth of a mere line. The sun was everywhere. The heat exhaling from brick and plaster and metal met the heat that steadily descended blanketwise and smothering, from the pale, scorched sky. Only the lizards—they lived in chinks of the crumbling adobe and in interstices of the sidewalk—remained without, motionless, as if stuffed, their eyes closed to mere slits, basking, stupefied with heat. At long intervals the prolonged drone of an insect developed out of the silence, vibrated a moment in a soothing, somnolent, long note, then trailed slowly into the quiet again. Somewhere in the interior of one of the ‘dobe houses a guitar snored and hummed sleepily. On the roof of the hotel a group of pigeons cooed incessantly with subdued, liquid murmurs, very plaintive; a cat, perfectly white, with a pink nose and thin, pink lips, dozed complacently on a fence rail, full in the sun. In a corner of the Plaza three hens wallowed in the baking hot dust their wings fluttering, clucking comfortably.

And this was all. A Sunday repose prevailed the whole moribund town, peaceful, profound. A certain pleasing numbness, a sense of grateful enervation exhaled from the scorching plaster. There was no movement, no sound of human business. The faint hum of the insect, the intermittent murmur of the guitar, the mellow complainings of the pigeons, the prolonged purr of the white cat, the contented clucking of the hens—all these noises mingled together to form a faint, drowsy bourdon, prolonged, stupefying, suggestive of an infinite quiet, of a calm, complacent life, centuries old, lapsing gradually to its end under the gorgeous loneliness of a cloudless, pale blue sky and the steady fire of an interminable sun.

In Solotari’s Spanish-Mexican restaurant, Vanamee and Presley sat opposite each other at one of the tables near the door, a bottle of white wine, tortillas, and an earthen pot of frijoles between them. They were the sole occupants of the place. It was the day that Annixter had chosen for his barn-dance and, in consequence, Quien Sabe was in fete and work suspended. Presley and Vanamee had arranged to spend the day in each other’s company, lunching at Solotari’s and taking a long tramp in the afternoon. For the moment they sat back in their chairs, their meal all but finished. Solotari brought black coffee and a small carafe of mescal, and retiring to a corner of the room, went to sleep.

All through the meal Presley had been wondering over a certain change he observed in his friend. He looked at him again.

Vanamee’s lean, spare face was of an olive pallor. His long, black hair, such as one sees in the saints and evangelists of the pre-Raphaelite artists, hung over his ears. Presley again remarked his pointed beard, black and fine, growing from the hollow cheeks. He looked at his face, a face like that of a young seer, like a half-inspired shepherd of the Hebraic legends, a dweller in the wilderness, gifted with strange powers. He was dressed as when Presley had first met him, herding his sheep, in brown canvas overalls, thrust into top boots; grey flannel shirt, open at the throat, showing the breast ruddy with tan; the waist encircled with a cartridge belt, empty of cartridges.

But now, as Presley took more careful note of him, he was surprised to observe a certain new look in Vanamee’s deep-set eyes. He remembered now that all through the morning Vanamee had been singularly reserved. He was continually drifting into reveries, abstracted, distrait. Indubitably, something of moment had happened.

At length Vanamee spoke. Leaning back in his chair, his thumbs in his belt, his bearded chin upon his breast, his voice was the even monotone of one speaking in his sleep.

He told Presley in a few words what had happened during the first night he had spent in the garden of the old Mission, of the Answer, half-fancied, half-real, that had come to him.

“To no other person but you would I speak of this,” he said, “but you, I think, will understand—will be sympathetic, at least, and I feel the need of unburdening myself of it to some one. At first I would not trust my own senses. I was sure I had deceived myself, but on a second night it happened again. Then I was afraid—or no, not afraid, but disturbed—oh, shaken to my very heart’s core. I resolved to go no further in the matter, never again to put it to test. For a long time I stayed away from the Mission, occupying myself with my work, keeping it out of my mind. But the temptation was too strong. One night I found myself there again, under the black shadow of the pear trees calling for Angele, summoning her from out the dark, from out the night. This time the Answer was prompt, unmistakable. I cannot explain to you what it was, nor how it came to me, for there was no sound. I saw absolutely nothing but the empty night. There was no moon. But somewhere off there over the little valley, far off, the darkness was troubled; that ME that went out upon my thought—out from the Mission garden, out over the valley, calling for her, searching for her, found, I don’t know what, but found a resting place—a companion. Three times since then I have gone to the Mission garden at night. Last night was the third time.”

He paused, his eyes shining with excitement. Presley leaned forward toward him, motionless with intense absorption.

“Well—and last night,” he prompted.

Vanamee stirred in his seat, his glance fell, he drummed an instant upon the table.

“Last night,” he answered, “there was—there was a change. The Answer was—” he drew a deep breath—“nearer.”

“You are sure?”

The other smiled with absolute certainty.

“It was not that I found the Answer sooner, easier. I could not be mistaken. No, that which has troubled the darkness, that which has entered into the empty night—is coming nearer to me— physically nearer, actually nearer.”

His voice sank again. His face like the face of younger prophets, the seers, took on a half-inspired expression. He looked vaguely before him with unseeing eyes.

“Suppose,” he murmured, “suppose I stand there under the pear trees at night and call her again and again, and each time the Answer comes nearer and nearer and I wait until at last one night, the supreme night of all, she—she–-”

Suddenly the tension broke. With a sharp cry and a violent uncertain gesture of the hand Vanamee came to himself.

“Oh,” he exclaimed, “what is it? Do I dare? What does it mean? There are times when it appals me and there are times when it thrills me with a sweetness and a happiness that I have not known since she died. The vagueness of it! How can I explain it to you, this that happens when I call to her across the night—that faint, far-off, unseen tremble in the darkness, that intangible, scarcely perceptible stir. Something neither heard nor seen, appealing to a sixth sense only. Listen, it is something like this: On Quien Sabe, all last week, we have been seeding the earth. The grain is there now under the earth buried in the dark, in the black stillness, under the clods. Can you imagine the first—the very first little quiver of life that the grain of wheat must feel after it is sown, when it answers to the call of the sun, down there in the dark of the earth, blind, deaf; the very first stir from the inert, long, long before any physical change has occurred,—long before the microscope could discover the slightest change,—when the shell first tightens with the first faint premonition of life? Well, it is something as illusive as that.” He paused again, dreaming, lost in a reverie, then, just above a whisper, murmured:

“‘That which thou sowest is not quickened except it die,’ … and she, Angele … died.”

“You could not have been mistaken?” said Presley. “You were sure that there was something? Imagination can do so much and the influence of the surroundings was strong. How impossible it would be that anything SHOULD happen. And you say you heard nothing, saw nothing.”

“I believe,” answered Vanamee, “in a sixth sense, or, rather, a whole system of other unnamed senses beyond the reach of our understanding. People who live much alone and close to nature experience the sensation of it. Perhaps it is something fundamental that we share with plants and animals. The same thing that sends the birds south long before the first colds, the same thing that makes the grain of wheat struggle up to meet the sun. And this sense never deceives. You may see wrong, hear wrong, but once touch this sixth sense and it acts with absolute fidelity, you are certain. No, I hear nothing in the Mission garden. I see nothing, nothing touches me, but I am CERTAIN for all that.”

Presley hesitated for a moment, then he asked:

“Shall you go back to the garden again? Make the test again?” “I don’t know.”

“Strange enough,” commented Presley, wondering.

Vanamee sank back in his chair, his eyes growing vacant again:

“Strange enough,” he murmured.

There was a long silence. Neither spoke nor moved. There, in that moribund, ancient town, wrapped in its siesta, flagellated with heat, deserted, ignored, baking in a noon-day silence, these two strange men, the one a poet by nature, the other by training, both out of tune with their world, dreamers, introspective, morbid, lost and unfamiliar at that end-of-the-century time, searching for a sign, groping and baffled amidst the perplexing obscurity of the Delusion, sat over empty wine glasses, silent with the pervading silence that surrounded them, hearing only the cooing of doves and the drone of bees, the quiet so profound, that at length they could plainly distinguish at intervals the puffing and coughing of a locomotive switching cars in the station yard of Bonneville.

It was, no doubt, this jarring sound that at length roused Presley from his lethargy. The two friends rose; Solotari very sleepily came forward; they paid for the luncheon, and stepping out into the heat and glare of the streets of the town, passed on through it and took the road that led northward across a corner of Dyke’s hop fields. They were bound for the hills in the northeastern corner of Quien Sabe. It was the same walk which Presley had taken on the previous occasion when he had first met Vanamee herding the sheep. This encompassing detour around the whole countryside was a favorite pastime of his and he was anxious that Vanamee should share his pleasure in it.

But soon after leaving Guadalajara, they found themselves upon