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Larry soon found that there was no possible way for them to get out unaided, unless, if they could swim long enough, the rising water would rise to the height of the aperture. If it reached there, they could crawl out. He tried to estimate how long that would be.
"We can make it, Tina. It'll take two hours, possibly, but I can keep us afloat that long."
But soon he discovered that the water was not rising. Instead, the floor was sinking from under him! sinking as though he were standing upon the top of a huge piston which[415] slowly was lowering in its encasing cylinder. Dimly he could hear water tumbling into the pit, to fill the greater depth and still hold the surface level.
With the water at his chin, Larry guided Tina to the wall. He did not at first have the heart to tell her, yet he knew that soon it must be told. When he did explain it, she said nothing. They watched the water surface where it lapped against the greasy concave wall. It held its level: but while Larry stood there, the floor sank so that the water reached his mouth and nose, and he was forced to start swimming.
Another interval. Larry began calling: shouting futilely. His voice filled the pit, but he knew it could carry no more than a short distance out of the aperture.
verhead, as we afterward learned, Tugh had overcome the guards in the Power House by a surprise attack. Doubtless he struck them down with the white-ray before they had time to realize he had attacked them. Then he threw off the air-power transmitters and the lighting system. The city, plunged into darkness and without the district air-power, was isolated, cut off from the outside world. There was, in London, a huge long-range projector with a vibratory ray which would derange the internal mechanisms of the Robots: when news of the revolt and massacre in New York had reached there, this projector was loaded into an airliner, the Micrad. That vessel was now over the ocean, headed for New York; but when Tugh cut off the power senders, the Micrad, entering the New York District, was forced down to the ocean surface. Now she was lying there helpless to proceed....
In the pit within the dam, Larry swam endlessly with Tina. He had ceased his shouting.
"It's no use, Tina: there's no one to hear us. This is the end—for us—Tina."
Yet, as she clung to him, and though Larry felt it was the end of this life, it seemed only the beginning, for them, of something else. Something, somewhere, for them together; something perhaps infinitely better than this world could ever give them.
"But not—the end—Tina," he added. "The beginning—of our love."
An interminable interval....
"Quietly, Tina. You float. I can hold you up."
They were rats in a trap—swimming, until at the last, with all strength gone, they would together sink out of this sodden muffled blackness into the Unknown. But that Unknown shone before Larry now as something—with Tina—perhaps very beautiful....
(Concluded in the next issue)
[3] In 2930, all aircraft engines were operated by radio-power transmitted by senders in various districts. The New York Power House controlled a local district of about two hundred miles radius.
[4] Cylinder records of books which by machinery gave audible rendition, in similar fashion to the radio-phonograph.
[5] The Power House on the Hudson dam was operated by inert machinery and manned entirely by humans—the only place in the city which was so handled. This was because of its extreme importance. The air-power was broadcast from there. Without that power the entire several hundred mile district around New York would be dead. No aircraft could enter, save perhaps some skilfully handled motorless glider, if aided by sufficiently fortuitous air currents. Every surface vehicle used this power, and every sub-sea freighter. The city lights, and every form of city power, were centralized here also, as well as the broadcasting audible and etheric transmitters and receivers. Without the Power House, New York City and all its neighborhood would be inoperative, and cut off from the outside world.
[6] I mentioned the small conning tower on top of the laboratory building and the Robot lookout there with his audible broadcasting.
[7] This was part of Tugh's plan. The broadcast voice was the signal for the uprising in the New York district. This tower broadcaster could only reach the local area, yet ships and land vehicles with Robot operators would doubtless pick it up and relay it further. The mechanical revolt would spread. And on the ships, the airliners and the land vehicles, the Robot operators stirred to sudden frenzy would run amuck. As a matter of fact, there were indeed many accidents to ships and vehicles this night when their operators abruptly went beyond control. The chaos ran around the world like a fire in prairie grass.
[8] The police army had one weapon: a small vibration hand-ray. Its vibrating current beam could, at a distance of ten or twenty feet, reduce a Robot into paralyzed subjection; or, with more intense vibration, burn out the Robot's coils and fuses.
[9] The storage batteries by which the Robot actuating energy was renewed, and the fuses, coils and other appliances necessary to the Robot existence, were all guarded now in the Power House.
[10] As a matter of actuality, Tugh was carrying hidden upon his person a small cylinder and battery of the deadly white-ray. It seems probable that although on the catwalk—having accomplished his purpose of getting within the electrical fortifications of the dam—Tugh had ample opportunity of killing his over-trustful companions with the white-ray, he did not dare use it. The catwalk was too dark for their figures to be visible to the Power House guards; the roar of the spillways drowned their shouts; but had Tugh used the white-ray, its abnormally intense actinic white beam would have raised the alarm which Tugh most of all wanted to avoid.
[416]
What Say Our Co-Editors?
Dear Editor:
Since sending you "Manape the Mighty," I have read of a Russian scientist who removed the brain from a dog and kept both alive for some hours, which only goes to prove that science outstrips the wildest dreams of the fictionist, and a yarn that may be astounding and unusual when written, may be commonplace, and the knowledge of the man in the street, by the time the story goes to press. People read every day of "miracles" and scarcely give them a second thought, while a hundred years ago their perpetrators would have been destroyed as witches.
Far be it for me, or anyone else, to say that the main transposition used in "Manape the Mighty" is absurd and impossible. For while you, or I, may shrug shoulders and dismiss even the thought of it as being the dream of a madman, somebody, in some laboratory somewhere, may already have successfully managed it. So given the premise that the thing may be possible, I've sort of let myself go on this idea, and a whole new train of thought has been opened up, a whole new vista of astounding things in the realm of Science Fiction. In parenthesis, I must thank you for getting me started on the thing, for had you not suggested the idea from the throne-like fortress of your editorial chair, "Manape" might never have been born. I confess that I would perhaps have been afraid of it, both because of the possibility of the charge of following in the footsteps of the internationally famous Edgar Rice Burroughs, and of re-vamping the incomparable Poe tale, "Murders in the Rue Morgue."
But, even so, both are interesting to dally with.
Given the premise that the brain transference is possible, what would happen:
(1) If the brain of a terrible criminal were transferred to the skull pan of an unusually mighty ape—and the ape transplanted from his arboreal home in Africa to the streets of London, Paris or New York whence the criminal whose brain he has originated? Suppose his man's brain harbored thoughts of vengeance on enemies, and he now possesses the might of the great ape to carry out his vengeance?
(2) If Barter somehow escaped destruction at the hands of the apes in "Manape the Mighty," and continued with his work of brain transference—building up a mighty army of great apes with the idea of avenging himself on civilization for wrongs real and fancied? Apes with broadswords and chained mail, with steel[417] helmets on their heads—men's brains, savages' brains, perhaps, as their guiding intelligence—and the tenacity of apes when mortally wounded? Suppose they swept over Africa like a cloud of locusts? Or is this too feeble a simile? Suppose, Africa, to be laid waste by them, led by Barter, the latter styling himself a modern Alexander of horrible potentiality, and extending his scope of conquest to the Holy Land, India, Asia—the Pacific littoral? Holy cats!
(3) Suppose that Barter managed, by purchase or otherwise, to acquire an island close to the American continents, within reach of either or both, and managed to transfer his activities there, using the natives of those islands—say Haiti, Cuba, Porto Rico, etc.—for his experiments, training his cohorts as an army, and starting a navy by capturing all vessels putting into these places? Fancy the consternation of the Western Hemisphere when ships suddenly go silent, as regards radio, after sudden mysterious SOS's—and all trace of vessels is lost. Suppose the U. S. Navy went to investigate, and also vanished. More holy cats!
(4) Suppose, in connection with all the suppositions above, that Barter desired to give an ironic twist to his experiments, and kept his human victims alive—but with apes' brains—as slaves of their man-ape conquerors? Suppose that out of the horror into which the world would be thrown, another Bentley should arise to help the imprisoned humans to escape their ghastly bondage? I can fancy his trials and tribulations, trying to manage a host of human beings with the brains of apes.
(5) And what about the training of internes and medicos to help a potential Barter, when the trade got beyond his sole ability—and apes with men's brains to perform his experiments?
Do you suppose we'd all get locked up for experimenting with this sort of thing fictionally? I wouldn't care to take the entire responsibility myself, nor I fancy would you—because somebody might be inspired by our stories to attempt the thing—so might I suggest that all possible conspirators, in the shape of readers of this magazine, write to you or me and let us know whether they'd like to see it happen fictionally? If the idea appeals—and of course we can't go too heavily on horror—I'll do my best to comply. Always within limits, however—utterly refusing to perform any experiments that can't be done with a typewriter and the usual two fingers.—Arthur J. Burks, 178-80 Fifth Ave., New York City.
"Like in Story Books"
Dear Editor:
Here I am again! This time I'm offering suggestions. Let's you and I and others get together and do something to these chronic kickers. It seems I can't start to enjoy our "Readers' Corner" without someone raising a halloo. Darn it! Why in heaven's name do they buy A. S. if they don't like it? They are not compelled to do so.
I also don't understand why people are knocking the size and quality of the paper used. It suits me O. K. All the mags I read are the same way, and I pay five cents more for them, too!
I surely enjoyed Mr. Olog's letter in the March issue. Gee, it gives one the creeps. I agree with him, too, that we ought to have a little something about the authors. I'm sure we'd all like to know a little more about these talented persons.
"When the Mountain Came to Miramar" was a great deal to my liking. I think it would be a great adventure to discover some secret cave and explore it. Of course, I'd like to wiggle out of danger, too, just like in story books.
I certainly wish to congratulate you on publishing "Beyond the Vanishing Point." It just suited me to a "T." Heretofore, all stories dealing with life upon atoms have been "just another story," but this one beats all. I enjoyed it to the utmost, and I congratulate Mr. Cummings on writing my favorite kind of story.
All in all the March issue was indeed grand. If "Brown-Eyed Nineteen from Coronado, Calif.," will send
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