The Mystery of a Hansom Cab by Fergus Hume (autobiographies to read txt) 📕
My mind made up on this point, I enquired of a leading Melbournebookseller what style of book he sold most of He replied that thedetective stories of Gaboriau had a large sale; and as, at this time, Ihad never even heard of this author, I bought all his works--eleven orthereabouts--and read them carefully. The style of these storiesattracted me, and I determined to write a book of the same class;containing a mystery, a murder, and a description of low life inMelbourne. This was the origin of the "Cab." The central idea i.e. themurder in a cab--came to me while driving at a late hour to St. Kilda,a suburb of Melbourne; but it took some time and much thought to workit out to a logical conclusion. I was two months sketching outthe skeleton of the novel, but even so, when I had written it, theresult proved unsatisfactory, for I found I had not sufficiently wellconcealed the mystery upon wh
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“None of this,” he said, sharply, taking Lizer by one thin shoulder, and pushing her over to where the other girl was crouching; “stop there till I tell you to move.”
Lizer tossed back her tangled black hair, and was about to make some impudent reply, when the other girl, who was older and wiser, put out her hand, and pulled her down beside her.
Meanwhile, Calton was addressing himself to the old woman in the corner.
“You wanted to see me?” he said gently, for, notwithstanding his repugnance to her, she was, after all, a woman, and dying.
“Yes, cuss ye,” croaked Mother Guttersnipe, lying down, and pulling the greasy bedclothes up to her neck. “You ain’t a parson?” with sudden suspicion.
“No, I am a lawyer.”
“I ain’t a-goin’ to have the cussed parsons a-prowlin’ round ‘ere,” growled the old woman, viciously. “I ain’t a-goin’ to die yet, cuss ye; I’m goin’ to get well an’ strong, an’ ‘ave a good time of it.”
“I’m afraid you won’t recover,” said Calton, gently. “You had better let me send for a doctor.”
“No, I shan’t,” retorted the hag, aiming a blow at him with all her feeble strength. “I ain’t a-goin’ to have my inside spil’d with salts and senner. I don’t want neither parsons nor doctors, I don’t. I wouldn’t ‘ave a lawyer, only I’m a-thinkin’ of makin’ my will, I am.”
“Mind I gits the watch,” yelled Lizer, from the corner. “If you gives it to Sal I’ll tear her eyes out.”
“Silence!” said Kilsip, sharply, and, with a muttered curse, Lizer sat back in her corner.
“Sharper than a serpent’s tooth, she are,” whined the old woman, when quiet was once more restored. “That young devil ‘ave fed at my ‘ome, an’ now she turns, cuss her.”
“Well—well,” said Calton, rather impatiently, “what is it you wanted to see me about?”
“Don’t be in such a ‘urry,” said the hag, with a scowl, “or I’m blamed if I tell you anything, s’elp me.”
She was evidently growing very weak, so Calton turned to Kilsip and told him in a whisper to get a doctor. The detective scribbled a note on some paper, and, giving it to Lizer, ordered her to take it. At this, the other girl arose, and, putting her arm in that of the child’s, they left together.
“Them two young ‘usseys gone?” said Mother Guttersnipe. “Right you are, for I don’t want what I’ve got to tell to git into the noospaper, I don’t.”
“And what is it?” asked Calton, bending forward.
The old woman took another drink of gin, and it seemed to put life into her, for she sat up in the bed, and commenced to talk rapidly, as though she were afraid of dying before her secret was told.
“You’ve been ‘ere afore?” she said, pointing one skinny finger at Calton, “and you wanted to find out all about ‘er; but you didn’t. She wouldn’t let me tell, for she was always a proud jade, a-flouncin’ round while ‘er pore mother was a-starvin’.”
“Her mother! Are you Rosanna Moore’s mother?” cried Calton, considerably astonished.
“May I die if I ain’t,” croaked the hag. “‘Er pore father died of drink, cuss ‘im, an’ I’m a-follerin’ ‘im to the same place in the same way. You weren’t about town in the old days, or you’d a-bin after her, cuss ye.”
“After Rosanna?”
“The werry girl,” answered Mother Guttersnipe. “She were on the stage, she were, an’ my eye, what a swell she were, with all the coves a-dyin’ for ‘er, an’ she dancin’ over their black ‘earts, cuss ‘em; but she was allays good to me till ‘e came.”
“Who came?”
“‘E!” yelled the old woman, raising herself on her arm, her eyes sparkling with vindictive fury. “‘E, a-comin’ round with di’monds and gold, and a-ruinin’ my pore girl; an’ how ‘e’s ‘eld ‘is bloomin’ ‘ead up all these years as if he were a saint, cuss ‘im—cuss ‘im.”
“Whom does she mean?” whispered Calton to Kilsip.
“Mean!” screamed Mother Guttersnipe, whose sharp ears had caught the muttered question. “Why, Mark Frettlby!”
“Good God!” Calton rose up in his astonishment, and even Kilsip’s inscrutable countenance displayed some surprise.
“Aye, ‘e were a swell in them days,” pursued Mother Guttersnipe, “and ‘e comes a-philanderin’ round my gal, cuss ‘im, an’ ruins ‘er, and leaves ‘er an’ the child to starve, like a black-‘earted villain as ‘e were.”
“The child! Her name?”
“Bah,” retorted the hag, with scorn, “as if you didn’t know my gran’daughter Sal.”
“Sal, Mark Frettlby’s child?”
“Yes, an’ as pretty a girl as the other, tho’ she ‘appened to be born on the wrong side of the ‘edge. Oh, I’ve seen ‘er a-sweepin’ along in ‘er silks an’ satins as tho’ we were dirt—an’ Sal ‘er ‘alf sister—cuss ‘er.”
Exhausted by the efforts she had made, the old woman sank back in her bed, while Calton sat dazed, thinking over the astounding revelation that had just been made. That Rosanna Moore should turn out to be Mark Frettlby’s mistress he hardly wondered at; after all, the millionaire was but a man, and in his young days had been no better and no worse than the rest of his friends. Rosanna Moore was pretty, and was evidently one of those women who—rakes at heart—prefer the untrammelled freedom of being a mistress, to the sedate bondage of a wife. In questions of morality, so many people live in glass houses, that there are few nowadays who can afford to throw stones. Calton did not think any the worse of Frettlby for his youthful follies. But what did surprise him was that Frettlby should be so heartless, as to leave his child to the tender mercies of an old hag like Mother Guttersnipe. It was so entirely different from what he knew of the man, that he was inclined to think that the old woman was playing him a trick.
“Did Mr. Frettlby know Sal was his child?” he asked.
“Not ‘e,” snarled Mother Guttersnipe, in an exultant tone. “‘E thought she was dead, ‘e did, arter Rosanner gave him the go-by.”
“And why did you not tell him?”
“‘Cause I wanted to break ‘is ‘eart, if ‘e ‘ad any,” said the old beldame, vindictively. “Sal was a-goin’ wrong as fast as she could till she was tuk from me. If she had gone and got into quod I’d ‘ave gone to ‘im, and said, ‘Look at yer darter! ‘Ow I’ve ruined her as you did mine.’”
“You wicked woman,” said Calton, revolted at the malignity of the scheme. “You sacrificed an innocent girl for this.”
“None of yer preachin’,” retorted the hag sullenly; “I ain’t bin brought up for a saint, I ain’t—an’ I wanted to pay ‘im out—‘e paid me well to ‘old my tongue about my darter, an’ I’ve got it ‘ere,” laying her hand on the pillow, “all gold, good gold—an’ mine, cuss me.”
Calton rose, he felt quite sick at this exhibition of human depravity, and longed to be away. As he was putting on his hat, however, the two girls entered with the doctor, who nodded to Kilsip, cast a sharp scrutinising glance at Calton, and then walked over to the bed. The two girls went back to their corner, and waited in silence for the end. Mother Guttersnipe had fallen back in the bed, with one claw-like hand clutching the pillow, as if to protect her beloved gold, and over her face a deadly paleness was spreading, which told the practised eye of the doctor that the end was near. He knelt down beside the bed for a moment, holding the candle to the dying woman’s face. She opened her eyes, and muttered drowsily—
“Who’s you? get out,” but then she seemed to grasp the situation again, and she started up with a shrill yell, which made the hearers shudder, it was so weird and eerie.
“My money!” she yelled, clasping the pillow in her skinny arms. “It’s all mine, ye shan’t have it—cuss ye.”
The doctor arose from his knees, and shrugged his shoulders.
“Not worth while doing anything,” he said coolly, “she’ll be dead soon.”
The old woman, mumbling over her pillow, caught the word, and burst into tears.
“Dead! dead! my poor Rosanna, with ‘er golden ‘air, always lovin’ ‘er pore mother till ‘e took ‘er away, an’ she came back to die—die—ooh!”
Her voice died away in a long melancholy wail, that made the two girls in the corner shiver, and put their fingers in their ears.
“My good woman,” said the doctor, bending over the bed, “would you not like to see a minister?”
She looked at him with her bright, beady eyes, already somewhat dimmed with the mists of death, and said, in a harsh, low whisper—” Why?”
“Because you have only a short time to live,” said the doctor, gently. “You are dying.”
Mother Guttersnipe sprang up, and seized his arm with a scream of terror.
“Dyin’, dyin’—no! no!” she wailed, clawing his sleeve. “I ain’t fit to die—cuss me; save me—save me; I don’t know where I’d go to, s’elp me—save me.”
The doctor tried to remove her hands, but she held on with wonderful tenacity.
“It is impossible,” he said briefly.
The hag fell back in her bed.
“I’ll give you money to save me,” she shrieked; “good money—all mine—all mine. See—see—‘ere—suverains,” and tearing her pillow open, she took out a canvas bag, and from it poured a gleaming stream of gold. Gold—gold—it rolled all over the bed, over the floor, away into the dark corners, yet no one touched it, so enchained were they by the horrible spectacle of the dying woman clinging to life. She clutched some of the shining pieces, and held them up to the three men as they stood silently beside the bed, but her hands trembled so that sovereigns kept falling from them on the floor with metallic clinks.
“All mine—all mine,” she shrieked, loudly. “Give me my life—gold—money—cuss ye—I sold my soul for it—save me—give me my life,” and, with trembling hands, she tried to force the gold on them. They said no word, but stood silently looking at her, while the two girls in the corner clung together, and trembled with fear.
“Don’t look at me—don’t,” cried the hag, falling down again amid the shining gold. “Ye want me to die,—I shan’t—I shan’t—give me my gold,” clawing at the scattered sovereigns. “I’ll take it with me—I shan’t die—G—G—” whimpering. “I ain’t done nothin’—let me live—give me a Bible—save me, G—cuss it—G—, G—.” She fell back on the bed, a corpse.
The faint light of the candle flickered on the shining gold, and on the dead face, framed in tangled white hair; while the three men, sick at heart, turned away in silence to seek assistance, with that wild cry still ringing in their ears—“G—save me, G—!”
CHAPTER XXVIII.
MARK FRETTLBY HAS A VISITOR.
According to the copy books of our youth, “Procrastination is the thief of time.” Now, Brian found the truth of this. He had been in town almost a week, but he had not yet been to see Calton. Each morning—or something very near it—he set out, determined to go direct to Chancery Lane, but he never arrived there. He had returned to his lodgings in East Melbourne, and had passed his time either in the house or in the garden. When perhaps business connected with the sale of his station compelled his presence in town, he drove straight there and back. Curiously enough he shrank from meeting any of his friends. He felt keenly his recent position in the prisoner’s dock. And even when walking by the Yarra, as he frequently did, he was conscious of an uneasy feeling—a feeling that he was an object of curiosity, and that people turned to look at him
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