The Headsman by James Fenimore Cooper (books to read in your 20s .TXT) 📕

priestesses that followed, she was laboriously attired in the robes that denoted her sacred duty. The goddess herself was borne by four females on a throne canopied by flowers, and from whose several parts sweeping festoons of every hue and die descended to the earth. Haymakers of both sexes, gay and pastoral in their air and attire, succeeded, and a car groaning with the sweet-scented grass of the Alps, accompanied by females bearing rakes, brought up the rear.

The altar and the throne being deposited on the sward, the priestess offered sacrifice, hymning the praise of the goddess with mountain lungs. Then followed the dance of the haymakers, as in the preceding exhibition, and the train went off as before.

"Excellent well, and truer than it could be done by your real pagan!" cried the bailiff, who, in spite of his official longings, began to watch the mummery with a pleased eye. "This beateth greatly our youthful follies in the Genoese and Lombard carnivals, in which, to say truth, there are sometimes seen rare niceties in the way of representing the old deities."

"Is it the usage, friend Hofmeister," demanded the baron, "to enjoy these admirable pleasantries often here in Vaud?"

"We partake of them, from time to time, as the abbaye desires, and much as thou seest. The honorable Signor Grimaldi--who will pardon me that he gets no better treatment than he receives, and who will not fail to ascribe what, to all who know him, might otherwise pass for inexcusable neglect, to his own desire for privacy--he will tell us, should he be pleased to honor us with his real opinion, that the subject is none the worse for occasions to laugh and be gay. Now, there is Geneva, a town given to subtleties as ingenious and complicated as the machinery of their own watches; it can never have a merry-making without a leaven of disputation and reason, two as damnable ingredients in the public humor as schism in religion, or two minds in a ménage . There is not a knave in the city who does not fancy himself a better man than Calvin, and some there are who believe if they are not cardinals, it is merely because the reformed church does not relish legs cased in red stockings. By the word of a bailiff! I would not be the ruler, look ye, of such a community, for the hope of becoming Avoyer of Berne itself. Here it is different. We play our antics in the shape of gods and goddesses like sober people, and, when all is over, we go train our vines, or count our herds, like faithful subjects of the great canton. Do I state the matter fairly to our friends, Baron de Blonay?"

Roger de Blonay bit his lip, for he and his had been of Vaud a thousand years, and he little relished the allusion to the quiet manner in which his countrymen submitted to a compelled and foreign dictation. He bowed a cold acquiescence to the bailiff's statement, however, as if no farther answer were needed.

"We have other ceremonies that invite our attention," said Melchior de Willading, who had sufficient acquaintance with his friend's opinions to understand his silence.

The next group that approached was composed of those who lived by the products of the dairy. Two cowherds led their beasts, the monotonous tones of whose heavy bells formed a deep and rural accompaniment to the music that regularly preceded each party, while a train of dairy-girls, and of young mountaineers of the class that tend the herds in the summer pasturages, succeeded, a car loaded with the implements of their calling bringing up the rear. In this little procession, no detail of equipment was wanting. The milking-stool was strapped to the body of the dairyman; one had the peculiarly constructed pail in his hand, while another bore at his back the deep wooden vessel in which milk is carried up and down the precipices to the chalet. When they reached the sodded arena, the men commenced milking the cows, the girls set in motion the different processes of the dairy, and the whole united in singing the Ranz des Vaches of the district. It is generally and erroneously believed that there is a particular air which is known throughout Switzerland by this name, whereas in truth nearly every canton has its own song of the mountains, each varying from the others in the notes, as well as in the words, and we might almost add in the language. The Ranz des Vaches of Vaud is in the patois of the country, a dialect that is composed of words of Greek and Latin origin, mingled on a foundation of Celtic. Like our own familiar tune, which was first bestowed in derision, and which a glorious history has enabled us to continue in pride, the words are far too numerous to be repeated. We shall, however, give the reader a single verse of a song which Swiss feeling has rendered so celebrated, and which is said often to induce the mountaineer in foreign service to desert the mercenary standard and the tame scenes of towns; to return to the magnificent nature that haunts his waking imagination and embellishes his dreams. It will at once be perceived that the power of this song is chiefly to be found in the recollections to which it gives birth, by recalling the simple charms of rural life, and by reviving the indelible impressions that are made by nature wherever she has laid her hand on the face of the earth with the same majesty as in Switzerland.

Lé zermailli dei Colombietté
Dé bon matin, sé san léha.--

REFRAIN.
Ha, ah! ha, ah!
Liauba! Liauba! por aria.
Venidé toté,
Bllantz' et naire,
Rodz et motaile,
Dzjouvan' et etro
Dezó ou tzehano,
Io vo z' ario
Dezo ou triembllo,
Io ië triudzo,
Liauba! Liauba! por aris.

[The cowherds of the Alps
Arise at an early hour.

CHORUS.
Ha, ah! ha, ah!
Liauba! Liauba! in order to milk.
Come all of you,
Black and white,
Red and mottled,
Young and old;
Beneath this oak
I am about to milk you.
Beneath this poplar,
I am about to press,
Liauba! Liauba! in order to milk.]

The music of the mountains is peculiar and wild, having most probably received its inspiration from the grandeur of the natural objects. Most of the sounds partake of the character of echoes, being high-keyed but false notes; such as the rocks send back to the valleys, when the voice is raised above its natural key in order to reach the caverns and savage recesses of inaccessible precipices. Strains like these readily recall the glens and the magnificence amid which they were first heard, and hence, by an irresistible impulse, the mind is led to indulge in the strongest of all its sympathies, those which are mixed with the unalloyed and unsophisticated delights of buoyant childhood.

The herdsmen and dairymaids no sooner uttered the first notes of this magic song, than a deep and breathing stillness pervaded the crowd. As the peculiar strains of the chorus rose on the ear, murmuring echoes issued from among the spectators, and ere the wild intonations could be repeated which accompanied the words "Liauba! Liauba!" a thousand voices were lifted simultaneously, as it were, to greet the surrounding mountains with the salutations of their children. From that moment the remainder of the Ranz des Vaches was a common burst of enthusiasm, the offspring of that national fervor, which forms so strong a link in the social chain, and which is capable of recalling to the bosom that, in other respects, has been hardened by vice and crime, a feeling of some of the purest sentiments of our nature.

The last strain died amid this general exhibition of healthful feeling. The cowherds and the dairy-girls collected their different implements, and resumed their march to the melancholy music of the bells, which formed a deep contrast to the wild notes that had just filled the square.

To these succeeded the followers of Ceres, with the altar, the priestess, and the enthroned goddess, as has been already described in the approach of Flora. Cornucopiæ ornamented the chair of the deity, and the canopy was adorned with the gifts of autumn. The whole was surmounted by a sheaf of wheat. She held the sickle as her sceptre, and a tiara composed of the bearded grain covered her brow. Reapers followed, bearing emblems of the season of abundance, and gleaners closed the train. There was the halt, the chant, the chorus, and the song in praise of the beneficent goddess of autumn, as had been done by the votaries of the deity of flowers. A dance of the reapers and gleaners followed, the threshers flourished their flails, and the whole went their way.

After these came the grand standard of the abbaye and the vine-dressers the real objects of the festival, succeeded. The laborers of the spring led the advance, the men carrying their picks and spades, and the women vessels to contain the cuttings of the vines. Then came a train bearing baskets loaded with the fruit, in its different degrees of perfection and of every shade of color. Youths holding staves topped with miniature representations of the various utensils known in the culture of the grape, such as the laborer with the tub on his back, the butt, and the vessel that first receives the flowing juice, followed. A great number of men, who brought forward the forge that is used to prepare the tools, closed this part of the exhibition. The song and the dance again succeeded, when the whole disappeared at a signal given by the approaching music of Bacchus. As we now touch upon the most elaborate part of the representation, we seize the interval that is necessary to bring it forward, in order to take breath ourselves.


Chapter XV.


And thou, O wall, O sweet, O lovely wall,
That stand'st between her father's ground and mine
Thou wall, O wall, O sweet and lovely wall,
Show me thy chink, to blink through with mine eyne.

Midsummer Night's Dream.


"'Odds my life, but this goes off with a grace, brother Peter!" exclaimed the Baron de Willading, as he followed the vine-dressers in their retreat, with an amused eye--"If we have much more like it, I shall forget the dignity of the bürgerschaft, and turn mummer with the rest, though my good for wisdom were the forfeit of the folly."

"That is better said between ourselves than performed before the vulgar eye, honorable Melchior It would sound ill, of a truth, were these Vaudois to boast that a noble of thy estimation in Berne were thus to forget himself!"

"None of this!--are we not here to be merry and to laugh, and to be pleased with any folly that offers? A truce, then, to thy official distrusts and superabundant dignity, honest Peterchen," for such was the good-natured name by which the worthy bailiff was most commonly addressed by his friend; "let the tongue freely answer to the heart, as if we were boys rioting together, as was once the