Myths of the Norsemen by H. A. Guerber (book recommendations for teens .txt) đź“•
Norse Mythology (R. B. Anderson).
To support the heavenly vault, the gods stationed the strong dwarfs, Nordri, Sudri, Austri, Westri, at its four corners, bidding them sustain it upon their shoulders, and from them the four points of the compass received their present names of North, South, East, and West. To give light to the world thus created, the gods studded the heavenly vault with sparks secured from Muspells-heim, points of light which shone steadily through the gloom like brilliant stars. The most vivid of these sparks, however, were reserved for the manufacture of the sun and moon, which were placed in beautiful golden chariots.
"And from the flaming world, where Muspel reigns, Thou sent'st and fetched'st fire, and madest lights: Sun, moon, and stars, which thou hast hung in heaven, Dividing clear the paths of night and day."
Balder Dead (Matthew Arnold).
When all these preparations had been finis
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From either edge of Nifl-heim, arching high above Midgard, rose the sacred bridge, Bifröst (Asabru, the rainbow), built of fire, water, and air, whose quivering and changing hues it retained, and over which the gods travelled to and fro to the earth or to the Urdar well, at the foot of the ash Yggdrasil, where they daily assembled in council.
“The gods arose
And took their horses, and set forth to ride
O’er the bridge Bifrost, where is Heimdall’s watch,
To the ash Igdrasil, and Ida’s plain.
Thor came on foot, the rest on horseback rode.”
Balder Dead (Matthew Arnold).
Of all the gods Thor only, the god of thunder, never passed over the bridge, for fear lest his heavy tread or the heat of his lightnings would destroy it. The god Heimdall kept watch and ward there night and day. He was armed with a trenchant sword, and carried a trumpet called Giallar-horn, upon which he generally blew a soft note to announce the coming or going of the gods, but upon which a terrible blast would be sounded when Ragnarok should come, and the frost-giants and Surtr combined to destroy the world.
“Surt from the south comes
With flickering flame;
Shines from his sword
The Val-god’s sun.
The stony hills are dashed together,
The giantesses totter;
Men tread the path of Hel,
And heaven is cloven.”
Sæmund’s Edda (Thorpe’s tr.).
Now although the original inhabitants of heaven were the Æsir, they were not the sole divinities of the Northern races, who also recognised the power of the sea- and wind-gods, the Vanas, dwelling in Vana-heim and ruling their realms as they pleased. In early times, before the golden palaces in Asgard were built, a dispute arose between the Æsir and Vanas, and they resorted to arms, using rocks, mountains, and icebergs as missiles in the fray. But discovering ere long that in unity alone lay strength, they composed their differences and made peace, and to ratify the treaty they exchanged hostages.
It was thus that the Van, Niörd, came to dwell in Asgard with his two children, Frey and Freya, while the Asa, Hoenir, Odin’s own brother, took up his abode in Vana-heim.
Odin, Wuotan, or Woden was the highest and holiest god of the Northern races. He was the all-pervading spirit of the universe, the personification of the air, the god of universal wisdom and victory, and the leader and protector of princes and heroes. As all the gods were supposed to be descended from him, he was surnamed Allfather, and as eldest and chief among them he occupied the highest seat in Asgard. Known by the name of Hlidskialf, this chair was not only an exalted throne, but also a mighty watch-tower, from whence he could overlook the whole world and see at a glance all that was happening among gods, giants, elves, dwarfs, and men.
“From the hall of Heaven he rode away
To Lidskialf, and sate upon his throne,
The mount, from whence his eye surveys the world.
And far from Heaven he turned his shining orbs
To look on Midgard, and the earth, and men.”
Balder Dead (Matthew Arnold).
Odin
Sir E. Burne-Jones
By Permission of Frederick Hollyer
None but Odin and his wife and queen Frigga were privileged to use this seat, and when they occupied it they generally gazed towards the south and west, the goal of all the hopes and excursions of the Northern nations. Odin was generally represented as a tall, vigorous man, about fifty years of age, either with dark curling hair or with a long grey beard and bald head. He was clad in a suit of grey, with a blue hood, and his muscular body was enveloped in a wide blue mantle flecked with grey—an emblem of the sky with its fleecy clouds. In his hand Odin generally carried the infallible spear Gungnir, which was so sacred that an oath sworn upon its point could never be broken, and on his finger or arm he wore the marvellous ring, Draupnir, the emblem of fruitfulness, precious beyond compare. When seated upon his throne or armed for the fray, to mingle in which he would often descend to earth, Odin wore his eagle helmet; but when he wandered peacefully about the earth in human guise, to see what men were doing, he generally donned a broad-brimmed hat, drawn low over his forehead to conceal the fact that he possessed but one eye.
Two ravens, Hugin (thought) and Munin (memory), perched upon his shoulders as he sat upon his throne, and these he sent out into the wide world every morning, anxiously watching for their return at nightfall, when they whispered into his ears news of all they had seen and heard. Thus he was kept well informed about everything that was happening on earth.
“Hugin and Munin
Fly each day
Over the spacious earth.
I fear for Hugin
That he come not back,
Yet more anxious am I for Munin.”
Norse Mythology (R. B. Anderson).
At his feet crouched two wolves or hunting hounds, Geri and Freki, animals which were therefore considered sacred to him, and of good omen if met by the way. Odin always fed these wolves with his own hands from meat set before him. He required no food at all for himself, and seldom tasted anything except the sacred mead.
“Geri and Freki
The war-wont sates,
The triumphant sire of hosts;
But on wine only
The famed in arms
Odin, ever lives.”
Lay of Grimnir (Thorpe’s tr.).
When seated in state upon his throne, Odin rested his feet upon a footstool of gold, the work of the gods, all of whose furniture and utensils were fashioned either of that precious metal or of silver.
The Chosen Slain
K. Dielitz
By Permission of the Berlin Photographic Co., 133 New Bond St., W.
Besides the magnificent hall Glads-heim, where stood the twelve seats occupied by the gods when they met in council, and Valaskialf, where his throne, Hlidskialf, was placed, Odin had a third palace in Asgard, situated in the midst of the marvellous grove Glasir, whose shimmering leaves were of red gold.
This palace, called Valhalla (the hall of the chosen slain), had five hundred and forty doors, wide enough to allow the passage of eight hundred warriors abreast, and above the principal gate were a boar’s head and an eagle whose piercing glance penetrated to the far corners of the world. The walls of this marvellous building were fashioned of glittering spears, so highly polished that they illuminated the hall. The roof was of golden shields, and the benches were decorated with fine armour, the god’s gifts to his guests. Here long tables afforded ample accommodation for the Einheriar, warriors fallen in battle, who were specially favoured by Odin.
“Easily to be known is,
By those who to Odin come,
The mansion by its aspect.
Its roof with spears is laid,
Its hall with shields is decked,
With corselets are its benches strewed.”
Lay of Grimnir (Thorpe’s tr.).
The ancient Northern nations, who deemed warfare the most honourable of occupations, and considered courage the greatest virtue, worshipped Odin principally as god of battle and victory. They believed that whenever a fight was impending he sent out his special attendants, the shield-, battle-, or wish-maidens, called Valkyrs (choosers of the slain), who selected from the dead warriors one-half of their number, whom they bore on their fleet steeds over the quivering rainbow bridge, Bifröst, into Valhalla. Welcomed by Odin’s sons, Hermod and Bragi, the heroes were conducted to the foot of Odin’s throne, where they received the praise due to their valour. When some special favourite of the god was thus brought into Asgard, Valfather (father of the slain), as Odin was called when he presided over the warriors, would sometimes rise from his throne and in person bid him welcome at the great entrance gate.
Besides the glory of such distinction, and the enjoyment of Odin’s beloved presence day after day, other more material pleasures awaited the warriors in Valhalla. Generous entertainment was provided for them at the long tables, where the beautiful white-armed virgins, the Valkyrs, having laid aside their armour and clad themselves in pure white robes, waited upon them with assiduous attention. These maidens, nine in number according to some authorities, brought the heroes great horns full of delicious mead, and set before them huge portions of boar’s flesh, upon which they feasted heartily. The usual Northern drink was beer or ale, but our ancestors fancied this beverage too coarse for the heavenly sphere. They therefore imagined that Valfather kept his table liberally supplied with mead or hydromel, which was daily furnished in great abundance by his she-goat Heidrun, who continually browsed on the tender leaves and twigs on Lerad, Yggdrasil’s topmost branch.
“Rash war and perilous battle, their delight;
And immature, and red with glorious wounds,
Unpeaceful death their choice: deriving thence
A right to feast and drain immortal bowls,
In Odin’s hall; whose blazing roof resounds
The genial uproar of those shades who fall
In desperate fight, or by some brave attempt.”
Liberty (James Thomson).
A Viking Foray
J. C. Dollman
By Arrangement with the Artist
The meat upon which the Einheriar feasted was the flesh of the divine boar Sæhrimnir, a marvellous beast, daily slain by the cook Andhrimnir, and boiled in the great cauldron Eldhrimnir; but although Odin’s guests had true Northern appetites and gorged themselves to the full, there was always plenty of meat for all.
“Andhrimnir cooks
In Eldhrimnir
Sæhrimnir;
’Tis the best of flesh;
But few know
What the einherjes eat.”
Lay of Grimnir (Anderson’s version).
Moreover, the supply was exhaustless, for the boar always came to life again before the time of the next meal. This miraculous renewal of supplies in the larder was not the only wonderful occurrence in Valhalla, for it is related that the warriors, after having eaten and drunk to satiety, always called for their weapons, armed themselves, and rode out into the great courtyard, where they fought against one another, repeating the feats of arms for which they were famed on earth, and recklessly dealing terrible wounds, which, however, were miraculously and completely healed as soon as the dinner horn sounded.
“All the chosen guests of Odin
Daily ply the trade of war;
From the fields of festal fight
Swift they ride in gleaming arms,
And gaily, at the board of gods,
Quaff the cup of sparkling ale
And eat Sæhrimni’s vaunted flesh.”
Vafthrudni’s-mal (W. Taylor’s tr.).
Whole and happy at the sound of the horn, and bearing one another no grudge for cruel thrusts given and received, the Einheriar would ride gaily back to Valhalla to renew their feasts in Odin’s beloved presence, while the white-armed Valkyrs, with flying hair, glided gracefully about, constantly filling their horns or their favourite drinking vessels, the skulls of their enemies, while the scalds sang of war and of stirring Viking forays.
“And all day long they there are hack’d and hewn
’Mid dust, and groans, and limbs lopped off, and blood;
But all at night return to Odin’s hall
Woundless and fresh: such lot is theirs in heaven.”
Balder Dead (Matthew Arnold).
Fighting and feasting thus, the
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