Heart and Science by Wilkie Collins (read with me TXT) 📕

Carmina opened the catalogue at the first page, and discovered a list of Royal Academicians. Were all these gentlemen celebrated painters? Out of nearly forty names, three only had made themselves generally known beyond the limits of England. She turned to the last page. The works of art on show numbered more than fifteen hundred. Teresa, looking over her shoulder, made the same discovery. “Our heads will ache, and our feet will ache,” she remarked, “before we get out of that place.” Carmina laid aside the catalogue.

Teresa opened the Almanac at hazard, and hit on the page devoted to Amusements. Her next discovery led her to the section inscribed “Museums.” She scored an approving mark at that place with her thumbnail—and read the list in fluent broken English.

The British Museum? Teresa’s memory of that magnificent building recalled it vividly in one respect. She shook her head. “More headache and footache, there!” Bethnal Green; Indian Museum; College of Surgeons; Practical Geology; South Kensington; Patent Museum—all unknown to Teresa. “The saints preserve us! what headaches and footaches in all these, if they are as big as that other one!” She went on with the list—and astonished everybody in the room by suddenly clapping her hands. Sir John Soane’s Museum, Lincoln’s Inn Fields. “Ah, but I remember that! A nice little easy museum in a private house, and all sorts of pretty things to see. My dear love, trust your old Teresa. Come to Soane!”

In ten minutes more they were dressed, and on the steps of the hotel. The bright sunlight, the pleasant air, invited them to walk. On the same afternoon, when Ovid had set forth on foot for Lincoln’s Inn Fields, Carmina and Teresa set forth on foot for Lincoln’s Inn Fields. Trivial obstacles had kept the man away from the College. Would trivial obstacles keep the women away from the Museum?

They crossed the Strand, and entered a street which led out of it towards the North; Teresa’s pride in her memory forbidding her thus far to ask their way.

Their talk—dwelling at first on Italy, and on the memory of Carmina’s Italian mother—reverted to the formidable subject of Mrs. Gallilee. Teresa’s hopeful view of the future turned to the cousins, and drew the picture of two charming little girls, eagerly waiting to give their innocent hearts to their young relative from Italy. “Are there only two?” she said. “Surely you told me there was a boy, besides the girls?” Carmina set her right. “My cousin Ovid is a great doctor,” she continued with an air of importance. “Poor papa used to say that our family would have reason to be proud of him.” “Does he live at home?” asked simple Teresa. “Oh, dear, no! He has a grand house of his own. Hundreds of sick people go there to be cured, and give hundreds of golden guineas.” Hundreds of golden guineas gained by only curing sick people, represented to Teresa’s mind something in the nature of a miracle: she solemnly raised her eyes to heaven. “What a cousin to have! Is he young? is he handsome? is he married?”

Instead of answering these questions, Carmina looked over her shoulder. “Is this poor creature following us?” she asked.

They had now turned to the right, and had entered a busy street leading directly to Covent Garden. The “creature” (who was undoubtedly following them) was one of the starved and vagabond dogs of London. Every now and then, the sympathies of their race lead these inveterate wanderers to attach themselves, for the time, to some human companion, whom their mysterious insight chooses from the crowd. Teresa, with the hard feeling towards animals which is one of the serious defects of the Italian character, cried, “Ah, the mangy beast!” and lifted her umbrella. The dog starred back, waited a moment, and followed them again as they went on.

Carmina’s gentle heart gave its pity to this lost and hungry fellow-creature. “I must buy that poor dog something to eat,” she said—and stopped suddenly as the idea struck her.

The dog, accustomed to kicks and curses, was ignorant of kindness. Following close behind her, when she checked herself, he darted away in terror into the road. A cab was driven by rapidly at the same moment. The wheel passed over the dog’s neck. And there was an end, as a man remarked looking on, of the troubles of a cur.

This common accident struck the girl’s sensitive nature with horror. Helpless and speechless, she trembled piteously. The nearest open door was the door of a music-seller’s shop. Teresa led her in, and asked for a chair and a glass of water. The proprietor, feeling the interest in Carmina which she seldom failed to inspire among strangers, went the length of offering her a glass of wine. Preferring water, she soon recovered herself sufficiently to be able to leave her chair.

“May I change my mind about going to the museum?” she said to her companion. “After what has happened, I hardly feel equal to looking at curiosities.”

Teresa’s ready sympathy tried to find some acceptable alternative. “Music would be better, wouldn’t it?” she suggested.

The so-called Italian Opera was open that night, and the printed announcement of the performance was in the shop. They both looked at it. Fortune was still against them. A German opera appeared on the bill. Carmina turned to the music-seller in despair. “Is there no music, sir, but German music to be heard in London?” she asked. The hospitable shopkeeper produced a concert programmed for that afternoon—the modest enterprise of an obscure piano-forte teacher, who could only venture to address pupils, patrons, and friends. What did he promise? Among other things, music from “Lucia,” music from “Norma,” music from “Ernani.” Teresa made another approving mark with her thumb-nail; and Carmina purchased tickets.

The music-seller hurried to the door to stop the first empty cab that might pass. Carmina showed a deplorable ignorance of the law of chances. She shrank from the bare idea of getting into a cab. “We may run over some other poor creature,” she said. “If it isn’t a dog, it may be a child next time.” Teresa and the music-seller suggested a more reasonable view as gravely as they could. Carmina humbly submitted to the claims of common sense—without yielding, for all that. “I know I’m wrong,” she confessed. “Don’t spoil my pleasure; I can’t do it!”

The strange parallel was now complete. Bound for the same destination, Carmina and Ovid had failed to reach it alike. And Carmina had stopped to look at the garden of the British Museum, before she overtook Ovid in the quiet square.