The Little Lady of the Big House by Jack London (best fiction books of all time TXT) 📕

diverged and where Graham would have to say good night on his way to the tower room.

The one remaining light was turned off.

"Oh, not that one, silly," Dick heard Paula cry out. "We keep it on all night."

Dick heard nothing, but the dark was fervent to him. He cursed himself for his own past embraces in the dark, for so the wisdom was given him to know the quick embrace that had occurred, ere, the next moment, the light flashed on again.

He found himself lacking the courage to look at their faces as they came toward him. He did not want to see Paula's frank eyes veiled by her lashes, and he fumbled to light a cigarette while he cudgeled his wits for the wording of an ordinary good night.

"How goes the book?--what chapter?" he called after Graham down his hall, as Paula put her hand in his.

Her hand in his, swinging his, hopping and skipping and all a-chatter in simulation of a little girl with a grown-up, Paula went on with Dick; while he sadly pondered what ruse she had in mind by which to avoid the long-avoided, good night kiss.

Evidently she had not found it when they reached the dividing of the ways that led to her quarters and to his. Still swinging his hand, still buoyantly chattering fun, she continued with him into his workroom. Here he surrendered. He had neither heart nor energy to wait for her to develop whatever she contemplated.

He feigned sudden recollection, deflected her by the hand to his desk, and picked up a letter.

"I'd promised myself to get a reply off on the first machine in the morning," he explained, as he pressed on the phonograph and began dictating.

For a paragraph she still held his hand. Then he felt the parting pressure of her fingers and her whispered good night.

"Good night, little woman," he answered mechanically, and continued dictating as if oblivious to her going.

Nor did he cease until he knew she was well out of hearing.


CHAPTER XXVIII


A dozen times that morning, dictating to Blake or indicating answers, Dick had been on the verge of saying to let the rest of the correspondence go.

"Call up Hennessy and Mendenhall," he told Blake, when, at ten, the latter gathered up his notes and rose to go. "You ought to catch them at the stallion barn. Tell them not to come this morning but to-morrow morning."

Bonbright entered, prepared to shorthand Dick's conversations with his managers for the next hour.

"And--oh, Mr. Blake," Dick called. "Ask Hennessy about Alden Bessie.-- The old mare was pretty bad last night," he explained to Bonbright.

"Mr. Hanley must see you right away, Mr. Forrest," Bonbright said, and added, at sight of the irritated drawing up of his employer's brows, "It's the piping from Buckeye Dam. Something's wrong with the plans--a serious mistake, he says."

Dick surrendered, and for an hour discussed ranch business with his foremen and managers.

Once, in the middle of a hot discussion over sheep-dips with Wardman, he left his desk and paced over to the window. The sound of voices and horses, and of Paula's laugh, had attracted him.

"Take that Montana report--I'll send you a copy to-day," he continued, as he gazed out. "They found the formula didn't get down to it. It was more a sedative than a germicide. There wasn't enough kick in it..."

Four horses, bunched, crossed his field of vision. Paula, teasing the pair of them, was between Martinez and Froelig, old friends of Dick, a painter and sculptor respectively, who had arrived on an early train. Graham, on Selim, made the fourth, and was slightly edged toward the rear. So the party went by, but Dick reflected that quickly enough it would resolve itself into two and two.

Shortly after eleven, restless and moody, he wandered out with a cigarette into the big patio, where he smiled grim amusement at the various tell-tale signs of Paula's neglect of her goldfish. The sight of them suggested her secret patio in whose fountain pools she kept her selected and more gorgeous blooms of fish. Thither he went, through doors without knobs, by ways known only to Paula and the servants.

This had been Dick's one great gift to Paula. It was love-lavish as only a king of fortune could make it. He had given her a free hand with it, and insisted on her wildest extravagance; and it had been his delight to tease his quondam guardians with the stubs of the checkbook she had used. It bore no relation to the scheme and architecture of the Big House, and, for that matter, so deeply hidden was it that it played no part in jar of line or color. A show-place of show-places, it was not often shown. Outside Paula's sisters and intimates, on rare occasions some artist was permitted to enter and catch his breath. Graham had heard of its existence, but not even him had she invited to see.

It was round, and small enough to escape giving any cold hint of spaciousness. The Big House was of sturdy concrete, but here was marble in exquisite delicacy. The arches of the encircling arcade were of fretted white marble that had taken on just enough tender green to prevent any glare of reflected light. Palest of pink roses bloomed up the pillars and over the low flat roof they upheld, where Puck-like, humorous, and happy faces took the place of grinning gargoyles. Dick strolled the rosy marble pavement of the arcade and let the beauty of the place slowly steal in upon him and gentle his mood.

The heart and key of the fairy patio was the fountain, consisting of three related shallow basins at different levels, of white marble and delicate as shell. Over these basins rollicked and frolicked life- sized babies wrought from pink marble by no mean hand. Some peered over the edges into lower basins, one reached arms covetously toward the goldfish; one, on his back, laughed at the sky, another stood with dimpled legs apart stretching himself, others waded, others were on the ground amongst the roses white and blush, but all were of the fountain and touched it at some point. So good was the color of the marble, so true had been the sculptor, that the illusion was of life. No cherubs these, but live warm human babies.

Dick regarded the rosy fellowship pleasantly and long, finishing his cigarette and retaining it dead in his hand. That was what she had needed, he mused--babies, children. It had been her passion. Had she realized it... He sighed, and, struck by a fresh thought, looked to her favorite seat with certitude that he would not see the customary sewing lying on it in a pretty heap. She did not sew these days.

He did not enter the tiny gallery behind the arcade, which contained her chosen paintings and etchings, and copies in marble and bronze of her favorites of the European galleries. Instead he went up the stairway, past the glorious Winged Victory on the landing where the staircase divided, and on and up into her quarters that occupied the entire upper wing. But first, pausing by the Victory, he turned and gazed down into the fairy patio. The thing was a cut jewel in its perfectness and color, and he acknowledged, although he had made it possible for her, that it was entirely her own creation--her one masterpiece. It had long been her dream, and he had realized it for her. And yet now, he meditated, it meant nothing to her. She was not mercenary, that he knew; and if he could not hold her, mere baubles such as that would weigh nothing in the balance against her heart.

He wandered idly through her rooms, scarcely noting at what he gazed, but gazing with fondness at it all. Like everything else of hers, it was distinctive, different, eloquent of her. But when he glanced into the bathroom with its sunken Roman bath, for the life of him he was unable to avoid seeing a tiny drip and making a mental note for the ranch plumber.

As a matter of course, he looked to her easel with the expectation of finding no new work, but was disappointed; for a portrait of himself confronted him. He knew her trick of copying the pose and lines from a photograph and filling in from memory. The particular photograph she was using had been a fortunate snapshop of him on horseback. The Outlaw, for once and for a moment, had been at peace, and Dick, hat in hand, hair just nicely rumpled, face in repose, unaware of the impending snap, had at the instant looked squarely into the camera. No portrait photographer could have caught a better likeness. The head and shoulders Paula had had enlarged, and it was from this that she was working. But the portrait had already gone beyond the photograph, for Dick could see her own touches.

With a start he looked more closely. Was that expression of the eyes, of the whole face, his? He glanced at the photograph. It was not there. He walked over to one of the mirrors, relaxed his face, and led his thoughts to Paula and Graham. Slowly the expression came into his eyes and face. Not content, he returned to the easel and verified it. Paula knew. Paula knew that he knew. She had learned it from him, stolen it from him some time when it was unwittingly on his face, and carried it in her memory to the canvas.

Paula's Chinese maid, Oh Dear, entered from the wardrobe room, and Dick watched her unobserved as she came down the room toward him. Her eyes were down, and she seemed deep in thought. Dick remarked the sadness of her face, and that the little, solicitous contraction of the brows that had led to her naming was gone. She was not solicitous, that was patent. But cast down, she was, in heavy depression.

It would seem that all our faces are beginning to say things, he commented to himself.

"Good morning, Oh Dear," he startled her.

And as she returned the greeting, he saw compassion in her eyes as they dwelt on him. She knew. The first outside themselves. Trust her, a woman, so much in Paula's company when Paula was alone, to divine Paula's secret.

Oh Dear's lips trembled, and she wrung her trembling hands, nerving herself, as he could see, to speech.

"Mister Forrest," she began haltingly, "maybe you think me fool, but I like say something. You very kind man. You very kind my old mother. You very kind me long long time..."

She hesitated, moistening her frightened lips with her tongue, then braved her eyes to his and proceeded.

"Mrs. Forrest, she, I think..."

But so forbidding did Dick's face become that she broke off in confusion and blushed, as Dick surmised, with shame at the thoughts she had been about to utter.

"Very nice picture Mrs. Forrest make," he put her at her ease.

The Chinese girl sighed, and the same compassion returned into her eyes as she looked long at Dick's portrait.

She sighed again, but the coldness in her voice was not lost on Dick as she answered: "Yes, very nice picture Mrs. Forrest make."

She looked at him with sudden sharp scrutiny, studying his face, then turned to the canvas and pointed at the eyes.

"No good," she condemned.

Her voice was harsh, touched with anger.

"No good," she flung over her shoulder, more loudly, still