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feeling that his confidence was going to be rewarded by a reprimand, then Mark said:

"Do you remember what the man looked like?"

"Awful poor with long whiskers all sort 'er stragglin' round. He'd a straw hat and a basket and eyes on him like he was sleepy."

Again Mark made no response, and Tito, feeling that he had not grasped the full depths of the tragedy, piped up plaintively:

"I'd 'a stood the swearin' and I could 'a dodged the rocks if he'd given me the quarter. But I couldn't get it off him--not even a dime."

That had a good effect, much better than Tito's highest hopes had anticipated.

"Well, he treated you mean, old man. And, take it from me--don't you go showing the way to any more tramps. They're the kind to let alone. As for the quarter I guess that's due with interest. Here it is." And a half dollar was laid on Tito's knee.

At the first glance he could hardly believe it, then seeing it immovable, a gleaming disk of promise, his face flushed deep in the uprush of his joy. He took it, weighed it on his palm, wanted to study it, but instead slipped it mannishly into the pocket of his blouse. His education had not included a training in manners, so he said nothing, just straightened up and sent a slanting look into Mark's face. It was an eloquent look, beaming, jubilant, a shining thanks.

They walked back together, or rather Mark walked and Tito circled round him, curvetting in bridling ecstasy. Mrs. Murano's temper being historic, Mark took the egg basket, and Tito, all fears of accident removed, abandoned himself to the pure joys of the imagination. He became at once a horse and his rider, pranced, backed, took mincing sidesteps and long, spirited rushes; at one moment was all steed, mettlesome and wild; at the next all man, calling, gruff-voiced, in quelling authority.

Mark, the eggs safe, was thoughtful. So it must have been the tramp as he had suspected. But the eyes--he could not shake off that haunting fancy of a second encounter. All the way home his mind hovered round them, strained for a clearer vision, seemed at moments on the edge of illumination, then lost it all.

That night in his room under the eaves he did not sleep till late. The house sank early into the deep repose following emotional stress, the nurse's lamp brightening one window in its black bulk. Outside the night brooded, deep and calm, with whispers in the great oak's foliage, open field and wooded slope pale and dark under the light of stars. Mark, his hands clasped behind his head, looked at the blue space of the window and dreamed of Lorry. He saw her in various guises, a procession of Lorrys passing across the blue background. Then he saw her as she had been the last time and that Lorry had not passed with the rest of the procession. She had lingered, reluctant to follow the fleeting, unapproachable others, had seemed to draw nearer to him, almost with her hands out, almost with a shining question in her eyes. Holding that picture of her in his heart he finally fell asleep.

Some hours later he woke with the sound of her voice in his ears. She was calling him--"Mark, Mark," a clear, thin cry, imploring and urgent. He sat up answering, heard his own voice suddenly fill the silence loud and startling, "Lorry," and then again lower, "Lorry." For a moment he had no idea where he was, then the starlight through the open window showed him the familiar outlines, and, looking stupidly about, he repeated, dazed, certain he had heard her, "Lorry, where are you?"

The silence of the house, the large outer silence enfolding it, answered him.

He was fully awake now and rose. The reality of the cry in its tenuous, piercing importunity, grew as his mind cleared. He could not believe but that he had heard it, that she might not be somewhere near calling to him in distress. He opened the door and looked into the hall--not a sound. At the foot of the stairs the light from his mother's room fell across the darkness in a golden slant. He turned and went to the window. His awakening had been so startling, his sense of revelation so acute, that for the moment he had no consciousness of prohibiting conditions. When he looked out of the window he would have felt no surprise if he had seen Lorry below gazing up at him.

After that he stood for a space realizing the fact. He had had no dream, the voice had come to him from her, a summons from the depths of some dire necessity. He knew it as well as if he had heard her say so, as if she _had_ been outside the window calling him to come. He knew she was beset, needed him, that her soul had cried to his and in its passionate urgency had broken through material limitations.

He struck a match and consulted his watch--a quarter to four. Then, as he dressed and threw some clothes into a bag, he thought over the quickest route to the city. A stage line to Stockton crossed the valley eight miles to the south. By making a rapid hike he could catch the down stage and be in San Francisco before midday. He scrawled a few lines to Sadie, stood the note up across the face of the clock, and, his shoes in his hand, stole down the stairs and out of the house.

The country slept under the hush that comes before the dawn. There was not a rustle in the roadside trees, a whisper in the grass. Farmhouse and mansion showed in forms of opaque black, muffled in black foliage and backed by a blue-black horizon. Above the heavens spread, vast and far removed, paved with stars and mottlings of star dust. The sparkling dome, pricked with white points and blotted with milky stains, diffused a high, aerial luster, palely clear above the land's dense darkness. Mark looked up at it, unaware of its splendors, mind and glance raised in an instinctive appeal to some remote source of strength in those illumined heights.

As his glance fell back to the road he suddenly knew where he had seen the eyes. There was no jar of recognition, no startled uncertainty. He saw them looking at him from the face of Boye Mayer, standing in Lorry's drawing-room with his hands resting on the back of a chair.

He stopped dead, staring ahead. Lorry's summons, the tramp, the man in evening dress against the background of the rich room--all these drew to a single point. What their connection was he could not guess, was only aware of them as related, and, accepting that, forged forward at a swinging stride. The beat of his feet fell rhythmic on the dust; his breath came deep-drawn and even; his eyes pierced the dark ahead, fixed on landmarks to be passed, goals to be gained, stations to leave behind him in his race to the woman who had called.

Unnoted by him a pale edge of light stole along the east, throwing out the high, crumpled line of the Sierra. The landscape developed from nebulous shadows and enfoldings to hill slopes, tree domes, the clustered groupings of barns. A stir passed, frail and delicate, over the earth's face, a light tentative trembling in the leaves, a quiver through the grain. Birds made sleepy twitterings; the chink of running water came from hidden stream beds; plowed fields showed the striping of furrows on which the dew glistened in a silvery crust. The day was at hand.


CHAPTER XXXI


REVELATION



While Lorry was still queening it in the front of Mrs. Kirkham's box, while Chrystie was tossing in her strange bed, while Boye Mayer was packing his trunk, while Mark was thinking of Lorry in his room under the eaves, Garland, one of the actors in this drama now drawing to its climax, stood against the chain of a ferry boat bumping its way into the Market Street slip.

He was over it first, racing up the gangway and along the echoing passage to the street. People growled as he elbowed them, plowed a passage through their slow-moving ranks, and ran for the wheeling lights of the trolleys. He made a dash for one, leaped on its step, and holding to an upright, stood, breathing quickly, as the car clanged its way up the great thoroughfare. He had to change by the Call Building, and his heart was hammering on his ribs as he dropped off the second car at the corner of Pancha's street.

Up its dim perspective he could see the two ground glass globes at the Vallejo's steps. He wanted to run but did not dare--the habits of the hunted still held--and he walked as fast as he could, sending his glance ahead for her windows. When he saw light gleaming from them his head drooped in a spasm of relief. All the way down the fear that she might be in a hospital--a public place dangerous for him to visit--had tortured him.

Cushing, behind the desk, yawning over the evening paper, roused at the sight of him and showed a desire to talk. At the sentence that "Miss Lopez was gettin' along all right," the visitor moved off to the stairs. He again wanted to run but he felt Cushing's eyes on his back and made a sober ascent till the turn of the landing hid him; then he rushed. At her door he knocked and heard her voice, low and querulous:

"Who is it now?"

"The old man," he whispered, his mouth to the crack. It was opened by her and he had her in his arms.

Joy at the sight and feel of her, the knowledge that she was not as he had pictured in desperate case, made him speechless. He could only press her against him, hold her off and look into her face, his own working, broken words of love and pity coming from him. His unusual display of emotion affected her, deeply stirred on her own account, and she clung to him, weak tears running down her cheeks, caressing him with hands that said what her shaking lips could not utter.

He supported her to the sofa and laid her there, covering her, soothing her, his concern finding expression in low, crooning sounds such as women make over their sick babies. When she was quieted he drew the armchair up beside her, and, his hand stroking hers, asked about her illness. He had read in the paper that it was a nervous collapse caused by overwork, and he chided her gently.

"What did you keep on for when you were so tuckered out? Why didn't you let up on it sooner? You could 'a stood the expense, and if you didn't want to use your own money what's the matter with mine?"

"I didn't want to stop," she murmured. "Every day I kept thinking I'd be all right."

"Oh, hon, that don't show good sense. How can I keep up my lick if I can't trust you better? You've pretty near finished me. I come on it in a paper up there in the hills-God, I didn't know what struck me. It's tore me to pieces."

His look bore testimony to his words. He was old, seamed with lines, fallen away from his robust sturdiness. She suddenly seemed unable to bear all this weight of pitifulness--his, hers, the world's outside them. At first she had resolved to keep the real cause of

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