The Lancashire Witches by William Harrison Ainsworth (best classic books .TXT) 📕

stop them; how they crossed the closet, passed through a sliding panel into the abbot's room, entered the oratory, and from it descended, by a secret staircase, to the garden, they knew not—but there they were, gliding swiftly along in the moonlight, like winged spirits. What took them towards the conventual church they could not say. But they were drawn thither, as the ship was irresistibly dragged towards the loadstone rock described in the Eastern legend. Nothing surprised them then, or they might have been struck by the dense vapour, enveloping the monastic ruins, and shrouding them from view; nor was it until they entered the desecrated fabric, that any consciousness of what was passing around returned to them.

Their ears were then assailed by a wild hubbub of discordant sounds, hootings and croakings as of owls and ravens, shrieks and jarring cries as of night-birds, bellowings as of cattle, groans and dismal sounds, mixed with unearthly laughter. Undefined and extraordinary shapes, whether men or women, beings of this world or of another they could not tell, though they judged them the latter, flew past with wild whoops and piercing cries, flapping the air as if with great leathern bat-like wings, or bestriding black, monstrous, misshapen steeds. Fantastical and grotesque were these objects, yet hideous and appalling. Now and then a red and fiery star would whiz crackling through the air, and then exploding break into numerous pale phosphoric lights, that danced awhile overhead, and then flitted away among the ruins. The ground seemed to heave and tremble beneath the footsteps, as if the graves were opening to give forth their dead, while toads and hissing reptiles crept forth.

Appalled, yet partly restored to herself by this confused and horrible din, Alizon stood still and kept fast hold of Dorothy, who, seemingly under a stronger influence than herself, was drawn towards the eastern end of the fane, where a fire appeared to be blazing, a strong ruddy glare being cast upon the broken roof of the choir, and the mouldering arches around it. The noises around them suddenly ceased, and all the uproar seemed concentrated near the spot where the fire was burning. Dorothy besought her friend so earnestly to let her see what was going forward, that Alizon reluctantly and tremblingly assented, and they moved slowly towards the transept, taking care to keep under the shelter of the columns.

On reaching the last pillar, behind which they remained, an extraordinary and fearful spectacle burst upon them. As they had supposed, a large fire was burning in the midst of the choir, the smoke of which, ascending in eddying wreaths, formed a dark canopy overhead, where it was mixed with the steam issuing from a large black bubbling caldron set on the blazing embers. Around the fire were ranged, in a wide circle, an assemblage of men and women, but chiefly the latter, and of these almost all old, hideous, and of malignant aspect, their grim and sinister features looking ghastly in the lurid light. Above them, amid the smoke and steam, wheeled bat and flitter-mouse, horned owl and screech-owl, in mazy circles. The weird assemblage chattered together in some wild jargon, mumbling and muttering spells and incantations, chanting fearfully with hoarse, cracked voices a wild chorus, and anon breaking into a loud and long-continued peal of laughter. Then there was more mumbling, chattering, and singing, and one of the troop producing a wallet, hobbled forward.

She was a fearful old crone; hunchbacked, toothless, blear-eyed, bearded, halt, with huge gouty feet swathed in flannel. As she cast in the ingredients one by one, she chanted thus:—

"Head of monkey, brain of cat,
Eye of weasel, tail of rat,
Juice of mugwort, mastic, myrrh—
All within the pot I stir."

"Well sung, Mother Mould-heels," cried a little old man, whose doublet and hose were of rusty black, with a short cloak, of the same hue, over his shoulders. "Well sung, Mother Mould-heels," he cried, advancing as the old witch retired, amidst a roar of laughter from the others, and chanting as he filled the caldron:

"Here is foam from a mad dog's lips,
Gather'd beneath the moon's eclipse,
Ashes of a shroud consumed,
And with deadly vapour fumed.
These within the mess I cast—
Stir the caldron—stir it fast!"

A red-haired witch then took his place, singing,

"Here are snakes from out the river,
Bones of toad and sea-calf's liver;
Swine's flesh fatten'd on her brood,
Wolf's tooth, hare's foot, weasel's blood.
Skull of ape and fierce baboon,
And panther spotted like the moon;
Feathers of the horned owl,
Daw, pie, and other fatal fowl.
Fruit from fig-tree never sown,
Seed from cypress never grown.
All within the mess I cast,
Stir the caldron—stir it fast!"

Nance Redferne then advanced, and, taking from her wallet a small clay image, tricked out in attire intended to resemble that of James Device, plunged several pins deeply into its breast, singing as she did so, thus,—

"In his likeness it is moulded,
In his vestments 'tis enfolded.
Ye may know it, as I show it!
In its breast sharp pins I stick,
And I drive them to the quick.
They are in—they are in—
And the wretch's pangs begin.
Now his heart,
Feels the smart;
Through his marrow,
Sharp as arrow,
Torments quiver
He shall shiver,
He shall burn,
He shall toss, and he shall turn.
Unavailingly.
Aches shall rack him,
Cramps attack him,
He shall wail,
Strength shall fail,
Till he die
Miserably!"

As Nance retired, another witch advanced, and sung thus:

"Over mountain, over valley, over woodland, over waste,
On our gallant broomsticks riding we have come with frantic haste,
And the reason of our coming, as ye wot well, is to see
Who this night, as new-made witch, to our ranks shall added be."

A wild burst of laughter followed this address, and another wizard succeeded, chanting thus:

"Beat the water, Demdike's daughter!
Till the tempest gather o'er us;
Till the thunder strike with wonder
And the lightnings flash before us!
Beat the water, Demdike's daughter!
Ruin seize our foes and slaughter!"

As the words were uttered, a woman stepped from out the circle, and throwing back the grey-hooded cloak in which she was enveloped, disclosed the features of Elizabeth Device. Her presence in that fearful assemblage occasioned no surprise to Alizon, though it increased her horror. A pail of water was next set before the witch, and a broom being placed in her hand, she struck the lymph with it, sprinkling it aloft, and uttering this spell:

"Mount, water, to the skies!
Bid the sudden storm arise.
Bid the pitchy clouds advance,
Bid the forked lightnings glance,
Bid the angry thunder growl,
Bid the wild wind fiercely howl!
Bid the tempest come amain,
Thunder, lightning, wind, and rain!"

Illustration: THE INCANTATION.

The Incantation.

As she concluded, clouds gathered thickly overhead, obscuring the stars that had hitherto shone down from the heavens. The wind suddenly arose, but in lieu of dispersing the vapours it seemed only to condense them. A flash of forked lightning cut through the air, and a loud peal of thunder rolled overhead.

Then the whole troop sang together—

"Beat the water, Demdike's daughter!
See the tempests gathers o'er us,
Lightning flashes—thunder crashes,
Wild winds sing in lusty chorus!"

For a brief space the storm raged fearfully, and recalled the terror of that previously witnessed by Alizon, which she now began to think might have originated in a similar manner. The wind raved around the ruined pile, but its breath was not felt within it, and the rain was heard descending in deluging showers without, though no drop came through the open roof. The thunder shook the walls and pillars of the old fabric, and threatened to topple them down from their foundations, but they resisted the shocks. The lightning played around the tall spire springing from this part of the fane, and ran down from its shattered summit to its base, without doing any damage. The red bolts struck the ground innocuously, though they fell at the very feet of the weird assemblage, who laughed wildly at the awful tumult.

Whilst the storm was at its worst, while the lightning was flashing fiercely, and the thunder rattling loudly, Mother Chattox, with a chafing-dish in her hand, advanced towards the fire, and placing the pan upon it, threw certain herbs and roots into it, chanting thus:—

"Here is juice of poppy bruised,
With black hellebore infused;
Here is mandrake's bleeding root,
Mixed with moonshade's deadly fruit;
Viper's bag with venom fill'd,
Taken ere the beast was kill'd;
Adder's skin and raven's feather,
With shell of beetle blent together;
Dragonwort and barbatus,
Hemlock black and poisonous;
Horn of hart, and storax red,
Lapwing's blood, at midnight shed.
In the heated pan they burn,
And to pungent vapours turn.
By this strong suffumigation,
By this potent invocation,
Spirits! I compel you here!
All who list may call appear!"

After a moment's pause, she resumed as follows:—

"White-robed brethren, who of old,
Nightly paced yon cloisters cold,
Sleeping now beneath the mould!
I bid ye rise.

"Abbots! by the weakling fear'd,
By the credulous revered,
Who this mighty fabric rear'd!
I bid ye rise!

"And thou last and guilty one!
By thy lust of power undone,
Whom in death thy fellows shun!
I bid thee come!

"And thou fair one, who disdain'd
To keep the vows thy lips had feign'd;
And thy snowy garments stain'd!
I bid thee come!"

During this invocation, the glee of the assemblage ceased, and they looked around in hushed expectation of the result. Slowly then did a long procession of monkish forms, robed in white, glide along the aisles, and gather round the altar. The brass-covered stones within the presbytery were lifted up, as if they moved on hinges, and from the yawning graves beneath them arose solemn shapes, sixteen in number, each with mitre on head and crosier in hand, which likewise proceeded to the altar. Then a loud cry was heard, and from a side chapel burst the monkish form, in mouldering garments, which Dorothy had seen enter the oratory, and which would have mingled with its brethren at the altar, but they waved it off menacingly. Another piercing shriek followed, and a female shape, habited like a nun, and of surpassing loveliness, issued from the opposite chapel, and hovered near the fire. Content with this proof of her power, Mother Chattox waved her hand, and the long shadowy train glided off as they came. The ghostly abbots returned to their tombs, and the stones closed over them. But the shades of Paslew and Isole de Heton still lingered.

The storm had wellnigh ceased, the thunder rolled hollowly at intervals, and a flash of lightning now and then licked the walls. The weird crew had resumed their rites, when the door of the Lacy chapel flew open, and a tall female figure came forward.

Alizon doubted if she beheld aright. Could that terrific woman in the strangely-fashioned robe of white, girt by a brazen zone graven with mystic characters, with a long glittering blade in her hand, infernal fury in her wildly-rolling orbs, the livid hue of death on her cheeks, and the red brand upon her brow—could that fearful woman, with the black dishevelled tresses floating over her bare shoulders, and whose gestures were so imperious, be Mistress Nutter? Mother no longer, if it indeed were she! How came she there amid that weird assemblage? Why did they so humbly salute her, and fall prostrate before her, kissing the hem of her garment? Why did she stand proudly in the midst of them, and extend her hand, armed with the knife, over them? Was she their sovereign mistress, that they bent so lowly at her coming, and rose so reverentially at her bidding? Was this terrible woman, now seated oh a dilapidated tomb, and regarding the dark conclave with the eye of a queen who held their lives in her hands—was she her mother? Oh, no!—no!—it could not