The Thirteen by Honoré de Balzac (short novels in english TXT) 📕

eyes. It was Montriveau's presence that made her so fair.

Once or twice they exchanged glances. The General came almost to her feet in all the glory of that soldier's uniform, which produces an effect upon the feminine imagination to which the most prudish will confess. When a woman is very much in love, and has not seen her lover for two months, such a swift moment must be something like the phase of a dream when the eyes embrace a world that stretches away forever. Only women or young men can imagine the dull, frenzied hunger in the Duchess's eyes. As for older men, if during the paroxysms of early passion in youth they had experience of such phenomena of nervous power; at a later day it is so completely forgotten that they deny the very existence of the luxuriant ecstasy--the only name that can be given to these wonderful intuitions. Religious ecstasy is the aberration of a soul that has shaken off its bonds of flesh; whereas in amorous ecstasy all the forces of soul and body are embraced and blended in one. If a woman falls a victim to the tyrannous frenzy before which Mme de Langeais was forced to bend, she will take one decisive resolution after another so swiftly that it is impossible to give account of them. Thought after thought rises and flits across her brain, as clouds are whirled by the wind across the grey veil of mist that shuts out the sun. Thenceforth the facts reveal all. And the facts are these.

The day after the review, Mme de Langeais sent her carriage and liveried servants to wait at the Marquis de Montriveau's door from eight o'clock in the morning till three in the afternoon. Armand lived in the Rue de Tournon, a few steps away from the Chamber of Peers, and that very day the House was sitting; but long before the peers returned to their palaces, several people had recognised the Duchess's carriage and liveries. The first of these was the Baron de Maulincour. That young officer had met with disdain from Mme de Langeais and a better reception from Mme de Serizy; he betook himself at once therefore to his mistress, and under seal of secrecy told her of this strange freak.

In a moment the news was spread with telegraphic speed through all the coteries in the Faubourg Saint-Germain; it reached the Tuileries and the Elysee-Bourbon; it was the sensation of the day, the matter of all the talk from noon till night. Almost everywhere the women denied the facts, but in such a manner that the report was confirmed; the men one and all believed it, and manifested a most indulgent interest in Mme de Langeais. Some among them threw the blame on Armand.

"That savage of a Montriveau is a man of bronze," said they; "he insisted on making this scandal, no doubt."

"Very well, then," others replied, "Mme de Langeais has been guilty of a most generous piece of imprudence. To renounce the world and rank, and fortune, and consideration for her lover's sake, and that in the face of all Paris, is as fine a _coup d'etat_ for a woman as that barber's knife-thrust, which so affected Canning in a court of assize. Not one of the women who blame the Duchess would make a declaration worthy of ancient times. It is heroic of Mme de Langeais to proclaim herself so frankly. Now there is nothing left to her but to love Montriveau. There must be something great about a woman if she says, 'I will have but one passion.'"

"But what is to become of society, monsieur, if you honour vice in this way without respect for virtue?" asked the Comtesse de Granville, the attorney-general's wife.

While the Chateau, the Faubourg, and the Chaussee d'Antin were discussing the shipwreck of aristocratic virtue; while excited young men rushed about on horseback to make sure that the carriage was standing in the Rue de Tournon, and the Duchess in consequence was beyond a doubt in M. de Montriveau's rooms, Mme de Langeais, with heavy throbbing pulses, was lying hidden away in her boudoir. And Armand?--he had been out all night, and at that moment was walking with M. de Marsay in the Gardens of the Tuileries. The elder members, of Mme de Langeais' family were engaged in calling upon one another, arranging to read her a homily and to hold a consultation as to the best way of putting a stop to the scandal.

At three o'clock, therefore, M. le Duc de Navarreins, the Vidame de Pamiers, the old Princesse de Blamont-Chauvry, and the Duc de Grandlieu were assembled in Mme la Duchesse de Langeais' drawing-room. To them, as to all curious inquirers, the servants said that their mistress was not at home; the Duchess had made no exceptions to her orders. But these four personages shone conspicuous in that lofty sphere, of which the revolutions and hereditary pretensions are solemnly recorded year by year in the _Almanach de Gotha_, wherefore without some slight sketch of each of them this picture of society were incomplete.

The Princesse de Blamont-Chauvry, in the feminine world, was a most poetic wreck of the reign of Louis Quinze. In her beautiful prime, so it was said, she had done her part to win for that monarch his appellation of _le Bien-aime_. Of her past charms of feature, little remained save a remarkably prominent slender nose, curved like a Turkish scimitar, now the principal ornament of a countenance that put you in mind of an old white glove. Add a few powdered curls, high-heeled pantoufles, a cap with upstanding loops of lace, black mittens, and a decided taste for _ombre_. But to do full justice to the lady, it must be said that she appeared in low-necked gowns of an evening (so high an opinion of her ruins had she), wore long gloves, and raddled her cheeks with Martin's classic rouge. An appalling amiability in her wrinkles, a prodigious brightness in the old lady's eyes, a profound dignity in her whole person, together with the triple barbed wit of her tongue, and an infallible memory in her head, made of her a real power in the land. The whole Cabinet des Chartes was entered in duplicate on the parchment of her brain. She knew all the genealogies of every noble house in Europe--princes, dukes, and counts--and could put her hand on the last descendants of Charlemagne in the direct line. No usurpation of title could escape the Princesse de Blamont-Chauvry.

Young men who wished to stand well at Court, ambitious men, and young married women paid her assiduous homage. Her salon set the tone of the Faubourg Saint-Germain. The words of this Talleyrand in petticoats were taken as final decrees. People came to consult her on questions of etiquette or usages, or to take lessons in good taste. And, in truth, no other old woman could put back her snuff-box in her pocket as the Princess could; while there was a precision and a grace about the movements of her skirts, when she sat down or crossed her feet, which drove the finest ladies of the young generation to despair. Her voice had remained in her head during one-third of her lifetime; but she could not prevent a descent into the membranes of the nose, which lent to it a peculiar expressiveness. She still retained a hundred and fifty thousand livres of her great fortune, for Napoleon had generously returned her woods to her; so that personally and in the matter of possessions she was a woman of no little consequence.

This curious antique, seated in a low chair by the fireside, was chatting with the Vidame de Pamiers, a contemporary ruin. The Vidame was a big, tall, and spare man, a seigneur of the old school, and had been a Commander of the Order of Malta. His neck had always been so tightly compressed by a strangulation stock, that his cheeks pouched over it a little, and he held his head high; to many people this would have given an air of self-sufficiency, but in the Vidame it was justified by a Voltairean wit. His wide prominent eyes seemed to see everything, and as a matter of fact there was not much that they had not seen. Altogether, his person was a perfect model of aristocratic outline, slim and slender, supple and agreeable. He seemed as if he could be pliant or rigid at will, and twist and bend, or rear his head like a snake.

The Duc de Navarreins was pacing up and down the room with the Duc de Grandlieu. Both were men of fifty-six or thereabouts, and still hale; both were short, corpulent, flourishing, somewhat florid-complexioned men with jaded eyes, and lower lips that had begun to hang already. But for an exquisite refinement of accent, an urbane courtesy, and an ease of manner that could change in a moment to insolence, a superficial observer might have taken them for a couple of bankers. Any such mistake would have been impossible, however, if the listener could have heard them converse, and seen them on their guard with men whom they feared, vapid and commonplace with their equals, slippery with the inferiors whom courtiers and statesmen know how to tame by a tactful word, or to humiliate with an unexpected phrase.

Such were the representatives of the great noblesse that determined to perish rather than submit to any change. It was a noblesse that deserved praise and blame in equal measure; a noblesse that will never be judged impartially until some poet shall arise to tell how joyfully the nobles obeyed the King though their heads fell under a Richelieu's axe, and how deeply they scorned the guillotine of '89 as a foul revenge.

Another noticeable trait in all the four was a thin voice that agreed peculiarly well with their ideas and bearing. Among themselves, at any rate, they were on terms of perfect equality. None of them betrayed any sign of annoyance over the Duchess's escapade, but all of them had learned at Court to hide their feelings.

And here, lest critics should condemn the puerility of the opening of the forthcoming scene, it is perhaps as well to remind the reader that Locke, once happening to be in the company of several great lords, renowned no less for their wit than for their breeding and political consistency, wickedly amused himself by taking down their conversation by some shorthand process of his own; and afterwards, when he read it over to them to see what they could make of it, they all burst out laughing. And, in truth, the tinsel jargon which circulates among the upper ranks in every country yields mighty little gold to the crucible when washed in the ashes of literature or philosophy. In every rank of society (some few Parisian salons excepted) the curious observer finds folly a constant quantity beneath a more or less transparent varnish. Conversation with any substance in it is a rare exception, and boeotianism is current coin in every zone. In the higher regions they must perforce talk more, but to make up for it they think the less. Thinking is a tiring exercise, and the rich like their lives to flow by easily and without effort. It is by comparing the fundamental matter of jests, as you rise in the social scale from the street-boy to the peer of France, that the observer arrives at a true comprehension of M. de Talleyrand's maxim, "The manner is everything"; an elegant rendering of the legal axiom, "The form is of more consequence than the matter." In the eyes of the poet the advantage rests with the lower classes, for they seldom fail to give a certain character of rude poetry to their