Phantom Fortune by Mary Elizabeth Braddon (ereader iphone TXT) 📕

certain that a good many people liked her, chiefly perhaps because she was good-natured, and a little on account of that admirable cook.

To Lesbia, who had been weary to loathing of her old life amidst the hills and waterfalls of Westmoreland, this new life was one perpetual round of pleasure. She flung herself with all her heart and mind into the amusement of the moment; she knew neither weariness nor satiety. To ride in the park in the morning, to go to a luncheon party, a garden party, to drive in the park for half an hour after the garden party, to rush home and dress for the fourth or fifth time, and then off to a dinner, and from dinner to drum, and from drum to big ball, at which rumour said the Prince and Princess were to be present: and so, from eleven o'clock in the morning till four or five o'clock next morning, the giddy whirl went on: and every hour was so occupied by pleasure engagements that it was difficult to squeeze in an occasional morning for shopping--necessary to go to the shops sometimes, or one would not know how many things one really wants--or for an indispensable interview with the dressmaker. Those mornings at the shops were hardly the least agreeable of Lesbia's hours. To a girl brought up in one perpetual _tête-à-tête_ with green hill-sides and silvery watercourses, the West End shops were as gardens of Eden, as Aladdin Caves, as anything, everything that is rapturous and intoxicating. Lesbia, the clear-headed, the cold-hearted, fairly lost her senses when she went into one of those exquisite shops, where a confusion of brocades and satins lay about in dazzling masses of richest colour, with here and there a bunch of lilies, a cluster of roses, a tortoise-shell fan, an ostrich feather, or a flounce of peerless Point d'Alençon flung carelessly athwart the sheen of a wine-dark velvet or golden-hued satin.

Lady Maulevrier had said Lesbia was to have _carte blanche_; so Lesbia bought everything she wanted, or fancied she wanted, or that the shop-people thought she must want, or that Lady Kirkbank happened to admire. The shop-people were so obliging, and so deeply obliged by Lesbia's patronage. She was exactly the kind of customer they liked to serve. She flitted about their showrooms like a beautiful butterfly hovering over a flower-bed--her eye caught by every novelty. She never asked the price of anything: and Lady Kirkbank informed them, in confidence, that she was a great heiress, with a millionaire grandmother who indulged her every whim. Other high born young ladies, shopping upon fixed allowances, and sorely perplexed to make both ends meet, looked with eyes of envy upon this girl.

And then came the visit to the dressmaker. It happened after all that Kate Kearney was not intrusted with Lady Lesbia's frocks. Miss Kearney was the fashion, and could pick and choose her customers; and as she was a young lady of good business aptitudes, she had a liking for ready money, or at least half-yearly settlements; and, finding that Lady Kirkbank was much more willing to give new orders than to pay old accounts, she had respectfully informed her ladyship that a pressure of business would prevent her executing any further demands from Arlington Street, while the necessity of posting her ledger obliged her to request the favour of an immediate cheque.

The little skirmish--per letter--occurred while Lady Kirkbank was at Cannes, and Miss Kearney's conduct was stigmatised as insolent and ungrateful, since had not she, Lady Kirkbank by the mere fact of her patronage, given this young person her chief claim to fashion?

'I shall drop her,' said Georgie, 'and go back to poor old Seraphine, who is worth a cartload of such Irish adventuresses.'

So to Madame Seraphine, of Clanricarde Place, Lady Lesbia was taken as a lamb to the slaughter-house.

Seraphine had made Lady Kirkbank's clothes, off and on for the last thirty years. Seraphine and Georgia had grown old together. Lady Kirkbank was always dropping Seraphine and taking her up again, quarrelling and making friends with her. They wrote each other little notes, in which Lady Kirkbank called the dressmaker her _cher ange_--her _bonne chatte_, her _chère vielle sotte_--and all manner of affectionate names--and in which Seraphine occasionally threatened the lady with the dire engines of the law, if money were not forthcoming before Saturday evening.

Lady Kirkbank within those thirty years had paid Seraphine many thousands; but she had never once got herself out of the dear creature's debt. All her payments were payments on account. A hundred pounds; or fifty--or an occasional cheque for two hundred and fifty, when Sir George had been lucky at Newmarket and Doncaster. But the rolling nucleus of debt went rolling on, growing bigger every year until the payments on account needed to be larger or more numerous than of old to keep Seraphine in good humour.

Seraphine was a woman of genius and versatility and had more than one art at her fingers' ends--those skinny and claw-shaped fingers, the nails whereof were not always clean. She took charge of her customer's figures, and made their corsets, and lectured them if they allowed nature to get the upper hand.

'If Madame's waist gets one quarter of an inch thicker it must be that I renounce to make her gowns,' she would tell a ponderous matron, with cool insolence, and the matron would stand abashed before the little sallow, hooked-nosed, keen eyed Jewess, like a child before a severe mother.

'Oh, Seraphine, do you really think that I am stouter?' the customer would ask feebly, panting in her tightened corset.

'Is it that I think so? Why that jumps to the eyes. Madame had always that little air of Reubens, even in the flower of her youth--but now--it is a Rubens of the Fabourg du Temple.'

And horrified at the idea of her vulgarised charms the meek matron would consent to encase herself in one of Seraphine's severest corsets, called in bitterest mockery _à la santé_--at five guineas--in order that the dressmaker might measure her for a forty-guinea gown.

'A plain satin gown, my dear, with an eighteenpenny frilling round the neck and sleeves, and not so much trimming as would go round my little finger. It is positive robbery,' the matron told her friends afterwards, not the less proud of her skin-tight high shouldered sleeves and the peerless flow of her train.

Seraphine was an artist in complexions, and it was she who provided her middle-aged and elderly customers with the lilies and roses of youth. Lady Kirkbank's town complexion was superintended by Seraphine, sometimes even manipulated by those harpy-like claws. The eyebrows of which Lesbia complained were only eyebrows _de province_--eyebrows _de voyage_. In London Georgie was much more particular; and Seraphine was often in Arlington Street with her little morocco bag of washes and creams, and brushes and sponges, to prepare Lady Kirkbank for some great party, and to instruct Lady Kirkbank's maid. At such times Georgie was all affection for the little dressmaker.

'_Ma chatte_, you have made me positively adorable,' she would say, peering at her reflection in the ivory hand-mirror, a dazzling image of rouge and bismuth, carmined lips, diamonds, and frizzy yellow hair; 'I verily believe I look under thirty--but do not you think this gown is a thought too _decolletée--un peu trop de peau, hein?_'

'Not for you, Lady Kirkbank, with your fine shoulders. Shoulders are of no age--_les épaules sont la vraie fontaine de jouvence pour les jolies femmes._'

'You are such a witty creature, Seraphine, Fifine. You ought to be a descendant of that wicked old Madame du Deffand. Rilboche, give Madame some more chartreuse.'

And Lady Kirkbank and the dressmaker would chink their liqueur glasses in amity before the lady gathered up her satin train and allowed her peerless shoulders to be muffled in a plush mantle to go down to her carriage, fortified by that last glass of green chartreuse.

There were always the finest chartreuse and curaçoa in a liqueur cabinet on Lady Kirkbank's dressing-table. The cabinet formed a companion to the dressing-case, which contained all those creamy and rose-hued cosmetics, powders, brushes, and medicaments, which were necessary for the manufacture of Georgie's complexion. The third bottle in the liqueur case held cognac, and this, as Rilboche the maid knew, was oftenest replenished. Yet nobody could accuse Lady Kirkbank of intemperate habits. The liqueur box only supplied the peg that was occasionally wanted to screw the superior mind to concert pitch.

'One must always be at concert pitch in society, don't you know, my dear,' said Georgie to her young protégée.

Thus it happened that, Miss Kearney having behaved badly, Lesbia was carried off to dear old Seraphine, and delivered over to that modern witch, as a sacrifice tied to the horns of the altar.

Clanricarde Place is a little nook of Queen Anne houses--genuine Queen Anne, be it understood--between Piccadilly and St. James's Palace, and hardly five minutes' walk from Arlington Street. It is a quiet little _cul de sac_ in the very heart of the fashionable world; and here of an afternoon might be seen the carriages of Madame Seraphine's customers, blocking the whole of the carriage way, and choking up the narrow entrance to the street, which widened considerably at the inner end.

Madame Seraphine's house was at the end, a narrow house, with tall old-fashioned windows curtained with amber satin. It was a small, dark house, and exhaled occasional odours of garlic and main sewer: but the staircase was a gem in old oak, and the furniture in the triple telescopic drawing rooms, dwindling to a closet at the end, was genuine Louis Seize.

Seraphine herself was the only shabby thing in the house--a wizened little woman, with a wicked old Jewish face, and one shoulder higher than the other, dressed in a shiny black moire gown, years after moires had been exploded, and with a rag of old lace upon her sleek black hair--raven black hair, and the only good thing about her appearance.

One ornament, and one only, had Seraphine ever been guilty of wearing, and that was an old-fashioned half-hoop ring of Brazilian diamonds, brilliants of the first water. This ring she called her yard measure; and she was in the habit of using it as her Standard of purity, and comparing it with any diamonds which her customers submitted to her inspection. For the clever little dressmaker had a feeling heart for a lady in difficulties, and was in the habit of lending money on good security, and on terms that were almost reasonable as compared with the usurious rates one reads of in the newspapers.

Lesbia's first sensation upon having this accomplished person presented to her was one of shrinking and disgust. There was something sinister in the sallow face, the small shrewd eyes, and long hooked nose, the crooked figure, and claw-shaped hands. But when Madame Seraphine began to talk about gowns, and bade her acolytes--smartly-dressed young women with pleasing countenances--bring forth marvels of brocade and satin, embroideries, stamped velvets, bullion fringes, and ostrich feather flouncings, Lesbia became interested, and forgot the unholy aspect of the high priestess.

Lady Kirkbank and the dressmaker discussed Lesbia's charms as calmly as if she had been out of the room.

'What do you think of her figure?' asked Lady Kirkbank.

'One cannot criticise what does not exist,' replied the dressmaker, in French. 'The young lady has no figure. She has evidently been brought up in the country.'

And then with rapid bird-like movements, and with her head on one side, Seraphine measured Lesbia's waist and bust, muttering little argotic expressions _sotto voce_ as she did so.

'Waist three inches too large, shoulders