Antonina; Or, The Fall of Rome by Wilkie Collins (english love story books .TXT) 📕

'It is haply the strife between our two nations which has separated us already, and may separate us again, that thus oppresses you,' said she; 'but think, as I do, of the peace that must come, and not of the warfare that now is. Think of the pleasures of our past days, and of the happiness of our present moments,—thus united, thus living, loving, hoping for each other; and, like me, you will doubt not of the future that is in preparation for us both! The season of tranquillity may return with the season of spring. The serene heaven will then be reflected on a serene country and a happy people; and in those days of sunshine and peace, will any hearts among all the glad population be more joyful than ours?'

She paused a moment. Some sudden thought or recollection heightened her colour and caused her to hesitate ere she proceeded. She was about at length to continue, when a peal of thunder, louder than any which had preceded it, burst threateningly over the house and drowned the first accents of her voice. The wind moaned loudly, the rain splashed against the door, the latch rattled long and sharply in its socket. Once more Hermanric rose from his seat, and approaching the fire, placed a fresh log of wood upon the dying embers. His dejection seemed now to communicate itself to Antonina, and as he reseated himself by her side, she did not address him again.

Thoughts, dreary and appalling beyond any that had occupied it before, were rising in the mind of the Goth. His inquietude at the encampment in the suburbs was tranquillity itself compared to the gloom which now oppressed him. All the evaded dues of his nation, his family, and his calling; all the suppressed recollections of the martial occupation he had slighted, and the martial enmities he had disowned, now revived avengingly in his memory. Yet, vivid as these remembrances were, they weakened none of those feelings of passionate devotion to Antonina by which their influence within him had hitherto been overcome. They existed with them—the old recollections with the new emotions—the stern rebukings of the warrior's nature with the anxious forebodings of the lover's heart. And now, his mysterious meeting with Ulpius; Goisvintha's unexpected return to health; the dreary rising and furious progress of the night tempest, began to impress his superstitious mind as a train of unwonted and meaning incidents, destined to mark the fatal return of his kinswoman's influence over his own actions and Antonina's fate.

One by one, his memory revived with laborious minuteness every incident that had attended his different interviews with the Roman girl, from the first night when she had strayed into his tent to the last happy evening that he had spent with her at the deserted farm-house. Then tracing further backwards the course of his existence, he figured to himself his meeting with Goisvintha among the Italian Alps; his presence at the death of her last child, and his solemn engagement, on hearing her recital of the massacre at Aquileia, to avenge her on the Romans with his own hands. Roused by these opposite pictures of the past, his imagination peopled the future with images of Antonina again endangered, afflicted, and forsaken; with visions of the impatient army, spurred at length into ferocious action, making universal havoc among the people of Rome, and forcing him back for ever into their avenging ranks. No decision for resistance or resignation to flight presented itself to his judgment. Doubt, despair, and apprehension held unimpeded sway over his impressible but inactive faculties. The night itself, as he looked forth on it, was not more dark; the wild thunder, as he listened to it, not more gloomy; the name of Goisvintha, as he thought on it, not more ominous of evil, than the sinister visions that now startled his imagination and oppressed his weary mind.

There was something indescribably simple, touching, and eloquent in the very positions of Hermanric and Antonina as they now sat together—the only members of their respective nations who were united in affection and peace—in the lonely farm-house. Both the girl's hands were clasped over Hermanric's shoulder, and her head rested on them, turned from the door towards the interior of the room, and so displaying her rich, black hair in all its luxuriance. The head of the Goth was still sunk on his breast, as though he were wrapped in a deep sleep, and his hands hung listlessly side by side over the scabbard of his sheathed sword, which lay across his knees. The fire flamed only at intervals, the fresh log that had been placed on it not having been thoroughly kindled as yet. Sometimes the light played on the white folds of Antonina's dress; sometimes over the bright surface of Hermanric's cuirass, which he had removed and laid by his side on the ground; sometimes over his sword, and his hands, as they rested on it; but it was not sufficiently powerful or lasting to illuminate the room, the walls and corners of which it left in almost complete darkness.

The thunder still pealed from without, but the rain and wind had partially lulled. The night hours had moved on more swiftly than our narrative of the events that marked them. It was now midnight.

No sound within the room reached Antonina's ear but the quick rattling of the door-latch, shaken in its socket by the wind. As one by one the moments journeyed slowly onward, it made its harsh music with as monotonous a regularity as though it were moved by their progress, and kept pace with their eternal march. Gradually the girl found herself listening to this sharp, discordant sound, with all the attention she could have bestowed at other times on the ripple of a distant rivulet or the soothing harmony of a lute, when, just as it seemed adapting itself most easily to her senses, it suddenly ceased, and the next instant a gust of wind, like that which had rushed through the open door on the breaking of the rotten bar, waved her hair about her face and fluttered the folds of her light, loose dress. She raised her head and whispered tremulously to Hermanric—

'The door is open again—the latch has given way!'

The Goth started from his reverie and looked up hastily. At that instant the rattling of the latch recommenced as suddenly as it had ceased, and the air of the room recovered its former tranquillity.

'Calm yourself, beloved one,' said Hermanric gently; 'your fancy has misled you—the door is safe.'

He parted back her dishevelled hair caressingly as he spoke. Incapable of doubting the lightest word that fell from his lips, and hearing no suspicious or unwonted sound in the room, she never attempted to justify her suspicions. As she again rested her head on his shoulder, a vague misgiving oppressed her heart, and drew from her an irrepressible sigh; but she gave her apprehensions no expression in words. After listening for a moment more to assure himself of the security of the latch, the Goth resumed insensibly the contemplations from which he had been disturbed; once more his head drooped, and again his hands returned mechanically to their old listless position, side by side, on the scabbard of his sword.

The faint, fickle flames still rose and fell, gleaming here and sinking there, the latch sounded sharply in its socket, the thunder yet uttered its surly peal, but the wind was now subsiding into fainter moans, and the rain began to splash faintly and more faintly against the shutters without. To the watchers in the farm-house nothing was altered to the eye, and little to the ear. Fatal security! The last few minutes had darkly determined their future destinies—in the loved and cherished retreat they were now no longer alone.

They heard no stealthy footsteps pacing round their dwelling, they saw no fierce eyes peering into the interior of the farm-house through a chink in the shutters, they marked no dusky figure passing through the softly and quickly opened door, and gliding into the darkest corner of the room. Yet, now as they sat together, communing in silence with their young, sad hearts, the threatening figure of Goisvintha stood, shrouded in congenial darkness, under their protecting roof and in their beloved chamber, rising still and silent almost at their very sides.

Though the fire of her past fever had raged again through her veins, and though startling visions of the murders at Aquileia had flashed before her mind as the wild lightning before her eyes, she had traced her way through the suburbs and along the high-road, and down the little path to the farm-house gate, without straying, without hesitating. Regardless of the darkness and the storm, she had prowled about the house, had raised the latch, had waited for a loud peal of thunder ere she passed the door, and had stolen shadow-like into the darkest corner of the room, with a patience and a determination that nothing could disturb. And now, when she stood at the goal of her worst wishes, even now, when she looked down upon the two beings by whom she had been thwarted and deceived, her fierce self-possession did not desert her; her lips quivered over her locked teeth, her bosom heaved beneath her drenched garments, but neither sighs nor curses, not even a smile of triumph or a movement of anger escaped her.

She never looked at Antonina; her eyes wandered not for a moment from Hermanric's form. The quickest, faintest gleam of firelight that gleamed over it was followed through its fitful course by her eager glance, rapid and momentary as itself. Soon her attention was fixed wholly upon his hands, as they lay over the scabbard of his sword; and then, slowly and obscurely, a new and fatal resolution sprung up within her. The various emotions pictured in her face became resolved into one sinister expression, and, without removing her eyes from the Goth, she slowly drew from the bosom-folds of her garment a long sharp knife.

The flames alternately trembled into light and subsided into darkness as at first; Hermanric and Antonina yet continued in their old positions, absorbed in their thoughts and in themselves; and still Goisvintha remained unmoved as ever, knife in hand, watchful, steady, silent as before.

But beneath the concealment of her outward tranquillity raged a contention under which her mind darkened and her heart writhed. Twice she returned the knife to its former hiding-place, and twice she drew it forth again; her cheeks grew paler and paler, she pressed her clenched hand convulsively over her bosom, and leant back languidly against the wall behind her. No thought of Antonina had part in this great strife of secret emotions; her wrath had too much of anguish in it to be spent against a stranger and an enemy.

After the lapse of a few moments more, her strength returned—her firmness was aroused. The last traces of grief and despair that had hitherto appeared in her eyes vanished from them in an instant. Rage, vengeance, ferocity, lowered over them as she crept stealthily forward to the very side of the Goth, and, when the next gleam of the fire played upon him, drew the knife fiercely across the back of his hands. The cut was true, strong, and rapid—it divided the tendons from first to last—he was crippled for life.

At that instant the fire touched the very heart of the log that had been laid on it. It crackled gaily; it blazed out brilliantly. The whole room was as brightly illuminated as if a Christmas festival of ancient England had been preparing within its walls!

The warm, cheerful light showed the Goth the figure of his assassin, ere the first cry of anguish had died away on his lips, or the first start of irrepressible horror ceased to vibrate through his frame. The cries of his hapless companion, as the whole scene of vengeance, treachery, and mutilation flashed in one terrible instant before her eyes, seemed not even to reach his ears. Once he looked down upon his helpless hands, when the sword rolled heavily from them to the floor. Then his gaze directed itself immovably upon Goisvintha, as she stood at a little distance from him, with her blood-stained knife, silent as himself.

There was no fury—no defiance—not even the passing distortion of physical suffering in his features, as he now looked on her. Blank, rigid horror—tearless, voiceless, helpless despair, seemed to have petrified the expression of his face into an everlasting form, unyouthful and unhopeful—as if he had been imprisoned from his childhood, and a voice was now taunting him with the pleasures of liberty, from a grating in his dungeon