Antonina; Or, The Fall of Rome by Wilkie Collins (english love story books .TXT) 📕

walls. Not even when Antonina, recovering from her first agony of terror, pressed her convulsive kisses on his cold cheek, entreating him to look on her, did he turn his head, or remove his eyes from Goisvintha's form.

At length the deep steady accents of the woman's voice were heard through the desolate silence.

'Traitor in word and thought you may be yet, but traitor in deed you never more shall be!' she began, pointing to his hands with her knife. 'Those hands, that have protected a Roman life, shall never grasp a Roman sword, shall never pollute again by their touch a Gothic weapon! I remembered, as I watched you in the darkness, how the women of my race once punished their recreant warriors when they fled to them from a defeat. So have I punished you! The arm that served not the cause of sister and sister's children—of king and king's nation—shall serve no other! I am half avenged of the murders at Aquileia, now that I am avenged on you! Go, fly with the Roman you have chosen to the city of her people! Your life as a warrior is at an end!'

He made her no answer. There are emotions, the last of a life, which tear back from nature the strongest barriers that custom raises to repress her, which betray the lurking existence of the first rude social feeling of the primeval days of a great nation, in the breasts of their most distant descendants, however widely their acquirements, their prosperities, or their changes may seem to have morally separated them from their ancestors of old. Such were the emotions now awakened in the heart of the Goth. His Christianity, his love, his knowledge of high aims, and his experience of new ideas, sank and deserted him, as though he had never known them. He thought on his mutilated hands, and no other spirit moved within him, but the ancient Gothic spirit of centuries back; the inspiration of his nation's early Northern songs and early Northern achievements—the renown of courage and the supremacy of strength.

Vainly did Antonina, in the midst of the despair that still possessed her, yearn for a word from his lips or a glance from his eyes; vainly did her trembling fingers, tearing the bandages from her robe, stanch the blood on his wounded hands; vainly did her voice call on him to fly and summon help from his companions in the camp! His mind was far away, brooding over the legends of the battle-fields of his ancestors, remembering how, even in the day of victory, they slew themselves if they were crippled in the fray, how they scorned to exist for other interests than the interests of strife, how they mutilated traitors as Goisvintha had mutilated him! Such were the objects that enchained his inward faculties, while his outward senses were still enthralled by the horrible fascination that existed for him in the presence of the assassin by his side. His very consciousness of his existence, though he moved and breathed, seemed to have ceased.

'You thought to deceive me in my sickness, you hoped to profit by my death,' resumed Goisvintha, returning contemptuously her victim's glance. 'You trusted in the night, and the darkness, and the storm; you were secure in your boldness, in your strength, in the secrecy of this lurking-place that you have chosen for your treachery, but your stratagems and your expectations have failed you! At Aquileia I learnt to be wily and watchful as you! I discovered your desertion of the warriors and the camp; I penetrated the paths to your hiding-place; I entered it as softly as I once departed from the dwelling where my children were slain! In my just vengeance I have treated you as treacherously as you would have treated me! Remember your murdered brother; remember the child I put into your arms wounded and received from them dead; remember your broken oaths and forgotten promises, and make to your nation, to your duties, and to me, the atonement—the last and the only one—that in my mercy I have left in your power—the atonement of death.'

Again she paused, and again no reply awaited her. Still the Goth neither moved nor spoke, and still Antonina—kneeling unconsciously upon the sword, now useless to him for ever—continued to stanch the blood on his hands with a mechanical earnestness that seemed to shut out the contemplation of every other object from her eyes. The tears streamed incessantly down her cheeks, but she never turned towards Goisvintha, never suspended her occupation.

Meanwhile, the fire still blazed noisily on the cheerful hearth; but the storm, as if disdaining the office of heightening the human horror of the farm-house scene, was rapidly subsiding. The thunder pealed less frequently and less loudly, the wind fell into intervals of noiseless calm, and occasionally the moonlight streamed, in momentary brightness, through the ragged edges of the fast breaking clouds. The breath of the still morning was already moving upon the firmament of the stormy night.

'Has life its old magic for you yet?' continued Goisvintha, in tones of pitiless reproach. 'Have you forgotten, with the spirit of your people, the end for which your ancestors lived? Is not your sword at your feet? Is not the knife in my hand? Do not the waters of the Tiber, rolling yonder to the sea, offer to you the grave of oblivion that all may seek? Die then! In your last hour be a Goth; even to the Romans you are worthless now! Already your comrades have discovered your desertion; will you wait till you are hung for a rebel? Will you live to implore the mercy of your enemies, or, dishonoured and defenceless, will you endeavour to escape? You are of the blood of my family, but again I say it to you—die!'

His pale lips trembled; he looked round for the first time at Antonina, but his utterance struggled ineffectually, even yet, against unyielding despair. He was still silent.

Goisvintha turned from him disdainfully, and approaching the fire sat down before it, bending her haggard features over the brilliant flames. For a few minutes she remained absorbed in her evil thoughts, but no articulate word escaped her; and when at length she again abruptly broke the silence, it was not to address the Goth or to fix her eyes on him as before.

Still cowering over the fire, apparently as regardless of the presence of the two beings whose happiness she had just crushed for ever as if they had never existed, she began to recite, in solemn, measured, chanting tones, a legend of the darkest and earliest age of Gothic history, keeping time to herself with the knife that she still held in her hand. The malignity in her expression, as she pursued her employment, betrayed the heartless motive that animated it, almost as palpably as the words of the composition she was repeating: thus she now spoke:—

'The tempest-god's pinions o'ershadow the sky,
The waves leap to welcome the storm that is nigh,
Through the hall of old Odin re-echo the shocks
That the fierce ocean hurls at his rampart of rocks,
As, alone on the crags that soar up from the sands,
With his virgin SIONA the young AGNAR stands;
Tears sprinkle their dew on the sad maiden's cheeks,
And the voice of the chieftain sinks low while he speaks:

"Crippled in the fight for ever,
Number'd with the worse than slain;
Weak, deform'd, disabled!—never
Can I join the hosts again!
With the battle that is won
AGNAR'S earthly course is run!

"When thy shatter'd frame must yield,
If thou seek'st a future field;
When thy arm, that sway'd the strife,
Fails to shield thy worthless life;
When thy hands no more afford
Full employment to the sword;
Then, preserve—respect thy name;
Meet thy death—to live is shame!
Such is Odin's mighty will;
Such commands I now fulfil!"'

At this point in the legend, she paused and turned suddenly to observe its effect on Hermanric. All its horrible application to himself thrilled through his heart. His head drooped, and a low groan burst from his lips. But even this evidence of the suffering she was inflicting failed to melt the iron malignity of Goisvintha's determination.

'Do you remember the death of Agnar?' she cried. 'When you were a child, I sung it to you ere you slept, and you vowed as you heard it, that when you were a man, if you suffered his wounds you would die his death! He was crippled in a victory, yet he slew himself on the day of his triumph; you are crippled in your treachery, and have forgotten your boy's honour, and will live in the darkness of your shame! Have you lost remembrance of that ancient song? You heard it from me in the morning of your years; listen, and you shall hear it to the end; it is the dirge for your approaching death!'

She continued—

"SIONA, mourn not!—where I go
The warriors feel nor pain nor woe;
They raise aloft the gleaming steel,
Their wounds, though warm, untended heal;
Their arrows bellow through the air
In showers, as they battle there;
In mighty cups their wine is pour'd,
Bright virgins throng their midnight board!

"Yet think not that I die unmov'd;
I mourn the doom that sets me free,
As I think, betroth'd—belov'd,
On all the joys I lose in thee!
To form my boys to meet the fray,
Where'er the Gothic banner streams;
To guard thy night, to glad thy day,
Made all the bliss of AGNAR'S dreams—
Dreams that must now be all forgot,
Earth's joys have passed from AGNAR'S lot!

"See, athwart the face of light
Float the clouds of sullen Night!
Odin's warriors watch for me
By the earth-encircling sea!
The water's dirges howl my knell;
'Tis time I die—Farewell-Farewell!"

'He rose with a smile to prepare for the spring,
He flew from the rock like a bird on the wing;
The sea met her prey with a leap and a roar,
And the maid stood alone by the wave-riven shore!

The winds mutter'd deep, with a woe-boding sound,
As she wept o'er the footsteps he'd left on the ground;
And the wild vultures shriek'd, for the chieftain who spread
Their battle-field banquets was laid with the dead!'

As, with a slow and measured emphasis, Goisvintha pronounced the last lines of the poem she again approached Hermanric. But the eyes of the Goth sought her no longer. She had calmed the emotions that she had hoped to irritate. Of the latter divisions of her legend, those only which were pathetic had arrested the lost chieftain's attention, and the blunted faculties of his heart recovered their old refinement as he listened to them. A solemn composure of love, grief, and pity appeared in the glance of affection that he now directed on the girl's despairing countenance. Years of good thoughts, an existence of tender cares, an eternity of youthful devotion spoke in that rapt, momentary, eloquent gaze, and imprinted on his expression a character ineffably beautiful and calm—a nobleness above the human, and approaching the angelic and divine.

Intuitively Goisvintha followed the direction of his eyes, and looked, like him, on the Roman girl's face. A lowering expression of hatred replaced the scorn that had hitherto distorted her passionate features. Mechanically her hand again half raised the knife, and the accents