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Mark Antony prefer Cleopatra to Octavia, who was not less fair, whose heart was his, and whose hand held the sovereignty of half the world?”

Passing on as she spoke, she soon returned, ushering the Roman Lucilius into the presence of the Queen. A gallant deed had bound this man to Antony. After the battle of Philippi, when the army of the republicans fled, Brutus had been on the point of being seized by the enemy’s horsemen; but Lucilius, at the risk of being cut down, had personated him, and thereby, though but for a short time, rescued him. This had seemed to Antony unusual and noble and, in his generous manner, he had not only forgiven him, but bestowed his favour upon him. Lucilius was grateful, and gave him the same fidelity he had showed to Brutus. At Actium he had risked Antony’s favour to prevent his deserting Cleopatra after the battle, and then accompanied him in his flight. Now he was bearing him company in his seclusion on the Choma.

The grey-haired man who, but a short time before, had retained all the vigour of youth, approached the Queen with bowed head and saddened heart. His face, so regular in its contours, had undergone a marked change within the past few weeks. The cheeks were sunken, the features had grown sharper, and there was a sorrowful expression in the eyes, which, when informing Cleopatra of his friend’s condition, glittered with tears.

Before the hapless battle he was one of Cleopatra’s most enthusiastic admirers; but since he had been forced to see his friend and benefactor risk fame, happiness, and honour to follow the Queen, he had cherished a feeling of bitter resentment towards her. He would certainly have spared himself this mission, had he not been sure that she who had brought her lover to ruin was the only person who could rouse him from spiritless languor to fresh energy and interest in life.

From motives of friendship, urged by no one, he came unbidden to the woman whom he had formerly so sincerely admired, to entreat her to cheer the unfortunate man, rouse him, and remind him of his duty. He had little news to impart; for on the voyage she had herself witnessed long enough the pitiable condition of her husband. Now Antony was beginning to be content in it, and this was what most sorely troubled the faithful friend.

The Imperator had called the little palace which he occupied on the Choma his Timonium, because he compared himself with the famous Athenian misanthrope who, after fortune abandoned him, had also been betrayed by many of his former friends. Even at Tænarum he had thought of returning to the Choma, and by means of a wall, which would separate it from the mainland, rendering it as inaccessible as—according to rumour—the grave of Timon at Halæ near Athens. Gorgias had erected it, and whoever wished to visit the hermit was forced to go by sea and request admittance, which was granted to few.

Cleopatra listened to Lucilius with sympathy, and then asked whether there was no way of cheering or comforting the wretched man.

“No, your Majesty,” he replied. “His favourite occupation is to recall what he once possessed, but only to show the uselessness of these memories. ‘What joys has life not offered me?’ he asks, and then adds: ‘But they were repeated again and again, and after being enjoyed for the tenth time they became monotonous and lost their charm. Then they caused satiety to the verge of loathing.’ Only necessary things, such as bread and water, he says, possess real value; but he desires neither, because he has even less taste for them than for the dainties which spoil a man’s morrow. Yesterday in a specially gloomy hour, he spoke of gold. This was perhaps most worthy of desire. The mere sight of it awakened pleasant hopes, because it might afford so many gratifications. Then he laughed bitterly, exclaiming that those joys were the very ones which produced the most disagreeable satiety. Even gold was not worth the trouble of stretching out one’s hand.

“He is fond of enlarging upon such fancies, and finds images to make his meaning clear.

“ ‘In the snow upon the highest mountain-peak the feet grow cold,’ he said. ‘In the mire they are warm, but the dark mud is ugly and clings to them.’

“Then I remarked that between the morass and the mountain-snows lie sunny valleys where life would be pleasant; but he flew into a rage, vehemently protesting that he would never be content with the pitiable middle course of Horace. Then he exclaimed: ‘Ay, I am vanquished. Octavianus and his Agrippa are the conquerors; but if a rock mutilates or an elephant’s clumsy foot crushes me, I am nevertheless of a higher quality than either.’ ”

“There spoke the old Mark Antony!” cried Cleopatra; but again Lucilius’s loyal heart throbbed with resentment against the woman who had fostered the recklessness which had brought his powerful friend to ruin, and he continued:

“But he often sees himself in a different light. ‘No writer could invent a more unworthy life than mine,’ he exclaimed recently. ‘A farce ending in a tragedy.’ ”

Lucilius might have added still harsher sayings, but the sorrowful expression in the tearful eyes of the afflicted Queen silenced them upon his lips.

Yet Cleopatra’s name blended with most of the words uttered by the broken-spirited man. Sometimes it was associated with the most furious reproaches, but more frequently with expressions of boundless delight and wild outbursts of fervent longing, and this was what inspired Lucilius with the hope that the Queen’s influence would be effectual with his friend. Therefore he repeated some especially ardent words, to which Cleopatra listened with grateful joy.

Yet, when Lucilius paused, she remarked that doubtless the misanthropist had spoken of her, and probably of Octavia also, in quite a different way. She was prepared for the worst, for she was one of the rocks against which his greatness had been shattered.

This reminded Lucilius of the comment Antony had made upon the three women whom he had wedded, and he answered reluctantly: “Fulvia, the wife of his youth—I knew the bold, hot-blooded woman, the former wife of Clodius—he called the tempest which swelled his sails.”

“Yes, Yes!” cried Cleopatra. “So she did. He owes her much; but I, too, am indebted to the dead Fulvia. She taught him to recognize and yield to woman’s power.”

“Not always to his advantage,” retorted Lucilius, whose resentment was revived by the last sentence and, without heeding the faint flush on the Queen’s cheek, he added: “Of Octavia he said that she was the straight path which leads to happiness, and those who are content to walk in it are acceptable to gods and men.”

“Then why did he not suffer it to content him?” cried Cleopatra wrathfully.

“Fulvia’s school,” replied the Roman, “was probably the last where he would learn the moderation which—as you know—is so alien to his nature. His opinion of the quiet valleys and middle course you have just heard.”

“But I, what have I been to him?” urged the Queen.

Lucilius bent his gaze for a short time on the floor, then answered hesitatingly:

“You asked to hear, and the Queen’s command must be obeyed. He compared your Majesty to a delicious banquet given to celebrate a victory, at which the guests, crowned with garlands, revel before the battle——”

“Which is lost,” said the Queen hurriedly, in a muffled voice. “The comparison is apt. Now, after the defeat, it would be absurd to prepare another feast. The tragedy is closing, so the play (doubtless he said so) which preceded it would be but a wearisome repetition if performed a second time. One thing, it is true, seems desirable—a closing act of reconciliation. If you think it is in my power to recall my husband to active life, rely upon me. The banquet of which he spoke occupied long years. The dessert will consume little time, but I am ready to serve it. When I asked permission to visit him he refused. What plan of meeting have you arranged?”

“That I will leave to your feminine delicacy of feeling,” replied Lucilius. “Yet I have come with a request whose fulfilment will perhaps contain the answer. Eros, Mark Antony’s faithful body-slave, humbly petitions your Majesty to grant him a few minutes’ audience. You know the worthy fellow. He would die for you and his master, and he—I once heard from your lips the remark of King Antiochus, that no man was great to his body-slave—thus Eros sees his master’s weaknesses and lofty qualities from a nearer point of view than we, and he is shrewd. Antony gave him his freedom long ago, and if your Majesty does not object to receiving a man so low in station——”

“Let him come,” replied Cleopatra. “Your demand upon me is just. Unhappily, I am but too well aware of the atonement due your friend. Before you came, I was engaged in making preparations for the fulfilment of one of his warmest wishes.”

With these words she dismissed the Roman. Her feelings as she watched his departure were of very mingled character. The yearning for the happiness of which she had been so long deprived had again awaked, while the unkind words which he had applied to her still rankled in her heart. But the door had scarcely closed behind Lucilius when the usher announced a deputation of the members of the museum.

The learned gentlemen came to complain of the wrong which had been done to their colleague, Didymus, and also to express their loyalty during these trying times. Cleopatra assured them of her favour, and said that she had already offered ample compensation to the old philosopher. In a certain sense she was one of themselves. They all knew that, from early youth, she had honoured and shared their labours. In proof of this, she would present to the library of the museum the two hundred thousand volumes from Pergamus, one of the most valuable gifts Mark Antony had ever bestowed upon her, and which she had hitherto regarded merely as a loan. This she hoped would repay Didymus for the injury which, to her deep regret, had been inflicted upon him, and at least partially repair the loss sustained by the former library of the museum during the conflagration in the Bruchium.

The sages, eagerly assuring her of their gratitude and devotion, retired. Most of them were personally known to Cleopatra who, to their mutual pleasure and advantage, had measured her intellectual powers with the most brilliant minds of their body.

The sun had already set, when a procession of the priests of Serapis, the chief god of the city, whose coming had been announced the day before, appeared at Lochias. Accompanied by torch and lantern bearers, it moved forward with slow and solemn majesty. In harmony with the nature of Serapis, there were many reminders of death.

The meaning of every image, every standard, every shrine, every peculiarity of the music and singing, was familiar to the Queen. Even the changing colours of the lights referred to the course of growth and decay in the universe and in human life, and the magnificent close of the chant of homage which represented the reception of the royal soul into the essence of the deity, the apotheosis of the sovereign, was well suited to stir the heart; for a sea of light unexpectedly flooded the whole procession and, while its glow irradiated the huge pile of the palace, the sea with its forest of ships and masts, and the shore with its temples, pylons, obelisks, and superb buildings, all the choruses, accompanied by the music of sackbuts, cymbals, and lutes, blended in a mighty hymn, whose waves of sound rose to the star-strewn sky and reached the open sea beyond the Pharos.

Many a symbolical image suggested death and the resurrection, defeat and a victory following it by the aid of great Serapis; and when the torches retired, vanishing in the darkness, with the last, notes of the chanting of the priests, Cleopatra, raised her head, feeling as if the vow she had made during the gloomy singing of the aged men and the extinguishing of the torches had received the approval of the deity brought by her forefathers to Alexandria and enthroned there to unite in his own person the nature of the Greek and the Egyptian gods.

Her tomb was to be built and, if destiny was fulfilled, to receive her lover and herself. She had perceived from Antony’s bitter words, as well as the looks and tones of Lucilius, that he, as well as the man to whom her heart still clung with indissoluble bonds, held her responsible for Actium and the fall of his greatness.

The world, she knew, would imitate them, but it should learn that if love had robbed the greatest man of his day of fame and sovereignty, that love had been worthy of the highest price.

The belief which

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