The Old Curiosity Shop by Charles Dickens (reading the story of the txt) 📕
This was said with no appearance of cunning or deceit, but with anunsuspicious frankness that bore the impress of truth. She walked onas before, growing more familiar with me as we proceeded andtalking cheerfully by the way, but she said no more about her home,beyond remarking that we were going quite a new road and asking ifit were a short one.
While we were thus engaged, I revolved in my mind a hundreddifferent explanations of the riddle and rejected them every one. Ireally felt ashamed to take advantage of the ingenuousness or gratefulfeeling of the child for the purpose of gratifying my curiosity. I lovethese little people; and it is not a slight thing when they, who are sofresh from God, love us. As I had felt pleased at first by herconfidence I determined to deserve it, and to do credit to the naturewhich had prompted her to repose it in me.
There was no reason, howev
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When he had looked so long that he could see nothing, Dick took his eyes off the fair object of his amazement, turned over the leaves of the draft he was to copy, dipped his pen into the inkstand, and at last, and by slow approaches, began to write. But he had not written half-a-dozen words when, reaching over to the inkstand to take a fresh dip, he happened to raise his eyes. There was the intolerable brown head-dress—there was the green gown—there, in short, was Miss Sally Brass, arrayed in all her charms, and more tremendous than ever.
This happened so often, that Mr Swiveller by degrees began to feel strange influences creeping over him—horrible desires to annihilate this Sally Brass—mysterious promptings to knock her head-dress off and try how she looked without it. There was a very large ruler on the table; a large, black, shining ruler. Mr Swiveller took it up and began to rub his nose with it.
From rubbing his nose with the ruler, to poising it in his hand and giving it an occasional flourish after the tomahawk manner, the transition was easy and natural. In some of these flourishes it went close to Miss Sally’s head; the ragged edges of the head-dress fluttered with the wind it raised; advance it but an inch, and that great brown knot was on the ground: yet still the unconscious maiden worked away, and never raised her eyes.
Well, this was a great relief. It was a good thing to write doggedly and obstinately until he was desperate, and then snatch up the ruler and whirl it about the brown head-dress with the consciousness that he could have it off if he liked. It was a good thing to draw it back, and rub his nose very hard with it, if he thought Miss Sally was going to look up, and to recompense himself with more hardy flourishes when he found she was still absorbed. By these means Mr Swiveller calmed the agitation of his feelings, until his applications to the ruler became less fierce and frequent, and he could even write as many as half-a-dozen consecutive lines without having recourse to it—which was a great victory.
In course of time, that is to say, after a couple of hours or so, of diligent application, Miss Brass arrived at the conclusion of her task, and recorded the fact by wiping her pen upon the green gown, and taking a pinch of snuff from a little round tin box which she carried in her pocket. Having disposed of this temperate refreshment, she arose from her stool, tied her papers into a formal packet with red tape, and taking them under her arm, marched out of the office.
Mr Swiveller had scarcely sprung off his seat and commenced the performance of a maniac hornpipe, when he was interrupted, in the fulness of his joy at being again alone, by the opening of the door, and the reappearance of Miss Sally’s head.
‘I am going out,’ said Miss Brass.
‘Very good, ma’am,’ returned Dick. ‘And don’t hurry yourself on my account to come back, ma’am,’ he added inwardly.
‘If anybody comes on office business, take their messages, and say that the gentleman who attends to that matter isn’t in at present, will you?’ said Miss Brass.
‘I will, ma’am,’ replied Dick.
‘I shan’t be very long,’ said Miss Brass, retiring.
‘I’m sorry to hear it, ma’am,’ rejoined Dick when she had shut the door. ‘I hope you may be unexpectedly detained, ma’am. If you could manage to be run over, ma’am, but not seriously, so much the better.’
Uttering these expressions of good-will with extreme gravity, Mr Swiveller sat down in the client’s chair and pondered; then took a few turns up and down the room and fell into the chair again.
‘So I’m Brass’s clerk, am I?’ said Dick. ‘Brass’s clerk, eh? And the clerk of Brass’s sister—clerk to a female Dragon. Very good, very good! What shall I be next? Shall I be a convict in a felt hat and a grey suit, trotting about a dockyard with my number neatly embroidered on my uniform, and the order of the garter on my leg, restrained from chafing my ankle by a twisted belcher handkerchief? Shall I be that? Will that do, or is it too genteel? Whatever you please, have it your own way, of course.’
As he was entirely alone, it may be presumed that, in these remarks, Mr Swiveller addressed himself to his fate or destiny, whom, as we learn by the precedents, it is the custom of heroes to taunt in a very bitter and ironical manner when they find themselves in situations of an unpleasant nature. This is the more probable from the circumstance of Mr Swiveller directing his observations to the ceiling, which these bodily personages are usually supposed to inhabit—except in theatrical cases, when they live in the heart of the great chandelier.
‘Quilp offers me this place, which he says he can insure me,’ resumed Dick after a thoughtful silence, and telling off the circumstances of his position, one by one, upon his fingers; ‘Fred, who, I could have taken my affidavit, would not have heard of such a thing, backs Quilp to my astonishment, and urges me to take it also—staggerer, number one! My aunt in the country stops the supplies, and writes an affectionate note to say that she has made a new will, and left me out of it—staggerer, number two. No money; no credit; no support from Fred, who seems to turn steady all at once; notice to quit the old lodgings—staggerers, three, four, five, and six! Under an accumulation of staggerers, no man can be considered a free agent. No man knocks himself down; if his destiny knocks him down, his destiny must pick him up again. Then I’m very glad that mine has brought all this upon itself, and I shall be as careless as I can, and make myself quite at home to spite it. So go on my buck,’ said Mr Swiveller, taking his leave of the ceiling with a significant nod, ‘and let us see which of us will be tired first!’
Dismissing the subject of his downfall with these reflections, which were no doubt very profound, and are indeed not altogether unknown in certain systems of moral philosophy, Mr Swiveller shook off his despondency and assumed the cheerful ease of an irresponsible clerk.
As a means towards his composure and self-possession, he entered into a more minute examination of the office than he had yet had time to make; looked into the wig-box, the books, and ink-bottle; untied and inspected all the papers; carved a few devices on the table with a sharp blade of Mr Brass’s penknife; and wrote his name on the inside of the wooden coal-scuttle. Having, as it were, taken formal possession of his clerkship in virtue of these proceedings, he opened the window and leaned negligently out of it until a beer-boy happened to pass, whom he commanded to set down his tray and to serve him with a pint of mild porter, which he drank upon the spot and promptly paid for, with the view of breaking ground for a system of future credit and opening a correspondence tending thereto, without loss of time. Then, three or four little boys dropped in, on legal errands from three or four attorneys of the Brass grade: whom Mr Swiveller received and dismissed with about as professional a manner, and as correct and comprehensive an understanding of their business, as would have been shown by a clown in a pantomime under similar circumstances. These things done and over, he got upon his stool again and tried his hand at drawing caricatures of Miss Brass with a pen and ink, whistling very cheerfully all the time.
He was occupied in this diversion when a coach stopped near the door, and presently afterwards there was a loud double-knock. As this was no business of Mr Swiveller’s, the person not ringing the office bell, he pursued his diversion with perfect composure, notwithstanding that he rather thought there was nobody else in the house.
In this, however, he was mistaken; for, after the knock had been repeated with increased impatience, the door was opened, and somebody with a very heavy tread went up the stairs and into the room above. Mr Swiveller was wondering whether this might be another Miss Brass, twin sister to the Dragon, when there came a rapping of knuckles at the office door.
‘Come in!’ said Dick. ‘Don’t stand upon ceremony. The business will get rather complicated if I’ve many more customers. Come in!’
‘Oh, please,’ said a little voice very low down in the doorway, ‘will you come and show the lodgings?’
Dick leant over the table, and descried a small slipshod girl in a dirty coarse apron and bib, which left nothing of her visible but her face and feet. She might as well have been dressed in a violin-case.
‘Why, who are you?’ said Dick.
To which the only reply was, ‘Oh, please will you come and show the lodgings?’
There never was such an old-fashioned child in her looks and manner. She must have been at work from her cradle. She seemed as much afraid of Dick, as Dick was amazed at her.
‘I hav’n’t got anything to do with the lodgings,’ said Dick. ‘Tell ‘em to call again.’
‘Oh, but please will you come and show the lodgings,’ returned the girl; ‘It’s eighteen shillings a week and us finding plate and linen. Boots and clothes is extra, and fires in winter-time is eightpence a day.’
‘Why don’t you show ‘em yourself? You seem to know all about ‘em,’ said Dick.
‘Miss Sally said I wasn’t to, because people wouldn’t believe the attendance was good if they saw how small I was first.’
‘Well, but they’ll see how small you are afterwards, won’t they?’ said Dick.
‘Ah! But then they’ll have taken ‘em for a fortnight certain,’ replied the child with a shrewd look; ‘and people don’t like moving when they’re once settled.’
‘This is a queer sort of thing,’ muttered Dick, rising. ‘What do you mean to say you are—the cook?’
‘Yes, I do plain cooking;’ replied the child. ‘I’m housemaid too; I do all the work of the house.’
‘I suppose Brass and the Dragon and I do the dirtiest part of it,’ thought Dick. And he might have thought much more, being in a doubtful and hesitating mood, but that the girl again urged her request, and certain mysterious bumping sounds on the passage and staircase seemed to give note of the applicant’s impatience. Richard Swiveller, therefore, sticking a pen behind each ear, and carrying another in his mouth as a token of his great importance and devotion to business, hurried out to meet and treat with the single gentleman.
He was a little surprised to perceive that the bumping sounds were occasioned by the progress upstairs of the single gentleman’s trunk, which, being nearly twice as wide as the staircase, and exceedingly heavy withal, it was no easy matter for the united exertions of the single gentleman and the coachman to convey up the steep ascent. But there they were, crushing each other, and pushing and pulling with all their might, and getting the trunk tight and fast in all kinds of impossible angles, and to pass them was out of the question; for which sufficient reason, Mr Swiveller followed slowly behind, entering a new protest on every stair against the house of Mr Sampson Brass being thus taken by storm.
To these remonstrances, the single gentleman answered not a word, but when the trunk was at last got into the bedroom, sat down upon
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