Jean-Christophe, vol 1 by Romain Rolland (fb2 epub reader .txt) đź“•
He waited for contradiction, and spat on the fire. Then, as neither mother nor child raised any objection, he was for going on, but relapsed into silence.
* * * * *
They said no more. Both Jean Michel, sitting by the fireside, and Louisa, in her bed, dreamed sadly. The old man, in spite of what he had said, had bitter thoughts about his son's marriage, and Louisa was thinking of it also, and blaming herself, although she had nothing wherewith to reproach herself.
She had been a servant when, to everybody's surprise, and her own especially, she married Melchior Krafft, Jean Michel's son. The Kraffts were without fortune, but were considerable people in the little Rhine town in which the old man had settled down more than fifty years before. Both father and son were musicians, and known to all the musicians of the country from Cologne to Mannheim. Melchior played the violin at the Hof-Theater, and Jean Michel had formerly been director of the grand-ducal concerts. The o
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to bring the matter to the attention of his tenant: but that was probably
why she did not appear: and the garden was not improved by it.
Frau Froehlich kept a little draper’s shop which might have had customers
enough, thanks to its position in a street of shops in the center of the
town: but she did not bother about it any more than about her garden.
Instead of doing her housework herself, as, according to Frau Vogel, every
self-respecting woman ought to do—especially when she is in circumstances
which do not permit much less excuse idleness—she had hired a little
servant, a girl of fifteen, who came in for a few hours in the morning to
clean the rooms and look after the shop, while the young woman lay in bed
or dawdled over her toilet.
Christophe used to see her sometimes, through his windows, walking about
her room, with bare feet, in her long nightgown, or sitting for hours
together before her mirror: for she was so careless that she used to forget
to draw her curtains: and when she saw him, she was so lazy that she could
not take the trouble, to go and lower them. Christophe, more modest than
she, would leave the window so as not to incommode her: but the temptation
was great. He would blush a little and steal a glance at her bare arms,
which were rather thin, as she drew them languidly around her flowing hair,
and with her hands, clasped behind her head, lost herself in a dream, until
they were numbed, and then she would let them fall. Christophe would
pretend that he only saw these pleasant sights inadvertently as he happened
to pass the window, and that they did not disturb him in his musical
thoughts; but he liked it, and in the end he wasted as much time in
watching Frau Sabine, as she did over her toilet. Not that she was a
coquette: she was rather careless, generally, and did not take anything
like the meticulous care with her appearance that Amalia or Rosa did. If
she dawdled in front of her dressing table it was from pure laziness; every
time she put in a pin she had to rest from the effort of it, while she made
little piteous faces at herself in the mirrors. She was never quite
properly dressed at the end of the day.
Often her servant used to go before Sabine was ready: and a customer would
ring the shop-bell. She would let him ring and call once or twice before
she could make up her mind to get up from her chair. She would go down,
smiling, and never hurrying,—never hurrying would look for the article
required,—and if she could not find it after looking for some time, or
even (as happened sometimes) if she had to take too much trouble to reach
it, as for instance, taking the ladder from one end of the shop to the
other,—she would say calmly that she did not have it in stock: and as she
never bothered to put her stock in order, or to order more of the articles
of which she had run out, her customers used to lose patience and go
elsewhere. But she never minded. How could you be angry with such a
pleasant creature who spoke so sweetly, and was never excited about
anything! She did not mind what anybody said to her: and she made this so
plain that those who began to complain never had the courage to go on: they
used to go, answering her charming smile with a smile: but they never came
back. She never bothered about it. She went on smiling.
She was like a little Florentine figure. Her well marked eyebrows were
arched: her gray eyes were half open behind the curtain of her lashes. The
lower eyelid was a little swollen, with a little crease below it. Her
little, finely drawn nose turned up slightly at the end. Another little
curve lay between it and her upper lip, which curled up above her half-open
mouth, pouting in a weary smile. Her lower lip was a little thick: the
lower part of her face was rounded, and had the serious expression of the
little virgins of Filippo Lippi. Her complexion was a little muddy, her
hair was light brown, always untidy, and done up in a slovenly chignon. She
was slight of figure, small-boned. And her movements were lazy. Dressed
carelessly—a gaping bodice, buttons missing, ugly, worn shoes, always
looking a little slovenly—she charmed by her grace and youth, her
gentleness, her instinctively coaxing ways. When she appeared to take the
air at the door of her shop, the young men who passed used to look at her
with pleasure: and although she did not bother about them, she noticed it
none the less. Always then she wore that grateful and glad expression which
is in the eyes of all women when they know that they have been seen with
sympathetic eyes. It seemed to say:
“Thank you!… Again! Look at me again!” But though it gave her pleasure to
please, her indifference would never let her make the smallest effort to
please.
She was an object of scandal to the Euler-Vogels. Everything about her
offended them: her indolence, the untidiness of her house, the carelessness
of her dress, her polite indifference to their remarks, her perpetual
smile, the impertinent serenity with which she had accepted her husband’s
death, her child’s illnesses, her straitened circumstances, the great and
annoyances of her daily life, while nothing could change one jot of her
favorite habits, or her eternal longing,—everything about her offended
them: and the worst of all was that, as she was, she did give pleasure.
Frau Vogel could not forgive her that. It was almost as though Sabine did
it on purpose, on purpose, ironically, to set at naught by her conduct the
great traditions, the true principles, the savorless duty, the pleasureless
labor, the restlessness, the noise, the quarrels, the mooning ways, the
healthy pessimism which was the motive power of the Euler family, as it is
that of all respectable persons, and made their life a foretaste of
purgatory. That a woman who did nothing but dawdle about all the blessed
day should take upon herself to defy them with her calm insolence, while
they bore their suffering in silence like galley-slaves,—and that people
should approve of her into the bargain—that was beyond the limit, that was
enough to turn you against respectability!… Fortunately, thank God, there
were still a few sensible people left in the world. Frau Vogel consoled
herself with them. They exchanged remarks about the little widow, and spied
on her through her shutters. Such gossip was the joy of the family when
they met at supper. Christophe would listen absently. He was so used to
hearing the Vogels set themselves up as censors of their neighbors that he
never took any notice of it. Besides he knew nothing of Frau Sabine except
her bare neck and arms, and though they were pleasing enough, they did not
justify his coming to a definite opinion about her. However, he was
conscious; of a kindly feeling towards her: and in a contradictory spirit
he was especially grateful to her for displeasing Frau Vogel.
*
After dinner in the evening when it was very hot it was impossible to stay
in the stifling yard, where the sun shone the whole afternoon. The only
place in the house where it was possible to breathe was the rooms looking
into the street, Euler and his son-in-law used sometimes to go and sit on
the doorstep with Louisa. Frau Vogel and Rosa would only appear for a
moment: they were kept by their housework: Frau Vogel took a pride in
showing that she had no time for dawdling: and she used to say, loudly
enough to be overheard, that all the people sitting there and yawning on
their doorsteps, without doing a stitch of work, got on her nerves. As she
could not—(to her sorrow)—compel them to work, she would pretend not to
see them, and would go in and work furiously. Rosa thought she must do
likewise. Euler and Vogel would discover draughts everywhere, and fearful
of catching cold, would go up to their rooms: they used to go to bed early,
and would have thought themselves ruined had they changed the least of
their habits. After nine o’clock only Louisa and Christophe would be left.
Louisa spent the day in her room: and, In the evening, Christophe used to
take pains to be with her, whenever he could, to make her take the air. If
she were left alone she would never go out: the noise of the street
frightened her. Children were always chasing each other with shrill cries.
All the dogs of the neighborhood took it up and barked. The sound of a
piano came up, a little farther off a clarinet, and in the next street a
cornet Ă piston. Voices chattered. People came and went and stood in groups
in front of their houses. Louisa would have lost her head if she had been
left alone in all the uproar. But when her son was with her it gave her
pleasure. The noise would gradually die down. The children and the dogs
would go to bed first. The groups of people would break up. The air would
become more pure. Silence would descend upon the street. Louisa would tell
in her thin voice the little scraps of news that she had heard from Amalia
or Rosa. She was not greatly interested in them. But she never knew what to
talk about to her son, and she felt the need of keeping in touch with him,
of saying something to him. And Christophe, who felt her need, would
pretend to be interested in everything she said: but he did not listen. He
was off in vague dreams, turning over in his mind the doings of the day.
One evening when they were sitting there—while his mother Was talking he
saw the door of the draper’s shop open. A woman came out silently and sat
in the street. Her chair was only a few yards from Louisa. She was sitting
in the darkest shadow. Christophe could not see her face: but he recognized
her. His dreams vanished. The air seemed sweeter to him. Louisa had not
noticed Sabine’s presence, and went on with her chatter in a low voice.
Christophe paid more attention to her, and, he felt impelled to throw out a
remark here and there, to talk, perhaps to be heard. The slight figure sat
there without stirring, a little limp, with her legs lightly crossed and
her hands lying crossed in her lap. She was looking straight in front of
her, and seemed to hear nothing. Louisa was overcome with drowsiness. She
went in. Christophe said he would stay a little longer.
It was nearly ten. The street was empty. The people were going indoors. The
sound of the shops being shut was heard. The lighted windows winked and
then were dark again. One or two were still lit: then they were blotted
out. Silence…. They were alone, they did not look at each other, they
held their breath, they seemed not to be aware of each other. From the
distant fields came the smell of the new-mown hay, and from a balcony in a
house near by the scent of a pot of cloves. No wind stirred. Above their
heads was the Milky Way. To their right red Jupiter. Above a chimney
Charles’ Wain bent its axles: in the pale green sky its stars flowered like
daisies. From the bells of the parish church eleven o’clock rang out and
was caught up
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