The Two Brothers by Honoré de Balzac (which ebook reader .TXT) 📕

the poor woman, and thinking the words must mean the delirium that precedes death.

"Ah, Joseph! can you pardon me, my child?" she cried.

"For what?" he said.

"I have never loved you as you deserved to be loved."

"Oh, what an accusation!" he cried. "Not loved me? For seven years have we not lived alone together? All these seven years have you not taken care of me and done everything for me? Do I not see you every day,--hear your voice? Are you not the gentle and indulgent companion of my miserable life? You don't understand painting?--Ah! but that's a gift not always given. I was saying to Grassou only yesterday: 'What comforts me in the midst of my trials is that I have such a good mother. She is all that an artist's wife should be; she sees to everything; she takes care of my material wants without ever troubling or worrying me.'"

"No, Joseph, no; you have loved me, but I have not returned you love for love. Ah! would that I could live a little longer--Give me your hand."

Agathe took her son's hand, kissed it, held it on her heart, and looked in his face a long time,--letting him see the azure of her eyes resplendent with a tenderness she had hitherto bestowed on Philippe only. The painter, well fitted to judge of expression, was so struck by the change, and saw so plainly how the heart of his mother had opened to him, that he took her in his arms, and held her for some moments to his heart, crying out like one beside himself,--"My mother! oh, my mother!"

"Ah! I feel that I am forgiven!" she said. "God will confirm the child's pardon of its mother."

"You must be calm: don't torment yourself; hear me. I feel myself loved enough in this one moment for all the past," he said, as he laid her back upon the pillows.

During the two weeks' struggle between life and death, there glowed such love in every look and gesture and impulse of the soul of the pious creature, that each effusion of her feelings seemed like the expression of a lifetime. The mother thought only of her son; she herself counted for nothing; sustained by love, she was unaware of her sufferings. D'Arthez, Michel Chrestien, Fulgence Ridal, Pierre Grassou, and Bianchon often kept Joseph company, and she heard them talking art in a low voice in a corner of her room.

"Oh, how I wish I knew what color is!" she exclaimed one evening as she heard them discussing one of Joseph's pictures.

Joseph, on his side, was sublimely devoted to his mother. He never left her chamber; answered tenderness by tenderness, cherishing her upon his heart. The spectacle was never afterwards forgotten by his friends; and they themselves, a band of brothers in talent and nobility of nature, were to Joseph and his mother all that they should have been,--friends who prayed, and truly wept; not saying prayers and shedding tears, but one with their friend in thought and action. Joseph, inspired as much by feeling as by genius, divined in the occasional expression of his mother's face a desire that was deep hidden in her heart, and he said one day to d'Arthez,--

"She has loved that brigand Philippe too well not to want to see him before she dies."

Joseph begged Bixiou, who frequented the Bohemian regions where Philippe was still occasionally to be found, to persuade that shameless son to play, if only out of pity, a little comedy of tenderness which might wrap the mother's heart in a winding-sheet of illusive happiness. Bixiou, in his capacity as an observing and misanthropical scoffer, desired nothing better than to undertake such a mission. When he had made known Madame Bridau's condition to the Comte de Brambourg, who received him in a bedroom hung with yellow damask, the colonel laughed.

"What the devil do you want me to do there?" he cried. "The only service the poor woman can render me is to die as soon as she can; she would be rather a sorry figure at my marriage with Mademoiselle de Soulanges. The less my family is seen, the better my position. You can easily understand that I should like to bury the name of Bridau under all the monuments in Pere-Lachaise. My brother irritates me by bringing the name into publicity. You are too knowing not to see the situation as I do. Look at it as if it were your own: if you were a deputy, with a tongue like yours, you would be as much feared as Chauvelin; you would be made Comte Bixiou, and director of the Beaux-Arts. Once there, how should you like it if your grandmother Descoings were to turn up? Would you want that worthy woman, who looked like a Madame Saint-Leon, to be hanging on to you? Would you give her an arm in the Tuileries, and present her to the noble family you were trying to enter? Damn it, you'd wish her six feet under ground, in a leaden night-gown. Come, breakfast with me, and let us talk of something else. I am a parvenu, my dear fellow, and I know it. I don't choose that my swaddling-clothes shall be seen. My son will be more fortunate than I; he will be a great lord. The scamp will wish me dead; I expect it,--or he won't be my son."

He rang the bell, and ordered the servant to serve breakfast.

"The fashionable world wouldn't see you in your mother's bedroom," said Bixiou. "What would it cost you to seem to love that poor woman for a few hours?"

"Whew!" cried Philippe, winking. "So you come from them, do you? I'm an old camel, who knows all about genuflections. My mother makes the excuse of her last illness to get something out of me for Joseph. No, thank you!"

When Bixiou related this scene to Joseph, the poor painter was chilled to the very soul.

"Does Philippe know I am ill?" asked Agathe in a piteous tone, the day after Bixiou had rendered an account of his fruitless errand.

Joseph left the room, suffocating with emotion. The Abbe Loraux, who was sitting by the bedside of his penitent, took her hand and pressed it, and then he answered, "Alas! my child, you have never had but one son."

The words, which Agathe understood but too well, conveyed a shock which was the beginning of the end. She died twenty hours later.

In the delirium which preceded death, the words, "Whom does Philippe take after?" escaped her.

Joseph followed his mother to the grave alone. Philippe had gone, on business it was said, to Orleans; in reality, he was driven from Paris by the following letter, which Joseph wrote to him a moment after their mother had breathed her last sigh:--

Monster! my poor mother has died of the shock your letter caused
her. Wear mourning, but pretend illness; I will not suffer her
assassin to stand at my side before her coffin.

Joseph B.

The painter, who no longer had the heart to paint, though his bitter grief sorely needed the mechanical distraction which labor is wont to give, was surrounded by friends who agreed with one another never to leave him entirely alone. Thus it happened that Bixiou, who loved Joseph as much as a satirist can love any one, was sitting in the atelier with a group of other friends about two weeks after Agathe's funeral. The servant entered with a letter, brought by an old woman, she said, who was waiting below for the answer.

Monsieur,--To you, whom I scarcely dare to call my brother, I am
forced to address myself, if only on account of the name I bear.--

Joseph turned the page and read the signature. The name "Comtesse Flore de Brambourg" made him shudder. He foresaw some new atrocity on the part of his brother.

"That brigand," he cried, "is the devil's own. And he calls himself a man of honor! And he wears a lot of crosses on his breast! And he struts about at court instead of being bastinadoed! And the scoundrel is called Monsieur le Comte!"

"There are many like him," said Bixiou.

"After all," said Joseph, "the Rabouilleuse deserves her fate, whatever it is. She is not worth pitying; she'd have had my neck wrung like a chicken's without so much as saying, 'He's innocent.'"

Joseph flung away the letter, but Bixiou caught it in the air, and read it aloud, as follows:--

Is it decent that the Comtesse Bridau de Brambourg should die in a
hospital, no matter what may have been her faults? If such is to
be my fate, if such is your determination and that of monsieur le
comte, so be it; but if so, will you, who are the friend of Doctor
Bianchon, ask him for a permit to let me enter a hospital?

The person who carries this letter has been eleven consecutive
days to the hotel de Brambourg, rue de Clichy, without getting any
help from my husband. The poverty in which I now am prevents my
employing a lawyer to make a legal demand for what is due to me,
that I may die with decency. Nothing can save me, I know that. In
case you are unwilling to see your unhappy sister-in-law, send me,
at least, the money to end my days. Your brother desires my death;
he has always desired it. He warned me that he knew three ways of
killing a woman, but I had not the sense to foresee the one he has
employed.

In case you will consent to relieve me, and judge for yourself the
misery in which I now am, I live in the rue du Houssay, at the
corner of the rue Chantereine, on the fifth floor. If I cannot pay
my rent to-morrow I shall be put out--and then, where can I go?
May I call myself,

Your sister-in-law,

Comtesse Flore de Brambourg.

"What a pit of infamy!" cried Joseph; "there is something under it all."

"Let us send for the woman who brought the letter; we may get the preface of the story," said Bixiou.

The woman presently appeared, looking, as Bixiou observed, like perambulating rags. She was, in fact, a mass of old gowns, one on top of another, fringed with mud on account of the weather, the whole mounted on two thick legs with heavy feet which were ill-covered by ragged stockings and shoes from whose cracks the water oozed upon the floor. Above the mound of rags rose a head like those that Charlet has given to his scavenger-women, caparisoned with a filthy bandanna handkerchief slit in the folds.

"What is your name?" said Joseph, while Bixiou sketched her, leaning on an umbrella belonging to the year II. of the Republic.

"Madame Gruget, at your service. I've seen better days, my young gentleman," she said to Bixiou, whose laugh affronted her. "If my poor girl hadn't had the ill-luck to love some one too much, you wouldn't see me what I am. She drowned herself in the river, my poor Ida,--saving your presence! I've had the folly to nurse up a quaterne, and that's why, at seventy-seven years of age, I'm obliged