Phantom Fortune by Mary Elizabeth Braddon (ereader iphone TXT) 📕

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'My dear, there is no difference nowadays between the stage and the drawing-room. Whatever Chaumont wears you may wear. And now let us think of the second day. I think as your first costume is to be nautical, and rather masculine, your second should be somewhat languishing and _vaporeux_. Creamy Indian muslin, wild flowers, a large Leghorn hat.'

'And what will Miladi herself wear?' asked the French woman of Lady Kirkbank. 'She must have something of new.'

'No, at my age, it doesn't matter. I shall wear one of my cotton frocks, and my Dunstable hat.'

Lesbia shuddered, for Lady Kirkbank in her cotton frock was a spectacle at which youth laughed and age blushed. But after all it did not matter to Lesbia. She would have liked a less rowdy chaperon; but as a foil to her own fresh young beauty Lady Kirkbank was admirable.

They drove down to Rood Hall early next week, Sir George conveying them in his drag, with a change of horses at Maidenhead. The weather was peerless; the country exquisite, approached from London. How different that river landscape looks to the eyes of the traveller returning from the wild West of England, the wooded gorges of Cornwall and Devon, the Tamar and the Dart. Then how small and poor and mean seems silvery Thames, gliding peacefully between his willowy bank, singing his lullaby to the whispering sedges; a poor little river, a flat commonplace landscape, says the traveller, fresh from moorland and tor, from the rocky shore of the Atlantic, the deep clefts of the great, red hills.

To Lesbia's eyes the placid stream and the green pastures, breathing odours of meadow-sweet and clover, seemed passing lovely. She was pleased with her own hat and parasol too, which made her graciously disposed towards the landscape; and the last packet of gloves from North Audley Street fitted without a wrinkle. The glovemaker was beginning to understand her hand, which was a study for a sculptor, but which had its little peculiarities.

Nor was she ill-disposed to Mr. Smithson, who had come up to town by an early train, in order to lunch in Arlington Street and go back by coach, seated just behind Lady Lesbia, who had the box seat beside Sir George.

The drive was delightful. It was a few minutes after five when the coach drove past the picturesque old gate-house into Mr. Smithson's Park, and Rood Hall lay on the low ground in front of them, with its back to the river. It was an old red brick house in the Tudor style, with an advanced porch, and four projecting wings, three stories high, with picturesque spire roofs overtopping the main building. Around the house ran a boldly-carved stone parapet, bearing the herons and bulrushes which were the cognisance of the noble race for which the mansion was built. Numerous projecting mullioned windows broke up the line of the park front. Lesbia was fain to own that Rood Hall was even better than Park Lane. In London Mr. Smithson had created a palace; but it was a new palace, which still had a faint flavour of bricks and mortar, and which was apt to remind the spectator of that wonderful erection of Aladdin, the famous Parvenu of Eastern story. Here, in Berkshire, Mr. Smithson had dropped into a nest which had been kept warm for him for three centuries, aired and beautified by generations of a noble race which had obligingly decayed and dwindled in order to make room for Mr. Smithson. Here the Parvenu had bought a home mellowed by the slow growth of years, touched into poetic beauty by the chastening fingers of time. His artist friends told him that every brick in the red walls was 'precious,' a mystery of colour which only a painter could fitly understand and value. Here he had bought associations, he had bought history. He had bought the dust of Elizabeth's senators, the bones of her court beauties. The coffins in the Mausoleum yonder in the ferny depths of the Park, the village church just outside the gates--these had all gone with the property.

Lesbia went up the grand staircase, through the long corridors, in a dream of wonder. Brought up at Fellside, in that new part of the Westmoreland house which had been built by her grandmother and had no history, she felt thrilled by the sober splendour of this fine old manorial mansion. All was sound and substantial, as if created yesterday, so well preserved had been the goods and chattels of the noble race; and yet all wore such unmistakeable marks of age. The deep rich colouring of the wainscot, the faded hues of the tapestry, the draperies of costliest velvet and brocade, were all sobered by the passing of years.

Mr. Smithson had shown his good taste in having kept all things as Sir Hubert Heronville, the last of his race, had left them; and the Heronvilles had been one of those grand old Tory races which change nothing of the past.

Lady Lesbia's bedroom was the State chamber, which had been occupied by kings and queens in days of yore. That grandiose four-poster, with the carved ebony columns, cut velvet curtains, and plumes of ostrich feathers, had been built for Elizabeth, when she deigned to include Rood Hall in one of her royal progresses. Charles the First had rested his weary head upon those very pillows, before he went on to the Inn at Uxbridge, where he was to be lodged less luxuriously. James the Second had stayed there when Duke of York, with Mistress Anne Hyde, before he acknowledged his marriage to the multitude; and Anne's daughter had occupied the same room as Queen of England forty years later; and now the Royal Chamber, with adjacent dressing-room, and oratory, and spacious boudoir all in the same suite, was reserved for Lady Lesbia Haselden.

'I'm afraid you are spoiling me,' she told Mr. Smithson, when he asked if she approved of the rooms that had been allotted to her. 'I feel quite ashamed of myself among the ghosts of dead and gone queens.'

'Why so? Surely the Royalty of beauty has as divine a right as that of an anointed sovereign.'

'I hope the Royal personages don't walk,' exclaimed Lady Kirkbank, in her girlish tone; 'this is just the house in which one would expect ghosts.'

Whereupon Mrs. Mostyn hastened to enlighten the company upon the real causes of ghost-seeing, which she had lately studied in Carpenter's 'Mental Physiology,' and favoured them with a diluted version of the views of that authority.

This was at afternoon tea in the library, where the brass-wired bookcases, filled with mighty folios and handsome octavos in old bindings, looked as if they had not been opened for a century. The literature of past ages furnished the room, and made a delightful background. The literature of the present lay about on the tables, and testified that the highest intellectual flight of the inhabitants of Rood Hall was a dip into the _Contemporary_ or the _Nineteenth Century_, or the perusal of the last new scandal in the shape of Reminiscences or Autobiography. One large round table was consecrated to Mudie, another to Rolandi. On the one side you had Mrs. Oliphant, on the other Zola, exemplifying the genius of the two nations.

After tea Mr. Smithson's visitors, most of whom had arrived in Sir George's drag, explored the grounds. These were lovely beyond expression in the low afternoon light. Cedars of Lebanon spread their broad shadows on the velvet lawn, yews and Wellingtonias of mighty growth made an atmosphere of gloom in some parts of the grounds. One great feature was the Ladies' Garden, a spot apart, a great square garden surrounded with a laurel wall, eight feet high, containing a rose garden, where the choicest specimens grew and flourished, while in the centre there was a circular fish-pond with a fountain. There was a Lavender Walk too, another feature of the grounds at Rood Hall, an avenue of tall lavender bushes, much affected by the stately dames of old.

Modern manners preferred the river terrace, as a pleasant place on which to loiter after dinner, to watch the boats flashing by in the evening light, or the sun going down behind a fringe of willows on the opposite bank. This Italian terrace, with its statues, and carved vases filled with roses, fuchsias, and geraniums, was the great point of rendezvous at Rood Hall--an ideal spot whereon to linger in the deepening twilight, from which to gaze upon the moonlit river later on in the night.

The windows of the drawing-room, and music-room, and ballroom opened on to this terrace, and the royal wing--the tower-shaped wing now devoted to Lady Lesbia, looked upon the terrace and the river.

'Lovely, as your house is altogether, I think this river view is the best part of it,' said Lady Lesbia, as she strolled with Mr. Smithson on the terrace after dinner, dressed in Indian muslin which was almost as poetical as a vapour, and with a cloud of delicate lace wrapped round her head. 'I think I shall spend half of my life at my boudoir window, gloating over that delicious landscape.'

Horace Meander, the poet, was discoursing to a select group upon that peculiar quality of willows which causes them to shiver, and quiver, and throw little lights and shadows on the river, and on the subtle, ineffable beauty of twilight, which perhaps, however utterly beautiful in the abstract, would have been more agreeable to him personally if he had not been surrounded by a cloud of gnats, which refused to be buffeted off his laurel-crowned head.

While Mr. Meander poetised in his usual eloquent style, Mrs. Mostyn, as a still newer light, discoursed as eloquently to little a knot of women, imparting valuable information upon the anatomical structure and individual peculiarities of those various insects which are the pests of a summer evening.

'You don't like gnats!' exclaimed the lady; 'how very extraordinary. Do you know I have spent days and weeks upon the study of their habits and dear little ways. They are the most interesting creatures--far superior to _us_ in intellect. Do you know that they fight, and that they have tribes which are life-long enemies--like those dreadful Corsicans--and that they make little sepulchres in the bark of trees, and bury each other--alive, if they can; and they hold vestries, and have burial boards. They are most absorbing creatures, if you only give yourself up to the study of them; but it is no use to be half-hearted in a study of that kind. I went without so much as a cup of tea for twenty-four hours, watching my gnats, for fear the opening of the door should startle them. Another time I shall make the nursery governess watch for me.'

'How interesting, how noble of you,' exclaimed the other ladies; and then they began to talk about bonnets, and about Mr. Smithson, to speculate how much money this house and all his other houses had cost him, and to wonder if he was really rich, or if he were only one of those great financial windbags which so often explode and leave the world aghast, marvelling at the ease with which it has been deluded.

They wondered, too, whether Lady Lesbia Haselden meant to marry him.

'Of course she does, my dear,' answered Mrs. Mostyn, decisively.

'You don't suppose that after having studied the habits of _gnats_ I cannot read such a poor shallow creature as a silly vain girl. Of course Lady Lesbia means to marry Mr. Smithson's fine houses; and she is only amusing herself and swelling her own importance by letting him dangle in a kind of suspense which is not suspense;