Homo Sum — Volume 01 by Georg Ebers (inspirational novels TXT) 📕

there. Yes, there was no doubt, for he heard talking overhead and clearly distinguished the senator's deep voice. Hermas advanced, and set his foot on the first step of the stairs; but he had scarcely begun to go up with some decision, and feeling ashamed of his bashfulness, when he heard a door fly open just above him, and from it there poured a flood of fresh laughing children's voices, like a pent up stream when the miller opens the sluice gate.

He glanced upwards in surprise, but there was no time for consideration, for the shouting troop of released little ones had already reached the stairs. In front of all hastened a beautiful young woman with golden hair; she was laughing gaily, and held a gaudily-dressed doll high above her head. She came backwards towards the steps, turning her fair face beaming with fun and delight towards the children, who, full of their longing, half demanding, half begging, half laughing, half crying, shouted in confusion, "Let us be, Sirona," "Do not take it away again, Sirona," "Do stay here, Sirona," again and again, "Sirona—Sirona."

A lovely six year old maiden stretched up as far as she could to reach the round white arm that held the play-thing; with her left hand, which was free, she gaily pushed away three smaller children, who tried to cling to her knees and exclaimed, still stepping backwards, "No, no; you shall not have it till it has a new gown; it shall be as long and as gay as the Emperors's robe. Let me go, Caecilia, or you will fall down as naughty Nikon did the other day."

By this time she had reached the steps; she turned suddenly, and with outstretched arms she stopped the way of the narrow stair on which Hermas was standing, gazing open-mouthed at the merry scene above his head. Just as Sirona was preparing to run down, she perceived him and started; but when she saw that the anchorite from pure embarrassment could find no words in which to answer her question as to what he wanted, she laughed heartily again and called out: "Come up, we shall not hurt you—shall we children?"

Meanwhile Hermas had found courage enough to give utterance to his wish to speak with the senator, and the young woman, who looked with complacency on his strong and youthful frame, offered to conduct him to him.

Petrus had been talking to his grown up elder sons; they were tall men, but their father was even taller than they, and of unusual breadth of shoulder.

While the young men were speaking, he stroked his short grey beard and looked down at the ground in sombre gravity, as it might have seemed to the careless observer; but any one who looked closer might quickly perceive that not seldom a pleased smile, though not less often a somewhat bitter one, played upon the lips of the prudent and judicious man. He was one of those who can play with their children like a young mother, take the sorrows of another as much to heart as if they were their own, and yet who look so gloomy, and allow themselves to make such sharp speeches, that only those who are on terms of perfect confidence with them, cease to misunderstand them and fear them. There was something fretting the soul of this man, who nevertheless possessed all that could contribute to human happiness. His was a thankful nature, and yet he was conscious that he might have been destined to something greater than fate had permitted him to achieve or to be. He had remained a stone-cutter, but his sons had both completed their education in good schools in Alexandria. The elder, Antonius, who already had a house of his own and a wife and children, was an architect and artist-mechanic; the younger, Polykarp, was a gifted young sculptor. The noble church of the oasis-city had been built under the direction of the elder; Polykarp, who had only come home a month since, was preparing to establish and carry on works of great extent in his father's quarries, for he had received a commission to decorate the new court of the Sebasteion or Caesareum, as it was called—a grand pile in Alexandria—with twenty granite lions. More than thirty artists had competed with him for this work, but the prize was unanimously adjudged to his models by qualified judges. The architect whose function it was to construct the colonnades and pavement of the court was his friend, and had agreed to procure the blocks of granite, the flags and the columns which he required from Petrus' quarries, and not, as had formerly been the custom, from those of Syene by the first Cataract.

Antonius and Polykarp were now standing with their father before a large table, explaining to him a plan which they had worked out together and traced on the thin wax surface of a wooden tablet. The young architect's proposal was to bridge over a deep but narrow gorge, which the beasts of burden were obliged to avoid by making a wide circuit, and so to make a new way from the quarries to the sea, which should be shorter by a third than the old one. The cost of this structure would soon be recouped by the saving in labor, and with perfect certainty, if only the transport- ships were laden at Clysma with a profitable return freight of Alexandrian manufactures, instead of returning empty as they had hitherto done. Petrus, who could shine as a speaker in the council-meetings, in private life spoke but little. At each of his son's new projects he raised his eyes to the speaker's face, as if to see whether the young man had not lost his wits, while his mouth, only half hidden by his grey beard, smiled approvingly.

When Antonius began to unfold his plan for remedying the inconvenience of the ravine that impeded the way, the senator muttered, "Only get feathers to grow on the slaves, and turn the black ones into ravens and the white ones into gulls, and then they might fly across. What do not people learn in the metropolis!"

When he heard the word 'bridge' he stared at the young artist. "The only question," said he, "is whether Heaven will lend us a rainbow." But when Polykarp proposed to get some cedar trunks from Syria through his friend in Alexandria, and when his elder son explained his drawings of the arch with which he promised to span the gorge and make it strong and safe, he followed their words with attention; at the same time he knit his eyebrows as gloomily and looked as stern as if he were listening to some narrative of crime. Still, he let them speak on to the end, and though at first he only muttered that it was mere "fancy-work" or "Aye, indeed, if I were the emperor;" he afterwards asked clear and precise questions, to which he received positive and well considered answers. Antonius proved by figures that the profit on the delivery of material for the Caesareum only would cover more than three quarters of the outlay. Then Polykarp began to speak and declared that the granite of the Holy Mountain was finer in color and in larger blocks than that from Syene.

"We work cheaper here than at the Cataract," interrupted Antonius. "And the transport of the blocks will not come too dear when we have the bridge and command the road to the sea, and avail ourselves of the canal of Trajan, which joins the Nile to the Red Sea, and which in a few months will again be navigable."

"And if my lions are a success," added Polykarp, "and if Zenodotus is satisfied with our stone and our work, it may easily happen that we outstrip Syene in competition, and that some of the enormous orders that now flow from Constantine's new residence to the quarries at Syene, may find their way to us."

"Polykarp is not over sanguine," continued Antonius, "for the emperor is beautifying and adding to Byzantium with eager haste. Whoever erects a new house has a yearly allowance of corn, and in order to attract folks of our stamp—of whom he cannot get enough—he promises entire exemption from taxation to all sculptors, architects, and even to skilled laborers. If we finish the blocks and pillars here exactly to the designs, they will take up no superfluous room in the ships, and no one will be able to deliver them so cheaply as we."

"No, nor so good," cried Polykarp, "for you yourself are an artist, father, and understand stone-work as well as any man. I never saw a finer or more equally colored granite than the block you picked out for my first lion. I am finishing it here on the spot, and I fancy it will make a show. Certainly it will be difficult to take a foremost place among the noble works of the most splendid period of art, which already fill the Caesareum, but I will do my best."

"The Lions will be admirable," cried Antonius with a glance of pride at his brother. "Nothing like them has been done by any one these ten years, and I know the Alexandrians. If the master's work is praised that is made out of granite from the Holy Mountain, all the world will have granite from thence and from no where else. It all depends on whether the transport of the stone to the sea can be made less difficult and costly."

"Let us try it then," said Petrus, who during his son's talk had walked up and down before them in silence. "Let us try the building of the bridge in the name of the Lord. We will work out the road if the municipality will declare themselves ready to bear half the cost; not otherwise, and I tell you frankly, you have both grown most able men."

The younger son grasped his father's hand and pressed it with warm affection to his lips. Petrus hastily stroked his brown locks, then he offered his strong right hand to his eldest-born and said: We must increase the number of our slaves. Call your mother, Polykarp." The youth obeyed with cheerful alacrity, and when Dame Dorothea—who was sitting at the loom with her daughter Marthana and some of her female slaves—saw him rush into the women's room with a glowing face, she rose with youthful briskness in spite of her stout and dignified figure, and called out to her son:

"He has approved of your plans?"

"Bridge and all, mother, everything," cried the young man. "Finer granite for my lions, than my father has picked out for me is nowhere to be found, and how glad I am for Antonius! only we must have patience about the roadway. He wants to speak to you at once."

Dorothea signed to her son to moderate his ecstasy, for he had seized her hand, and was pulling her away with him, but the tears that stood in her kind eyes testified how deeply she sympathized in her favorite's excitement.

"Patience, patience, I am coming directly," cried she, drawing away her hand in order to arrange her dress and her grey hair, which was abundant and carefully dressed, and formed a meet setting for her still pleasing and unwrinkled face.

"I knew it would be so; when you have a reasonable thing to propose to your father, he will always listen to you and agree with you without my intervention; women should not mix themselves up with men's work. Youth draws a strong bow and often shoots beyond the mark. It would be a pretty thing if out of foolish affection for you I were to try to play the siren that should ensnare the steersman of the house—your father— with flattering words. You laugh at the grey-haired siren? But love overlooks the ravages of years and has a good memory for all that was once pleasing. Besides, men have not always wax in their ears when they should have. Come now to your father."

Dorothea went out past Polykarp and her daughter. The former held his sister back by the hand and asked—"Was not Sirona with you?"

The sculptor tried to appear quite indifferent, but he blushed as he spoke; Marthana observed this and replied not without a roguish glance: "She did show us her pretty face; but important business called her away."

"Sirona?" asked Polykarp incredulously.

"Certainly, why not!" answered Marthana laughing. "She had to sew a