Look at that by - (best sales books of all time .txt) π
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+ from where, acting on Alexandraβs βhic Rhodus, hic salta,β he was returning empty-handed.
Simos Panopoulos - Look at that
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had gone past him, he didnβt feel the irresistible tug to turn his head and fixate on her distancing silhouette.
- Does this seem to you as valid reason for someone to start writing?
- Thereβs nowt so queer as folk.
- Silhouette, itβs not enough. Also write βand especially her bottomβ.
- Donβt insist because, on my life, weβll end up making an ass of ourselves.
Simos Panopoulos - Look at that
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Chapter 16
Turning his back, however, to the energy-sapping task of mating in order to start writing was a sine qua non, given that simply shrugging off the nerve-racking worries of a couple would never be enough. Yet, to first start writing so that he would then really get into the writerβs role was not a prerequisite. The two went hand in hand. Provided he had many and important things to say. Urbi et orbi. And, indeed, he did. Or rather he thought he did, and thatβs what mattered. And, by God, he would say it all, even if he had to, if necessary, pry it out of himself. Say it all - who? Babis, who when out with friends, if the group did not consist of less than two people, even one, not just any one of course, and ideally no one, would never speak up. The guy who, every time heβd attempt to tell a joke, would mess it up so badly that, by the end of it, it neither made sense nor was funny. Or was this, per-haps, the whole point? In writing, he would essentially be addressing each and every future reader privately. A reader, who, if nothing else, would not ignore him, would not interrupt
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