The Old Wives' Tale by Arnold Bennett (funny books to read .TXT) 📕

say: "Why not?" His face seemed to say to Gerald and to herself: "If this incommodes you, what did you come for?"

Gerald had left her at the bedroom door with a self-conscious nod. She had partly undressed and lain down, and instantly the hotel had transformed itself into a kind of sounding-box. It was as if, beneath and within all the noises of the square, every movement in the hotel reached her ears through cardboard walls: distant shoutings and laughter below; rattlings of crockery below; stampings up and down stairs; stealthy creepings up and down stairs; brusque calls; fragments of song, whisperings; long sighs suddenly stifled; mysterious groans as of torture, broken by a giggle; quarrels and bickering,--she was spared nothing in the strangely resonant darkness.

Then there came out of the little square a great uproar and commotion, with shrieks, and under the shrieks a confused din. In vain she pressed her face into the pillow and listened to the irregular, prodigious noise of her eyelashes as they scraped the rough linen. The thought had somehow introduced itself into her head that she must arise and go to the window and see all that was to be seen. She resisted. She said to herself that the idea was absurd, that she did not wish to go to the window. Nevertheless, while arguing with herself, she well knew that resistance to the thought was useless and that ultimately her legs would obey its command.

When ultimately she yielded to the fascination and went to the window and pulled aside one of the curtains, she had a feeling of relief. The cool, grey beginnings of dawn were in the sky, and every detail of the square was visible. Without exception all the windows were wide open and filled with sightseers. In the background of many windows were burning candles or lamps that the far distant approach of the sun was already killing. In front of these, on the frontier of two mingling lights, the attentive figures of the watchers were curiously silhouetted. On the red- tiled roofs, too, was a squatted population. Below, a troop of gendarmes, mounted on caracoling horses stretched in line across the square, was gradually sweeping the entire square of a packed, gesticulating, cursing crowd. The operation of this immense besom was very slow. As the spaces of the square were cleared they began to be dotted by privileged persons, journalists or law officers or their friends, who walked to and fro in conscious pride; among them Sophia descried Gerald and Chirac, strolling arm-in-arm and talking to two elaborately clad girls, who were also arm-in-arm.

Then she saw a red reflection coming from one of the side streets of which she had a vista; it was the swinging lantern of a waggon drawn by a gaunt grey horse. The vehicle stopped at the end of the square from which the besom had started, and it was immediately surrounded by the privileged, who, however, were soon persuaded to stand away. The crowd amassed now at the principal inlets of the square, gave a formidable cry and burst into the refrain--

"Le voila! Nicolas! Ah! Ah! Ah!"

The clamour became furious as a group of workmen in blue blouses drew piece by piece all the components of the guillotine from the waggon and laid them carefully on the ground, under the superintendence of a man in a black frock-coat and a silk hat with broad flat brims; a little fussy man of nervous gestures. And presently the red columns had risen upright from the ground and were joined at the top by an acrobatic climber. As each part was bolted and screwed to the growing machine the man in the high hat carefully tested it. In a short time that seemed very long, the guillotine was finished save for the triangular steel blade which lay shining on the ground, a cynosure. The executioner pointed to it, and two men picked it up and slipped it into its groove, and hoisted it to the summit of the machine. The executioner peered at it interminably amid a universal silence. Then he actuated the mechanism, and the mass of metal fell with a muffled, reverberating thud. There were a few faint shrieks, blended together, and then an overpowering racket of cheers, shouts, hootings, and fragments of song. The blade was again lifted, instantly reproducing silence, and again it fell, liberating a new bedlam. The executioner made a movement of satisfaction. Many women at the windows clapped enthusiastically, and the gendarmes had to fight brutally against the fierce pressure of the crowd. The workmen doffed their blouses and put on coats, and Sophia was disturbed to see them coming in single file towards the hotel, followed by the executioner in the silk hat.


IV


There was a tremendous opening of doors in the Hotel de Vezelay, and much whispering on thresholds, as the executioner and his band entered solemnly. Sophia heard them tramp upstairs; they seemed to hesitate, and then apparently went into a room on the same landing as hers. A door banged. But Sophia could hear the regular sound of new voices talking, and then the rattling of glasses on a tray. The conversation which came to her from the windows of the hotel now showed a great increase of excitement. She could not see the people at these neighbouring windows without showing her own head, and this she would not do. The boom of a heavy bell striking the hour vibrated over the roofs of the square; she supposed that it might be the cathedral clock. In a corner of the square she saw Gerald talking vivaciously alone with one of the two girls who had been together. She wondered vaguely how such a girl had been brought up, and what her parents thought--or knew! And she was conscious of an intense pride in herself, of a measureless haughty feeling of superiority.

Her eye caught the guillotine again, and was held by it. Guarded by gendarmes, that tall and simple object did most menacingly dominate the square with its crude red columns. Tools and a large open box lay on the ground beside it. The enfeebled horse in the waggon had an air of dozing on his twisted legs. Then the first rays of the sun shot lengthwise across the square at the level of the chimneys; and Sophia noticed that nearly all the lamps and candles had been extinguished. Many people at the windows were yawning; they laughed foolishly after they had yawned. Some were eating and drinking. Some were shouting conversations from one house to another. The mounted gendarmes were still pressing back the feverish crowds that growled at all the inlets to the square. She saw Chirac walking to and fro alone. But she could not find Gerald. He could not have left the square. Perhaps he had returned to the hotel and would come up to see if she was comfortable or if she needed anything. Guiltily she sprang back into bed. When last she had surveyed the room it had been dark; now it was bright and every detail stood clear. Yet she had the sensation of having been at the window only a few minutes.

She waited. But Gerald did not come. She could hear chiefly the steady hum of the voices of the executioner and his aids. She reflected that the room in which they were must be at the back. The other sounds in the hotel grew less noticeable. Then, after an age, she heard a door open, and a low voice say something commandingly in French, and then a 'Oui, monsieur,' and a general descent of the stairs. The executioner and his aids were leaving. "You," cried a drunken English voice from an upper floor--it was the middle-aged Englishman translating what the executioner had said--"you, you will take the head." Then a rough laugh, and the repeating voice of the Englishman's girl, still pursuing her studies in English: "You will take ze 'ead. Yess, sair." And another laugh. At length quiet reigned in the hotel. Sophia said to herself: "I won't stir from this bed till it's all over and Gerald comes back!"

She dozed, under the sheet, and was awakened by a tremendous shrieking, growling, and yelling: a phenomenon of human bestiality that far surpassed Sophia's narrow experiences. Shut up though she was in a room, perfectly secure, the mad fury of that crowd, balked at the inlets to the square, thrilled and intimidated her. It sounded as if they would be capable of tearing the very horses to pieces. "I must stay where I am," she murmured. And even while saying it she rose and went to the window again and peeped out. The torture involved was extreme, but she had not sufficient force within her to resist the fascination. She stared greedily into the bright square. The first thing she saw was Gerald coming out of a house opposite, followed after a few seconds by the girl with whom he had previously been talking. Gerald glanced hastily up at the facade of the hotel, and then approached as near as he could to the red columns, in front of which were now drawn a line of gendarmes with naked swords. A second and larger waggon, with two horses, waited by the side of the other one. The racket beyond the square continued and even grew louder. But the couple of hundred persons within the cordons, and all the inhabitants of the windows, drunk and sober, gazed in a fixed and sinister enchantment at the region of the guillotine, as Sophia gazed. "I cannot stand this!" she told herself in horror, but she could not move; she could not move even her eyes.

At intervals the crowd would burst out in a violent staccato--

"Le voila! Nicholas! Ah! Ah! Ah!"

And the final 'Ah' was devilish.

Then a gigantic passionate roar, the culmination of the mob's fierce savagery, crashed against the skies. The line of maddened horses swerved and reared, and seemed to fall on the furious multitude while the statue-like gendarmes rocked over them. It was a last effort to break the cordon, and it failed.

From the little street at the rear of the guillotine appeared a priest, walking backwards, and holding a crucifix high in his right hand, and behind him came the handsome hero, his body all crossed with cords, between two warders, who pressed against him and supported him on either side. He was certainly very young. He lifted his chin gallantly, but his face was incredibly white. Sophia discerned that the priest was trying to hide the sight of the guillotine from the prisoner with his body, just as in the story which she had heard at dinner.

Except the voice of the priest, indistinctly rising and falling in the prayer for the dying, there was no sound in the square or its environs. The windows were now occupied by groups turned to stone with distended eyes fixed on the little procession. Sophia had a tightening of the throat, and the hand trembled by which she held the curtain. The central figure did not seem to her to be alive; but rather a doll, a marionette wound up to imitate the action of a tragedy. She saw the priest offer the crucifix to the mouth of the marionette, which with a clumsy unhuman shoving of its corded shoulders butted the thing away. And as the procession turned and stopped she could plainly see that the marionette's nape and shoulders were bare, his shirt having been slit. It was horrible. "Why do I stay here?" she asked herself hysterically. But she did not stir. The victim had disappeared now in the midst of a group of men. Then she perceived him prone under the