The Real Adventure by Henry Kitchell Webster (pdf to ebook reader txt) π
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illuminating would have to happen. Because, even in the extremely improbable case of her pretending she didn't know him, he'd then have something to go on. He dismissed this temptation as often as it showed its face around the corner of the door of his mind--dismissed it with objurgations. But it was a persistent temptation and it wouldn't stay away.
It was a real relief to him when Violet Williamson telephoned to him one day and asked him to come out to dinner. There'd be no one but herself and John, she said, and he needn't dress unless he liked. She'd been in New York for a fortnight and had only been back two days. He mustn't fail to come. There was a sort of suppressed excitement about Violet's voice over the telephone, which led him to suspect she might be able to throw some light on the enigma.
But light, it appeared, was what John and Violet wanted from him.
They were both in the library when he came in, and after the barest preliminaries in the way of greetings and cigarettes, and the swiftest summary of her visit to New York ("I stayed just long enough to begin being not quite so furious with John for not taking me there to live,") Violet made a little silence, visibly lighted her bomb, and threw it. "John and I went to the Globe last night to see _The Girl Up-stairs_," she said.
Jimmy carried his cocktail over to the fire, drew sharply on his cigarette to get it evenly lighted, and by that time had decided on his line.
"That's an amazing resemblance, isn't it?" he said.
"Resemblance fiddle-dee-dee!" said Violet.
John Williamson hunched himself around in his chair. "Well, you know," he protested to his wife, "that's the way I dope it out myself."
"Oh, _you!_" she said, with good-natured contempt. "You think you think so. Because you've always been wild about Rose ever since Rodney married her, you just won't let yourself think anything else. But Jimmy here, doesn't even think he thinks so. He knows better."
"They're the limit, aren't they?" said John in rueful appeal to his guest. "They not only know what you think, but what you think you think! It's a marvelous thing--feminine intuition."
"'Intuition,' nothing!" said Violet. Then she rounded on Jimmy.
"How much have you found out about her--this girl with the 'astonishing resemblance'?"
"Not very much," Jimmy confessed. "According to the program, her name is Doris Dane. I did ask Block about her. He's one of the owners of the piece. But he couldn't tell me very much. She's from out of town, he thinks, and he said something about her being a dressmaker. She did some work for them on the costumes. And she started in with this show as a chorus-girl. But Galbraith, the director, got interested in her, and put her into the sextette."
"Well, there we are," said John Williamson. "That settles it. Rose never was a dressmaker, that's a cinch."
Even Violet seemed a little shaken, and Jimmy was just beginning to congratulate himself on the skill with which he had modified what Block had told him about the costumes, when Violet began on him again.
"All right!" she said. "Where are we? You know quite a lot of people in that show, don't you?" This was a rhetorical question. It was notorious that Jimmy knew more or less everybody. So, without waiting for an answer, she went on, "Well, have you been behind the scenes there since the thing began?"
"No, I've not gone back," said Jimmy. "Why should I?"
"You haven't even been curious," she questioned, "to find out what a girl who looked and talked as much like Rose as that, was like?" She concluded, for good measure, with one more question voiced a little differently--more casually. "Have you happened to see Rodney lately?"
"Why, yes," Jimmy said unwarily. "I met him at the club the other day; only saw him for a minute or two. We had one drink."
"And did you happen to tell him," she asked, "about this dressmaker in _The Girl Up-stairs_ who looked so wonderfully like Rose? Did you offer to take him round to see for himself?"
"I tell you there's nothing to that!" said John. He'd been caught in the same trap, it seemed. "What's the use of butting in? If anything has gone wrong with those two ..."
"You've always said there hasn't," Violet interrupted.
"And you've said," he countered, "that you were sure there had. Well, then, if there's a chance of it, why run the risk, just for nothing?"
Jimmy, as it happened, had never heard even a suggestion that Rose and Rodney were on any other terms than those of perfect amity. He hoped they'd go on and tell him more. So to prevent their becoming suddenly discreet, he promptly changed the subject.
"I thought you had a taboo against the Globe," he said to Violet. "How did you happen to go there?"
"John went while I was in New York," she explained.
"He's--well, a regular fan, you know. He hasn't missed a show there in years. And he was _too_ queer and absent-minded and fidgety for words, when I came back. I thought a bank must be going to fail, or something. And when he said, after dinner last night, that he felt like going to a musical show, of course I said I'd go with him. And when I found it was the Globe--he already had tickets--I was too--kind and sorry for him to make a fuss. Well, and then she came out on the stage, and I knew what it was all about."
"Where did you sit?" Jimmy asked.
"Fifth row," said John.
Violet hadn't got the bearing of Jimmy's question. "Oh, you couldn't mistake her," she said, "any more than you could in this room, now."
"Do you mean," John asked, "that she might have recognized us?"
"They can't," said Violet, "across the footlights,--can they?"
Jimmy nodded. "In a little theater like that," he said, "anywhere in the house. But it seems she didn't recognize you."
"Look here!" said Violet. "Don't you know, in your own mind, just as well as that you're standing there, that that was Rose Aldrich?"
Jimmy dropped down into a big chair. "Well," he said, "I'm willing to accept it as a working hypothesis."
"You men!" said Violet.
Dinner was announced just then, and the theme had to be dismissed until at last they were left alone with the dessert.
"What breaks me all up," Violet burst out, abandoning the pretense of picking over her walnuts, and showing, with a little outflung gesture, how impatient she had been to take it up, "what breaks me all up is how this'll hit Frederica. She just adores Rodney and she's been simply wonderful to Rose--for him, of course."
Neither of the men said anything, but she felt a little stir of protest from both of them and qualified the last phrase.
"Oh, she liked her for herself, too. We all did. We couldn't help it. But you haven't any idea, either of you, of even the beginning of what Frederica did for her--steered her just right, and pushed her just enough, and all the while seeming not to be doing a thing. Freddy's such a peach at that! And she's been so big-hearted about it; never even _felt_ jealous. If it had been me, and I'd adored a brother like that, and he'd gone off and fallen in love with a girl nobody knew, just because he saw her in a wrestling-match with a street-car conductor, I'd have wanted, whatever I might have done, to--well, show her up. And yet, even after Rose had left him, for no reason at all, Freddy ..."
"You're just guessing at all that, you know," her husband interrupted quietly. "You don't _know_ a single thing about it."
"Well, what reason _could_ Rose have for leaving him?" she flashed back. "Hasn't Rodney been perfectly crazy about her ever since he married her? Has he ever _seen_ another woman the last two years? Or maybe you think he's been coming home drunk and beating her with a trunk-strap."
But John stuck to his guns. "You don't even know she's left him. The only thing you do know is that Bella Forrester met Frederica one day, about a week before Christmas, in the railway station at Los Angeles."
"Well, can you tell me any other reason," Violet demanded, "why Freddy should dash off alone to California, right in the middle of the holiday rush, without saying a word to anybody, and be back here in just a week; and not tell even _me_ what she'd been doing, or where she'd been, so that if Bella hadn't written to me, I'd never have known about it at all? Is there any way of explaining that, except by supposing that Rose had quarreled with Rodney and left him and that Freddy was trying to get her to come back?"
Neither of the men could offer, on the spur of the moment, the alternative explanation she demanded. Indeed it would have taken a good deal of ingenuity to construct one. It was safer, anyway, just to go on looking incredulous.
There was silence for a minute or two, then Violet burst out again. "And then, after all Freddy had done, for Rose to come back here to Chicago, with all the other cities in the country where it wouldn't matter what she did, and start to be, of all things, a chorus-girl! It's just a"--she hesitated over the word, and then used it with an inflection that gave it its full literal meaning--"just a _dirty_ trick. And poor Freddy, when she knows ...!"
"I don't believe a word of it," said John Williamson. "I don't believe Doris Dane--if that's her name--is Rose, in the first place. And I don't believe Rose has had a quarrel with Rodney. But if she has, and if she's really there in that show ... Well, I know Rose--not so well as I'd have liked to, but pretty well--and I know she's a fine girl and I know she's square. And if I ever saw a girl in love with her husband, she was. Well, and if she has done it, she's got a reason for it. Oh, I don't mean another woman or a trunk-strap, or any of the regular divorce court stuff. That's absurd, of course. And it may be, really, a fool reason. But you can bet it didn't look like that to her. She wouldn't have done it, admitting it's what she's done, unless she felt she had to."
"Oh, yes," said Violet, "I expect she's feeling awfully noble about it, and I'll admit she was in love with Rodney. And that makes it all the worse! If she'd fallen in love with some other man and run off with him--well, that isn't pretty, but it's happened before and people have got away with it. But this running away on account of some silly idea that she's picked up from that votes-for-women mother of hers, running away from a man like Rodney, too, just makes you sick."
Her husband didn't try to answer her, except with a regretful sigh. He recognized in the stinging contempt of his wife's words, the voice of their world. If Doris Dane of the sextette were really Rose--and in the bottom of his heart, despite his valiant pretense, he couldn't manage more than a feeble doubt of it--she had committed the unforgivable sin. Or so he thought, leaving out of his calculations one
It was a real relief to him when Violet Williamson telephoned to him one day and asked him to come out to dinner. There'd be no one but herself and John, she said, and he needn't dress unless he liked. She'd been in New York for a fortnight and had only been back two days. He mustn't fail to come. There was a sort of suppressed excitement about Violet's voice over the telephone, which led him to suspect she might be able to throw some light on the enigma.
But light, it appeared, was what John and Violet wanted from him.
They were both in the library when he came in, and after the barest preliminaries in the way of greetings and cigarettes, and the swiftest summary of her visit to New York ("I stayed just long enough to begin being not quite so furious with John for not taking me there to live,") Violet made a little silence, visibly lighted her bomb, and threw it. "John and I went to the Globe last night to see _The Girl Up-stairs_," she said.
Jimmy carried his cocktail over to the fire, drew sharply on his cigarette to get it evenly lighted, and by that time had decided on his line.
"That's an amazing resemblance, isn't it?" he said.
"Resemblance fiddle-dee-dee!" said Violet.
John Williamson hunched himself around in his chair. "Well, you know," he protested to his wife, "that's the way I dope it out myself."
"Oh, _you!_" she said, with good-natured contempt. "You think you think so. Because you've always been wild about Rose ever since Rodney married her, you just won't let yourself think anything else. But Jimmy here, doesn't even think he thinks so. He knows better."
"They're the limit, aren't they?" said John in rueful appeal to his guest. "They not only know what you think, but what you think you think! It's a marvelous thing--feminine intuition."
"'Intuition,' nothing!" said Violet. Then she rounded on Jimmy.
"How much have you found out about her--this girl with the 'astonishing resemblance'?"
"Not very much," Jimmy confessed. "According to the program, her name is Doris Dane. I did ask Block about her. He's one of the owners of the piece. But he couldn't tell me very much. She's from out of town, he thinks, and he said something about her being a dressmaker. She did some work for them on the costumes. And she started in with this show as a chorus-girl. But Galbraith, the director, got interested in her, and put her into the sextette."
"Well, there we are," said John Williamson. "That settles it. Rose never was a dressmaker, that's a cinch."
Even Violet seemed a little shaken, and Jimmy was just beginning to congratulate himself on the skill with which he had modified what Block had told him about the costumes, when Violet began on him again.
"All right!" she said. "Where are we? You know quite a lot of people in that show, don't you?" This was a rhetorical question. It was notorious that Jimmy knew more or less everybody. So, without waiting for an answer, she went on, "Well, have you been behind the scenes there since the thing began?"
"No, I've not gone back," said Jimmy. "Why should I?"
"You haven't even been curious," she questioned, "to find out what a girl who looked and talked as much like Rose as that, was like?" She concluded, for good measure, with one more question voiced a little differently--more casually. "Have you happened to see Rodney lately?"
"Why, yes," Jimmy said unwarily. "I met him at the club the other day; only saw him for a minute or two. We had one drink."
"And did you happen to tell him," she asked, "about this dressmaker in _The Girl Up-stairs_ who looked so wonderfully like Rose? Did you offer to take him round to see for himself?"
"I tell you there's nothing to that!" said John. He'd been caught in the same trap, it seemed. "What's the use of butting in? If anything has gone wrong with those two ..."
"You've always said there hasn't," Violet interrupted.
"And you've said," he countered, "that you were sure there had. Well, then, if there's a chance of it, why run the risk, just for nothing?"
Jimmy, as it happened, had never heard even a suggestion that Rose and Rodney were on any other terms than those of perfect amity. He hoped they'd go on and tell him more. So to prevent their becoming suddenly discreet, he promptly changed the subject.
"I thought you had a taboo against the Globe," he said to Violet. "How did you happen to go there?"
"John went while I was in New York," she explained.
"He's--well, a regular fan, you know. He hasn't missed a show there in years. And he was _too_ queer and absent-minded and fidgety for words, when I came back. I thought a bank must be going to fail, or something. And when he said, after dinner last night, that he felt like going to a musical show, of course I said I'd go with him. And when I found it was the Globe--he already had tickets--I was too--kind and sorry for him to make a fuss. Well, and then she came out on the stage, and I knew what it was all about."
"Where did you sit?" Jimmy asked.
"Fifth row," said John.
Violet hadn't got the bearing of Jimmy's question. "Oh, you couldn't mistake her," she said, "any more than you could in this room, now."
"Do you mean," John asked, "that she might have recognized us?"
"They can't," said Violet, "across the footlights,--can they?"
Jimmy nodded. "In a little theater like that," he said, "anywhere in the house. But it seems she didn't recognize you."
"Look here!" said Violet. "Don't you know, in your own mind, just as well as that you're standing there, that that was Rose Aldrich?"
Jimmy dropped down into a big chair. "Well," he said, "I'm willing to accept it as a working hypothesis."
"You men!" said Violet.
Dinner was announced just then, and the theme had to be dismissed until at last they were left alone with the dessert.
"What breaks me all up," Violet burst out, abandoning the pretense of picking over her walnuts, and showing, with a little outflung gesture, how impatient she had been to take it up, "what breaks me all up is how this'll hit Frederica. She just adores Rodney and she's been simply wonderful to Rose--for him, of course."
Neither of the men said anything, but she felt a little stir of protest from both of them and qualified the last phrase.
"Oh, she liked her for herself, too. We all did. We couldn't help it. But you haven't any idea, either of you, of even the beginning of what Frederica did for her--steered her just right, and pushed her just enough, and all the while seeming not to be doing a thing. Freddy's such a peach at that! And she's been so big-hearted about it; never even _felt_ jealous. If it had been me, and I'd adored a brother like that, and he'd gone off and fallen in love with a girl nobody knew, just because he saw her in a wrestling-match with a street-car conductor, I'd have wanted, whatever I might have done, to--well, show her up. And yet, even after Rose had left him, for no reason at all, Freddy ..."
"You're just guessing at all that, you know," her husband interrupted quietly. "You don't _know_ a single thing about it."
"Well, what reason _could_ Rose have for leaving him?" she flashed back. "Hasn't Rodney been perfectly crazy about her ever since he married her? Has he ever _seen_ another woman the last two years? Or maybe you think he's been coming home drunk and beating her with a trunk-strap."
But John stuck to his guns. "You don't even know she's left him. The only thing you do know is that Bella Forrester met Frederica one day, about a week before Christmas, in the railway station at Los Angeles."
"Well, can you tell me any other reason," Violet demanded, "why Freddy should dash off alone to California, right in the middle of the holiday rush, without saying a word to anybody, and be back here in just a week; and not tell even _me_ what she'd been doing, or where she'd been, so that if Bella hadn't written to me, I'd never have known about it at all? Is there any way of explaining that, except by supposing that Rose had quarreled with Rodney and left him and that Freddy was trying to get her to come back?"
Neither of the men could offer, on the spur of the moment, the alternative explanation she demanded. Indeed it would have taken a good deal of ingenuity to construct one. It was safer, anyway, just to go on looking incredulous.
There was silence for a minute or two, then Violet burst out again. "And then, after all Freddy had done, for Rose to come back here to Chicago, with all the other cities in the country where it wouldn't matter what she did, and start to be, of all things, a chorus-girl! It's just a"--she hesitated over the word, and then used it with an inflection that gave it its full literal meaning--"just a _dirty_ trick. And poor Freddy, when she knows ...!"
"I don't believe a word of it," said John Williamson. "I don't believe Doris Dane--if that's her name--is Rose, in the first place. And I don't believe Rose has had a quarrel with Rodney. But if she has, and if she's really there in that show ... Well, I know Rose--not so well as I'd have liked to, but pretty well--and I know she's a fine girl and I know she's square. And if I ever saw a girl in love with her husband, she was. Well, and if she has done it, she's got a reason for it. Oh, I don't mean another woman or a trunk-strap, or any of the regular divorce court stuff. That's absurd, of course. And it may be, really, a fool reason. But you can bet it didn't look like that to her. She wouldn't have done it, admitting it's what she's done, unless she felt she had to."
"Oh, yes," said Violet, "I expect she's feeling awfully noble about it, and I'll admit she was in love with Rodney. And that makes it all the worse! If she'd fallen in love with some other man and run off with him--well, that isn't pretty, but it's happened before and people have got away with it. But this running away on account of some silly idea that she's picked up from that votes-for-women mother of hers, running away from a man like Rodney, too, just makes you sick."
Her husband didn't try to answer her, except with a regretful sigh. He recognized in the stinging contempt of his wife's words, the voice of their world. If Doris Dane of the sextette were really Rose--and in the bottom of his heart, despite his valiant pretense, he couldn't manage more than a feeble doubt of it--she had committed the unforgivable sin. Or so he thought, leaving out of his calculations one
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