The Last Days of Pompeii by Baron Edward Bulwer Lytton Lytton (best book reader .txt) 📕

iron stood a rude lamp; over that part of the wall, at the base of which burned the fire, hung in many rows, as if to dry, a profusion of herbs and weeds. A fox, couched before the fire, gazed upon the strangers with its bright and red eye—its hair bristling—and a low growl stealing from between its teeth; in the centre of the cave was an earthen statue, which had three heads of a singular and fantastic cast: they were formed by the real skulls of a dog, a horse, and a boar; a low tripod stood before this wild representation of the popular Hecate.

But it was not these appendages and appliances of the cave that thrilled the blood of those who gazed fearfully therein—it was the face of its inmate. Before the fire, with the light shining full upon her features, sat a woman of considerable age. Perhaps in no country are there seen so many hags as in Italy—in no country does beauty so awfully change, in age, to hideousness the most appalling and revolting. But the old woman now before them was not one of these specimens of the extreme of human ugliness; on the contrary, her countenance betrayed the remains of a regular but high and aquiline order of feature: with stony eyes turned upon them—with a look that met and fascinated theirs—they beheld in that fearful countenance the very image of a corpse!—the same, the glazed and lustreless regard, the blue and shrunken lips, the drawn and hollow jaw—the dead, lank hair, of a pale grey—the livid, green, ghastly skin, which seemed all surely tinged and tainted by the grave!

'It is a dead thing,' said Glaucus.

'Nay—it stirs—it is a ghost or larva,' faltered Ione, as she clung to the Athenian's breast.

'Oh, away, away!' groaned the slave, 'it is the Witch of Vesuvius!'

'Who are ye?' said a hollow and ghostly voice. 'And what do ye here?'

The sound, terrible and deathlike as it was—suiting well the countenance of the speaker, and seeming rather the voice of some bodiless wanderer of the Styx than living mortal, would have made Ione shrink back into the pitiless fury of the storm, but Glaucus, though not without some misgiving, drew her into the cavern.

'We are storm-beaten wanderers from the neighboring city,' said he, 'and decoyed hither by yon light; we crave shelter and the comfort of your hearth.'

As he spoke, the fox rose from the ground, and advanced towards the strangers, showing, from end to end, its white teeth, and deepening in its menacing growl.

'Down, slave!' said the witch; and at the sound of her voice the beast dropped at once, covering its face with its brush, and keeping only its quick, vigilant eye fixed upon the invaders of its repose. 'Come to the fire if ye will!' said she, turning to Glaucus and his companions. 'I never welcome living thing—save the owl, the fox, the toad, and the viper—so I cannot welcome ye; but come to the fire without welcome—why stand upon form?'

The language in which the hag addressed them was a strange and barbarous Latin, interlarded with many words of some more rude, and ancient dialect. She did not stir from her seat, but gazed stonily upon them as Glaucus now released Ione of her outer wrapping garments, and making her place herself on a log of wood, which was the only other seat he perceived at hand—fanned with his breath the embers into a more glowing flame. The slave, encouraged by the boldness of her superiors, divested herself also of her long palla, and crept timorously to the opposite corner of the hearth.

'We disturb you, I fear,' said the silver voice of Ione, in conciliation.

The witch did not reply—she seemed like one who has awakened for a moment from the dead, and has then relapsed once more into the eternal slumber.

'Tell me,' said she, suddenly, and after a long pause, 'are ye brother and sister?'

'No,' said Ione, blushing.

'Are ye married?'

'Not so,' replied Glaucus.

'Ho, lovers!—ha!—ha!—ha!' and the witch laughed so loud and so long that the caverns rang again.

The heart of Ione stood still at that strange mirth. Glaucus muttered a rapid counterspell to the omen—and the slave turned as pale as the cheek of the witch herself.

'Why dost thou laugh, old crone?' said Glaucus, somewhat sternly, as he concluded his invocation.

'Did I laugh?' said the hag, absently.

'She is in her dotage,' whispered Glaucus: as he said this, he caught the eye of the hag fixed upon him with a malignant and vivid glare.

'Thou liest!' said she, abruptly.

'Thou art an uncourteous welcomer,' returned Glaucus.

'Hush! provoke her not, dear Glaucus!' whispered Ione.

'I will tell thee why I laughed when I discovered ye were lovers,' said the old woman. 'It was because it is a pleasure to the old and withered to look upon young hearts like yours—and to know the time will come when you will loathe each other—loathe—loathe—ha!—ha!—ha!'

It was now Ione's turn to pray against the unpleasing prophecy.

'The gods forbid!' said she. 'Yet, poor woman, thou knowest little of love, or thou wouldst know that it never changes.'

'Was I young once, think ye?' returned the hag, quickly; 'and am I old, and hideous, and deathly now? Such as is the form, so is the heart.' With these words she sank again into a stillness profound and fearful, as if the cessation of life itself.

'Hast thou dwelt here long?' said Glaucus, after a pause, feeling uncomfortably oppressed beneath a silence so appalling.

'Ah, long!—yes.'

'It is but a drear abode.'

'Ha! thou mayst well say that—Hell is beneath us!' replied the hag, pointing her bony finger to the earth. 'And I will tell thee a secret—the dim things below are preparing wrath for ye above—you, the young, and the thoughtless, and the beautiful.'

'Thou utterest but evil words, ill becoming the hospitable,' said Glaucus; 'and in future I will brave the tempest rather than thy welcome.'

'Thou wilt do well. None should ever seek me—save the wretched!'

'And why the wretched?' asked the Athenian.

'I am the witch of the mountain,' replied the sorceress, with a ghastly grin; 'my trade is to give hope to the hopeless: for the crossed in love I have philtres; for the avaricious, promises of treasure; for the malicious, potions of revenge; for the happy and the good, I have only what life has—curses! Trouble me no more.

With this the grim tenant of the cave relapsed into a silence so obstinate and sullen, that Glaucus in vain endeavored to draw her into farther conversation. She did not evince, by any alteration of her locked and rigid features, that she even heard him. Fortunately, however, the storm, which was brief as violent, began now to relax; the rain grew less and