Antonina; Or, The Fall of Rome by Wilkie Collins (english love story books .TXT) 📕

to lead his daughter to a place of repose, where she might most immediately feel herself secure, and might therefore most readily recover her self-possession, Numerian drew Antonina with him into the temple. He lingered there for a moment, ere he departed to watch the street from the portico outside.

The light in the building was dim,—it was admitted only from a small aperture in the roof, and through the narrow doorway, where it was intercepted by the overhanging bulk of the outer portico. A crooked pile of dark heavy-looking substances on the floor, rose high towards the ceiling in the obscure interior. Irregular in form, flung together one over the other in strange disorder, for the most part dusky in hue, yet here and there gleaming at points with a metallic brightness, these objects presented a mysterious, indefinite, and startling appearance. It was impossible, on a first view of their confused arrangement, to discover what they were, or to guess for what purpose they could have been pile together on the floor of a deserted temple. From the moment when they had first attracted Numerian's observation, his attention was fixed on them, and as he looked a faint thrill of suspicion—vague, inexplicable, without apparent cause or object—struck chill to his heart.

He had moved a step forward to examine the hidden space at the back of the pile, when his further advance was instantly stopped by the appearance of a man who walked forth from it dressed in the floating, purple-edged robe and white fillet of the Pagan priests. Before either father or daughter could speak, even before they could move to depart, he stepped up to them, and, placing his hand on the shoulder of each, confronted them in silence.

At the moment when the stranger approached, Numerian raised his hand to thrust him back, and, in so doing, fixed his eyes on the man's countenance, as a ray of light from the doorway floated over it. Instantly his arm remained outstretched and rigid, then it dropped to his side, and the expression of horror on the face of the child became reflected, as it were, on the face of the parent. Neither moved under the hand of the dweller in the temple when he laid it heavily on each, and both stood before him speechless as himself.

CHAPTER 25. THE TEMPLE AND THE CHURCH.

It was Ulpius. The Pagan was changed in bearing and countenance as well as in apparel. He stood more firm and upright; a dull, tawny hue overspread his face; his eyes, so sunken and lustreless in other days, were now distended and bright with the glare of insanity. It seemed as if his bodily powers had renewed their vigour, while his mental faculties had declined towards their ruin.

No human eye had ever beheld by what foul and secret means he had survived through the famine, on what unnatural sustenance he had satisfied the cravings of inexorable hunger; but there, in his gloomy shelter, the madman and the outcast had lived and moved, and suddenly and strangely strengthened, after the people of the city had exhausted all their united responses, lavished in vain all their united wealth, and drooped and died by thousands around him!

His grasp still lay heavy on the father and daughter, and still both confronted him—silent, as if death-struck by his gaze; motionless, as if frozen at his touch. His presence was exerting over them a fatal fascination. The power of action, suspended in Antonina as she entered their ill-chosen refuge, was now arrested in Numerian also; but with him no thought of the enemy in the street had any part, at this moment, in the resistless influence which held him helpless before the enemy in the temple.

It was a feeling of deeper awe and darker horror. For now, as he looked upon the hideous features of Ulpius, as he saw the forbidden robe of priesthood in which the Pagan was arrayed, he beheld not only the traitor who had successfully plotted against the prosperity of his household, but the madman as well,—the moral leper of the whole human family—the living Body and the dead Soul—the disinherited of that Divine Light of Life which it is the awful privilege of mortal man to share with the angels of God.

He still clasped Antonina to his side, but it was unconsciously. To all outward appearance he was helpless as his helpless child, when Ulpius slowly removed his grasp from their shoulders, separated them, and locking the hand of each in his cold, bony fingers, began to speak.

His voice was deep and solemn, but his accents, in their hard, unvarying tone, seemed to express no human emotion. His eyes, far from brightening as he spoke, relapsed into a dull, vacant insensibility. The connection between the action of speech and the accompanying and explaining action of look which is observable in all men, seemed lost in him. It was fearful to behold the death-like face, and to listen at the same moment to the living voice.

'Lo! the votaries come to the temple!' murmured the Pagan. 'The good servants of the mighty worship gather at the voice of the priest! In the far provinces, where the enemies of the gods approach to profane the sacred groves, behold the scattered people congregating by night to journey to the shrine of Serapis! Adoring thousands kneel beneath the lofty porticoes, while within, in the secret hall where the light is dim, where the air quivers round the breathing deities on their pedestals of gold, the high priest Ulpius reads the destinies of the future, that are unrolled before his eyes like a book!'

As he ceased, and, still holding the hands of his captives, looked on them fixedly as ever, his eyes brightened and dilated again; but they expressed not the slightest recognition either of father or daughter. The delirium of his imagination had transported him to the temple at Alexandria; the days were revived when his glory had risen to its culminating point, when the Christians trembled before him as their fiercest enemy, and the Pagans surrounded him as their last hope. The victims of his former and forgotten treachery were but as two among the throng of votaries allured by the fame of his eloquence, by the triumphant notoriety of his power to protect the adherents of the ancient creed.

But it was not always thus that his madness declared itself: there were moments when it rose to appalling frenzy. Then he imagined himself to be again hurling the Christian assailants from the topmost walls of the besieged temple, in that past time when the image of Serapis was doomed by the Bishop of Alexandria to be destroyed. His yells of fury, his frantic execrations of defiance were heard afar, in the solemn silence of pestilence-stricken Rome. Those who, during the most fatal days of the Gothic blockade, dropped famished on the pavement before the little temple, as they endeavoured to pass it on their onward way, presented a dread reality of death, to embody the madman's visions of battle and slaughter. As these victims of famine lay expiring in the street, they heard above them his raving voice cursing them for Christians, triumphing over them as defeated enemies destroyed by his hand, exhorting his imaginary adherents to fling the slain above on the dead below, until the bodies of the besiegers of the temple were piled, as barriers against their living comrades, round its walls. Sometimes his frenzy gloried in the fancied revival of the foul and sanguinary ceremonies of Pagan superstition. Then he bared his arms, and shouted aloud for the sacrifice; he committed dark and nameless atrocities—for now again the dead and the dying lay before him, to give substance to the shadow of his evil thoughts; and Plague and Hunger were as creatures of his will, and slew the victim for the altar ready to his hands.

At other times, when the raving fit had passed away, and he lay panting in the darkest corner of the interior of the temple, his insanity assumed another and a mournful form. His voice grew low and moaning; the wreck of his memory—wandering and uncontrollable—floated back, far back, on the dark waters of the past; and his tongue uttered fragments of words and phrases that he had murmured at his father's knees—farewell, childish wishes that he had breathed in his mother's ear—innocent, anxious questions which he had addressed to Macrinus, the high priest, when he first entered the service of the gods at Alexandria. His boyish reveries—the gentleness of speech and poetry of thought of his first youthful days, were now, by the unsearchable and arbitrary influences of his disease, revived in his broken words, renewed in his desolate old age of madness and crime, breathed out in unconscious mockery by his lips, while the foam still gathered about them, and the last flashes of frenzy yet lightened in his eyes.

This unnatural calmness of language and vividness of memory, this treacherous appearance of thoughtful, melancholy self-possession, would often continue through long periods, uninterrupted; but, sooner or later, the sudden change came; the deceitful chain of thought snapped asunder in an instant; the word was left half uttered; the wearied limbs started convulsively into renewed action; and as the dream of violence returned and the dream of peace vanished, the madman rioted afresh in his fury; and journeyed as his visions led him, round and round his temple sanctuary, and hither and thither, when the night was dark and death was busiest in Rome, among the expiring in deserted houses, and the lifeless in the silent streets.

But there were other later events in his existence that never revived within him. The old familiar image of the idol Serapis, which had drawn him into the temple when he re-entered Rome, absorbed in itself and in its associated remembrances all that remained active of his paralysed faculties. His betrayal of his trust in the house of Numerian, his passage through the rifted wall, his crushing repulse in the tent of Alaric, never for a moment occupied his wandering thoughts. The clouds that hung over his mind might open to him parting glimpses of the toils and triumphs of his early career; but they descended in impenetrable darkness on all the after-days of his dreary life.

Such was the being to whose will, by a mysterious fatality, the father and child were now submitted; such the existence—solitary, hopeless, loathsome—of their stern and wily betrayer of other days!

Since he had ceased speaking, the cold, death-like grasp of his hand had gradually strengthened, and he had begun to look slowly and inquiringly round him from side to side. Had this change marked the approaching return of his raving paroxysm, the lives of Numerian and Antonina would have been sacrificed the next moment; but all that it now denoted was the quickening of the lofty and obscure ideas of celebrity and success, of priestly honour and influence, of the splendour and glory of the gods, which had prompted his last words.

He moved suddenly, and drew the victims of his dangerous caprice a few steps farther into the interior of the temple; then led them close up to the lofty pile of objects which had first attracted Numerian's eyes on entering the building. 'Kneel and adore!' cried the madman fiercely, replacing his hands on their shoulders and pressing them to the ground—'You stand before the gods, in the presence of their high priest!'

The girl's head sank forward, and she hid her face in her hands; but her father looked up tremblingly at the pile. His eyes had insensibly become more accustomed to the dim light of the temple, and he now saw more distinctly the objects composing the mass that rose above him.

Hundreds of images of the gods, in gold, silver, and wood—many in the latter material being larger than life; canopies, vestments, furniture, utensils, all of ancient Pagan form, were heaped together, without order or arrangement, on the floor, to a height of full fifteen feet.

There was something at once hideous and grotesque in the appearance of the pile. The monstrous figures of the idols, with their rude carved draperies and symbolic weapons, lay in every wild variety of position, and presented every startling eccentricity of line, more especially towards the higher portions of the mass, where they had evidently been flung up from the ground by the hand that had raised the structure.

The draperies mixed among the images and the furniture were here coiled serpent-like around them, and there hung down towards the ground, waving slow and solemn in the breezes that wound through the temple doorway. The smaller objects of gold and silver, scattered irregularly over the mass, shone out from it like gleaming eyes; while the pile itself, seen in such a place under a