Jack Sheppard - A Romance by William Harrison Ainsworth (best books to read for students txt) π
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occasion from you."
"Have it, and welcome," rejoined Figg. "Always plenty to spare. Never bought a shirt in my life, Mr. Gay," he added, turning to the poet. "Sold a good many, though."
"How do you manage that, Mr. Figg?" asked Gay.
"Thus," replied the prize-fighter. "Proclaim a public fight. Challenge accepted. Fifty pupils. Day before, send round to each to borrow a shirt. Fifty sent home. All superfine holland. Wear one on the stage on the following day. Cut to pieces--slashed--bloodied. Each of my scholars thinks it his own shirt. Offer to return it to each in private. All make the same answer--'d--n you, keep it.'"
"An ingenious device," laughed Gay.
Sir James Thornhill's preparations being completed, Mr. Pitt desired to know if he wanted anything further, and being answered in the negative, he excused himself on the plea that his attendance was required in the court at the Old Bailey, which was then sitting, and withdrew.
"Do me the favour to seat yourself, Jack," said Sir James. "Gentlemen, a little further off, if you please."
Sheppard immediately complied with the painter's request; while Gay and Figg drew back on one side, and Hogarth on the other. The latter took from his pocket a small note-book and pencil.
"I'll make a sketch, too," he said. "Jack Sheppard's face is well worth preserving."
After narrowly examining the countenance of the sitter, and motioning him with his pencil into a particular attitude, Sir James Thornhill commenced operations; and, while he rapidly transferred his lineaments to the canvass, engaged him in conversation, in the course of which he artfully contrived to draw him into a recital of his adventures. The
ruse succeeded almost beyond his expectation. During the narration Jack's features lighted up, and an expression, which would have been in vain looked for in repose, was instantly caught and depicted by the skilful artist. All the party were greatly interested by Sheppard's history--especially Figg, who laughed loud and long at the escape from the Condemned Hold. When Jack came to speak of Jonathan Wild, his countenance fell.
"We must change the subject," remarked Thornhill, pausing in his task; "this will never do."
"Quite right, Sir James," said Austin. "We never suffer him to mention Mr. Wild's name. He never appears to so little advantage as when speaking of him."
"I don't wonder at it," rejoined Gay.
Here Hogarth received a private signal from Thornhill to attract Sheppard's attention.
"And so you've given up all hope of escaping, eh, Jack?" remarked Hogarth.
"That's scarcely a fair question, Mr. Hogarth, before the jailer," replied Jack. "But I tell you frankly, and Mr. Austin, may repeat it if he pleases to his master, Jonathan Wild,--I have not ."
"Well said, Jack," cried Figg. "Never give in."
"Well," observed Hogarth, "if, fettered as you are, you contrive to break out of this dungeon, you'll do what no man ever did before."
A peculiar smile illuminated Jack's features.
"There it is!" cried Sir James, eagerly. "There's the exact expression I want. For the love of Heaven, Jack, don't move!--Don't alter a muscle, if you can help it."
And, with a few magical touches, he stamped the fleeting expression on the canvass.
"I have it too!" exclaimed Hogarth, busily plying his pencil. "Gad! it's a devilish fine face when lit up."
"As like as life, Sir," observed Austin, peeping over Thornhill's shoulder at the portrait. "As like as life."
"The very face," exclaimed Gay, advancing to look at it;--"with all the escapes written in it."
"You flatter me," smiled Sir James. "But, I own, I think it is like."
"What do you think of my sketch, Jack?" said Hogarth, handing him the drawing.
"It's like enough, I dare say," rejoined Sheppard. "But it wants something here ." And he pointed significantly to the hand.
"I see," rejoined Hogarth, rapidly sketching a file, which he placed in the hands of the picture. "Will that do?" he added, returning it.
"It's better," observed Sheppard, meaningly. "But you've given me what I don't possess."
"Hum!" said Hogarth, looking fixedly at him. "I don't see how I can improve it."
"May I look at it, Sir!" said Austin, stepping towards him.
"No," replied Hogarth, hastily effacing the sketch. "I'm never satisfied with a first attempt."
"Egad, Jack," said Gay, "you should write your adventures. They would be quite as entertaining as the histories of Guzman D'Alfarache, Lazarillo de Tormes, Estevanillo Gonzalez, Meriton Latroon, or any of my favourite rogues,--and far more instructive."
"You had better write them for me, Mr. Gay," rejoined Jack.
"If you'll write them, I'll illustrate them," observed Hogarth.
"An idea has just occurred to me," said Gay, "which Jack's narrative has suggested. I'll write an opera the scene of which shall be laid altogether in Newgate, and the principal character shall be a highmaywan. I'll not forget your two mistresses, Jack."
"Nor Jonathan Wild, I hope," interposed Sheppard.
"Certainly not," replied Gay. "I'll gibbet the rascal. But I forget," he added, glancing at Austin; "it's high treason to speak disrespectfully of Mr. Wild in his own domain."
"I hear nothing, Sir," laughed Austin.
"I was about to add," continued Gay, "that my opera shall have no music except the good old ballad tunes. And we'll see whether it won't put the Italian opera out of fashion, with Cutzoni, Senesino, and the 'divine' Farinelli at its head."
"You'll do a national service, then," said Hogarth. "The sums lavished upon those people are perfectly disgraceful, and I should be enchanted to see them hooted from the stage. But I've an idea as well as you, grounded in some measure upon Sheppard's story. I'll take two apprentices, and depict their career. One, by perseverance and industry shall obtain fortune, credit, and the highest honours; while the other by an opposite course, and dissolute habits, shall eventually arrive at Tyburn."
"Your's will be nearer the truth, and have a deeper moral, Mr. Hogarth," remarked Jack, dejectedly. "But if my career were truly exhibited, it must be as one long struggle against destiny in the shape of--"
"Jonathan Wild," interposed Gay. "I knew it. By the by, Mr. Hogarth, didn't I see you last night at the ridotto with Lady Thornhill and her pretty daughter?"
"Me!--no, Sir," stammered Hogarth, colouring. And he hazarded a wink at the poet over the paper on which he was sketching. Luckily, Sir James was so much engrossed by his own task, that both the remark and gesture escaped him.
"I suppose I was mistaken," returned Gay. "You've been quizzing my friend Kent, I perceive, in your Burlington Gate."
"A capital caricature that," remarked Thornhill, laughing. "What does Mr. Kent say to it?"
"He thinks so highly of it, that he says if he had a daughter he would give her to the artist," answered Gay, a little maliciously.
"Ah!" exclaimed Sir James.
"'Sdeath!" cried Hogarth, aside to the poet. "You've ruined my hopes."
"Advanced them rather," replied Gay, in the same tone. "Miss Thornhill's a charming girl. I think a wife a needless incumbrance, and mean to die a bachelor. But, if I were in your place, I know what I'd do--"
"What--what would you do?" asked Hogarth, eagerly.
"Run away with her," replied Gay.
"Pish!" exclaimed Hogarth. But he afterwards acted upon the suggestion.
"Good-b'ye, Jack," said Figg, putting on his hat. "Rather in the way. Send you the shirt. Here, turnkey. Couple of guineas to drink Captain Sheppard's speedy escape. Thank him, not me, man. Give this fellow the slip, if you can, Jack. If not, keep up your spirits. Die game."
"Never fear," replied Jack. "If I get free, I'll have a bout with you at all weapons. If not, I'll take a cheerful glass with you at the City of Oxford, on my way to Tyburn."
"Give you the best I have in either case," replied Figg. "Good-b'ye!" And with a cordial shake of the hand he took his departure.
Sir James Thornhill, then, rose.
"I won't trouble you further, Jack," he remarked. "I've done all I can to the portrait here. I must finish it at home."
"Permit me to see it, Sir James!" requested Jack. "Ah!" he exclaimed, as the painting was turned towards him. "What would my poor mother say to it?"
"I was sorry to see that about your mother, Jack," observed Hogarth.
"What of her?" exclaimed Jack, starting up. "Is she dead?"
"No--no," answered Hogarth. "Don't alarm yourself. I saw it this morning in the Daily Journal--an advertisement, offering a reward--"
"A reward!" echoed Jack. "For what?"
"I had the paper with me. 'Sdeath! what can I have done with it? Oh! here it is," cried Hogarth, picking it from the ground. "I must have dropped it when I took out my note-book. There's the paragraph. ' Mrs. Sheppard left Mr. Wood's house at Dollis Hill on Tuesday '--that's two days ago,--' hasn't been heard of since .'"
"Let me see," cried Jack, snatching the paper, and eagerly perusing the advertisement. "Ah!" he exclaimed, in a tone of anguish. "She has fallen into the villain's hands."
"What villain?" cried Hogarth.
"Jonathan Wild, I'll be sworn," said Gay.
"Right!--right!" cried Jack, striking his fettered hands against his breast. "She is in his power, and I am here, chained hand and foot, unable to assist her."
"I could make a fine sketch of him now," whispered Hogarth to Gay.
"I told you how it was, Sir James," said Austin, addressing the knight, who was preparing for his departure, "he attributes every misfortune that befals him to Mr. Wild."
"And with some justice," replied Thornhill, drily.
"Allow me to assist you, Sir James," said Hogarth.
"Many thanks, Sir," replied Thornhill, with freezing politeness; "but Id not require assistance."
"I tell you what, Jack," said Gay, "I've several urgent engagements this morning; but I'll return to-morrow, and hear the rest of your story. And, if I can render you any service, you may command me."
"To-morrow will be too late," said Sheppard, moodily.
The easel and palette having been packed up, and the canvass carefully removed by Austin, the party took leave of the prisoner, who was so much abstracted that he scarcely noticed their departure. Just as Hogarth got to the door, the turnkey stopped him.
"You have forgotten your knife, Mr. Hogarth," he observed, significantly.
"So I have," replied Hogarth, glancing at Sheppard.
"I can do without it," muttered Jack.
The door was then locked, and he was left alone.
At three o'clock, on the same day, Austin brought up Jack's provisions, and, after carefully examining his fetters, and finding all secure, told him if he wanted anything further he must mention it, as he should not be able to return in the evening, his presence being required elsewhere. Jack replied in the negative, and it required all his mastery over himself to prevent the satisfaction which this announcement afforded him from being noticed by the jailer.
With the usual precautions, Austin then departed.
"And now," cried Jack, leaping up, "for an achievement, compared with which all I have yet done shall be as nothing!"
CHAPTER XVII.
The Iron Bar.
Jack Sheppard's first object was to free himself from his handcuffs. This he accomplished by holding the chain that connected them firmly between his teeth, and squeezing his fingers as closely together as possible, succeeded in drawing his wrists through the manacles.
"Have it, and welcome," rejoined Figg. "Always plenty to spare. Never bought a shirt in my life, Mr. Gay," he added, turning to the poet. "Sold a good many, though."
"How do you manage that, Mr. Figg?" asked Gay.
"Thus," replied the prize-fighter. "Proclaim a public fight. Challenge accepted. Fifty pupils. Day before, send round to each to borrow a shirt. Fifty sent home. All superfine holland. Wear one on the stage on the following day. Cut to pieces--slashed--bloodied. Each of my scholars thinks it his own shirt. Offer to return it to each in private. All make the same answer--'d--n you, keep it.'"
"An ingenious device," laughed Gay.
Sir James Thornhill's preparations being completed, Mr. Pitt desired to know if he wanted anything further, and being answered in the negative, he excused himself on the plea that his attendance was required in the court at the Old Bailey, which was then sitting, and withdrew.
"Do me the favour to seat yourself, Jack," said Sir James. "Gentlemen, a little further off, if you please."
Sheppard immediately complied with the painter's request; while Gay and Figg drew back on one side, and Hogarth on the other. The latter took from his pocket a small note-book and pencil.
"I'll make a sketch, too," he said. "Jack Sheppard's face is well worth preserving."
After narrowly examining the countenance of the sitter, and motioning him with his pencil into a particular attitude, Sir James Thornhill commenced operations; and, while he rapidly transferred his lineaments to the canvass, engaged him in conversation, in the course of which he artfully contrived to draw him into a recital of his adventures. The
ruse succeeded almost beyond his expectation. During the narration Jack's features lighted up, and an expression, which would have been in vain looked for in repose, was instantly caught and depicted by the skilful artist. All the party were greatly interested by Sheppard's history--especially Figg, who laughed loud and long at the escape from the Condemned Hold. When Jack came to speak of Jonathan Wild, his countenance fell.
"We must change the subject," remarked Thornhill, pausing in his task; "this will never do."
"Quite right, Sir James," said Austin. "We never suffer him to mention Mr. Wild's name. He never appears to so little advantage as when speaking of him."
"I don't wonder at it," rejoined Gay.
Here Hogarth received a private signal from Thornhill to attract Sheppard's attention.
"And so you've given up all hope of escaping, eh, Jack?" remarked Hogarth.
"That's scarcely a fair question, Mr. Hogarth, before the jailer," replied Jack. "But I tell you frankly, and Mr. Austin, may repeat it if he pleases to his master, Jonathan Wild,--I have not ."
"Well said, Jack," cried Figg. "Never give in."
"Well," observed Hogarth, "if, fettered as you are, you contrive to break out of this dungeon, you'll do what no man ever did before."
A peculiar smile illuminated Jack's features.
"There it is!" cried Sir James, eagerly. "There's the exact expression I want. For the love of Heaven, Jack, don't move!--Don't alter a muscle, if you can help it."
And, with a few magical touches, he stamped the fleeting expression on the canvass.
"I have it too!" exclaimed Hogarth, busily plying his pencil. "Gad! it's a devilish fine face when lit up."
"As like as life, Sir," observed Austin, peeping over Thornhill's shoulder at the portrait. "As like as life."
"The very face," exclaimed Gay, advancing to look at it;--"with all the escapes written in it."
"You flatter me," smiled Sir James. "But, I own, I think it is like."
"What do you think of my sketch, Jack?" said Hogarth, handing him the drawing.
"It's like enough, I dare say," rejoined Sheppard. "But it wants something here ." And he pointed significantly to the hand.
"I see," rejoined Hogarth, rapidly sketching a file, which he placed in the hands of the picture. "Will that do?" he added, returning it.
"It's better," observed Sheppard, meaningly. "But you've given me what I don't possess."
"Hum!" said Hogarth, looking fixedly at him. "I don't see how I can improve it."
"May I look at it, Sir!" said Austin, stepping towards him.
"No," replied Hogarth, hastily effacing the sketch. "I'm never satisfied with a first attempt."
"Egad, Jack," said Gay, "you should write your adventures. They would be quite as entertaining as the histories of Guzman D'Alfarache, Lazarillo de Tormes, Estevanillo Gonzalez, Meriton Latroon, or any of my favourite rogues,--and far more instructive."
"You had better write them for me, Mr. Gay," rejoined Jack.
"If you'll write them, I'll illustrate them," observed Hogarth.
"An idea has just occurred to me," said Gay, "which Jack's narrative has suggested. I'll write an opera the scene of which shall be laid altogether in Newgate, and the principal character shall be a highmaywan. I'll not forget your two mistresses, Jack."
"Nor Jonathan Wild, I hope," interposed Sheppard.
"Certainly not," replied Gay. "I'll gibbet the rascal. But I forget," he added, glancing at Austin; "it's high treason to speak disrespectfully of Mr. Wild in his own domain."
"I hear nothing, Sir," laughed Austin.
"I was about to add," continued Gay, "that my opera shall have no music except the good old ballad tunes. And we'll see whether it won't put the Italian opera out of fashion, with Cutzoni, Senesino, and the 'divine' Farinelli at its head."
"You'll do a national service, then," said Hogarth. "The sums lavished upon those people are perfectly disgraceful, and I should be enchanted to see them hooted from the stage. But I've an idea as well as you, grounded in some measure upon Sheppard's story. I'll take two apprentices, and depict their career. One, by perseverance and industry shall obtain fortune, credit, and the highest honours; while the other by an opposite course, and dissolute habits, shall eventually arrive at Tyburn."
"Your's will be nearer the truth, and have a deeper moral, Mr. Hogarth," remarked Jack, dejectedly. "But if my career were truly exhibited, it must be as one long struggle against destiny in the shape of--"
"Jonathan Wild," interposed Gay. "I knew it. By the by, Mr. Hogarth, didn't I see you last night at the ridotto with Lady Thornhill and her pretty daughter?"
"Me!--no, Sir," stammered Hogarth, colouring. And he hazarded a wink at the poet over the paper on which he was sketching. Luckily, Sir James was so much engrossed by his own task, that both the remark and gesture escaped him.
"I suppose I was mistaken," returned Gay. "You've been quizzing my friend Kent, I perceive, in your Burlington Gate."
"A capital caricature that," remarked Thornhill, laughing. "What does Mr. Kent say to it?"
"He thinks so highly of it, that he says if he had a daughter he would give her to the artist," answered Gay, a little maliciously.
"Ah!" exclaimed Sir James.
"'Sdeath!" cried Hogarth, aside to the poet. "You've ruined my hopes."
"Advanced them rather," replied Gay, in the same tone. "Miss Thornhill's a charming girl. I think a wife a needless incumbrance, and mean to die a bachelor. But, if I were in your place, I know what I'd do--"
"What--what would you do?" asked Hogarth, eagerly.
"Run away with her," replied Gay.
"Pish!" exclaimed Hogarth. But he afterwards acted upon the suggestion.
"Good-b'ye, Jack," said Figg, putting on his hat. "Rather in the way. Send you the shirt. Here, turnkey. Couple of guineas to drink Captain Sheppard's speedy escape. Thank him, not me, man. Give this fellow the slip, if you can, Jack. If not, keep up your spirits. Die game."
"Never fear," replied Jack. "If I get free, I'll have a bout with you at all weapons. If not, I'll take a cheerful glass with you at the City of Oxford, on my way to Tyburn."
"Give you the best I have in either case," replied Figg. "Good-b'ye!" And with a cordial shake of the hand he took his departure.
Sir James Thornhill, then, rose.
"I won't trouble you further, Jack," he remarked. "I've done all I can to the portrait here. I must finish it at home."
"Permit me to see it, Sir James!" requested Jack. "Ah!" he exclaimed, as the painting was turned towards him. "What would my poor mother say to it?"
"I was sorry to see that about your mother, Jack," observed Hogarth.
"What of her?" exclaimed Jack, starting up. "Is she dead?"
"No--no," answered Hogarth. "Don't alarm yourself. I saw it this morning in the Daily Journal--an advertisement, offering a reward--"
"A reward!" echoed Jack. "For what?"
"I had the paper with me. 'Sdeath! what can I have done with it? Oh! here it is," cried Hogarth, picking it from the ground. "I must have dropped it when I took out my note-book. There's the paragraph. ' Mrs. Sheppard left Mr. Wood's house at Dollis Hill on Tuesday '--that's two days ago,--' hasn't been heard of since .'"
"Let me see," cried Jack, snatching the paper, and eagerly perusing the advertisement. "Ah!" he exclaimed, in a tone of anguish. "She has fallen into the villain's hands."
"What villain?" cried Hogarth.
"Jonathan Wild, I'll be sworn," said Gay.
"Right!--right!" cried Jack, striking his fettered hands against his breast. "She is in his power, and I am here, chained hand and foot, unable to assist her."
"I could make a fine sketch of him now," whispered Hogarth to Gay.
"I told you how it was, Sir James," said Austin, addressing the knight, who was preparing for his departure, "he attributes every misfortune that befals him to Mr. Wild."
"And with some justice," replied Thornhill, drily.
"Allow me to assist you, Sir James," said Hogarth.
"Many thanks, Sir," replied Thornhill, with freezing politeness; "but Id not require assistance."
"I tell you what, Jack," said Gay, "I've several urgent engagements this morning; but I'll return to-morrow, and hear the rest of your story. And, if I can render you any service, you may command me."
"To-morrow will be too late," said Sheppard, moodily.
The easel and palette having been packed up, and the canvass carefully removed by Austin, the party took leave of the prisoner, who was so much abstracted that he scarcely noticed their departure. Just as Hogarth got to the door, the turnkey stopped him.
"You have forgotten your knife, Mr. Hogarth," he observed, significantly.
"So I have," replied Hogarth, glancing at Sheppard.
"I can do without it," muttered Jack.
The door was then locked, and he was left alone.
At three o'clock, on the same day, Austin brought up Jack's provisions, and, after carefully examining his fetters, and finding all secure, told him if he wanted anything further he must mention it, as he should not be able to return in the evening, his presence being required elsewhere. Jack replied in the negative, and it required all his mastery over himself to prevent the satisfaction which this announcement afforded him from being noticed by the jailer.
With the usual precautions, Austin then departed.
"And now," cried Jack, leaping up, "for an achievement, compared with which all I have yet done shall be as nothing!"
CHAPTER XVII.
The Iron Bar.
Jack Sheppard's first object was to free himself from his handcuffs. This he accomplished by holding the chain that connected them firmly between his teeth, and squeezing his fingers as closely together as possible, succeeded in drawing his wrists through the manacles.
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