The Woman in White by Wilkie Collins (popular e readers .txt) 📕

immediate discovery and pursuit. I remember the persuasion settling itself in my mind that the words those two men had said to each other would furnish us, not only with our justification for leaving the house, but with our weapons of defence against them as well. I recall the impulse that awakened in me to preserve those words in writing, exactly as they were spoken, while the time was my own, and while my memory vividly retained them. All this I remember plainly: there is no confusion in my head yet. The coming in here from the bedroom, with my pen and ink and paper, before sunrise—the sitting down at the widely- opened window to get all the air I could to cool me—the ceaseless writing, faster and faster, hotter and hotter, driving on more and more wakefully, all through the dreadful interval before the house was astir again—how clearly I recall it, from the beginning by candle-light, to the end on the page before this, in the sunshine of the new day!

Why do I sit here still? Why do I weary my hot eyes and my burning head by writing more? Why not lie down and rest myself, and try to quench the fever that consumes me, in sleep?

I dare not attempt it. A fear beyond all other fears has got possession of me. I am afraid of this heat that parches my skin. I am afraid of the creeping and throbbing that I feel in my head. If I lie down now, how do I know that I may have the sense and the strength to rise again?

Oh, the rain, the rain—the cruel rain that chilled me last night!

Nine o’clock. Was it nine struck, or eight? Nine, surely? I am shivering again—shivering, from head to foot, in the summer air. Have I been sitting here asleep? I don’t know what I have been doing.

Oh, my God! am I going to be ill?

Ill, at such a time as this!

My head—I am sadly afraid of my head. I can write, but the lines all run together. I see the words. Laura—I can write Laura, and see I write it. Eight or nine—which was it?

So cold, so cold—oh, that rain last night!—and the strokes of the clock, the strokes I can’t count, keep striking in my head----

* * * * * * * * *

Note [At this place the entry in the Diary ceases to be legible. The two or three lines which follow contain fragments of words only, mingled with blots and scratches of the pen. The last marks on the paper bear some resemblance to the first two letters (L and A) of the name of Lady Glyde.

On the next page of the Diary, another entry appears. It is in a man’s handwriting, large, bold, and firmly regular, and the date is “June the 21st.” It contains these lines—]

POSTSCRIPT BY A SINCERE FRIEND

The illness of our excellent Miss Halcombe has afforded me the opportunity of enjoying an unexpected intellectual pleasure.

I refer to the perusal (which I have just completed) of this interesting Diary.

There are many hundred pages here. I can lay my hand on my heart, and declare that every page has charmed, refreshed, delighted me.

To a man of my sentiments it is unspeakably gratifying to be able to say this.

Admirable woman!

I allude to Miss Halcombe.

Stupendous effort!

I refer to the Diary.

Yes! these pages are amazing. The tact which I find here, the discretion, the rare courage, the wonderful power of memory, the accurate observation of character, the easy grace of style, the charming outbursts of womanly feeling, have all inexpressibly increased my admiration of this sublime creature, of this magnificent Marian. The presentation of my own character is masterly in the extreme. I certify, with my whole heart, to the fidelity of the portrait. I feel how vivid an impression I must have produced to have been painted in such strong, such rich, such massive colours as these. I lament afresh the cruel necessity which sets our interests at variance, and opposes us to each other. Under happier circumstances how worthy I should have been of Miss Halcombe—how worthy Miss Halcombe would have been of ME.

The sentiments which animate my heart assure me that the lines I have just written express a Profound Truth.

Those sentiments exalt me above all merely personal considerations. I bear witness, in the most disinterested manner, to the excellence of the stratagem by which this unparalleled woman surprised the private interview between Percival and myself— also to the marvellous accuracy of her report of the whole conversation from its beginning to its end.

Those sentiments have induced me to offer to the unimpressionable doctor who attends on her my vast knowledge of chemistry, and my luminous experience of the more subtle resources which medical and magnetic science have placed at the disposal of mankind. He has hitherto declined to avail himself of my assistance. Miserable man!

Finally, those sentiments dictate the lines—grateful, sympathetic, paternal lines—which appear in this place. I close the book. My strict sense of propriety restores it (by the hands of my wife) to its place on the writer’s table. Events are hurrying me away. Circumstances are guiding me to serious issues. Vast perspectives of success unroll themselves before my eyes. I accomplish my destiny with a calmness which is terrible to myself. Nothing but the homage of my admiration is my own. I deposit it with respectful tenderness at the feet of Miss Halcombe.

I breathe my wishes for her recovery.

I condole with her on the inevitable failure of every plan that she has formed for her sister’s benefit. At the same time, I entreat her to believe that the information which I have derived from her Diary will in no respect help me to contribute to that failure. It simply confirms the plan of conduct which I had previously arranged. I have to thank these pages for awakening the finest sensibilities in my nature—nothing more.

To a person of similar sensibility this simple assertion will explain and excuse everything.

Miss Halcombe is a person of similar sensibility.

In that persuasion I sign myself, Fosco.

THE STORY CONTINUED BY FREDERICK FAIRLIE, ESQ., OF LIMMERIDGE HOUSE2

[2] The manner in which Mr. Fairlie’s Narrative and other Narratives that are shortly to follow it, were originally obtained, forms the subject of an explanation which will appear at a later period.

It is the grand misfortune of my life that nobody will let me alone.

Why—I ask everybody—why worry ME? Nobody answers that question, and nobody lets me alone. Relatives, friends, and strangers all combine to annoy me. What have I done? I ask myself, I ask my servant, Louis, fifty times a day—what have I done? Neither of us can tell. Most extraordinary!

The last annoyance that has assailed me is the annoyance of being called upon to write this Narrative. Is a man in my state of nervous wretchedness capable of writing narratives? When I put this extremely reasonable objection, I am told that certain very serious events relating to my niece have happened within my experience, and that I am the fit person to describe them on that account. I am threatened if I fail to exert myself in the manner required, with consequences which I cannot so much as think of without perfect prostration. There is really no need to threaten me. Shattered by my miserable health and my family troubles, I am incapable of resistance. If you insist, you take your unjust advantage of me, and I give way immediately. I will endeavour to remember what I can (under protest), and to write what I can (also under protest), and what I can’t remember and can’t write, Louis must remember and write for me. He is an ass, and I am an invalid, and we are likely to make all sorts of mistakes between us. How humiliating!

I am told to remember dates. Good heavens! I never did such a thing in my life—how am I to begin now?

I have asked Louis. He is not quite such an ass as I have hitherto supposed. He remembers the date of the event, within a week or two—and I remember the name of the person. The date was towards the end of June, or the beginning of July, and the name (in my opinion a remarkably vulgar one) was Fanny.

At the end of June, or the beginning of July, then, I was reclining in my customary state, surrounded by the various objects of Art which I have collected about me to improve the taste of the barbarous people in my neighbourhood. That is to say, I had the photographs of my pictures, and prints, and coins, and so forth, all about me, which I intend, one of these days, to present (the photographs, I mean, if the clumsy English language will let me mean anything) to present to the institution at Carlisle (horrid place!), with a view to improving the tastes of the members (Goths and Vandals to a man). It might be supposed that a gentleman who was in course of conferring a great national benefit on his countrymen was the last gentleman in the world to be unfeelingly worried about private difficulties and family affairs. Quite a mistake, I assure you, in my case.

However, there I was, reclining, with my art-treasures about me, and wanting a quiet morning. Because I wanted a quiet morning, of course Louis came in. It was perfectly natural that I should inquire what the deuce he meant by making his appearance when I had not rung my bell. I seldom swear—it is such an ungentlemanlike habit—but when Louis answered by a grin, I think it was also perfectly natural that I should damn him for grinning. At any rate, I did.

This rigorous mode of treatment, I have observed, invariably brings persons in the lower class of life to their senses. It brought Louis to HIS senses. He was so obliging as to leave off grinning, and inform me that a Young Person was outside wanting to see me. He added (with the odious talkativeness of servants), that her name was Fanny.

“Who is Fanny?”

“Lady Glyde’s maid, sir.”

“What does Lady Glyde’s maid want with me .

“A letter, sir----”

“Take it.”

“She refuses to give it to anybody but you, sir.”

“Who sends the letter?”

“Miss Halcombe, sir.”

The moment I heard Miss Halcombe’s name I gave up. It is a habit of mine always to give up to Miss Halcombe. I find, by experience, that it saves noise. I gave up on this occasion. Dear Marian!

“Let Lady Glyde’s maid come in, Louis. Stop! Do her shoes creak?”

I was obliged to ask the question. Creaking shoes invariably upset me for the day. I was resigned to see the Young Person, but I was NOT resigned to let the Young Person’s shoes upset me. There is a limit even