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chopper included the whole philosophy of existence—as indeed it does, if you look at it in that way. Finally I rushed out and brought in my old axe-handle, and we set upon it like true artists, with critical proscription for being a trivial product of machinery.

"Man," exclaimed the preacher, "it has no character. Now your helve here, being the vision of your brain and work of your hands, will interpret the thought of your heart."

Before the Scotch preacher had finished his disquisition upon the art of helve-making and its relations with all other arts, I felt like Peary discovering the Pole.

In the midst of the discourse, while I was soaring high, the Scotch preacher suddenly stopped, sat up, and struck his knee with a tremendous resounding smack.

"Spoons!" he exclaimed.

Harriet and I stopped and looked at him in astonishment.

"Spoons," repeated Harriet.

"Spoons," said the Scotch preacher. "I've not once thought of my errand; and my wife told me to come straight home. I'm more thoughtless every day!"

Then he turned to Harriet:

"I've been sent to borrow some spoons," he said.

"Spoons!" exclaimed Harriet.

"Spoons," answered the Scotch preacher. "We've invited friends for dinner to-morrow, and we must have spoons."

"But why—how—I thought—" began Harriet, still in astonishment.

The Scotch preacher squared around toward her and cleared his throat.

"It's the baptisms," he said: "when a baby is brought for baptism, of course it must have a baptismal gift. What is the best gift for a baby? A spoon. So we present it with a spoon. To-day we discovered we had only three spoons left, and company coming. Man, 'tis a proleefic neighbourhood."

[Illustration: "LET MY AXE FALL"]

He heaved a great sigh.

Harriet rushed out and made up a package. When she came in I thought it seemed suspiciously large for spoons, but the Scotch preacher having again launched into the lore of the chopper, took it without at first perceiving anything strange. Five minutes after we had closed the door upon him he suddenly returned holding up the package.

"This is an uncommonly heavy package," he remarked; "did I say table-spoons?"

"Go on!" commanded Harriet; "your wife will understand."

"All right—good-bye again," and his sturdy figure soon disappeared in the dark.

"The impractical man!" exclaimed Harriet. "People impose on him."

"What was in that package, Harriet?"

"Oh, I put in a few jars of jelly and a cake of honey."

After a moment Harriet looked up from her work.

"Do you know the greatest sorrow of the Scotch preacher and his wife?"

"What is it?" I asked.

"They have no chick nor child of their own," said Harriet.

It is prodigious, the amount of work required to make a good axe-helve—I mean to make it according to one's standard. I had times of humorous discouragement and times of high elation when it seemed to me I could not work fast enough. Weeks passed when I did not touch the helve but left it standing quietly in the corner. Once or twice I took it out and walked about with it as a sort of cane, much to the secret amusement, I think, of Harriet. At times Harriet takes a really wicked delight in her superiority.

Early one morning in March the dawn came with a roaring wind, sleety snow drove down over the hill, the house creaked and complained in every clapboard. A blind of one of the upper windows, wrenched loose from its fastenings, was driven shut with such force that it broke a window pane. When I rushed up to discover the meaning of the clatter and to repair the damage, I found the floor covered with peculiar long fragments of glass—the pane having been broken inward from the centre.

"Just what I have wanted," I said to myself.

I selected a few of the best pieces and so eager was I to try them that I got out my axe-helve before breakfast and sat scratching away when Harriet came down.

Nothing equals a bit of broken glass for putting on the final perfect touch to a work of art like an axe-helve. Nothing will so beautifully and delicately trim out the curves of the throat or give a smoother turn to the waist. So with care and an indescribable affection, I added the final touches, trimming the helve until it exactly fitted my hand. Often and often I tried it in pantomime, swinging nobly in the centre of the sitting-room (avoiding the lamp), attentive to the feel of my hand as it ran along the helve. I rubbed it down with fine sandpaper until it fairly shone with whiteness. Then I borrowed a red flannel cloth of Harriet and having added a few drops—not too much—of boiled oil, I rubbed the helve for all I was worth. This I continued for upward of an hour. At that time the axe-helve had taken on a yellowish shade, very clear and beautiful.

I do not think I could have been prouder if I had carved a statue or built a parthenon. I was consumed with vanity; but I set the new helve in the corner with the appearance of utter unconcern.

"There," I remarked, "it's finished."

I watched Harriet out of the corner of my eye: she made as if to speak and then held silent.

That evening friend Horace came in. I was glad to see him. Horace is or was a famous chopper. I placed him at the fireplace where his eye, sooner or later, must fall upon my axe-helve. Oh, I worked out my designs! Presently he saw the helve, picked it up at once and turned it over in his hands. I had a suffocating, not unhumorous, sense of self-consciousness. I know how a poet must feel at hearing his first poem read aloud by some other person who does not know its authorship. I suffer and thrill with the novelist who sees a stranger purchase his book in a book-shop. I felt as though I stood that moment before the Great Judge.

Horace "hefted" it and balanced it, and squinted along it; he rubbed it with his thumb, he rested one end of it on the floor and sprung it roughly.

"David," he said severely, "where did you git this?"

Once when I was a boy I came home with my hair wet. My father asked:

"David, have you been swimming?"

I had exactly the same feeling when Horace asked his question. Now I am, generally speaking, a truthful man. I have written a good deal about the immorality, the unwisdom, the short-sightedness, the sinful wastefulness of a lie. But at that moment, if Harriet had not been present—and that illustrates one of the purposes of society, to bolster up a man's morals—I should have evolved as large and perfect a prevarication as it lay within me to do—cheerfully. But I felt Harriet's moral eye upon me: I was a coward as well as a sinner. I faltered so long that Horace finally looked around at me.

Horace has no poetry in his soul, neither does he understand the philosophy of imperfection nor the art of irregularity.

It is a tender shoot, easily blasted by cold winds, the creative instinct: but persistent. It has many adventitious buds. A late frost destroying the freshness of its early verdure, may be the means of a richer growth in later and more favourable days.

For a week I left my helve standing there in the corner. I did not even look at it. I was slain. I even thought of getting up in the night and putting the helve on the coals—secretly. Then, suddenly, one morning, I took it up not at all tenderly, indeed with a humorous appreciation of my own absurdities, and carried it out into the yard. An axe-helve is not a mere ornament but a thing of sober purpose. The test, after all, of axe-helves is not sublime perfection, but service. We may easily find flaws in the verse of the master—how far the rhythm fails of the final perfect music, how often uncertain the rhyme—but it bears within it, hidden yet evident, that certain incalculable fire which kindles and will continue to kindle the souls of men. The final test is not the perfection of precedent, not regularity, but life, spirit.

It was one of those perfect, sunny, calm mornings that sometimes come in early April: the zest of winter yet in the air, but a promise of summer.

I built a fire of oak chips in the middle of the yard, between two flat stones. I brought out my old axe, and when the fire had burned down somewhat, leaving a foundation of hot coals, I thrust the eye of the axe into the fire. The blade rested on one of the flat stones, and I kept it covered with wet rags in order that it might not heat sufficiently to destroy the temper of the steel. Harriet's old gray hen, a garrulous fowl, came and stood on one leg and looked at me first with one eye and then with the other. She asked innumerable impertinent questions and was generally disagreeable.

"I am sorry, madam," I said finally, "but I have grown adamant to criticism. I have done my work as well as it lies in me to do it. It is the part of sanity to throw it aside without compunction. A work must prove itself. Shoo!"

I said this with such conclusiveness and vigour that the critical old hen departed hastily with ruffled feathers.

So I sat there in the glorious perfection of the forenoon, the great day open around me, a few small clouds abroad in the highest sky, and all the earth radiant with sunshine. The last snow of winter was gone, the sap ran in the trees, the cows fed further afield.

When the eye of the axe was sufficiently expanded by the heat I drew it quickly from the fire and drove home the helve which I had already whittled down to the exact size. I had a hickory wedge prepared, and it was the work of ten seconds to drive it into the cleft at the lower end of the helve until the eye of the axe was completely and perfectly filled. Upon cooling the steel shrunk upon the wood, clasping it with such firmness that nothing short of fire could ever dislodge it. Then, carefully, with knife and sandpaper I polished off the wood around the steel of the axe until I had made as good a job of it as lay within my power.

So I carried the axe to my log-pile. I swung it above my head and the feel of it was good in my hands. The blade struck deep into the oak wood. And I said to myself with satisfaction:

"It serves the purpose."

VI THE MARSH DITCH

"If the day and the night are such that you greet them with joy and life emits a fragrance like flowers and sweet-smelling herbs—is more elastic, more starry, more immortal—that is your Success."


In all the days of my life I have never been so well content as I am this spring. Last summer I thought I was happy, the fall gave me a finality of satisfaction, the winter imparted perspective, but spring conveys a wholly new sense of life, a quickening the like of which I never before experienced. It seems to me that everything in the world is more interesting, more vital, more significant. I feel like "waving aside all roofs," in the way of Le Sage's Asmodeus.

I even cease to fear Mrs. Horace, who is quite the most formidable person in this neighbourhood. She is so avaricious in the saving of souls—and so covetous of mine, which I wish especially to retain. When I see her coming across the hill I feel like running and hiding, and if I were as bold as a boy, I should do it, but being a grown-up coward I remain and dissemble.

She came over this morning. When I beheld her afar off, I drew a long breath: "One thousand," I quoted to myself, "shall flee at the rebuke of one."

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