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complete comfort. He buried his face again in old Jacob Meyer's chest. A flood of deep peacefulness passed through his mind—

Jeff, Jeff, watch out!

He stiffened, his whole body going cold. The strong arms were no longer around him, and he was suddenly afraid again—afraid with a terror that bit deep into his mind. He looked up and screamed, a scream that echoed and re-echoed. It came again and again—a scream of pure terror. Because his father's face was no longer next to him. There was another face, hanging bodiless and luminous above him. It was chalk white—a face of pure ghoulish evil, staring at him.

It was Conroe's face. He screamed again, tried to cover his eyes, tried to shrink down into nothing. But the hideous, twisted face followed him. The horrible fear intensified, sweeping through him like a flame, twisting into fiery hate in his heart, as he watched the evil, glowing face.

He killed your father, Jeff. He butchered your father, shot him down like an animal, in cold blood—

Jeff screamed and the evil face grinned and moved closer, until the rank breath was hot on Jeff's neck.

You must kill him, Jeff. He killed your father—

But why? Why did he do it, why ... why ... why? There was no answer. The voice trailed off into horrible laughter. Quite suddenly the face was gone. In its place was a tiny, distant figure—running, running like the wind, down the narrow, darkened hospital corridor. And Jeff was running too, burning with hatred, fighting desperately to catch up with the fleeing figure, to close the gap between them.

The walls were of gray stone. Conroe was running swiftly, unhindered. But horrid objects swept out of the walls at Jeff. He tripped on a wet, slimy thing on the floor and fell on his face. He scrambled up again as the figure disappeared around a far corner. The walls were gray and wet around him. He reached the Y, waiting, panting, screaming out his hatred down the empty, re-echoing hallways.

Then suddenly he glimpsed the figure and started running again, but they were no longer in the Hoffman Center. They were running down a hillside, a horrible, barren hillside, studded with long knives and spears and swords—shiny blades standing straight up from the ground, gleaming in the bluish light.

Conroe was far ahead, moving nimbly through the gauntlet of swords. But Jeff couldn't follow his path, for new knives sprang up before him, cutting his ankles, ripping his clothes. He panted, near exhaustion, as the figure vanished in the distance. Sinking down to the ground, Jeff sobbed, his whole body shaking. And the voice screamed mockingly in his ear: You'll never get him, Jeff. No matter how hard you try, you'll never get him ... never ... never ... never....

But I've got to, I've got to. I've got to find him and kill him. Daddy told me to—

He woke with a jolt, his screams still echoing in the still room, sweat pouring from his forehead and body, soaking his clothes. He sat bolt upright. He searched for his watch, but couldn't find it. How long had he slept?

His eyes shot to the opposite bed, standing empty, and he rolled out onto his feet. He had the horrible feeling that the world had passed him by, that he had missed something critical while he slept.

He stared at his wrist. The watch was definitely gone. Then, with a curse, he crossed the room and ripped open Blackie's foot locker. Sure enough, the watch lay with the heap of gold jewelry on the dirty clothes pile. He stared at it as he re-strapped it on his wrist. Then he walked into the lavatory, splashed cold water into his face and tried to quell the fierce painful throbbing in his head. The watch said eight-thirty. He had slept for five hours—five precious hours for Conroe to hide, cover his tracks, disappear deeper into this mire of human trash.

Jeff stumbled to the door, glanced out to see two gray-clothed guards passing in the corridor. Quietly he pulled the door shut. His stomach was screaming from hunger and he searched the room restlessly. Finally, he unearthed a box of crackers and a quarter pound of cheese in the bottom of Blackie's locker. He ate ravenously and drank some water from the lavatory tap. Then he sank down on the edge of the bed.

The dream again, the same horrible, frightening, desperate dream—the dream that recurred and recurred; always different, yet always the same. The same face that had haunted him all his life, the face that had almost driven him insane that day, five years before, when he met it face to face for the first time; the face of the man he had hunted to the ends of the earth. But never had he caught the man, never had he seen him but for brief glimpses. Conroe had slipped from every trap before it was sprung. Yet finally he had become so desperate that he was forced to retreat down a one-way road that led to hellish death.

Jeff shook his head hopelessly as he tried to piece together the situation. He was in a half-world of avaricious men and women out to sell themselves for incredible fees. It was a half-world that seemed to Jeff only slightly more insane than the warped, intense world of pressure and fear and insecurity that lay outside the Hoffman Center. And in this half-world were a doctor who knew Jeff was a fraud, a kleptomaniac girl who thought he was an addict, and somewhere—the slender figure of the man he hunted.

Again he walked to the door. After peering out cautiously, he started down the corridor. From the far end he heard a burst of laughter, the sound of many voices. The smell of coffee floated down the corridor to tantalize him. He followed the sounds and reached the large, long room that served as a lounge and library for the Mercy Men in his unit.

The room was crowded. A dozen groups were huddled on the floor in a buzz of frantic excitement. The room was blue with cigarette smoke, and the lights glowed harshly from the walls. He saw the dice rolling in the centers of the groups and he also saw half a dozen tables, crowded with bright-eyed people. He heard the riffle of playing cards and the harsh, tense laugh of a winner drawing in a pot. And then he spied the Nasty Frenchman, his eyes bright with excitement, a cup of exceedingly black coffee in one hand and a pile of white paper tags in the other.

He grinned at Jeff with undisguised malice and said, "Come on in, wise guy. Things are just beginning to get hot."

Blinking, Jeff walked into the room.

CHAPTER FIVE

His first impulse was to turn and run. There was no explaining it, no rationalizing the feeling of dread and danger that struck him as he walked into the room. The feeling swept over him with almost overpowering intensity; something was unbearably wrong here.

Jeff walked in slowly, closing the door behind him. The door seemed to be pulled tight shut, sucked out of his hand. That was when the tension in the air struck Jeff like an almost physical force, and his mind filled with dread.

No one noticed him. He stared around himself curiously. He watched the Nasty Frenchman shoulder his way through the crowd. One of Silly Giggin's particularly maddening nervous-jazz arrangements was squawking from a player somewhere in the room, and the air itself was filled with a jagged rattle of conversation that rose above the music.

Most of the faces were new to Jeff. There were tired, old ones, marked indelibly with lines of fear, lines of hunted hopelessness. There were faces with tight, compressed, bloodless lips; faces with eyes full of coldness and cynicism, and faces radiating sharp, perverted intelligence.

Crowds leaned tensely around the tables and watched the cards with eager, calculating eyes. Side bets were made as the hands were opened. Other groups huddled on the floor and watched the dice with beady, avaricious eyes.

The music jangled and scraped, and little bursts of harsh laughter broke out to compete with it. And through it all ran the chilling inescapable feeling of error, of something missed, something gone horribly wrong.

He moved slowly through the room and searched the faces milling around him. His eyes caught Blackie's, far across the room, for the barest instant, and the chill of something gone wrong intensified and sent a quiver up his spine. He stopped a passerby and motioned at the nearest dice huddle. "How do you get in?" he asked.

The man shrugged, looking at him strangely. "You lay down your money and you play," he snapped. "If you got no money, then you've got the next job's payoff to bet with. 'Smatter, Jack, you new around here?" And the man moved on, shaking his head.

Jeff nodded, realization striking. What would be more natural to a group of people teetering from day to day on the brink of death? The need for excitement, for activity, would be overpowering in a dismal prison-place like this. And with the huge sums of money yet unearned to bet with—Jeff shuddered. Cut-throat games, yes, but could they really explain this strange tension he sensed? Or had something happened, something to change the atmosphere, to pervade every nook and cranny of the room with an air of explosive tension?

Jeff started moving toward the Nasty Frenchman. The little man was gulping coffee in the corner. He sucked on a long, black cigar and appeared to be in deep conversation with a bald-headed giant who leaned against the wall. Jeff spotted Blackie again. She was across the room on her knees. She faced a little buck-toothed man, as she swiftly rolled the three colored dice. Her eyes followed them, quick and unnaturally bright.

Jeff shook his head. Panmumjon was a high-speed, high-tension game—a game for the steel-nerved. Its famous dead-locks had often led to murder, as the pots rose higher and higher. The girl seemed to be winning. She rolled the dice with trance-like regularity, and the little buck-toothed man's face darkened as his money pile dwindled.

Across the room a corner crap game was moving swiftly, with staggering sums of money passing from hand to hand; the card games, though slower, left the mark of their tension on the players' faces. Jeff still stared, until he had seen every face in the room. Paul Conroe's face was not one of them.

No, he had not expected that. But what had happened? It was maddening to stand there, to feel the tension in the room, sense that it was growing until it seemed to pound at his temples. No one else seemed to notice it. Was he the only one aware of the change in the air, in the sounds, even in the color of the light against the walls? Something was impelling him, urging him to run, to get away, to leave the room now while he could. Yet when he tried to analyze the creeping, poisonous fear, tried to pin it down, it wriggled away into the fringes of his mind, and mocked him.

Finally, he reached the corner of the room. His ear caught the Nasty Frenchman's nasal voice, and he froze as he stared at the little man.

"I tell you, Harpo, I heard it with my own ears. You never saw Schiml so excited. And then Shaggy Parsons was saying that the whole unit was being split up—that's the A unit. I saw him when I was going through this afternoon. He was all excited, too."

"But why split it up?" The huge bald-headed man called Harpo growled, his heavy lips twisting in disgust. "I don't trust Shaggy Parsons for nothin', and I think you hear what you want to hear. What's the point to it? Schiml's coming along fine in the work he's using us in—"

The Nasty Frenchman turned red. "That's just it: we've been in and we're going to be out, right out in the cold. Can't you get that straight? Something's going to break. They're onto something—Schiml and his boys—something big. And they've got a new man, somebody they're excited about, somebody that's been knocking walls down just by looking at them, or something—"

Harpo made a disgusted noise. "You mean, the old ESP story again. So maybe they go off on another spook hunt. They'll get over it, same as they did the last time or the time before."

The Nasty Frenchman's voice was tense. "But they're changing things. And changes mean trouble." He glanced at Jeff and his eyebrows went up. "Look, they get on a line of work, they assign men to different parts of a job, they get work lined up months in advance. Then all of a sudden something new comes along. They get excited about something and they toss out a couple dozen workers, add on

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